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Building a DIY Music Server


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1 hour ago, dctom said:

 

Externally powered from Hdplex 200w.

 

I would have expected a bigger difference then.  I need to check this out on my server.

 

Speakers: Vandersteen Model 7s, 4 M&K ST-150Ts, 1 VCC-5; Amplification: 2 Vandersteen M7-HPAs, CI Audio D200 MKII, Ayre V-6xe; Preamp: Doshi Audio Line Stage v3.0; Phono Pre: Doshi Audio Phono Pre; Analog: Wave Kinetics NVS with Durand Telos composite arm; SME 3012R arm, Clearaudio Goldfinger Statement v2; Reel to Reel:  Technics RS-1500; Doshi Tape Pre-Amp; Studer A810, Studer A812, Tascam BR-20; Multi-channel: Bryston SP-3; Digital: Custom PC (Sean Jacobs DC4/Euphony/Stylus)> Lampizator Pacific

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I've been trying to determine the quality of the clock offered by Fidelity Audio, and it has been a struggle.  Apparently, I am the first person to have asked about the phase noise characteristics of their clock.  It seems they may devote more effort to their voltage regulator than Pink Faun. 

 

This 40hz data in the attached graph is from the supplier of the range of oscillators they use.  Any thoughts?

 

phfobkoogonohchd.bmp

 

 

 

 

 

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3 hours ago, dminches said:

 

I would have expected a bigger difference then.  I need to check this out on my server.

 

 

 

SGM extreme people make a big thing of not using SATA channel for storage of music files, they use Pcie M2. Apparantly sata channel is very noisy. 

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2 hours ago, dctom said:

 

 

SGM extreme people make a big thing of not using SATA channel for storage of music files, they use Pcie M2. Apparantly sata channel is very noisy. 

 

According to Emile it all comes down to PCI having a direct path to the CPU as opposed to going through the chipset.  Makes sense.

 

Speakers: Vandersteen Model 7s, 4 M&K ST-150Ts, 1 VCC-5; Amplification: 2 Vandersteen M7-HPAs, CI Audio D200 MKII, Ayre V-6xe; Preamp: Doshi Audio Line Stage v3.0; Phono Pre: Doshi Audio Phono Pre; Analog: Wave Kinetics NVS with Durand Telos composite arm; SME 3012R arm, Clearaudio Goldfinger Statement v2; Reel to Reel:  Technics RS-1500; Doshi Tape Pre-Amp; Studer A810, Studer A812, Tascam BR-20; Multi-channel: Bryston SP-3; Digital: Custom PC (Sean Jacobs DC4/Euphony/Stylus)> Lampizator Pacific

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I would need a different motherboard to use PCI storage since my Supermicro mobo only has 2 PCI lanes and they are being used by network and USB cards.

 

Is there an ATX motherboard which uses ECC ram?  I would like to continue to use the Apacer RAM, if possible.

 

Speakers: Vandersteen Model 7s, 4 M&K ST-150Ts, 1 VCC-5; Amplification: 2 Vandersteen M7-HPAs, CI Audio D200 MKII, Ayre V-6xe; Preamp: Doshi Audio Line Stage v3.0; Phono Pre: Doshi Audio Phono Pre; Analog: Wave Kinetics NVS with Durand Telos composite arm; SME 3012R arm, Clearaudio Goldfinger Statement v2; Reel to Reel:  Technics RS-1500; Doshi Tape Pre-Amp; Studer A810, Studer A812, Tascam BR-20; Multi-channel: Bryston SP-3; Digital: Custom PC (Sean Jacobs DC4/Euphony/Stylus)> Lampizator Pacific

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5 hours ago, elan120 said:

There are many, but for Intel CPU, most of them will not support ECC function, but ECC RAMs can still be used.

Xeon MB does support this

 

Qnap NAS (LPS) >UA ETHER REGEN (BG7TBL Master Clock) > Grimm MU1 > Mola Mola Tambaqui /Meridian 808.3> Wavac EC300B >Tannoy Canterbury SE

 

HP Rig ++ >Woo WES/ > Stax SR-009, Audeze LCD2

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I started a new Audio PC project with a cable specialist. I would like to thank @Nenon for the many tips in this thread.

