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MQA is Vaporware


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1 minute ago, Tintinabulum said:

Are you referring to the recent forensic work which has revealed more details of the Mona Lisa?

https://news.artnet.com/art-world/mona-lisa-hidden-drawing-photos-1911271

Is this what you mean, that modern technology's revealed more information about the painting the allows us to appreciate it more? Or am I getting confused? Yes please, go further.

Yes, you're confused. 

 

MQA changes the original, and requires payment to hear what the company did to it.

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1 minute ago, Tintinabulum said:

No Chris, you're the one who's confused, we're talking about the Mona Lisa, not MQA. There is more detail in the Mona Lisa, did you look at the link? Modern technology revealing more information, was that your point?

 

You asked need I say more, I just wanted to confirm what you were going on about?

Dude, you asked if you were confused. I said yes you are confused. Then you told me I was confused.

 

I can't communicate with you. 

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9 minutes ago, hmartin said:

Out of ~800 tidal albums in my library ~150 had been converted to Mqa, was a real pain deleting them with Roon user interface. So stupid!

 

Oh wow. 

 

 

 

2 minutes ago, UkPhil said:

13 bit lossless 🙄

 

Yes. It's worse than CD. Paying more for less is nobody's definition of an enjoyable hobby. 

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57 minutes ago, FredericV said:

Update:

I did add the first Space Oddity track to my LMS favorites, which is marked Hi Res in the search results of the LMS Tidal plugin, and has the following wimp url:
 

URL:wimp://68735594.flac

 

I managed to set the LMS Tidal plugin to debug mode, which gave the exact HTTPS URL towards the flac file, when playing it:

[20-11-18 22:44:26.2239] Slim::Plugin::WiMP::ProtocolHandler::new (74) Remote streaming TIDAL track: https://sp-pr-fa.audio.tidal.com/mediatracks/CAEaKRInY2YzNTVkYTJhMWJjZDE2MTcwZTczOTYxNmFkZDg4MDlfNjEubXA0/0.flac?token=CENSORED

I removed the token by CENSORED, not to anger Tidal by posting tokens. These tokens are not one time tokens, they can be reused with a wget.

Now when playing with metaflac --list, I do not see any MQA encoder tags on the file ...

2L-125_stereo-352k-24b_04.mqa.flac would have these tags:

 


METADATA block #0
  type: 0 (STREAMINFO)
  is last: false
  length: 34
  minimum blocksize: 4096 samples
  maximum blocksize: 4096 samples
  minimum framesize: 6392 bytes
  maximum framesize: 19217 bytes
  sample_rate: 44100 Hz
  channels: 2
  bits-per-sample: 24
  total samples: 4311216
  MD5 signature: 1f280edba56b9f48da3cc7fc43a762bf
METADATA block #1
  type: 4 (VORBIS_COMMENT)
  is last: false
  length: 1328
  vendor string: reference libFLAC 1.2.1 20070917
  comments: 25
    comment[0]: ALBUM=REFLECTIONS
    comment[1]: ALBUMARTIST=TrondheimSolistene
    comment[2]: ARTIST=TrondheimSolistene
    comment[3]: BARCODE=7041888521525
    comment[4]: CATALOGNUMBER=2L-125
    comment[5]: COMPOSER=Benjamin Britten
    comment[6]: DATE=2016
    comment[7]: DISCNUMBER=1
    comment[8]: ENCODEDBY=Merging Technologies Album Publishing
    comment[9]: ENCODER=MQAEncode v1.1, 2.1.0+0 (01450a4), DF77A107-A71F-4e57-A322-872C6D0E99C8, Apr 16 2016 08:37:12
    comment[10]: GENRE=Classical
    comment[11]: ISRC=NOMPP1603040
    comment[12]: LABEL=2L
    comment[13]: ORIGINALSAMPLERATE=352800
    comment[14]: TITLE=Frank Bridge Variations: 4. Romance
    comment[15]: TRACKNUMBER=4
    comment[16]: TRACKTOTAL=22
    comment[17]: EAN/UPN=7041888521525
    comment[18]: CONDUCTOR=Øyvind Gimse
    comment[19]: COMMENT=www.2L.no
    comment[20]: DESCRIPTION=Composers reflect their contemporary world and today’s performers mirror our time. The three works on this album all have a high degree of intensity and a strong personal character, as tributes, visions, fantasies, interpretations. As musical reflections they have these qualities in common, but at the same time they are very different works composed by three distinct musical personalities. Passion. Perfection. Raw intensity. With these fundamentals, the chamber orchestra TrondheimSolistene is carving out its own musical images in immersive audio.
    comment[21]: ENGINEER=Morten Lindberg
    comment[22]: PRODUCER=Morten Lindberg
    comment[23]: RECORDINGDATE=June and August 2015, Selbu Church, Norway
    comment[24]: WEBSITE=www.2L.no

 

The space oddity file which I renamed to space.flac, is just 16/44.1:

# file space.flac
space.flac: FLAC audio bitstream data, 16 bit, stereo, 44.1 kHz, 14025156 samples

and there are no MQA tags in the metadata:

 


