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    The Computer Audiophile

    Guide To Ripping DVD and Blu-ray Audio Using The Dark Side Of The Moon Immersion Box Set

    dsotm-brd-thumb-200.pngRipping the audio from CDs, DVDs and Blu-ray discs has never been easier and there's never been a better time than now to start ripping. Pink Floyd recently released The Dark Side Of The Moon Immersion Box set containing six physical discs including three Redbook CDs, two DVDs, and one Blu-ray disc. The ease of ripping audio from plastic discs and the plethora of new content available from Pink Floyd have given me great reason to create a thoroughly updated DVD and Blu-ray disc ripping guide using the new Dark Side Of The Moon Immersion Box Set. Pink Floyd fans and enthusiasts of music stored on plastic discs rejoice, one's favorite two channel and multi-channel music can now be liberated.

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    <b>Quick Links</b>

    <ul><li><a href="#intro">Introduction</a></li>

    <li><a href="#prereq">Ripping Prerequisites</a></li>

    <li><a href="#cd">Compact Disc Ripping</a></li>

    <li><a href="#dvd">DVD Ripping</a></li>

    <li><a href="#brd">Blu-ray Audio Ripping</a></li>

    <li><a href="#contents">Immersion Box Set Contents & Credits</a></li></ul>

     

     

     

    <a name="intro"><b>Introduction</b></a>

     

    I set out to rip the new Dark Side Of The Moon Immersion Box set like a normal Pink Floyd enthusiast. This quickly turned into a major undertaking that included scanning almost every piece of artwork including the scarf, uploading these images to <a href="http://www.amazon.com/gp/customer-media/product-gallery/B004ZNARH4/ref=cm_ciu_pdp_images_all">Amazon</a><a href="http://www.amazon.com/gp/customer-media/product-gallery/B004ZNARH4/ref=cm_ciu_pdp_images_all"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a> for everyone to use, rewriting all the album credits and information into a file on my computer for use as metadata, and deciphering exactly what audio was extractable from the DVD and Blu-ray discs. The whole process took way more hours than I care to share, but I'm happy to share the following instructions, screenshots, and videos that will make everything a breeze for CA readers.

     

    This guide to ripping audio from plastic discs will work with nearly all discs available at the time of this writing. I'm using my own legally purchased copy of The Dark Side Of The Moon Immersion Box Set in the illustrations below. I will never make the ripped files available for download as that's simply preposterous. I hope readers will elect to purchase the Immersion Box Set once they see how easy it is to rip the audio from the discs.

     

    My previous guide to ripping DVD-Audio, DVD-Video (Audio) and HDAD Discs is still valid and available <a href="http://www.computeraudiophile.com/content/How-Rip-DVD-Audio-DVD-Video-Audio-And-HDAD-Discs">here</a><a href="http://www.computeraudiophile.com/content/How-Rip-DVD-Audio-DVD-Video-Audio-And-HDAD-Discs"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a>. However, my previous <a href="http://www.computeraudiophile.com/content/How-Rip-High-Resolution-Blu-ray-Audio">guide to ripping Blu-ray audio</a><a href="http://www.computeraudiophile.com/content/How-Rip-High-Resolution-Blu-ray-Audio"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a> is out of date and should not be used as a reference.

     

     

     

    <a name="prereq"><b>Ripping Prerequisites</b></a>

     

    Hardware:

    <ol><li>Computer capable of running Windows (natively or within a virtual machine (Parallels, VM Ware))</li>

    <li>Blu-ray drive (in or connected to the computer)</li></ol>

     

    Software:

    <ol><li>Microsoft .NET Framework 4 Client Profile (Free) [<a href="http://www.microsoft.com/download/en/details.aspx?displaylang=en&id=17113">Link</a><a href="http://www.microsoft.com/download/en/details.aspx?displaylang=en&id=17113"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a>]</li>

    <li>eac3to (Free) [<a href="http://forum.doom9.org/showthread.php?t=125966">Link</a><a href="http://forum.doom9.org/showthread.php?t=125966"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a>]</li>

    <li>HdBrStreamExtractor (Free) [<a href="http://code.google.com/p/hdbrstreamextractor/downloads/list">Link</a><a href="http://code.google.com/p/hdbrstreamextractor/downloads/list"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a>]</li>

    <li>Passkey for Blu-ray ($60 / Free Trial) [<a href="http://www.dvdfab.com/passkey-for-blu-ray.htm">Link</a><a href="http://www.dvdfab.com/passkey-for-blu-ray.htm"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a>]</li>

