The Computer Audiophile Posted November 10, 2017 Share Posted November 10, 2017 View full article Founder of Audiophile Style | My Audio Systems Link to comment
firedog Posted November 10, 2017 Share Posted November 10, 2017 “I feel incredibly dense that I was unaware of the drum / cymbal roll that's so delicately played by Jones.” Can you explain this comment a bit more. What are you trying to say about the DAC here? Because of your reference, I queued up the track as I read. That Jones bit can be clearly heard listening to the track streaming from Tidal over my iPad and its internal speaker... Main listening (small home office): Main setup: Surge protector +>Isol-8 Mini sub Axis Power Strip/Isolation>QuietPC Low Noise Server>Roon (Audiolense DRC)>Stack Audio Link II>Kii Control>Kii Three (on their own electric circuit) >GIK Room Treatments. Secondary Path: Server with Audiolense RC>RPi4 or analog>Cayin iDAC6 MKII (tube mode) (XLR)>Kii Three BXT Bedroom: SBTouch to Cambridge Soundworks Desktop Setup. Living Room/Kitchen: Ropieee (RPi3b+ with touchscreen) + Schiit Modi3E to a pair of Morel Hogtalare. All absolute statements about audio are false Link to comment
paglop Posted November 11, 2017 Share Posted November 11, 2017 Some high end DACs are bringing MQA now and this review is timely. From your article You do not state if the improvements you heard were due to the firmware upgrade or due to MQA. In your review of the Meridian Explorer you did some PCM/MQA comparisons. Have you done anything similar with the Reference 2? Link to comment
esimms86 Posted November 11, 2017 Share Posted November 11, 2017 Programmer audiophiles like Michael Pflaumer, Peter Stordiau(Phasure), Rob Watts(Chord Electronics) and Ted Smith(PS Audio) appear to be the present and future of computer audio. Link to comment
The Computer Audiophile Posted November 11, 2017 Author Share Posted November 11, 2017 9 hours ago, firedog said: “I feel incredibly dense that I was unaware of the drum / cymbal roll that's so delicately played by Jones.” Can you explain this comment a bit more. What are you trying to say about the DAC here? Because of your reference, I queued up the track as I read. That Jones bit can be clearly heard listening to the track streaming from Tidal over my iPad and its internal speaker... Very good question. It’s a tough one to explain because what you say is 100% true. This information has always been there and can be heard through an iPad speaker. There’s just something about listening to it through this DAC that is special. It feels like my brain is in a totally different place that enables me to hear each musician as if he is playing a solo. I really wish I could explain this better. As it is, I sound like the classic audiophile cliche spewing writer :~( Founder of Audiophile Style | My Audio Systems Link to comment
The Computer Audiophile Posted November 11, 2017 Author Share Posted November 11, 2017 6 hours ago, paglop said: Some high end DACs are bringing MQA now and this review is timely. From your article You do not state if the improvements you heard were due to the firmware upgrade or due to MQA. In your review of the Meridian Explorer you did some PCM/MQA comparisons. Have you done anything similar with the Reference 2? The improvements I heard are entirely due to the firmware update. Of course I listened to some MQA material through the DAC but I purposely avoided using that in the review. The topic is too loaded and would distract from the real story that is the firmware update. Founder of Audiophile Style | My Audio Systems Link to comment
mdp632 Posted November 11, 2017 Share Posted November 11, 2017 Excellent review. Regardless of one's opinion of MQA at least all the big DAC manufacturers are at least now offering this option to their customers. MSB, DCS and Berkeley. I've noticed the DA2 in Chris's signature but, where does EMM Labs stand on MQA? Link to comment
manisandher Posted November 11, 2017 Share Posted November 11, 2017 Having previously expressed my love of the album Relaxin' with the Miles Davis Quintet, this friend made me a copy of his SAFETY MASTER tape of this album, at 24 bit / 192 kHz. Not only that, it was done on a Pacific Microsonics Model 2 A to D converter and HDCD encoded. Hey Chris, from what I recall of my time with the Model Two, there are no actual HDCD processes @ 24/192 - they're simply not necessary at these depths & rates. But the HDCD indicator on your Berkeley will still light up, which is cool. What's perhaps even cooler is that at 4fs, the Model Two does not over-sample, using instead a simple analogue filter. It's the only ADC that I'm aware of that does this. I'm not surprised that you're happy with the sound of the transfers . Mani. Main: SOtM sMS-200 -> Okto dac8PRO -> 6x Neurochrome 286 mono amps -> Tune Audio Anima horns + 2x Rotel RB-1590 amps -> 4 subs Home Office: SOtM sMS-200 -> MOTU UltraLite-mk5 -> 6x Neurochrome 286 mono amps -> Impulse H2 speakers Vinyl: Technics SP10 / London (Decca) Reference -> Trafomatic Luna -> RME ADI-2 Pro Link to comment
