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This is an album you don't want to put on when the components are cold! Did it this morning, and the pushback was strong - always needs a finely sorted setup, otherwise the sound is hard to take - used this one a lot, well over a decade ago, for testing ....

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From the POV of the music purists perhaps - there is strong bounce of the sound from the ceiling, which has been tackled in various ways; but didn't seem to interfere here. Coughs from the audience could be heard to echo about in the quiet bits, and there are plenty of incidental noises from this live capture - but it adds to the sense of the occasion.

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From Wikipedia ...
 

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* January 1971: Using NHK's experimental PCM recording system, Dr. Takeaki Anazawa, an engineer at Denon, records the world's first commercial digital recordings, Something by Steve Marcus & Jiro Inagaki (January 25, 1971) and The World Of Stomu Yamash'ta 1 & 2 by Stomu Yamash'ta (January 11, 1971).[3] Both have to be recorded live, without edits. Marcus is released first (in February 1972), making it the first released digital recording.

* 1972: Using lessons learned from the NHK encoder, Denon unveils the first 8-channel PCM encoder, the DN-023R, which uses 47.25kHz 13-bit PCM resolution and 4-head open reel broadcast video tape recorder.[3] The first recording with this new system is the Smetana Quartet performing Mozart's String Quartets K.458 and K.421, recorded in Tokyo April 24–26 and released that October. At least six other Denon-recorded digital LP records are released in October, including jazz, classical and traditional Japanese music.[3][6]

 

 

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10 hours ago, rando said:

It was released 86/87.

 

 

Pre-emphasis on Denon and BIS existed long after everyone else ditched it.  Was that the case here @fas42?

 

 

 

Can't say ... the CDP doesn't indicate, and I can't see anything in the booklet.

 

There are no giveaways in the sound, that I can pick, that the full tonality of a Steinway wasn't captured ...

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3 hours ago, firedog said:

 

It was not the first commercial digital recording, and seems it wasn't a digital recording at all.   Don't know why that Japanese CD is labeled "DDD" maybe they were given a digital master, and thought it originated as a digital recording. Anyway, at the beginning of the CD era, it was thought to be a marketing advantage to be a DDD recording, so maybe it was just wishful thinking and slick marketing. 

 

What makes you think that it wasn't a digital, but rather an analogue recording? Is this actually stated somewhere?

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