    <li>J River Media Center ($50 / Free Trial) (for editing metadata and splitting Blu-ray tracks) [<a href="http://www.jriver.com/">Link</a><a href="http://www.jriver.com/"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a>]</li>

    <li>dBpoweramp (CD Ripper & Music Converter) ($38 / Free Trial) (ripping and file conversion) [<a href="http://www.dbpoweramp.com/cd-ripper.htm">Link</a><a href="http://www.dbpoweramp.com/cd-ripper.htm"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a>]</li>

    <li>DVD Audio Extractor ($32.50 / Free Trial) (for DVD audio ripping only) [<a href="http://www.dvdae.com/">Link</a><a href="http://www.dvdae.com/"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a>]</li></ol>

     

     

     

    <a name="cd"><b>Compact Disc Ripping</b></a>

     

    This information is for discs 1, 2, and 6. Readers uninterested in Redbook CD ripping should skip to the next section. Readers interested in a thorough article about ripping CDs should first read my <a href="http://www.computeraudiophile.com/content/Computer-Audiophile-CD-Ripping-Strategy-and-Methodology">CD Ripping Strategy & Methodology</a><a href="http://www.computeraudiophile.com/content/Computer-Audiophile-CD-Ripping-Strategy-and-Methodology"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a>. There is no need to rewrite the information contained in that guide as the main thrust of this article is DVD and Blu-ray ripping. That said, here is some information showing readers how to embed album art for the Front Cover, Back Cover, Media, etc… and view the metadata embedded into each file.

     

    The following four images depict the Front Cover, Back Cover, Media (CD), and an included Box Set illustration being embedded into The Dark Side Of The Moon tracks. Using dBpoweramp select the minus (-) symbol above the cover art that's automatically selected from the Internet. This clears the unwanted art before ripping the CD. Then select the plus (+) symbol followed by Load (from File). This enables selection of an image already on one's computer. Please download the images I uploaded to <a href="http://www.amazon.com/gp/customer-media/product-gallery/B004ZNARH4/ref=cm_ciu_pdp_images_all">Amazon</a><a href="http://www.amazon.com/gp/customer-media/product-gallery/B004ZNARH4/ref=cm_ciu_pdp_images_all"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a> if needed during this process. By default the first image is use for the Front Album Cover and the second image for the Back Album Cover. After adding an image of the actual CD sleet the plus (+) symbol again followed by Current Art Description then select Media from the ensuing menu. Most playback applications don't support added images as of this writing. However, the Aurender music server's iPad application does support Front and Back Album Covers. The more people using extra images the more applications will support these images.

    <center>click to enlarge</center>

    <center><a href="http://images.computeraudiophile.com/graphics/2011/1005/700/CD-1-Front-Album-Cover.png" class="thickbox" rel="CD-1"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/CD-1-Front-Album-Cover.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/CD-1-Back-Album-Cover.png" class="thickbox" rel="CD-1"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/CD-1-Back-Album-Cover.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/CD-1-Media.png" class="thickbox" rel="CD-1"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/CD-1-Media.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/CD-1-Illustration.png" class="thickbox" rel="CD-1"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/CD-1-Illustration.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a></center>

     

    The following four images show what metadata is viewable via the Windows operating system and an easy way to edit this metadata using dBpoweramp. The first two images simply show the metadata available through Windows. It's possible to edit some of this data by clicking the field in the lower blue area. The second two images show the metadata editing options available after selecting a track from within a folder, right-clicking the track and selecting Edit ID-Tag. This view displays much more metadata than many users know can be embedded into each file in addition to the extra images embedded via the aforementioned process.

    <center>click to enlarge</center>

    <center><a href="http://images.computeraudiophile.com/graphics/2011/1005/700/CD-1-Track-One-Metadata-01.png" class="thickbox" rel="CD-1-2"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/CD-1-Track-One-Metadata-01.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/CD-2-Track-One-Metadata-01.png" class="thickbox" rel="CD-1-2"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/CD-2-Track-One-Metadata-01.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/CD-1-Track-One-Metadata-02.png" class="thickbox" rel="CD-1-2"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/CD-1-Track-One-Metadata-02.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/CD-2-Track-One-Metadata-02.png" class="thickbox" rel="CD-1-2"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/CD-2-Track-One-Metadata-02.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a></center>

     

     

     

    <a name="dvd"><b>DVD Ripping</b></a>

     

    I recommend using DVD Audio Extractor for ripping the DVDs in The Dark Side Of The Moon Immersion Box Set. It's a very solid program that works 99% of the time. The rolling instructions and screenshots describe and depict what's available on the DVDs and how to extract the audio into different formats.

