Article: RMAF 2012 Defrag

[The Computer Audiophile]

You can view the page at http://www.computeraudiophile.com/content.php?r=481-RMAF-2012-Defrag

[Jsmith]

It looks like the Bricasti room has Harbeths. It also looks like the Harbeth's have their grills off, which is not what Alex Shaw recommends.

 

Were they actually demo'ing the system that way?

[The Computer Audiophile]

It looks like the Bricasti room has Harbeths. It also looks like the Harbeth's have their grills off, which is not what Alex Shaw recommends.

 

Were they actually demo'ing the system that way?

 

Yes.

[jtwrace]

I really fell in love with the TAD's. I see them in my future. :-)

[The Computer Audiophile]

Great speakers from a great designer.

[ted_b]

Jason,

I look forward to seeing Andrew and hearing TAD's (any TAD's frankly) anytime I go to these shows. I will be at CES, and a major milestone/to-do item is the TAD suite. Incredible speakers.

[Audio_ELF]

Out of interest ... were there any new Music Server appliences or UPnP type streamers in evidence? I'm starting to wonder (with all the thoughts about video hardware infecting audio circuitry and influencing the output of computers that are starting to be discussed) if not dedicated hardware along the lines of Naim and Linn is not better though there are limits with these solution integrating the playback and DAC hardware.

 

Eloise

[AudioExplorations]

What is interesting to note is that from the various RMAF '12 recaps I have now read on ~6 or so different sites, every reviewer has a completely different take on which rooms sounded the best. Not that it is new information, but it really hammers down how subjective audio systems are.

 

Regarding TAD, I too am a HUGE fan and purchasing the CR1's what the best decision I have made in my audio-life .

[accwai]

That Audio Power Labs thing is just way over the top. Apparent they have a T-Shirts about that too.

 

Andy

[roubaixpro]

Was there any word on when the new Aurender W10 and upgraded USB music servers are coming out or pricing?

[The Computer Audiophile]

Out of interest ... were there any new Music Server appliences or UPnP type streamers in evidence? I'm starting to wonder (with all the thoughts about video hardware infecting audio circuitry and influencing the output of computers that are starting to be discussed) if not dedicated hardware along the lines of Naim and Linn is not better though there are limits with these solution integrating the playback and DAC hardware.

 

Eloise

 

Hi Eloise - I saw a few new devices capable of DLNA / UPnP. These were based on Stream Unlimited boards that also support USB drives. These units also support USB Class 2 audio from a computer. Pro-Ject, Audio Research, and dCS to name a few.

[The Computer Audiophile]

What is interesting to note is that from the various RMAF '12 recaps I have now read on ~6 or so different sites, every reviewer has a completely different take on which rooms sounded the best. Not that it is new information, but it really hammers down how subjective audio systems are.

 

Regarding TAD, I too am a HUGE fan and purchasing the CR1's what the best decision I have made in my audio-life .

 

Hi AudioExplorations - You absolutely right about the subjectivity of this hobby. Plus, the sound in these rooms is never the same from minute to minute because people are moving in and out and jostling for position in the sweet spot etc... Fortunately I spent so much time in the dCS/Wilson/VTL room with my own music.

 

For some reason I never put 2 and 2 together and noticed the CR1 photo as your avatar. From that angle I always thought it was a Sonus Faber. Guess I should look closer :~)

[The Computer Audiophile]

Was there any word on when the new Aurender W10 and upgraded USB music servers are coming out or pricing?

 

Hi roubaixpro - I talked to Charles from WideaLab briefly at RMAF. No mention of a release date for the W10. I know WideaLab is paying a lot of attention to the audio board and reworking it quite a bit. Even the W10 I have is out of date and needs to be upgraded once the final version is ready for release. I'd rather WideaLab spend more time on the W10 before release than release it and come out with an upgrade soon after.

[dmagnus1]

Did you see any systems/rooms for less than $100K that sounded decent?

[The Computer Audiophile]

Did you see any systems/rooms for less than $100K that sounded decent?

Several sounded decent.

[djvitamind]

I can't get those KEF LS50 monitors out of my head. Sounded wonderful and sure do look nice.

[DigiPete]

Chris, any displays of high-end surround systems or indications interest are picking up?

[The Computer Audiophile]

Chris, any displays of high-end surround systems or indications interest are picking up?

 

Unfortunately not DigiPete.

[Paul R]

(grin) I had to grin at systems "under $100K" sounding "decent."

 

-Paul

 

Several sounded decent.

[spdif-usb]

Chris, any displays of high-end surround systems or indications interest are picking up?

At least someone has picked up interest.

As for sound quality, read some of the Emotiva reviews before you poo-poo this and claim just because it is multi-channel it can't be true high-end audio.

RMAF 2012 Show Report By Steven R. Rochlin, Rocky Mountain Audio Fest 2012 Audiophile Show Report

They are planning to also release a new top-of-the-line-version of their soon to be released XMC-1, which will be called the RMC-1 and should be released in summer next year.

[perolator]

Chris, when you will review the dCS Vivaldi? I'm checking and waiting.

[The Computer Audiophile]

Not sure.

[perolator]

Thank you for your prompt response. Your reviews are the ultimate reference for me and frankly, I do not have the budget to afford such a system but I want it compared to EMM Labs DAC2X, for instance.

[antipodes_audio]

The music server you ascribe to BMC in the photos Chris is actually an Antipodes Audio DS1. We have been making music servers for four years now, first off making customised Windows and Mac based servers and for about a year now, Linux based servers. As for being a newcomer, almost everyone is fairly new to music servers, but we have been in the high-end audio business since the 90s and first began exporting to the USA in 2004. We have, at a guess around 500 US-domiciled customers and many more in 22 other countries. We have not pushed the music servers in the US much yet simply because while our standard power supply is universal voltage our units with regulated linear supplies are 230v only at the moment with the 115v version about 2 months away.

 

The DS1 is one of 6 servers in our newly announced line-up being released in the next few months, and the one in the picture employs the SOtM PCIe output card with the SOtM battery supply powering it. We are the agents for SOtM in New Zealand.