sandyk Posted February 22, 2018 Share Posted February 22, 2018 15 hours ago, esldude said: I really don't like to use headphones anyway. Only when necessary or when checking recordings I've made. Dennis Compare the top end of your headphones with the Audio Technica W1000 that I use. IIRC, they have a claimed usable frequency response from 5HZ to 40kHZ. (no limits specified) They also comply with the old IEC directive of using an output impedance of 120 ohms from the H.A. The ones I used before these were Stax, but I missed the low end performance, despite the very appealing (especially with female voices) top end. Alex How a Digital Audio file sounds, or a Digital Video file looks, is governed to a large extent by the Power Supply area. All that Identical Checksums gives is the possibility of REGENERATING the file to close to that of the original file. PROFILE UPDATED 13-11-2020 Link to comment
mansr Posted February 22, 2018 Share Posted February 22, 2018 8 minutes ago, Audiophile Neuroscience said: Mans asserted it was impossible to capture height cues in a recording based on conditional logic. He has since modified this to "perceived height will not be the same" . Do you have some kind of fetish for inventing things and attributing them to me? My position on what can be recorded has not changed. Link to comment
mansr Posted February 22, 2018 Share Posted February 22, 2018 9 minutes ago, gmgraves said: I don't even understand why people are arguing with me. I'm arguing because you are making absurd claims. Link to comment
Popular Post gmgraves Posted February 22, 2018 Popular Post Share Posted February 22, 2018 20 hours ago, esldude said: @gmgraves Unless I missed it, did you make any samples available for download. Easiest thing in the world is supply us with recordings with these cues and let us hear them. If you are at liberty to share those with us. No, I haven't. The reason is that I really don't see the point. Many of the people discussing this topic at this time on this thread, are only here to argue. If I We Transferred a recording to a list here, there would be two groups: One small subset of those to whom I sent the music will say that they hear what I'm talking about, and will be impressed with it, and the other subset will come back and say that I'm full of shit, and that the recordings don't image like I say they do and that they don't sound very good - even though they actually do image like I assert and they do sound very good. So, in the end, what do I get out of it? More pointless argument from people trying to press their untenable assertion that studio multi-miked, multi-tracked recordings can image just as well as real stereo? No thank you. Audiophile Neuroscience and lmitche 2 George Link to comment
Audiophile Neuroscience Posted February 22, 2018 Share Posted February 22, 2018 16 minutes ago, gmgraves said: Look I'm tired of arguing this minutia back and forth and trying to explain to people who have never recorded in their lives what is and what is not possible to do with stereo. I don't even understand why people are arguing with me. Everything I have said is well known to anyone who has ever made a real stereo recording using tried-and-true stereophonic miking techniques and those who don't know about it can read-up on it. I for one am not arguing against anything you have said. I have heard one of your recordings and confirm I heard depth and height information. Would you be able to briefly explain how this is possible without HRTF cues (as proposed not possible by others). Sound Minds Mind Sound Link to comment
gmgraves Posted February 22, 2018 Share Posted February 22, 2018 23 hours ago, mansr said: Correct, and that is exactly why a recording can't convey the necessary height cues. On playback, the HRTF responds to the location of the speakers, not the location of the instruments during recording. Have it your own way. I'm sure you're more of an expert at this than I am. George Link to comment
mansr Posted February 22, 2018 Share Posted February 22, 2018 1 minute ago, gmgraves said: Have it your own way. I'm sure you're more of an expert at this than I am. Well, you managed to mislabel several standard microphone setups, so I'm really starting to doubt your competence. Link to comment
Audiophile Neuroscience Posted February 22, 2018 Share Posted February 22, 2018 7 minutes ago, mansr said: Do you have some kind of fetish for inventing things and attributing them to me? My position on what can be recorded has not changed. I directly quoted you thus the " " Sound Minds Mind Sound Link to comment
gmgraves Posted February 22, 2018 Share Posted February 22, 2018 1 minute ago, Audiophile Neuroscience said: I for one am not arguing against anything you have said. I have heard one of your recordings and confirm I heard depth and height information. Would you be able to briefly explain how this is possible without HRTF cues (as proposed by others). I think I did that already. HRTF doesn't come into play at the CAPTURE of the sound. How could it? there is no head, no ears there! The microphones pick-up various phase, timing, and intensity cues that when played back on speakers involve the listener's head The speakers reproduce (in as far as they can do so) the sound field captured by the microphones and the head and ears of the listener pick-up that sound field just like they would were they in the venue listening to the performance live. Seems pretty straightforward to me. George Link to comment
gmgraves Posted February 22, 2018 Share Posted February 22, 2018 3 minutes ago, mansr said: Well, you managed to mislabel several standard microphone setups, so I'm really starting to doubt your competence. Be my guest! George Link to comment
sandyk Posted February 22, 2018 Share Posted February 22, 2018 7 minutes ago, gmgraves said: No, I haven't. The reason is that I really don't see the point. Many of the people discussing this topic at this time on this thread, are only here to argue George That's a shame. Alex How a Digital Audio file sounds, or a Digital Video file looks, is governed to a large extent by the Power Supply area. All that Identical Checksums gives is the possibility of REGENERATING the file to close to that of the original file. PROFILE UPDATED 13-11-2020 Link to comment