     

    Disc 3 in the Box Set is a DVD that contains a such set of audio tracks in both stereo and multi-channel. DVD Audio Extractor allows the user to view the available tracks and extract the audio in the native format or convert to a different format on the fly. The initial DVD Audio Extractor screen is a bit confusing to the untrained eye. The image below is what a users sees after inserting the DVD. I've added red text to help explain each section of the window. Title3 on this DVD is the only Title containing pertinent audio thus I've placed a check mark in the Title3 box. Five different options are available for extraction, each of which contains the same ten Dark Side Of The Moon tracks.

    <center><img src="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-Default-View.png"></img></center>

     

    Follow these instructions to rip The Dark Side Of The Moon 2011 Master LPCM Stereo mix at 24 bit / 48 kHz into individual FLAC files for each track.

     

    <ol><li>Select Title3 [00:43:05] in the upper left section.</li>

    <li>Select English LPCM (48kHz 24bit 2Ch) in the lower left section.</li>

    <li>Name each of the ten tracks by double-clicking in the Chapter Name boxes and replacing the default text.</li>

    <li>Select Next >.</li></ol>

    <center><img src="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-2.0-FLAC-Screen-1.png"></img></center>

    <ol start="5">

    <li>Select FLAC -- Free Lossless Audio Codec as the Output Format.</li>

    <li>Select Same As Input for the Sample Rate.</li>

    <li>Select Stereo to the right of Channels.</li>

    <li> Select 24 bits to the right of Bits Per Sample.</li>

    <li>Select Next >.</li></ol>

    <center><img src="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-2.0-FLAC-Screen-2.png"></img></center>

    <ol start="10">

    <li>Select the Output Location where the files should be placed. (Usually a My Music folder on Windows).</li>

    <li>Select Save Each Chapter Into Separate File(s).</li>

    <li>Select Enable FLAC Tag.</li>

    <li>Enter the appropriate Artist, Album, Year, and Genre information</li>

    <li>Select Next >.</li></ol>

    <center><img src="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-2.0-FLAC-Screen-3.png"></img></center>

    <ol start="15">

    <li>Adjust the Thread Priority to the Highest setting.</li>

    <li>Select Start</li></ol>

    <center><img src="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-2.0-FLAC-Screen-4.png"></img></center>

    <ol start="17">

    <li>Note the location of the files and select OK. That's it.</li></ol>

    <center><img src="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-2.0-FLAC-Screen-5.png"></img></center>

     

     

    Follow these instructions to rip The Dark Side Of The Moon James Guthrie 2003 5.1 Surround Mix at 448 kbps, 16 bit / 48 kHz into individual AC3 files for each track.

     

    Image One

    <ol><li>Select Title3 [00:43:05] in the upper left section.</li>

    <li>Select English AC3 (48kHz 6Ch) in the lower left section.</li>

    <li>Name each of the ten tracks by double-clicking in the Chapter Name boxes and replacing the default text.</li>

    <li>Select Next >.</li></ol>

     

    Image Two

    <ol start="5">

    <li>Select Direct Stream Demux as the Output Format.</li>

    <li>Select Next >.</li></ol>

     

    Image Three

    <ol start="7">

    <li>Select the Output Location where the files should be placed. (Usually a My Music folder on Windows).</li>

    <li>Select Save Each Chapter Into Separate File(s).</li>

    <li>Select Next >.</li></ol>

     

    Image Four

    <ol start="10">

    <li>Adjust the Thread Priority to the Highest setting.</li>

    <li>Select Start. That's it.</li></ol>

     

    <center>click to enlarge</center>

    <center><a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-5.1-448-kbps-AC3-Screen-1.png" class="thickbox" rel="5.1-448-AC3"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-1-5.1-448-kbps-AC3-Screen-1.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-5.1-448-kbps-AC3-Screen-2.png" class="thickbox" rel="5.1-448-AC3"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-1-5.1-448-kbps-AC3-Screen-2.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-5.1-448-kbps-AC3-Screen-3.png" class="thickbox" rel="5.1-448-AC3"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-1-5.1-448-kbps-AC3-Screen-3.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-5.1-448-kbps-AC3-Screen-4.png" class="thickbox" rel="5.1-448-AC3"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-1-5.1-448-kbps-AC3-Screen-4.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a></center>

     

     

    Follow these instructions to rip The Dark Side Of The Moon James Guthrie 2003 5.1 Surround Mix at 640 kbps, 16 bit / 48 kHz into individual FLAC files for each track.

