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  • 4 weeks later...
  • 2 weeks later...

The new Carmen Gomes DXD bespoken in Joe Whips fine article; https://audiophilestyle.com/ca/reviews/sound-liaison-one-mic-recording-r957/

 

should be mentioned here, if not for the music and the excellent SQ then at least for the 27hz low bass note opening the album.

Talking about bottom!

This is what I wrote about the RedBook CD version I bought from Carmen's CARMEN GOMES BANDCAMP site. (DXD and other formats are now available from SOUND LIAISON  site.

 

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Got the CD this weekend and listened last night. What a trip. Finally a band that dares to make a concept album.

I am big Robert Johnson fan and have all the covers of his songs made from the likes of Elmore James and Eric Clapton to the Rolling Stones and what have you, but Carmen Gomes Inc takes first place in my top 10, why? They have made the songs their own. In no way do they try emulate Robert Johnson, instead they seem to have looked at each song and explored the song it self, so not Robert Johnson the artist but Robert Johnson the composer. So refreshing. 

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Talking about the 27.5 hz bass tone. It is interesting what engineer Frans de Rond writes as answer to Joe Whips question about mic setup; Joe Whip's review

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We wanted the small 'sound scape' compositions to have a very dark atmosphere, (Peter said he wanted them sounding as dark as the Mississippi night) so I decided to add a spaced pair of Josephson C617 microphones up very high in the studio and let them be our main source of ambience. I think that worked very well. And also the deep drop tuned low 'A' of 27.5 Hz from the double bass got picked up very well by that pair. Such a low note is almost impossible to hear close up, somehow you only hear the upper harmonics generated, so that was an extra benefit of the ambient pair. And it made me fall even more in love with the sound of studio 2.

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 If I may quote Joe Whip again;

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One more word about the drums. Far too many recording engineers pan the drums across the soundstage, giving an unnatural size to the drums. Not here. The drums are focused in the sound field and sound like a drum kit does live. I wish this was the case in more jazz recordings.  Sound Liaison One Mic + Recording

They used to do it right. Listen here how much space there is for the bass and the sax. Piano left, drums right sax and bass right down the middle.

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  • 2 weeks later...
On 12/12/2020 at 1:26 PM, mevdinc said:

Here's an old favourite I enjoy listening to from time to time.
Great recording with great music and musicians.

Dance Of Fire, Aziza Mustafa Zadeh

Quite a line up; Stanley Clarke and Omar Hakim.....Return to Forever and Weather Report rhythm section with Miles Davis saxophonist Bill Evans.

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On 12/18/2020 at 6:02 PM, botrytis said:

A great live tack is: Christian McBride Trio: Live at Village Vanguard - Track 3 Interlude is awesome.

Live at the Village Vanguard.jpg

 

What is so interesting with all live at the vanguard albums is that you always hear the sound of the club. It's maybe not a great sounding hall, sounds more like a big living room, but heck it is the Village Vanguard! And that's how that club sounds.

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Julieta soundtrack, the 'Silencio' track:

Track 13, which is 16 bit on Tidal (not yes master "MQA-CD" quacked) and 24 bit on Qobuz:

https://www.qobuz.com/ie-en/album/julieta-banda-sonora-original-alberto-iglesias/8436560842262
 

Real hi-res version also playable via LMS 8 and Roon ;)

image.png.4aec39f37435a2e22a42e6bf2aebdd97.png

Designer of the 432 EVO music server and Linux specialist

Discoverer of the independent open source sox based mqa playback method with optional one cycle postringing.

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  • 2 weeks later...

For choir, this one is great, and it's the season for these kind of tracks:

image.thumb.png.fe3e2ffe4553d069f69d1cc99050cb39.png
Tidal:

1. Carol of the Bells (Choral)
Carol of the Bells
Carol of the Bells (2014)
670kbps VBR, flc
 

Qobuz:

Carol of the Bells
Carol of the Bells
Carol of the Bells
672kbps, flc

We actually use the first track a lot.

And then as a variation of this well know song:

Katie Melua-The Little Swallow-SMR
 

 

Designer of the 432 EVO music server and Linux specialist

Discoverer of the independent open source sox based mqa playback method with optional one cycle postringing.

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