Popular Post gmgraves Posted February 22, 2018 Popular Post Share Posted February 22, 2018 11 minutes ago, mansr said: I'm arguing because you are making absurd claims. Well, you are entitled to your opinions. No matter how wrong or misguided you are Audiophile Neuroscience, lmitche and look&listen 1 2 George Link to comment
Audiophile Neuroscience Posted February 22, 2018 Share Posted February 22, 2018 1 minute ago, gmgraves said: I think I did that already. HRTF doesn't come into play at the CAPTURE of the sound. How could it? there is no head, no ears there! The microphones pick-up various phase, timing, and intensity cues that when played back on speakers involve the listener's head The speakers reproduce (in as far as they can do so) the sound field captured by the microphones and the head and ears of the listener pick-up that sound field just like they would were they in the venue listening to the performance live. Seems pretty straightforward to me. I agree. Sound Minds Mind Sound Link to comment
mansr Posted February 22, 2018 Share Posted February 22, 2018 6 minutes ago, Audiophile Neuroscience said: I directly quoted you thus the " " I see. Your fetish is for quoting people out of context. Link to comment
gmgraves Posted February 22, 2018 Share Posted February 22, 2018 3 minutes ago, sandyk said: George That's a shame. Alex I hope you understand my position, Alex. If you want a sample, I'll happily send it to you. E-mail me with your E-mail address and I'll send you a short symphonic work probably the same one I sent Audiophile Neuroscience. George Link to comment
mansr Posted February 22, 2018 Share Posted February 22, 2018 10 minutes ago, gmgraves said: I think I did that already. HRTF doesn't come into play at the CAPTURE of the sound. How could it? there is no head, no ears there! Indeed. Quote The microphones pick-up various phase, timing, and intensity cues that when played back on speakers involve the listener's head From the wrong fucking direction! How much wilful ignorance does it take to not see this? Link to comment
gmgraves Posted February 22, 2018 Share Posted February 22, 2018 2 minutes ago, mansr said: Indeed. From the wrong fucking direction! How much wilful ignorance does it take to not see this? I'm sorry Mansr. You're wrong! If you can't visualize the model, that's not really my fault. and if it is from the wrong direction as you assert, how come it works so well? HMMMMM? George Link to comment
mansr Posted February 22, 2018 Share Posted February 22, 2018 Just now, gmgraves said: I'm sorry Mansr. You're wrong! Show me the maths. Link to comment
Audiophile Neuroscience Posted February 22, 2018 Share Posted February 22, 2018 12 hours ago, mansr said: If a sound arrives at a listener from up high, it is modified by the HRTF in one way before entering the ears. If the same sound is recorded and played back by speakers at ear level, it will be modified by the HRTF in a different way. Hence, the perceived height will not be the same. 11 minutes ago, mansr said: I see. Your fetish is for quoting people out of context. above is the full context. precursor height cues must be present in the recording in order for them to be "modified by HRTF" in sound that is "recorded and played back by speakers" You choose to defy logic and reason as well as observation evidence to the contrary in order to slavishly adhere to your subjective beliefs, so be it, carry on. Sound Minds Mind Sound Link to comment
gmgraves Posted February 22, 2018 Share Posted February 22, 2018 Just now, mansr said: Show me the maths. I don't know the maths, but I can visualize the model but, I'm not going to draw it out (even though I could) because I'm really not interested in convincing you of anything. You have your belief system, and I have my experience of more than 40 years of making live recordings. If that's not enough for you, then so be it. I don't want to argue with you and generate enmity between us. In many things we discuss here, I agree with you. Just not this! beerandmusic 1 George Link to comment
STC Posted February 22, 2018 Share Posted February 22, 2018 58 minutes ago, Audiophile Neuroscience said: Mans asserted it was impossible to capture height cues in a recording based on conditional logic. He has since modified this to "perceived height will not be the same" . Ok, I am not sure why this is relevant. This experiment did not say that they have taken out pinna from the equation. They only reshaped the pinna. Did they conclude pinnae not required for height localization? I doubt. ST My Ambiophonics System with Virtual Concert Hall Ambience Link to comment
mansr Posted February 22, 2018 Share Posted February 22, 2018 23 minutes ago, Audiophile Neuroscience said: bove is the full context. precursor height cues must be present in the recording in order for them to be "modified by HRTF" in sound that is "recorded and played back by speakers" Your obtusity is mind-boggling. The height cues are created by the HRTF. Link to comment
mansr Posted February 22, 2018 Share Posted February 22, 2018 24 minutes ago, gmgraves said: I don't know the maths Well, that settles that. Link to comment
STC Posted February 22, 2018 Share Posted February 22, 2018 43 minutes ago, mansr said: Indeed. From the wrong fucking direction! How much wilful ignorance does it take to not see this? There is another way to ask the same question. Since George placed the microphone way up above the musicians, can we expect the sound to appear to come about 2 or three feet below the speakers? Pinnae's directional cues for height can captured by in-ear binaural microphones because they record sound after passing through the pinnae. However, with standard microphones such pinna directional cues are not possible with and therefore it is impossible to have height information although we can perceive height by associating HF to sound from above. This is just our own figment of imagination and often works better with prior suggestion. The only aspect I still unable to understand that your assertion that microphone cannot record HRTF. Which particle HRTF you are referring to? ST My Ambiophonics System with Virtual Concert Hall Ambience Link to comment
gmgraves Posted February 22, 2018 Share Posted February 22, 2018 5 minutes ago, mansr said: Well, that settles that. Well, thanks the gods for small favors. Have a nice day, mansr. See you in another thread. George Link to comment
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