     

    Image One

    <ol><li>Select Title3 [00:43:05] in the upper left section.</li>

    <li>Select English AC3 (48kHz 6Ch) in the lower left section.</li>

    <li>Name each of the ten tracks by double-clicking in the Chapter Name boxes and replacing the default text.</li>

    <li>Select Next >.</li></ol>

     

    Image Two

    <ol start="5">

    <li>Select FLAC -- Free Lossless Audio Codec as the Output Format.</li>

    <li>Select Same As Input for the Sample Rate.</li>

    <li>Select All 6 Channels to the right of Channels.</li>

    <li> Select 16 bits to the right of Bits Per Sample.</li>

    <li>Select Next >.</li></ol>

     

    Image Three

    <ol start="10">

    <li>Select the Output Location where the files should be placed. (Usually a My Music folder on Windows).</li>

    <li>Select Save Each Chapter Into Separate File(s).</li>

    <li>Select Enable FLAC Tag.</li>

    <li>Enter the appropriate Artist, Album, Year, and Genre information</li>

    <li>Select Next >.</li></ol>

     

    Image Four

    <ol start="15">

    <li>Adjust the Thread Priority to the Highest setting.</li>

    <li>Select Start. That's it.</li></ol>

     

    <center>click to enlarge</center>

    <center><a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-5.1-640-kbps-FLAC-Screen-1.png" class="thickbox" rel="5.1-640-FLAC"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-1-5.1-640-kbps-FLAC-Screen-1.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-5.1-640-kbps-FLAC-Screen-2.png" class="thickbox" rel="5.1-640-FLAC"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-1-5.1-640-kbps-FLAC-Screen-2.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-5.1-640-kbps-FLAC-Screen-3.png" class="thickbox" rel="5.1-640-FLAC"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-1-5.1-640-kbps-FLAC-Screen-3.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-5.1-640-kbps-FLAC-Screen-4.png" class="thickbox" rel="5.1-640-FLAC"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-1-5.1-640-kbps-FLAC-Screen-4.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a></center>

     

     

    Follow these instructions to rip The Dark Side Of The Moon Alan Parsons Quad Mix (previously released on vinyl LP/8 track tape in 1973) at 448 kbps, 16 bit / 48 kHz into individual AC3 files for each track.

     

     

    Image One

    <ol><li>Select Title3 [00:43:05] in the upper left section.</li>

    <li>Select English AC3 (48kHz 4Ch) in the lower left section.</li>

    <li>Name each of the ten tracks by double-clicking in the Chapter Name boxes and replacing the default text.</li>

    <li>Select Next >.</li></ol>

     

    Image Two

    <ol start="5">

    <li>Select Direct Stream Demux as the Output Format.</li>

    <li>Select Next >.</li></ol>

     

    Image Three

    <ol start="7">

    <li>Select the Output Location where the files should be placed. (Usually a My Music folder on Windows).</li>

    <li>Select Save Each Chapter Into Separate File(s).</li>

    <li>Select Next >.</li></ol>

     

    Image Four

    <ol start="10">

    <li>Adjust the Thread Priority to the Highest setting.</li>

    <li>Select Start. That's it.</li></ol>

     

    <center>click to enlarge</center>

    <center><a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-Quad-Mix-448-kbps-AC3-Screen-1.png" class="thickbox" rel="Quad-448-AC3"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-1-Quad-Mix-448-kbps-AC3-Screen-1.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-Quad-Mix-448-kbps-AC3-Screen-2.png" class="thickbox" rel="Quad-448-AC3"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-1-Quad-Mix-448-kbps-AC3-Screen-2.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-Quad-Mix-448-kbps-AC3-Screen-3.png" class="thickbox" rel="Quad-448-AC3"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-1-Quad-Mix-448-kbps-AC3-Screen-3.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-Quad-Mix-448-kbps-AC3-Screen-4.png" class="thickbox" rel="Quad-448-AC3"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-1-Quad-Mix-448-kbps-AC3-Screen-4.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a></center>

     

     

    Follow these instructions to rip The Dark Side Of The Moon Alan Parsons Quad Mix (previously released on vinyl LP/8 track tape in 1973) at 640 kbps, 16 bit / 48 kHz into individual FLAC files for each track.

