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9 hours ago, Guidof said:

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CPE Bach: Sinfonias, Cello Concerto & Harpsichord Concerto. Ophélie Gaillard (cello) and Francesco Corti (harpsichord) with the Pulcinella ensemble. Energetic and nuanced playing that brings out the best of these challenging pieces. (This is volume 2 of a series on CPE Bach. On the strength of this album, I will certainly get volume 1 as well).

 

Exemplary sound form a 24/96 Qobuz download.

+1 on this one. Vol. 1 is equally enjoyable.

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Ce Diabolic Chant: Ballades, Rondeaus & Virelais of the late fourteenth century

Medieval Ensemble of London, Peter and Timothy Davies

1983 recording of Ars Subtilior that holds up surprisingly well... with the exception of an occasionally squealing rebec (early viol)

 

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review: http://www.classical.net/music/recs/reviews/l/loi59119a.php

 

download: http://www.prestoclassical.co.uk/r/Decca/4759119

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Monteverdi at 450 - Sir John Eliot Gardiner (CD/DVD)

Monteverdi Choir and the English Baroque Soloists

 

[Video Promo]

Gardiner Celebrates Monteverdi from St. Mark's in Venice

 

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Primary System: HTPC (Win 10, 64) > Synology DS212j > JRiver MC 22 > Uptone Audio Regen Amber > Schiit Bifrost Uber 4490 > Marantz SR7010 with Marantz UD5005 > Aperion Intimus 6Bs (LR) + Intimus 5C + 4 Intimus 4BPs (Surround) + 2 Bravus 12s - Display: Samsung 55" KS9000 - Headphones: AKG Q701.

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Triosence´s (24/96) latest album:

 

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Not as good as some of the previous ones, but, still very nice. Unfortunately recorded a bit too loudly with some compression. 

 

You find my review here: https://musicophilesblog.com/2017/05/26/triosences-latest-album-hidden-beauty-a-review/

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Cesena: Songs for Popes, Princes & Mercenaries (c. 1400)

Björn Schmelzer / Graindelavoix

 

Ars Subtilior, mostly Codex Chantilly, acapella. Very engaging with some very beautiful passages and sometimes even seconds later, some things that cause me to cringe a little. Takes a lot of liberties, but not frivolous.

 

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http://www.sonusantiqva.org/i/G/Graindelavoix/2011Cesena.html

 

http://www.prestoclassical.co.uk/r/Glossa/GCDP32106

 

Quote

…And right from the start this disc sets out to shake preconceptions. The sleeve information is folded within a kind of dust-jacket - the last place you would expect to find it. It folds out into an uncomfortable document in several colors.None of the texts are translated. The first piece, the motet Pictagore per dogmata, taken at breakneck speed, has the tenor doubled an octave lower, with bizarre consequences for the texture. The next one, Solage's Corps feminine, has a whole chunk sung with just the discantus and contratenor, with results that go against everything known about the musical grammar of the time (only one of its three stanzas is sung). But the most famous oddity of this repertory, Solage's creepily chromatic Fumeux fume, is made to sound even by the use of two groups an octave to sing the different strophes, all joining together for the last. Much is sung with a dreamy quietness (no instruments but often multiple voices on a single line), with ornaments and slides, with relatively little diction. Most of the pieces are cut to bits in ways that make them hard to understand unless you have the modern edition in front of you. Still, everything is done with considerable precision and there are some superb voices, carefully controlled. Equally, it is clear that a powerful mind has gone to work on trying to see and hear this music in a new way. The title 'Cesena' marks a terrible slaughter on that city by papal troops in 1377. The recording is the soundtrack of an event at the Avignon Festival last summer, in which dancers also participated. This is either a truly innovative approach to the music or a load of pretentious ideas that rather lost their way. I think, probably, a bit of both.   --- David Fallows, Gramophone May, 2012

 

 

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On 2017-5-22 at 0:10 AM, Musicophile said:

Finally back to reviewing some great music:

 

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Helge Lien's great new trio album, with an exceptional DR 12-16, and outstanding SQ.

 

https://musicophilesblog.com/2017/05/21/helge-liens-new-album-guzuguzu-fantastic/

I listened to this on Tidal - very enjoyable and interesting - almost programme music. Unfortunately not available on Bandcamp yet, though their previous albums are. I too like to support artists by purchasing their work, but preferably via Bandcamp - 85% goes to the artist (though sadly, they don't seem to do hi-res :().

Not everything that can be counted counts, and not everything that counts can be counted.

- Einstein

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Kirchhof

Bach works for lute

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[...] "Do fathers always know more than sons?" and the father said, "yes". The next question was, "Daddy, who invented the steam engine?" and the father said, "James Watt." And then the son came back with "- but why didn't James Watt's father invent it?"

Gregory Bateson

Steps to an Ecology of Mind (...)

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