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The HD music fft atlas reference thread


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when you find downloads like the Saracon-based Stones transfers. It has been "discovered" that Saracon has such deep aggressive DSD filtering that all is lost after 24/88k...thereby making it seem like the offer for a premium priced 24/176k version is bogus. However, when asked of Daniel Weiss (designer and/or owner of said Saracon software) his response was "well, your DAC may perform better at 24/176k". This seems like a stretch and not really a reason for premium pricing...maybe it's just me.

 

Anyway, this industry is full of questions and fakeries and questionable decisions by labels, manufacturers and distributors. it's also full of wonderful music. It seems too much of the time the consumer is the police here.

 

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on this forum, long time lurker, great site, enjoyable civilized atmosphere.

 

I too find it disturbing not to be able to trust the merchandise. Kudo's to wgscott for starting this thread.

 

Been buying some tracks from both Linn and HD Tracks, some ok, some less ok.

 

 

 

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"of said Saracon software) his response was "well, your DAC may perform better at 24/176k"."

 

Daniel Weiss has a very good point here. Many DACs should perform better with higher sample rates. They can apply gentler digital filtering with higher rates, resulting in less filter induced ringing artifacts, while still suppressing alias products and keeping phase realtionships intact-the lower the input sample rate, the more compromises have to be made in digital filter design. I often wonder if this is one of the primary advantages to higher sample rates in general.

 

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This track will almost certainly be identical to that from HD Tracks.

 

snew24192dvda.jpg

 

 

Perhaps somebody can supply the correct info to display this picture ?

 

 

 

 

 

 

How a Digital Audio file sounds, or a Digital Video file looks, is governed to a large extent by the Power Supply area. All that Identical Checksums gives is the possibility of REGENERATING the file to close to that of the original file.

PROFILE UPDATED 13-11-2020

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Sorry about the reperated attempts to post the picture.

 

 

How a Digital Audio file sounds, or a Digital Video file looks, is governed to a large extent by the Power Supply area. All that Identical Checksums gives is the possibility of REGENERATING the file to close to that of the original file.

PROFILE UPDATED 13-11-2020

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Thanks for that. However, in this case the later .jpeg that I posted as an attachment is far clearer and more detailed.

Alex

 

 

How a Digital Audio file sounds, or a Digital Video file looks, is governed to a large extent by the Power Supply area. All that Identical Checksums gives is the possibility of REGENERATING the file to close to that of the original file.

PROFILE UPDATED 13-11-2020

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Thanks, Peter. I've PM-ed you a link to the file, if you have a chance to look, I'd love to hear more.

 

Here is how the wave looks inside :

 

 

 

Allright, since you posted this in that other thread as well, and people went into it more than happened in this thread here, I worked it out somewhat further in the other thread : http://www.computeraudiophile.com/content/Scandal-Brewing-High-Resolution-Downloads#comment-88340

 

Regards,

Peter

 

 

 

 

 

 

Lush^3-e      Lush^2      Blaxius^2.5      Ethernet^3     HDMI^2     XLR^2

XXHighEnd (developer)

Phasure NOS1 24/768 Async USB DAC (manufacturer)

Phasure Mach III Audio PC with Linear PSU (manufacturer)

Orelino & Orelo MKII Speakers (designer/supplier)

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This seems to be an interesting one.

 

This seems to be a first example of HDTracks offering something different from the version I have here. My track 01 is just cut at 22.05. Furthermore, only track 02 and 06 are OK. The rest is sh*t.

This is taken from the 2ch stereo which is on the disk (5.1 is on there too).

 

Lush^3-e      Lush^2      Blaxius^2.5      Ethernet^3     HDMI^2     XLR^2

XXHighEnd (developer)

Phasure NOS1 24/768 Async USB DAC (manufacturer)

Phasure Mach III Audio PC with Linear PSU (manufacturer)

Orelino & Orelo MKII Speakers (designer/supplier)

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  • 3 weeks later...

This is a 24/192 track I ripped from the Blu-ray disc of the Pixies Minotaur box set

 

First of all this is the first time I used Audacity for this and I'm not completely sure I did it right, because it looks completely messed up... But if I'm not mistaken, it kind of looks like it was upsampled from 48KHz.

 

Here's the 24/48 version from the DVD:

 

 

The DVD version was supposed to be 24/96 but it wasn't, so I'm sadly suspecting that the Blu-ray version was indeed upsampled unless I made a mistake when ripping the audio from it. More input would be appreciated here.

 

Also, I have the Talking Heads DualDisc and checked that out: tracks 2, 3, 6, and 8 all looked good while the other half were bad...

 

Macbook Pro -> Audirvana+ -> Meridian Explorer -> Objective2 Amplifier -> Westone ES5 IEMs

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You know I didn't even notice that but now that you point it out, yea they both look like redbook. That also explains why I couldn't really tell the difference between the redbook and DVD versions... What a massive disappointment - I'm going to return the box set. R.E.M. doesn't disappoint though...

 

R.E.M. Out of Time DVD-A 24/96:

 

 

 

And 24/192

 

 

 

 

Macbook Pro -> Audirvana+ -> Meridian Explorer -> Objective2 Amplifier -> Westone ES5 IEMs

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I decided to check the other 4 albums that came with the boxset, and much to my surprise, Doolittle came out seemingly good on Blu-ray (but not on DVD).