     

    Image One

    <ol><li>Select Title3 [00:43:05] in the upper left section.</li>

    <li>Select English AC3 (48kHz 4Ch) in the lower left section.</li>

    <li>Name each of the ten tracks by double-clicking in the Chapter Name boxes and replacing the default text.</li>

    <li>Select Next >.</li></ol>

     

    Image Two

    <ol start="5">

    <li>Select FLAC -- Free Lossless Audio Codec as the Output Format.</li>

    <li>Select Same As Input for the Sample Rate.</li>

    <li>Select All 4 Channels to the right of Channels.</li>

    <li> Select 16 bits to the right of Bits Per Sample.</li>

    <li>Select Next >.</li></ol>

     

    Image Three

    <ol start="10">

    <li>Select the Output Location where the files should be placed. (Usually a My Music folder on Windows).</li>

    <li>Select Save Each Chapter Into Separate File(s).</li>

    <li>Select Enable FLAC Tag.</li>

    <li>Enter the appropriate Artist, Album, Year, and Genre information</li>

    <li>Select Next >.</li></ol>

     

    Image Four

    <ol start="15">

    <li>Adjust the Thread Priority to the Highest setting.</li>

    <li>Select Start. That's it.</li></ol>

     

    <center>click to enlarge</center>

    <center><a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-Quad-Mix-640-kbps-FLAC-Screen-1.png" class="thickbox" rel="QUAD-640-FLAC"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-1-Quad-Mix-640-kbps-FLAC-Screen-1.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-Quad-Mix-640-kbps-FLAC-Screen-2.png" class="thickbox" rel="QUAD-640-FLAC"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-1-Quad-Mix-640-kbps-FLAC-Screen-2.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-Quad-Mix-640-kbps-FLAC-Screen-3.png" class="thickbox" rel="QUAD-640-FLAC"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-1-Quad-Mix-640-kbps-FLAC-Screen-3.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-1-Quad-Mix-640-kbps-FLAC-Screen-4.png" class="thickbox" rel="QUAD-640-FLAC"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-1-Quad-Mix-640-kbps-FLAC-Screen-4.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a></center>

     

     

     

    Disc 4 in the Box Set is a DVD that contains videos with little audio extraction value. The image below is what a users sees after inserting the DVD. I've added red text to help explain all the different Titles available. Two different options, LPCM and AC3, are available for extraction on all Titles except Title10.

    <center><img src="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-2%20-%20Default-View.png"></img></center>

     

    Follow these screenshots to rip Live In Brighton 1972 (LPCM 16 bit / 48 kHz / 2 Channel) into individual FLAC files for each track.

    <center>click to enlarge</center>

    <center><a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-2-%20Live%20In%20Brighton%201972-Screen-1-Track-1-Title2-Ch1-FLAC.png" class="thickbox" rel="Brighton"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-2-%20Live%20In%20Brighton%201972-Screen-1-Track-1-Title2-Ch1-FLAC.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-2-%20Live%20In%20Brighton%201972-Screen-2-Track-1-Title3-Ch1-FLAC.png" class="thickbox" rel="Brighton"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-2-%20Live%20In%20Brighton%201972-Screen-2-Track-1-Title3-Ch1-FLAC.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-2-%20Live%20In%20Brighton%201972-Screen-3-FLAC.png" class="thickbox" rel="Brighton"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-2-%20Live%20In%20Brighton%201972-Screen-3-FLAC.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-2-%20Live%20In%20Brighton%201972-Screen-4-FLAC.png" class="thickbox" rel="Brighton"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-2-%20Live%20In%20Brighton%201972-Screen-4-FLAC.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a></center>

     

     

    The following screenshots display the correct Titles and track listings for those interested in ripping the Concert Screen Film audio in LPCM 16 bit / 48 kHz / 2 Channel or 5.1 Surround Sound, Dolby Digital @ 448 kbps AC3 / 16 bit / 48 kHz. Title4 contains the British Tour 1974. Title5 contains the French Tour 1974. TItle6 contains the North American Tour 1975. To continue ripping these Titles use the instructions above if needed.