 

In order not to hijack this thread I started a new one. If interested: DIY Project High Performance Audio PC with high quality wiring.

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Guys,

 

If you only have ONE Paul Hynes SR4 (9v, 12v, 15v and 19v), what would you choose to power with it, where the SR4 would do most benefits :

 

CPU or JCAT USB FEMTO ?

 

Thanks !!

ER + PH DR7T - TAIKO Server + PH DR7T ( HQPOs + ROON ) JCAT XE USB - Lampizator Baltic 4 - D-Athena preamp - K- EX-M7 amp - PMC Twenty5 26

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Given that you have a pretty powerful CPU, the 4A the SR4 provides might be better on the JCAT. Your CPU would benefit from a power supply with more headroom. But the SR4 specs say that it supports 20A transient... so it may work fine on the CPU as well. You will have to experiment.

 

Also, it's hard to comment on a single piece / parameter in a bubble. The power supply strategy is something that in my opinion needs to be planned before you start building the PC. It's the foundation and the single most important component of a music server. What would you be powering up the JCAT USB with if you use the SR4 for the CPU? And what would you be powering up the CPU with if you use the SR4 for the JCAT USB?

Industry disclosure: 

Dealer for: Taiko Audio, Aries Cerat, Audio Mirror, Sean Jacobs

https://chicagohifi.com 

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29 minutes ago, Nenon said:

Given that you have a pretty powerful CPU, the 4A the SR4 provides might be better on the JCAT. Your CPU would benefit from a power supply with more headroom. But the SR4 specs say that it supports 20A transient... so it may work fine on the CPU as well. You will have to experiment.

 

Also, it's hard to comment on a single piece / parameter in a bubble. The power supply strategy is something that in my opinion needs to be planned before you start building the PC. It's the foundation and the single most important component of a music server. What would you be powering up the JCAT USB with if you use the SR4 for the CPU? And what would you be powering up the CPU with if you use the SR4 for the JCAT USB?

My previous configuration was MacMini + NUC so the SR4 was planned for that scenario, at the moment i can not expend so MUCH more (an SR7 would be ideal) so i have to stick (for now) with what i already have, taking in count that until now i have spent 2,100 in this server without taking in count the SR4 and the Hdplex 200 that i already had, i m just trying to accommodate things as i move forward, maybe in a few months i will invest in a more adequate and sophisticated power supply for this server, now i want to squish the best from what i have

 

...2,400 with the added Ghent cables

ER + PH DR7T - TAIKO Server + PH DR7T ( HQPOs + ROON ) JCAT XE USB - Lampizator Baltic 4 - D-Athena preamp - K- EX-M7 amp - PMC Twenty5 26

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If the Pink Faun OCXO clock is -100 dB at 1 Hz, and the Mutec  Ref 10 is -115 at the same 1 Hz, BUT (I) the OCXO is 20 MHz while the Mutec is 10 Mhz, and (II) the OCXO is an inch-and-a-half from the USB port, whereas the Mutec has to add some noise via wires to and from it, how does one achieve comparability between the two, taking into account both (I) and (II)?

 

(I) should be perhaps easier to answer, but (II) has a lot of "it depends" associated with it (what power supply, what cables, length of cables) and likely cannot be measured broadly but instead on a case-by-case basis.

 

I am not technically savvy, so I want to be clear that I am asking, not trying to make a point.  Nenon and I have discussed this, however, and I opted not to use my Mutec Ref 10 and my SOTM as a result of that discussion.  Nothing but a USB cable between my server and DAC, at present

 

I would think it would be difficult for the Mutek to outperform the OCXO just given proximity to the USB port (1 1/2") and a hard-wired connection.  Just the BNC connections on the Mutec alone add noise, let alone wires to and from the master clock.  But I don't know.

