This year I covered RMAF a bit differently than I have in previous years. Rather than use a digital camera I used my medium format Hasselblad 503CW camera with a 120 film back (Ilford Delta 400 B&W file) and 80mm Hasselblad / Zeiss lens. Readers unfamiliar with medium format 120 film rolls should note that each roll contains only 12 shots. After these 12 shots are taken the camera back must be removed and a new roll of film must be loaded. In addition to this very manual process, the camera has no autofocus or built-in light meter. Before snapping each photo a light meter must be used to identify the correct aperture and shutter speed for the film in use. Once the meter reading is done the camera lens must be set to the correct values for the specific shot, then the camera must be leveled on the tripod, before depressing the cable release to take the photo. Then, it's off to another room to start the whole process over again. There are some intermediate steps but the basic point should be understood, this is not a typical show coverage camera. [PRBREAK][/PRBREAK]Fortunately I had a blast using this medium format system. Knowing that each shot is one of twelve one a roll and that I couldn't shoot until I get the shot made me focus much more on what's important. Limiting myself made me think about each photograph critically before setting down my tripod. I was a bit rusty shooting with this system as I usually cover shows with my Lumix DMA-GH2 digital camera. The final results turned out OK. I screwed up several shots. I even took several photos in the Ayre Acoustics room before loading the film properly. Once I figured this out it was too late. Oh well, the experience and conversations I had with people surrounding the use of a Hasselblad for show coverage made it worth the extra effort. I hope CA readers find something enjoyable about the photos as well.
Medium Format System
Camera: Hasselblad 503CW
Lens: Hasselblad / Zeiss CFE 80mm f2.8
Film: Ilford Delta 400 Professional
Light Meter: Sekonic Dualmaster L-558R
[ATTACH=CONFIG]8611[/ATTACH] [ATTACH=CONFIG]8612[/ATTACH] [ATTACH=CONFIG]8609[/ATTACH] [ATTACH=CONFIG]8610[/ATTACH] [ATTACH=CONFIG]8608[/ATTACH] [ATTACH=CONFIG]8603[/ATTACH] [ATTACH=CONFIG]8604[/ATTACH] [ATTACH=CONFIG]8622[/ATTACH] [ATTACH=CONFIG]8614[/ATTACH] [ATTACH=CONFIG]8613[/ATTACH] [ATTACH=CONFIG]8621[/ATTACH] [ATTACH=CONFIG]8619[/ATTACH] [ATTACH=CONFIG]8620[/ATTACH] [ATTACH=CONFIG]8618[/ATTACH] [ATTACH=CONFIG]8615[/ATTACH] [ATTACH=CONFIG]8616[/ATTACH] [ATTACH=CONFIG]8617[/ATTACH] [ATTACH=CONFIG]8624[/ATTACH] [ATTACH=CONFIG]8623[/ATTACH] [ATTACH=CONFIG]8625[/ATTACH] [ATTACH=CONFIG]8626[/ATTACH] [ATTACH=CONFIG]8631[/ATTACH] [ATTACH=CONFIG]8628[/ATTACH] [ATTACH=CONFIG]8627[/ATTACH] [ATTACH=CONFIG]8632[/ATTACH] [ATTACH=CONFIG]8629[/ATTACH] [ATTACH=CONFIG]8630[/ATTACH] [ATTACH=CONFIG]8605[/ATTACH] [ATTACH=CONFIG]8606[/ATTACH] [ATTACH=CONFIG]8607[/ATTACH]
Rooms in order of appearance in photos.
Photos 1-5 Wilson Audio, VTL, dCS, Transparent Cable
Photos 6-8 TAD Labs, Blue Smoke
Photos 9,10 McIntosh Labs
Photos 11-13 Wilson Audio, VTL, dCS, Transparent Cable
Photos 14-17 Peachtree Audio, Zu Audio, AudioQuest Cable
Photos 18-21 Bel Canto, TAD Labs
Photo 22 B&W, Moon Audio
Photos 23, 24 Ayre Acoustics
Photos 25-27 Fine Sounds (Audio Research, Sonus Faber, Wadia), Nordost Cable
Photos 28-30 EMM Labs, Meitner, Sony, Kimber Cable
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