    <center>click to enlarge</center>

    <center><a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-2-%20British%20Tour%201974-Screen-1-AC3.png" class="thickbox" rel="Brighton"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-2-%20British%20Tour%201974-Screen-1-AC3.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-2-French%20Tour%201974-Metadata.png" class="thickbox" rel="Brighton"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-2-French%20Tour%201974-Metadata.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a> <a href="http://images.computeraudiophile.com/graphics/2011/1005/700/DVD-2-North%20American%20Tour%201975-Metadata.png" class="thickbox" rel="Brighton"><img src="http://images.computeraudiophile.com/graphics/2011/1005/thumb/DVD-2-North%20American%20Tour%201975-Metadata.jpg" style="padding: 2pt 5pt 2pt 2pt;"></img></a></center>

     

     

     

    <a name="brd"><b>Blu-ray Audio Ripping</b></a>

     

    Over the last year ripping Blu-ray audio has continued to get easier and easier. I recommend using the applications eac3to, HdBrStreamExtractor, and Passkey for Blu-ray. The Dark Side Of The Moon Immersion Box Set Blu-ray disc contains THE big ticket item for two channel computer audiophiles and Pink Floyd fans, the Original Stereo Mix from 1973 in RAW/PCM at 24 bit / 96 kHz. The two other items of note are the 2003 5.1 Surround Mix in RAW/PCM at 24 bit / 96 kHz, and the 1973 Quad Mix in RAW/PCM at 24 bit / 96 kHz.

     

    Instead of writing instructions for ripping The Dark Side Of The Moon Immersion Box Set Blu-ray disc I created a series of videos that walk viewers through the process. In the first video I extract the two, four, and six channel mixes into three separate FLAC files. Each of the three mixes contain no metadata. The second video covers adding metadata and album art to these large FLAC files. The third video demonstrates how to split the single file created for the two channel mix into ten separate tracks using a cue sheet and J River Media Center. The cue sheets can be downloaded here for convenience, <a href="http://files.computeraudiophile.com/2011/1005/DSOTM-2.0-24-96.cue">Two Channel Cue</a>, <a href="http://files.computeraudiophile.com/2011/1005/4.0%2024-96.cue">Four Channel Cue</a>, and <a href="http://files.computeraudiophile.com/2011/1005/5.1%2024-96.cue">Six Channel Cue</a>. (Readers may have to right-click (Windows) or control-click (Mac) to select the cue sheets for download). Finally the fourth, and completely optional, video demonstrates how to convert highly compressed FLAC files into uncompressed FLAC files.

     

     

     

    <center>Extracting 24 bit / 96 kHz Blu-ray Audio from The Dark Side Of The Moon Immersion Box Set.</center>

    [video=youtube;mPk-T9HXTg0?rel=0&hd=1]http://www.youtube.com/embed/mPk-T9HXTg0?rel=0&hd=1

     

    <center><a href="

    ">Link to HD video on YouTube.</a><a href="
    "><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a></center>

     

     

     

    <center>Adding Metadata and Album Art to the previously extracted large audio files.</center>

    [video=youtube;it2O78e3z5Y?rel=0&hd=1]http://www.youtube.com/embed/it2O78e3z5Y?rel=0&hd=1

     

    <center><a href="

    ">Link to HD video on YouTube.</a><a href="
    "><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a></center>

     

     

     

     

    <center>Splitting the previously extracted audio files into ten individual tracks and adding metadata & album art.</center>

    [video=youtube;j-qhwug6Tkk?rel=0&hd=1]http://www.youtube.com/embed/j-qhwug6Tkk?rel=0&hd=1

     

    <center><a href="

    ">Link to HD video on YouTube.</a><a href="
    "><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a></center>

     

     

     

     

     

    <center>Uncompressing the previously split FLAC audio files.</center>

    [video=youtube;TAfpBdKQYiM?rel=0&hd=1]http://www.youtube.com/embed/TAfpBdKQYiM?rel=0&hd=1

     

    <center><a href="

    ">Link to HD video on YouTube.</a><a href="
    "><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a></center>

     

     

     

     

     

     

    <a name="contents"><b>The Dark Side Of The Moon Immersion Box Set</b></a>

     

    The following information has been taken from the Credits booklet included with the Box Set and supplemented with information I gleaned during the ripping process. All audio is labeled with the sample rates available for ripping and the number of channels if deemed important.