 

Here's the waveform/spectrum for Monkey's Gone to Heaven:

 

 

 

I picked out the most unusual one just in case - it's the only one that had those red horizontal lines. The entire album looked pretty clean and good like this. Is it possible I ripped the Blu-ray incorrectly for everything but Doolittle? I find that extremely unlikely but I am confused that one album actually turned out well.

 

Macbook Pro -> Audirvana+ -> Meridian Explorer -> Objective2 Amplifier -> Westone ES5 IEMs

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How did you rip the audio off of a Blu-ray disc? I was under the impression that it was near-impossible (and a whole lot of trouble) to do so. Did you use your MacBook Pro? I'd love to find an easy way to do this with my music BDs.

 

Thanks,

Russell

 

MacBook Pro 2021 16” (M1 Pro, 16MB RAM, macOS Ventura) > Audirvana Origin > Pangea Audio USB-AG > Sony TA-ZH1ES > Nordost Heimdall 2 > Audeze LCD-3

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Chris made a thread about ripping Blu-Ray audio. I followed that using an external Blu-ray drive but I used eac3to (in conjunction with Arcsoft's HD Decoder) instead of tsmuxer. It was indeed a whole lot of trouble and in the end I really got practically nothing out of it - but I would do it again (looking at Neil Young, Tom Petty) now that I know exactly what I have to do.

 

Macbook Pro -> Audirvana+ -> Meridian Explorer -> Objective2 Amplifier -> Westone ES5 IEMs

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Carlos Kleiber | Vienna Philharmonic - Beethoven: Symphonies Nos.5 and 7

 

https://www.hdtracks.com/index.php?file=catalogdetail&valbum_code=HD00028944740028

 

This is track number 1, Symphony No.5 in C minor, Op.67: 1. Allegro con brio:

 

Click to enlarge

1-Symphony No5 in C minor Op67.png

 

Obviously this is a SACD rip and they left all the DSD noise but fortunately it sounds fairly good as a whole, nothing spectacular though.

 

Listening Room: ALIX.2D2 (Voyage MPD) --> Arcam rDAC --> Marantz PM-15S2 --> Quadral Wotan Mk V

Drinking Room: ALIX.2D2 --> M2Tech hiFace 2 --> Cambridge Audio Azur 740C --> Rotel RC-06/RB-06 --> B&W XT4

Home head-fi: Grado SR80i, Sennheiser HD 650

On the go head-fi: Sennheiser IE 8

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https://www.hdtracks.com/index.php?file=catalogdetail&valbum_code=HD00008811141721

 

This is track number 13, Pinball Wizard:

 

Click to enlarge

13 Pinball Wizard.png

 

This sounds much better than the old CD I had. Considering the age of that album the noise during playback is not too bad. But what the spectrogram shows in terms of noise is baffling...it looks as if it's a DSD transfer with some permanent interference going on and hell if I know. Maybe someone else can clarify the noisy happenings here?

 

 

 

Listening Room: ALIX.2D2 (Voyage MPD) --> Arcam rDAC --> Marantz PM-15S2 --> Quadral Wotan Mk V

Drinking Room: ALIX.2D2 --> M2Tech hiFace 2 --> Cambridge Audio Azur 740C --> Rotel RC-06/RB-06 --> B&W XT4

Home head-fi: Grado SR80i, Sennheiser HD 650

On the go head-fi: Sennheiser IE 8

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Both look like normal DSD transfers, based on color the noise peaks are roughly at -60 dBFS. (way less than many PCM DACs produce as digital images)

 

But that 28.5 kHz constant tone is likely coming from analog equipment, probably from an analog tape gear. Fairly high level of background noise would also indicate to same direction...

 

 

Signalyst - Developer of HQPlayer

Pulse & Fidelity - Software Defined Amplifiers

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I did a rip of the DVD-A of this recording. I'll post an Audacity image of the same track after I get home tonight. Might be interesting to compare!

 

Russell

 

MacBook Pro 2021 16” (M1 Pro, 16MB RAM, macOS Ventura) > Audirvana Origin > Pangea Audio USB-AG > Sony TA-ZH1ES > Nordost Heimdall 2 > Audeze LCD-3

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https://www.hdtracks.com/index.php?file=catalogdetail&valbum_code=HD602527585901

 

This is track number 1, "Köln, January 24, 1975, Part I":

 

Click to enlarge

01 Koln, January 24, 1975, Part I.png

 

Again there is a constant tone coming from analog equipment. This sounds great but I have nothing to compare it to. Also it's hard to tell if we're looking at an upsample because of the relatively low frequency range of a piano. The highest frequencies do seem to fade out naturally towards the top so it seems likely to me that it is indeed a good transfer.

 

Listening Room: ALIX.2D2 (Voyage MPD) --> Arcam rDAC --> Marantz PM-15S2 --> Quadral Wotan Mk V

Drinking Room: ALIX.2D2 --> M2Tech hiFace 2 --> Cambridge Audio Azur 740C --> Rotel RC-06/RB-06 --> B&W XT4

Home head-fi: Grado SR80i, Sennheiser HD 650

On the go head-fi: Sennheiser IE 8

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