 

I may hook up the SOTM Tx and the Mutec again, just for the heck of it.  But this is complicated by having recently bought a Synergistic Research Galileo SX USB cable.  I don't have two of them (the SOTM Tx needs two USB cables, to and from). The other USB cable would have to be my 0.3 meter Lush^2.  Thinking that through further, the expenditure on two USB cables of equal quality (instead of one), plus the cost of the Mutec and the SOTM plus whatever powers the SOTM are additional considerations.  By just having the USB cable and not the other stuff, one can afford an extraordinary USB cable.  That has less noise associated with it also.  And two extraordinary USB cables instead of one extraordinary USB cable has more noise as well.  Especially at one meter apiece.

 

Also, the Pink Faun USB card with the OXCO clock is getting very clean power from a Sean Jacobs power supply.  The SOTM would not, in my case, have access to that power in an experiment.

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@Nenon A really well thought out and structured article. Thank you for your thoughts.

 

58 minutes ago, Nenon said:

However, curiosity made me check that, and I was shocked to discover that RAM makes a significant difference.

 

Is there also a software-based solution for this? Possibly: MinorityClean. 

Quote

A utility that cleans up the CPU registers. Targets "General-purpose registers", "MMX registers", and "XMM registers", and matches the internal circuit standards of memory chips.

 

I was very skeptical and feared that I would have to pay a ransom for the encrypted hard drives. 😂

 

But everything is fine and it brings about improved clarity in my system. In jplay forum Pink HQ + Minorityclean you can find a lot of sound descriptions, which I think is mostly exaggerated. The effect is not immediately audible and takes a few hours for me. If I deactivate it, I missed these clear sound structures without sharpening. The tool costs nothing. Just try. But hey! It's not my fault if your hard drives are encrypted or if the Japanese military is listening. 😎

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To clarify, the end goal has always been sound quality, which is subjective but at least that'll start us with some commonality. 

 

Everything requires proper implementation. Even with proper implementation sometimes certain components can sound poorly when used in a system that has bad synergy. Which is why this hobby is a complete loop and in order to understand the system better, more specifically YOUR system, you have to change out things one by one while making sure everything is properly burned in so there is no placebo going on. Which is why I envy your persistence for this hobby and enjoy your updates.

 

Speaking quickly on the RAM. I found that frequency does not play a big of a role than say industrial quality or ECC specified RAM, hence why the 3200MHz consumer sticks I was using too did not sound as good. This also includes the CL timings. The Industrial/Wide Temperature ones have shown good results with those who have tried them whereas ECC is still only a recent matter. It does correct the soft/hard bit errors but you just might not hear it. Or you might hear something different but not necessarily better in this case. It requires either a very sensitive setup, the right headphones, amplifier, DAC, or the right amount of sleep. After all, our eyes and ears work better on different days. To say so conclusively as to what a wise choice would be is that no one should build a system around ECC "enabled" RAM, that I'll agree with you 100%. But the difference is there. Either from ECC or just the quality of the module themselves. You yourself noticed this when they were used without ECC enabled in another system. I'm not fond of taking guesses but my best one would be that ECC/Industrial produced RAM come in even smaller batches than industrial alone ones so perhaps their tolerances are even closer.

For those looking to upgrade their RAM, Industrial ones SHOULD give you an improvement (due to closer voltage tolerances between IC's), but don't fixate too heavily on ECC RAM. In this hobby of wishful thinking even I must admit what I heard in improvements could be from wishful thinking and buyers justification mindset, all forms of placebo. Regardless of which, even in that category, at the end it's all about self satisfaction may it a fairy tale. After all, we're all trying to wake up like The Matrix here and see what the truth really is, hence all the experimentation. On the subject of RAM, currently I have purchased an aluminum heatsink for the four sticks of Apacer I have. I am going to see if cooling them helps in any way. If not, maybe the metal shielding will do something in rejecting EMI/RFI so they can perform better, it's a valid thought right?