firedog Posted November 11, 2017 Share Posted November 11, 2017 2 hours ago, mdp632 said: all the big DAC manufacturers are at least now offering this option to their customers. MSB, DCS and Berkeley I think your perspective is a bit off. Those are not the "big" DAC manufacturers, unless you are referring to price. Main listening (small home office): Main setup: Surge protector +>Isol-8 Mini sub Axis Power Strip/Isolation>QuietPC Low Noise Server>Roon (Audiolense DRC)>Stack Audio Link II>Kii Control>Kii Three (on their own electric circuit) >GIK Room Treatments. Secondary Path: Server with Audiolense RC>RPi4 or analog>Cayin iDAC6 MKII (tube mode) (XLR)>Kii Three BXT Bedroom: SBTouch to Cambridge Soundworks Desktop Setup. Living Room/Kitchen: Ropieee (RPi3b+ with touchscreen) + Schiit Modi3E to a pair of Morel Hogtalare. All absolute statements about audio are false Link to comment
AudioDoctor Posted November 11, 2017 Share Posted November 11, 2017 Reading this site is bad for my bank account... shp 1 No electron left behind. Link to comment
rickca Posted November 11, 2017 Share Posted November 11, 2017 6 hours ago, mdp632 said: Regardless of one's opinion of MQA at least all the big DAC manufacturers are at least now offering this option to their customers. There are many more high end DAC manufacturers who are not offering MQA at this time. Ayre, Bricasti, Jeff Rowland, etc. Pareto Audio AMD 7700 Server --> Berkeley Alpha USB --> Jeff Rowland Aeris --> Jeff Rowland 625 S2 --> Focal Utopia 3 Diablos with 2 x Focal Electra SW 1000 BE subs i7-6700K/Windows 10 --> EVGA Nu Audio Card --> Focal CMS50's Link to comment
mdp632 Posted November 12, 2017 Share Posted November 12, 2017 On 11/11/2017 at 10:08 AM, firedog said: I think your perspective is a bit off. Those are not the "big" DAC manufacturers, unless you are referring to price. No, Price doesn't dictate subjective taste but, at this price level a manufacture should offer it. The $100 AQ Dragonfly offers MQA. Link to comment
Lydon Posted November 15, 2017 Share Posted November 15, 2017 Hello, I have the RS-1 and recently did the MQA firmware upgraded. I found that by becoming more aware of the facts and goals surrounding this new codec (Robert Harley's interview with Robert Stuart in TAS #253 & #263) has reassured me that the platform is solid in performing its task to deliver music like never before. While streaming content from Tidal's Masters section which offers many MQA titles. The window on the DAC displayed 352. which for me is the highest its ever been listening to files from 2L's playlists sampler. But according to Berkeley specifications the envelope of performance only goes 192/24. I contacted Michael Ritter of Berkeley Audio Design to ask what's going on. He explained that the MQA process isn't a straight PCM process and that improvements (enhancements) to the Alpha DAC Reference platform whether one has the RS-1 or RS-2 of this new MQA firmware upgrade are only going to be perceived as beneficial to the musical expression and yet don't fall into the specifications laid down for the DAC as a rendering device in the two step process. But just how high can these benefits rise to, is yet to be seen or heard. I must write, these days I'm just loving music even more and look forward to getting my RS-1 upgraded to RS-2 when Berkeley is ready to accommodate my need. This is indeed an exciting time for digital music enthusiasts. Cheers! Link to comment
stevebythebay Posted November 16, 2017 Share Posted November 16, 2017 Lydon: Are you using an Alpha USB into the DAC? Or are you sending via another streamer? And what are you using as you Tidal streaming platform (Mac or PC)? Steve Schaffer Grimm MU1 / dCS Vivaldi Upsampler - APEX DAC - Clock / Spectral DMC-30SV preamp / Spectral Anniversary monoblocks / Wilson Audio Alexia V / Wilson Lōkē subs / Shunyata Everest / Shunyata Omega interconnects, power cables, Ethernet / Shunyata Altaira / Uptone EtherREGEN switch / Cybershaft OP21A-D / Uptone JS2 LPS / HRS racks - Vortex footers - damping plates Link to comment
Lydon Posted November 16, 2017 Share Posted November 16, 2017 Stevebythebay, I don't used the Alpha USB. My Baetis Reference S (Windows 10) media server is my source using Tidal's desktop app. So it's AES connection through MIT's Oracle Digital to the Berkeley RS-1. Personally, I just like to keep things as simple & straight forward as possible. Link to comment
