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Article: The Best Version Of… Cat Stevens's Tea For The Tillerman


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This album (along with Suitner's Beethoven's 9th) were the first CDs I bought in 1984 (still have that disc).  I can't tell you how often I listened to them (mainly because I couldn't afford any CDs after buying that Nakamichi OMS-5 CD player as a freshman in college...ouch)  Truly epic album.  Thank you for this deep dive

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1 hour ago, austinpop said:

Thanks for this monumental comparison, Josh! Incredibly helpful.

 

Would you be so kind as to share the Qobuz links for the "Jensen hi-res download" and the "50th anniversary remaster."

 

Here's the 24/192 Jensen:

https://open.qobuz.com/album/0060253781231

 

Here's the box set:

https://open.qobuz.com/album/kfh0t3s5942za

 

 

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Excellent detailed article. Have to say I compared the MFSL(Ultradisc II Gold) to HD tracks 2012 24/192. And do prefer the HD. I find these days the MFSL's dated somewhat with a bassy preference. At the same volume the MFSL stage was smaller turning MFSL up it enlarged and recording clearer but with a background brightness, with bass overlay. I have several other MFSL's and they all have a similar signature. In saying that they were the best until hi res masters appeared. Vocals and treble has more detail and prescence on 24/192 recordings. Instruments better balance. I do not have the latest 50th version. You are right Josh at the end of the day its what you prefer as your end sound.  Robert

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On 3/18/2022 at 5:15 PM, robocop said:

Excellent detailed article. Have to say I compared the MFSL(Ultradisc II Gold) to HD tracks 2012 24/192. And do prefer the HD. I find these days the MFSL's dated somewhat with a bassy preference. At the same volume the MFSL stage was smaller turning MFSL up it enlarged and recording clearer but with a background brightness, with bass overlay. I have several other MFSL's and they all have a similar signature. In saying that they were the best until hi res masters appeared. Vocals and treble has more detail and prescence on 24/192 recordings. Instruments better balance. I do not have the latest 50th version. You are right Josh at the end of the day its what you prefer as your end sound.  Robert

 

This was a really tough call. Audiophiles are lucky to have at least three great masterings for this album. 

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Yes, what an amazing article!

 

I'll throw in a tuppence here ... audio friend up the road was very heavy into the vinyl world some years ago; and he told me of his efforts to get a "good pressing!" of Tillerman, on vinyl - he constantly raided the used shops in the area, because his belief was that the premium SQ was with a very specific LP label run, by Island. Which he eventually snagged - but oh, boy! It was noisy, really noisy - it had seen many hard years under a needle - pops and crackles were through the roof.

 

But, the quality of that mastering still shone through. In spite of "the rain constantly falling on the roof", the actual sound of the voice and instruments were as I recalled, way back in my teenage years, hearing it in a room with others, on a basic record player ...

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These are such amazing write ups.   Really appreciate all the effort and evaluation you put into these and i like learning more about recording and mastering from your research.   I have the mobile fidelity version and that glitch on "On the Road to Find Out" annoys me to no end (and mars an otherwise great sounding disc).  Has the glitch been removed on your two runner ups?

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12 minutes ago, coegh said:

These are such amazing write ups.   Really appreciate all the effort and evaluation you put into these and i like learning more about recording and mastering from your research.   I have the mobile fidelity version and that glitch on "On the Road to Find Out" annoys me to no end (and mars an otherwise great sounding disc).  Has the glitch been removed on your two runner ups?

 

Yes, the glitch is only on the MFSL. So that's a point in favor of the two alternate picks.

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