METADATA block #0
  type: 0 (STREAMINFO)
  is last: false
  length: 34
  minimum blocksize: 4096 samples
  maximum blocksize: 4096 samples
  minimum framesize: 324 bytes
  maximum framesize: 12947 bytes
  sample_rate: 44100 Hz
  channels: 2
  bits-per-sample: 16
  total samples: 14025156
  MD5 signature: a11b8d3b0f90795dfc0fb6b445d8bf7c
METADATA block #1
  type: 3 (SEEKTABLE)
  is last: true
  length: 576
  seek points: 32
    point 0: sample_number=0, stream_offset=0, frame_samples=4096
    point 1: sample_number=442368, stream_offset=659528, frame_samples=4096
    point 2: sample_number=884736, stream_offset=1413363, frame_samples=4096
    point 3: sample_number=1327104, stream_offset=2280046, frame_samples=4096
    point 4: sample_number=1769472, stream_offset=3263244, frame_samples=4096
    point 5: sample_number=2211840, stream_offset=4251427, frame_samples=4096
    point 6: sample_number=2654208, stream_offset=5258889, frame_samples=4096
    point 7: sample_number=3096576, stream_offset=6267173, frame_samples=4096
    point 8: sample_number=3538944, stream_offset=7263149, frame_samples=4096
    point 9: sample_number=3981312, stream_offset=8410359, frame_samples=4096
    point 10: sample_number=4423680, stream_offset=9541287, frame_samples=4096
    point 11: sample_number=4866048, stream_offset=10676135, frame_samples=4096
    point 12: sample_number=5308416, stream_offset=11809304, frame_samples=4096
    point 13: sample_number=5750784, stream_offset=12942652, frame_samples=4096
    point 14: sample_number=6193152, stream_offset=14060283, frame_samples=4096
    point 15: sample_number=6635520, stream_offset=15201642, frame_samples=4096
    point 16: sample_number=7077888, stream_offset=16273076, frame_samples=4096
    point 17: sample_number=7520256, stream_offset=17421150, frame_samples=4096
    point 18: sample_number=7962624, stream_offset=18592348, frame_samples=4096
    point 19: sample_number=8404992, stream_offset=19732288, frame_samples=4096
    point 20: sample_number=8847360, stream_offset=20871567, frame_samples=4096
    point 21: sample_number=9289728, stream_offset=22036490, frame_samples=4096
    point 22: sample_number=9732096, stream_offset=23210415, frame_samples=4096
    point 23: sample_number=10174464, stream_offset=24369317, frame_samples=4096
    point 24: sample_number=10616832, stream_offset=25540808, frame_samples=4096
    point 25: sample_number=11059200, stream_offset=26664388, frame_samples=4096
    point 26: sample_number=11501568, stream_offset=27796314, frame_samples=4096
    point 27: sample_number=11943936, stream_offset=28976408, frame_samples=4096
    point 28: sample_number=12386304, stream_offset=30164692, frame_samples=4096
    point 29: sample_number=12828672, stream_offset=31314853, frame_samples=4096
    point 30: sample_number=13271040, stream_offset=32340440, frame_samples=4096
    point 31: sample_number=13713408, stream_offset=33151082, frame_samples=4096


Now running @mansrmqascan on this file, indicates it's not MQA:

# ./mqascan  /storage/music/flac/space.flac

-> nothing

Running mqascan on a known mqa file:

# ./mqascan  /storage/music/flac/2Lno/Britten\:\ Frank\ Bridge\ Variations\ -\ Romance/*mqa* | head
00000000: MQA signature at bit 8
00000000: [5] datasync
          magic                     36: 0x11319207d
          stream_pos_flag            1: 0
          pad                        1: 1
          orig_rate                  5: 0x03 [352.8 kHz]
          src_rate                   5: 0x00 [44.1 kHz]
          render_filter              5: 4
          unknown_1                  2: 0
          render_bitdepth            2: 2 [16 bits]



So for LMS, we have the opposite situation: search results do indicate Hi Res (aka MQA), but depending on the album you are either getting MQA or no MQA.

Which now proves the files have not disappeared from Tidal, but the search results are fuzzy?


 

Is LMS using the newest Tidal API? If so, you won’t get MQA files unless you pay the piper. LMS isn’t MQA certified. 

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1 minute ago, sphinxsix said:

 

The only counterattack strategy may be getting as loud as MQA clan but with telling the truth about the format and even that IMO wouldn't guarantee a success since most music 'enthusiasts' simply don't care. And the MQA clan obviously does.

I haven't been following the mainstream audio magazines but it would be interesting to see where they stand now..

 

As long as the labels have a financial stake in MQA ltd, it's hard for them to lose. The only way I can see the labels backing out of MQA is if there's another piracy scare caused by this. With the uptick in streaming I just don't see that happening either. 

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5 minutes ago, UkPhil said:

Record labels / magazines and most mainstream media, and a lot of DAC manufacturers have bought into MQA over the last four years it will be a tough nut to crack now, they only need one of the lossy companies to jump and it could be game over MP3 Mk2 will reign over us

And all the old guard press, who pushed MQA like nothing before it, will retire and leave us with a soup sandwich on our plate. 

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7 hours ago, asdf1000 said:

 

The labels have a stake in MQA Ltd?

 

If they do and they decide to go full throttle with MQA (still yet to be seen though), then millions of non-MQA tracks that Qobuz currently streams may switch over to MQA only (like 2L recordings).

 

Oh yes, both the labels and people who work at the labels have an individual stake. For example, Warner Music, and Atlantic Records (Owned by Warner) CEO Craig Kallman have stakes in MQA. Have a look.

 

application-pdf.pdf

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2 minutes ago, botrytis said:

 

 

With places like Bandcamp and Artist taking control of their music, the labels would like to be in charge but the industry is failing big time. Artists need to survive, labels not so mush.

The major labels are doing fantastic. Streaming is bring them back to the revenue levels of CD. 

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24 minutes ago, Tintinabulum said:

I thought the theory was that the characteristics of the ADC in the original studio recording are compensated for by (filtering) in the replaying DAC. So yeah, sausage.

That’s laughable. Batch converting files that used multiple ADC converters in even a single song works terrific. Or so we’re told by MQA. 

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