     

     

     

    <b>Disc 1</b> – CD (16 bit / 44.1 kHz)

    The Dark Side Of The Moon (2011 Remaster)

    <ol>

    <li>Speak To Me (Mason)</li>

    <li>Breathe (In The Air) (Waters, Gilmour, Wright)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>The Great Gig In The Sky (Wright) (Vocal Composition by Clare Torry)</li>

    <li>Money (Waters)</li>

    <li>Us And Them (Waters, Wright)</li>

    <li>Any Colour You Like (Gilmour, Mason, Wright)</li>

    <li>Brain Damage (Waters)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

    David Gilmour - Vocals, Guitars & VCS3

    Nick Mason - Percussion & Tape Effects

    Richard Wright - Keyboards, Vocals & VCS3

    Roger Waters - Bass Guitar, Vocals, VCS3 & Tape Effects

     

    Produced by Pink Floyd

    Recorded at Abbey Road Studios, London between June 1972 and January 1973

    Engineered by Alan Parsons, Assisted by Peter James

    Mixing Supervised by Chris Thomas

    Saxophone on Us And Them and Money by Dick Parry

    Vocals on The Great Gig In The Sky by Clare Torry

    Backing Vocals by Doris Troy, Lesley Duncan, Liza Strike, Barry St. John

    Original Cover & Photography by Hipgnosis

    Graphics & Artwork by George Hardie

    Heartbeat Graphic from an idea by Roger Waters

    Prism Photography by Tony May and Storm Thorgerson

    Pyramid Photographs by Hipgnosis

    Rayograms by Stylorouge and Chris Caske

    Immersion Design by StormStudios

    Mastered by James Guthrie and Joel Plante at das boot recording, 2011

     

    All lyrics by Roger Waters

    Tracks 1, 5 and 8 published by Pink Floyd Music Publishers Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

    Tracks 2, 3, 4, and 7 Published by Pink Floyd Music Publishers Ltd. / Roger Waters Music Overseas Ltd., Artemis Muziekuitgevenij B.V. (BUM/STE) administered by Warner / Chappell Music Publishing Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

    Tracks 6,9 and 10 published by Roger Waters Music Overseas Ltd., Artemis Muziekuitgevenij B.V. (BUM/STE) administered by Warner / Chappell Music Publishing Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

     

     

    <b>Disc 2</b> – CD (16 bit / 44.1 kHz)

    The Dark Side Of The Moon Live at The Empire Pool, Wembley, London 1974

    <ol>

    <li>Speak To Me (Mason)</li>

    <li>Breathe (In The Air) (Waters, Gilmour, Wright)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>The Great Gig In The Sky (Wright) (Vocal Composition by Clare Torry)</li>

    <li>Money (Waters)</li>

    <li>Us And Them (Waters, Wright)</li>

    <li>Any Colour You Like (Gilmour, Mason, Wright)</li>

    <li>Brain Damage (Waters)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

    David Gilmour - Vocals, Guitars & VCS3

    Nick Mason - Percussion & Tape Effects

    Richard Wright - Keyboards, Vocals & VCS3

    Roger Waters - Bass Guitar, Vocals, VCS3 & Tape Effects

     

    Produced by Pink Floyd

    Recorded at the Empire Pool, Wembley, London November 1974

    Engineered by Brian Humphries and Phill Brown

    Saxophone on Us And Them and Money by Dick Parry

    Backing Vocals by Venetta Fields and Carlena Williams

    2011 Audio Mixing by Andy Jackson and Damon Iddins

    Thanks to Phil Taylor, Astoria

    Mastered in 2011 by Andy Jackson at Tube Mastering

     

    All lyrics by Roger Waters

    Tracks 1, 5 and 8 published by Pink Floyd Music Publishers Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

    Tracks 2, 3, 4, and 7 Published by Pink Floyd Music Publishers Ltd. / Roger Waters Music Overseas Ltd., Artemis Muziekuitgevenij B.V. (BUM/STE) administered by Warner / Chappell Music Publishing Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

    Tracks 6,9 and 10 published by Roger Waters Music Overseas Ltd., Artemis Muziekuitgevenij B.V. (BUM/STE) administered by Warner / Chappell Music Publishing Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

     

     

    <b>Disc 3</b> – DVD (Audio Only)

    <ul><li>The Dark Side Of The Moon, James Guthrie 2003 5.1 Surround Mix (previously released on SACD) in standard resolution audio at 448 kbps (English AC3 16 bit / 48 kHz)</li>

    <li>The Dark Side Of The Moon, James Guthrie 2003 5.1 Surround Mix (previously released on SACD) in high resolution audio at 640 kbps (English AC3 16 bit / 48 kHz)</li>

    <li>The Dark Side Of The Moon, 2011 Master LPCM Stereo mix (English LPCM 24 bit / 48 kHz)</li>

    <li>The Dark Side Of The Moon, Alan Parsons Quad Mix (previously released on vinyl LP/8 track tape in 1973) in standard resolution audio at 448 kbps (English AC3 16 bit / 48 kHz)</li>

