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Stile Antico: Music for Compline (24/88)

 

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Even if you don't like early music, or even classical in general, you owe it to yourself to check out this beautiful recording, if only for the audiophile experience perfect sound of 13 singers in a beautiful church.

 

Thanks to whoever shared this album here first, I don't remember from whom I got this recommendation.

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Charles Mingus - At Antibes (Atlantic)

 

Recorded live at Antibes Jazz festival, 1960. Amazingly powerful (jazz) music, well recorded. Essential.

MBP 2012 ML 10.8.3 16 Gb and itunes 10.7 > Amarra Symphony with IRC, A+, PM> Tellurium Q Black Diamond USB + AQmicroUSB adaptor> Chord Hugo> Zensati #3 RCA > McIntosh C2500 preamp> Atlas Mavros XLR> McIntosh MC452 amplifier >Atlas Mavros speaker cable > Focal Scala Utopia > Ears > Brain > Enjoyment

Essential Audiotools Filtered Mains Multiplier/Sablon Audio Gran Corona

Analogue:Clearaudio master solution+SME V+Benz micro LP-S+Clearaudio Sixtream phono cable

 

HP: Ipod Classic 160Gb>Centrance Hifi-M8>Audeze LCD-X/Audeze LCD-XC

 

 

 

 

 

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London Grammar - If You Wait

 

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Speaker Room: Lumin U1X | Lampizator Pacific 2 | Viva Linea | Constellation Inspiration Stereo 1.0 | FinkTeam Kim | dual Rythmik E15HP subs  

Office Headphone System: Lumin U1X | Lampizator Golden Gate 3 | Viva Egoista | Abyss AB1266 Phi TC 

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Just bought my first downloads from Linn Records Studio Master series. Absolutely stunning sound quality.

 

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Mahler Symphony No 2 - Benjamin Zander / Philharmonia Orchestra - 24/192

 

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Berlioz Symphonie Fantastique - Robin Ticciati - Scottish Chamber Orchestra - 24/192

 

The Vivaldi Opus 8 ( Avison Ensemble ) and the Brandenburg Concertos ( Dunedin Consort ) are the next purchases planned....

27 " iMac with SSD > Audirvana Plus > Supra USB 2.0 > Musical Fidelity M1 SDAC + Homemade Mains Filter > Chord Cobra VEE3 > Musical Fidelity M1 PWR + Homemade Mains Filter> Van Damme Studio Blue > Monitor Audio RX6

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Wherever you turn is the face of God Mevlevi Ensemble of Turkey

 

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Recording of a Sama ceremony of whirling dervishes. The music itself is rather simple--singers and instruments all follow more of less the same melody plus a drum beat at the bottom. But overall effect is rather meditative, almost hypnotic. The solo prayer sung at the end has clear sign of overtone manipulation, although not nearly as strong as full blown harmonic chanting.

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Jackie Wilson / The Ultimate Jackie Wilson

Digital: Schiit Yggy + Gumby, Meridian Explorer2

Headphone: Woo WA22, Audez'e LCD3, Beyerdynamic T1

Amplification: Pass Labs INT30A, Focal 1027be

Analog: VPI Classic, Soundsmith Zephy, EAR 834P

LastFM: WharfRatJustin

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Vivaldi: La Stravaganza

Rachel Podger, Arte dei Suonatori

 

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Vivaldi Opus 4. 96/24 downaload from Linn Records.

 

This is a rather intense interpretation. For example, the slow movements are actually quite slow compared to other mellower versions but it don't feel slow at all, probably because of the strong grip on the pace. For going through the whole thing in one go, I'd personally prefer something a little less in your face (but just as precise). Still, this is an interesting and perfectly legitimate way of doing things, especially for shorter listening sessions.

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Eric Bibb - Troubadour

 

Many thanks to Snowmonkey for the introduction to a new to me bluesman. Very cool stripped down Blues performance by Eric. Excellent performance and surprisingly good sound quality for a redbook rip.

 

Absolutely worth a spin in MOG to give a listen. I will be buying more of his work.

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50-piece orchestra combined with a just few elements of ambient electronica.. think Arvo Part meets Brian Eno

 

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"The second installment in Jóhann Jóhannsson's trilogy of albums about technology and iconic American brand names, Fordlandia expands on IBM 1401, A User's Manual by chronicling, among other things, the failure of Henry Ford's Brazilian rubber plant with the power of a 50-piece string orchestra. IBM, which included recordings of its titular computer, could have been gimmicky or overly conceptual, but the results were remarkably moving and personal. While Fordlandia is slightly more straightforward musically, its concepts and emotional impact are much more involved and ambitious. Fittingly, ambition is one of the album's major themes, along with failure, mortality, immortality, and technology's potential for creation and destruction. Jóhannsson depicts these dualities with portraits of great heights and, mostly, deep losses. Ford's doomed project -- which he envisioned as a utopia but ended in disaster, with rioting workers and the development of synthetic rubber, ultimately costing him millions of dollars -- provides the thematic backbone for the album's major pieces. "Fordlandia"'s strings and subtle electric guitars are never less than majestic, but move gradually and naturally from hope to bittersweet doubt over the course of 13 minutes, keeping the intimacy that Jóhannsson's work has shown since Englaborn. That bittersweetness wells into sorrow on "Fordlandia -- Aerial View"; recorded in a Reykjavik church with no edits, its aching strings and low-rumbling percussion sound equally devastated and beautiful."

 

Speaker Room: Lumin U1X | Lampizator Pacific 2 | Viva Linea | Constellation Inspiration Stereo 1.0 | FinkTeam Kim | dual Rythmik E15HP subs  

Office Headphone System: Lumin U1X | Lampizator Golden Gate 3 | Viva Egoista | Abyss AB1266 Phi TC 

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50-piece orchestra combined with a just few elements of ambient electronica.. think Arvo Part meets Brian Eno

 

JohannJohannsson-Fordlandia_zpse50989b0.jpg

 

 

"The second installment in Jóhann Jóhannsson's trilogy of albums about technology and iconic American brand names, Fordlandia expands on IBM 1401, A User's Manual by chronicling, among other things, the failure of Henry Ford's Brazilian rubber plant with the power of a 50-piece string orchestra. IBM, which included recordings of its titular computer, could have been gimmicky or overly conceptual, but the results were remarkably moving and personal. While Fordlandia is slightly more straightforward musically, its concepts and emotional impact are much more involved and ambitious. Fittingly, ambition is one of the album's major themes, along with failure, mortality, immortality, and technology's potential for creation and destruction. Jóhannsson depicts these dualities with portraits of great heights and, mostly, deep losses. Ford's doomed project -- which he envisioned as a utopia but ended in disaster, with rioting workers and the development of synthetic rubber, ultimately costing him millions of dollars -- provides the thematic backbone for the album's major pieces. "Fordlandia"'s strings and subtle electric guitars are never less than majestic, but move gradually and naturally from hope to bittersweet doubt over the course of 13 minutes, keeping the intimacy that Jóhannsson's work has shown since Englaborn. That bittersweetness wells into sorrow on "Fordlandia -- Aerial View"; recorded in a Reykjavik church with no edits, its aching strings and low-rumbling percussion sound equally devastated and beautiful."

 

 

This is great. Thanks!

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