 

What you said on power supplies is true. It's not all about output noise but a collection of things that goes on the topic of implementation yet again. Things such as voltage tolerances, current headroom, output noise, transient response, discrete vs non-discrete, super-capacitors vs without, amount of regulation, Low Pass LC Filters (Pi, Legendry, Chebyshev Pi, Butterworth) vs basic filtering, balanced step down transformers, ferrite/chokes (wrapped around wires), boutique parts (rhodium IEC, GX16 connectors, audiophile wires and capacitors, EMI/RFI absorbing sheets,), proper cooling, and chassis decoupling all play vital roles in how well a power supply performs and which would be more optimal for what circuit. I only list the 10 + 3 = 13 as a way to show that we are back paddling. Audiophiles who are known to use inefficient linear power supplies that are in the single digit uV and now paying little attention to noise level and utilizing higher efficiency but noisy SMPS converters. It's so opposite. There are better options. In general higher current, lower noise, and voltage tolerance are the three main staple. The boutique part is subjective (although I am guilty on leaning here) and the methodology of how the power supply is built affects each line-load differently, not just because their impedance or current draw differs but their preference for power can variate. Like how the input stage of some amplifiers having high impedance, the output impedance of power supplies being low might also not always be a good thing. A transient response that is delayed might be better than a faster one for a particular load. Maybe the load can't appreciate high pulse currents. The list goes on. It all comes back to experimentation but more importantly, know what you are experimenting. For example, Farad uses a Pi filter to create a cutoff frequency to not allow high frequencies (eg. cutoff after 0Hz to not allow noise to pass other than the DC alone) to go through and into the voltage regulator. Because they incorporate this, I have found it to make more of an improvement on digital gear as those gears can appreciate that improved shunting of high frequency noise. Just my 2 cents. Know the inner workings of things so you can experiment in all directions. Don't try the same place twice unless it is somewhat different or if you want to confirm one final time before departing with a set conclusion.

 

I was unaware that it was easier to make a low phase noise OCXO at 10MHz than it was to make it in 25MHz, thank you. I still believe the phase noise matters but like you say, it only gives us a small window into what it's really capable of (good and bad). Regardless of which clock, the layout still stands that it should have the shortest path possible to where it is being connected to. This can be a tough challenge especially like your photo when finding a properly location to replace the chipset oscillator. I for one am at the other end of you. I've tried a bunch of Crystek and custom measured NDK's with even lower noise before listening to @elan120 and switching over to the sCLK-EX. It was yet still better than everything I had tried and even more so with a masterclock despite a longer run. I hope to meet you half way one day by replacing one or two clocks with Pink Faun Ultra OCXO in the most vital area of the system just to see if there is any difference between the two to justify the purchase of such an expensive OCXO. But it needs to be done to really not look back. I think you feel the same in regards to the SOtM clocks. And don't be shy of your belief. It's been said by Cybershaft and MUTEC that a clock without vibration isolation can increase by a couple +dB. Hence why I prefer having the MUTEC REF 10's OCXO separate from the rest of the system, not mounted on shaky mounting brackets, and on isolation feet's like the IsoAcoustics Gaia III. Also you never know how much light movement the earth makes as it shifts it's tectonic plates and crates a light whiplash on the audio gear or how it's natural 7.83 hertz frequency can affect the SC cut crystal. 

 

Either way, I firmly believe what you're doing by starting with the best quality OCXO and working up from there is a smart move. I on the other hand populated my whole system with sCLK-EX. I may get the musical benefits now but hearing a clock swap is much more difficult although I will try. It's too late to throw back in old oscillators. You starting from stock and then jumping end game would surely be a dramatic change enough to figure out what location has the biggest perks. I await for your experiments.

 

Lastly, I have some carbon pipes in many different sizes. If you want to do something with them just let me know the size and I'll cut it down for you and mail it to you. It could be put to good use. Maybe around a wire for shielding purposes and dampening as you say (true). I also have a roll of  tinned copper braid a 1000M roll of mylar aluminum foil in 17mm (I think..). 

 

 

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6 minutes ago, Energy said:

The Industrial/Wide Temperature ones have shown good results with those who have tried them whereas ECC is still only a recent matter. It does correct the soft/hard bit errors but you just might not hear it. Or you might hear something different but not necessarily better in this case.

