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Found 17 results

  1. What if your speakers have a digital input? does these make your DAC’s analog output redundant? Do you then just need a streamer or roon device with a digital out? in other words what if you send them purely digital signal? then all you need is a volume control right? not a DAC. How much do we know about the DAC stages in these new models? it seems odd to send a DAC signal down a balanced cable to another ADC - DAC system. thoughts?
  2. Mitch Barnett of Accurate Sound tells us about his journey to become a leading expert in Digital Sound Processing (DSP). Accurate Sound is a remote service using Audiolense, Acourate and Room Eq Wizard (REW).
  3. I was fortunate enough to be invited by David Snyder @dsnyder of the San Francisco Audiophile Society to talk about DSP/DRC.While the video begins at my DSP talk, I encourage folks to rewind to the beginning of the video as David has a wonderful presentation on streaming and using a Raspberry PI as a Roon endpoint.
  4. Looking for a MiniDSP SHD (with A/ D and D/A) in good working order. Please send me a PM if you have one you no longer need. Don't need the mike.
  5. Hi, I wonder if someone could provide a step-by-step guide to achieving room correction using REW and HQ Player. I tried to find a tutorial but the information is scarce and spread all over the web... It's been years since I last used REW to measure the frequency response at the listening spot. I have a mic, REW and I'm ready to go. Thanks, Ricardo
  6. I'm trying to get an audiophile sound when playing remux ripped blu-rays on my computer. Getting the right syntax to make afir work in FFmpeg would be a way. At the moment I follow Bob Stern's advice to try Audio Hijack to capture the audio output of my video player app and put an AU in. Allloy 2 works but I know I can beat simple eQ with my filters REW/RePhase designed for HQP. I can't get iZotope Trash nor Fog convolver to simply convolve my own 2 channels FIR. The simple but mighty old LAconvolver works and beats Alloy 2 yet. However it resamples my filters to 44.1 and I'd like to keep
  7. Let's assume cables can be proven beyond a reasonable doubt to sound different. Even in the unlikely event that we all would agree on that, what is the justification for using expensive cables, rather than digital signal processing (room correction, parametric equalization, etc.), whose properties can be readily controlled and whose results are easily measurable, to alter what the music sounds like?
  8. Given the loudness wars, I cannot imagine it is impossible to restore some of the dynamic range in a compressed recording. I understand that when music clips, or when you're using the top 2 MSBs in the 16bit word, you're not going to be able to recover resolution as you expand DR, but something better than nothing is surely possible. I would pay good money for such a filter.
  9. Hi everyone, after having invested in heavily appreciated "fanboy" gear like REGEN USB , CURIOUS CABLE and a KLEIN DAC (See more here) in my first year with the CA community, I have had a read here on the "biggest bangs for buck" threat, which convinced me, that doing something on the acoustic treatment of my listening room should be the next step before investing even more on hi-end equipment. Maybe investment on useful hardware like the minidsp UMIC or an antimode processor still does make sense, even a bass enhancement with a good sub could be adjusted to the plan. I have two B&
  10. Hi Guys, here is the video guide about the Devialet SAM and how to. I actually I didn't know exactly how the "uncle" SAM is working but this is giving some very nice details and step by step explanation how to. Of course it's the short version but you can imagine the rest;)) Any thoughts on this topic?
  11. (Not in DSP or other sections -- this doesn't seem to fit) One thing that I have always thought to have an ugly sound -- the Aphex Exciter. I have noticed either the 'Exciter' or other kinds of specialized EQ being used in various material from at least the 1970s. This example seems to work well for Linda Ronstadts recordings, and a modified version seems to help control the overly scrambled 'wall of sound' effect on ABBA. It might not correct all of the 'Exciter' sound, but seems to help with the 'chalk on the chalkboard' graininess. The script below seems to help, but an
  12. * NO LONGER AVAILABLE * Description Mint Condition. Opened and inspected, but not used. This version has a hard-shell carrying & storage case (something apparently no longer included by miniDSP). The UMIK-1 is an omni-directional USB measurement microphone providing Plug & Play acoustic measurement. For use with REW Room EQ Wizard or other similar software.
  13. Is anyone been able to use the software version of Dirac with their Microrendu or similar DLNA network player? If so can you please describe your signal path. What software are you using, Jriver, HQPLayer, Roon etc.
  14. I bought a very inexpensive, new in the box Pono music player recently. Made a balanced star-quad cable for my HD650s and found that it is a very nice player, but the combo of HD650 and Pono seems to lack a bit in bass and midrange, resulting in an overall too-bright a presentation. I'm already using HQPlayer convolver on the PC to apply EQ and cross-feed, so I came up with the "brilliant" idea of applying DSP impulse response files to music before transferring it over to Pono, hoping to hear a much more balanced output through the headphones. My question is, what's the
  15. I'm still an audiophile when I watch TV. And my computer is now by best source for ripped movies too since I am back to the future with a Kuro 500 Plasma TV (that doesn't have the capability to process my Blu-Ray remuxes) I could do with the included in IINA (new os x player based on mpv) eQ but I want better. However I must confess I have not been able to write a correct syntax to get IINA trigger FFmpeg afir that would convolve the IR filters I have designed for HQplayer. Anyone can help?
  16. Does anyone on this board have any experience/familiarity with Edifier’s products, especially their powered/active speakers? They appear to be attractive technologically and definitely price-wise. The company seems to have relatively recently entered the US market (via Amazon) and appears to be popular in Asia (based in China) and Europe. They seem to be well liked among posters on HeadFi. In addition the blogger Digital Stereophony http://digitalstereophony.blogspot.com/ has performed some interesting speaker comparisons where Edifier speakers came out well. Based on his recent test (vs. JBL
  17. Any suggestions of a good parametric equalizer DSP component for foobar for free? Looking for one that allows adding as many bands as I want, with different EQ curves options (high pass, low pass, high shelf, low shelf, peak), Q setting, etc. Thanks.
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