blaven Posted November 18, 2017 Share Posted November 18, 2017 Lydon- your comments are interesting. I just spoke to Michael the other day and he was incredibly generous with his time. I use an Aurender S 10 with AES and he thought that it would sound better going through the Alpha USB converter rather than straight AES into the RS2 MQA. Personally I don’t really understand this-but he thinks the Alpha USB would even further isolate noise from the server. My goal was to stay away from USB all together and go straight AES but he said it is a noticeable difference going with the alpha USB. Does anybody else have any thoughts on that or has anybody tried it? I’m guessing many people here have Aurender N10--> DCS Bartok w Rossini Clock—>Audio Research REF6 Pre --> Vandersteen M5HPA—>Vandersteen Quatro CT Speakers; AMG Giro Turntable w Lyra Delos Cartridge —> Audio Research Ref 3 PhonoPre Link to comment
stevebythebay Posted November 18, 2017 Share Posted November 18, 2017 Having tried out the Baetis years ago (though I passed on it), I did find that the AES output was best into my then Berkeley pre-Reference DAC. However, that's not always the case as others may find. All is in the implementation. The Alpha USB is really a great D-D converter, though it has "aged" some given that the technology (hardware) underlying its design is many years old. Clocks have certainly gotten better. And as you know, Aurender has improved their products over time. The S20 and even N10 are likely less "noisy" than the initial S10 (independent of either USB or S/PDIF output). I used the N10, but after trying both a Sonore microRendu with Signature Power Supply(better), and now using the dCS Network Bridge (no USB, yea!, and much better still), my Alpha USB is collecting dust. Steve Schaffer Grimm MU1 / dCS Vivaldi Upsampler - APEX DAC - Clock / Spectral DMC-30SV preamp / Spectral Anniversary monoblocks / Wilson Audio Alexia V / Wilson Lōkē subs / Shunyata Everest / Shunyata Omega interconnects, power cables, Ethernet / Shunyata Altaira / Uptone EtherREGEN switch / Cybershaft OP21A-D / Uptone JS2 LPS / HRS racks - Vortex footers - damping plates Link to comment
Lydon Posted November 18, 2017 Share Posted November 18, 2017 Stevebythebay, I don't used the Alpha USB. My Baetis Reference S (Windows 10) media server is my source using Tidal's desktop app. So it's AES connection through MIT's Oracle Digital to the Berkeley RS-1. Personally, I just like to keep things as simple & straight forward as possible. Link to comment
Lydon Posted November 18, 2017 Share Posted November 18, 2017 Blaven, My choice resulted somewhat on the elimination or great reduction of common mode noise that can be had when using a dedicated music service that's purposefully build for two/multi channel playback. We all hear what we want to hear, but to the point, from our own personal experiences how we listen plays a strong role. Do we always do the critical listening routine or do we enjoy our music and listen with a less critical ear? Example, jRiver's (Media Center 23) recently starting offering a 64-bit version of their program that was said to offer a 5-15% performance enhancement over the 32-bit version. From the start, I immediately could detect it working as advertised. I suspect that a similar effect would be had with Berkeley's own Alpha USB, but I personally don't have that experience. Enjoy! Link to comment
pga Posted November 22, 2017 Share Posted November 22, 2017 Chris, I cannot agree more on how big the improvement was from the RS1 to the RS2, and now even further to the RS2 MQA. I have the same impression as if each instrument has its own track, amp and speaker. The separation, silence and blackness between instruments is almost eerie. The instruments just pop out into space as if they were in the room being played separately from the music you’re playing on your stereo. My RS2 is driving directly Constellation Centaur Monos and the digital setup is Roon and an Audio Alchemy DMP1 AES output. Every CD sounds different. Every instrument has its own color and texture. The level of detail and lack of digital artifacts is beyond anything I’ve listened to. Audio Alchemy DMP-1 / Roon / Berkeley Alpha RS 2 / Constellation Monos / TAD R1s Link to comment
clchev Posted December 2, 2017 Share Posted December 2, 2017 Ordered the Berkeley Alpha DAC Reference Series 2 MQA-hopefully will arrive in 3 weeks or so. We have an Aurender N10. Looking forward to listening based on your comments! Link to comment
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