 

Note that if your CPU doesn't support ECC functionality (Intel Xeon's do), it is just one extra bit per word of available memory that is sitting unused. So unless CPU's memory controller actually does something about the parity bit, it doesn't have any error correction effect.

 

Typical result of bit errors is application or operating system crash.

 

Note though that tight packed DDR3L SO-DIMMS are more susceptible of certain types of memory errors than desktop/server full size DDR4 memory.

 

Signalyst - Developer of HQPlayer

Pulse & Fidelity - Software Defined Amplifiers

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6 hours ago, Nenon said:

Let's start with RAM and Intel vs. AMD...

 

A great post that answers so many questions, but I can still think of a few more on RAM 🙂:

 

1. Is 2 better than 1? E.g. is 2 x 4GB better than 1 x 8GB?

(Some say 2x is better because of load balancing. OTOH it may result in slightly greater power consumption and noise. And greater cost). 

 

2. Is it a bad idea to mix 2 slightly different memory specs?

In particular, a 2400 Apacer and a 2666 Apacer in adjacent slots.

 

3. How big a SQ step is the 2666 above a 2400 Apacer, compared to a 2400 Apacer above a typical non-industrial RAM?

And same question for ECC above non-ECC?

I'm guessing there are diminishing returns here.

 

Thank you

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for folks who are using a single DIMM in a two or four slot configuration - be careful into which slot you insert the DIMM into as it should be placed on one which has the shortest path to the CPU. The motherboard manual will most likely have details on how you need to populate. I find this to be very critical to sound quality.

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1 hour ago, Energy said:

 

Starting off are general answers, but the answers themselves are open to variable change depending on your system. 

1. In the multiple test configurations that I ran, 2 sticks sounded better than one. But only when the device was given adequate power. That means that on a music server that is given enough current, the dual channel bandwidth (or multiple sticks) and latency of data queue’s improved the sound quality despite requiring another 1.2V memory module that added additional power consumption. The closer the PSU was to it’s max current limitation, the more narrow these benefits became. For example on the endpoint I once used a 3A linear power supply that was cutting it close and when the second RAM was added, it actually became harmful to the sound. It wasn’t until I had switched over to a 5A did the improvement of the second stick become apparent. YMMV.

 

2. If they are of similar build then running both Apacer model’s at the same frequency shouldn’t be too far off, given that their PCB layout (traces) and IC’s are similar. However if the comparison was with different brands or models then given the two reasons above it would be a bad idea to mix them. Even Apacer sticks that run the same frequency but designed with different initial stated frequencies can come from different batches that don’t work as similarly. Given that, it’s probably a better idea to get only industrial with the same frequencies to be more certain that they perform more similarly. But right now harmful it is with the current configuration you have really depends.

 

3. In very rough numbers, I found the 2666 to be maybe 2% better than the 2400 (both industrial), and ECC was only maybe 1-2% at most. Both were at least 3% better than non-industrial. The changes in these specifications was more significant for the endpoint than it was for the music server. With the endpoint, since I use an AMD based NUC/Mini PC called the ASROCK iBOX-V1000 that supported ECC out of the box, I started off with low CL14 HyperX consumer RAM before directly moving over to ECC/Industrial. Where I got maybe 7% total improvement on the server, the endpoint on the other hand felt closer to 10%. My guess was that it is in the middle Of the audio chain and responsible for handing off the music file hence played a slightly more important role whether that operation went smoothy or not. An operation where RAM plays a fairly important role since the unit is made up of very few things (motherboard, CPU, and memory). Not to mention the AudioLinux operating system was off-loaded to the RAM via RAMBOOT so that could be a major contributor on why RAM made more of a difference here.

 

I’m sure Nenon will chime in on this as well with his thoughts.


Have you compared the NUC7I7DN.. and the iBox v1000 and which did you prefer? 

Meitner ma1 v2 dac,  Sovereign preamp and power amp,

DIY speakers, scan speak illuminator.

Raal Requisite VM-1a -> SR-1a with Accurate Sound convolution.

Under development:

NUC7i7dnbe, Euphony Stylus, Qobuz.

Modded Buffalo-fiber-EtherRegen, DC3- Isoregen, Lush^2

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