    <li>The Dark Side Of The Moon, Alan Parsons Quad Mix (previously released on vinyl LP/8 track tape in 1973) in high resolution audio at 640 kbps (English AC3 16 bit / 48 kHz)</li></ul>

     

    Track Listing:

    <ol>

    <li>Speak To Me (Mason)</li>

    <li>Breathe (In The Air) (Waters, Gilmour, Wright)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>The Great Gig In The Sky (Wright) (Vocal Composition by Clare Torry)</li>

    <li>Money (Waters)</li>

    <li>Us And Them (Waters, Wright)</li>

    <li>Any Colour You Like (Gilmour, Mason, Wright)</li>

    <li>Brain Damage (Waters)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

    David Gilmour - Vocals, Guitars & VCS3

    Nick Mason - Percussion & Tape Effects

    Richard Wright - Keyboards, Vocals & VCS3

    Roger Waters - Bass Guitar, Vocals, VCS3 & Tape Effects

     

    5.1 Surround Mix by James Guthrie, Assistant Engineer: Joel Plante (2003). Mastered by James Guthrie and Joel Plante with thanks to Doug Sax. Mixed and Mastered at das boot recording.

    4.0 Quad Mix supervised by Alan Parsons (1973). Released by EMI Records on LP and 8-track tape, 1973. Mastered by Peter Mew at Abbey Road Studios.

    LPCM Stereo Mix recorded at Abbey Road Studios, London between June 1972 and January 1973. Engineered by Alan Parsons, Assisted by Peter James. Mixing Supervised by Chris Thomas. Mastered by James Guthrie and Joel Plante at das boot recording, 2011.

     

    Authoring: Joel Plante at das boot recording.

    Technical assistance: Tim Carroll

    Menu Design: Corrine Pollock, The Pavement

     

    All lyrics by Roger Waters

    Tracks 1, 5 and 8 published by Pink Floyd Music Publishers Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

    Tracks 2, 3, 4, and 7 Published by Pink Floyd Music Publishers Ltd. / Roger Waters Music Overseas Ltd., Artemis Muziekuitgevenij B.V. (BUM/STE) administered by Warner / Chappell Music Publishing Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

    Tracks 6,9 and 10 published by Roger Waters Music Overseas Ltd., Artemis Muziekuitgevenij B.V. (BUM/STE) administered by Warner / Chappell Music Publishing Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

     

     

    <b>Disc 4</b> - DVD (Audio/Video)

    <ul><li>Live In Brighton 1972 (LPCM 16 bit / 48 kHz / 2 Channel) (AC3 16 bit / 48 kHz / 6 Channel)</li>

    <li>The Dark Side Of The Moon 2003 Documentary</li>

    <li>Concert Screen Films (LPCM 16 bit / 48 kHz / 2 Channel)</li>

    <li>Concert Screen Films (5.1 Surround Sound, Dolby Digital @ 448 kbps AC3 / 16 bit / 48 kHz)</li></ul>

     

     

    1. Live In Brighton 1972 (LPCM 16 bit / 48 kHz / 2 Channel) (AC3 16 bit / 48 kHz / 6 Channel)

    <ol><li>Careful With That Axe, Eugene (Waters, Wright, Mason, Gilmour)</li>

    <li>Set The Controls For The Heart Of The Sun (Waters)</li></ol>

     

    David Gilmour - Vocals, Guitars & VCS3

    Nick Mason - Percussion & Tape Effects

    Richard Wright - Keyboards, Vocals & VCS3

    Roger Waters - Bass Guitar, Vocals, VCS3 & Tape Effects

     

    Track 1 Published by Lupus Music Co. Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada. Track 2 Published by Westminster Music Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada.

     

    Filmed at The Brighton Dome, UK on June 29, 1972.

    Audio Remastering 2011: Andy Jackson, Tube Mastering.

     

     

    2. The Dark Side Of The Moon 2003 Documentary

     

    Electronic Press Kit produced for the 30th Anniversary Edition.

    Interviewer: John Aizlewood

    Interview filming: Jade Carmen

    Director / Editor: Simon Hilton

    2011 Audio Remastering by Andy Jackson, Tube Mastering

     

     

    3. Concert Screen Films (LPCM 16 bit / 48 kHz / 2 Channel)

    ***************

    British Tour 1974 (LPCM 16 bit / 48 kHz / 2 Channel)

    <ol>

    <li>Speak To Me (Mason)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>Money (Waters)</li>

    <li>Brain Damage (Waters)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

     

    French Tour 1974 (LPCM 16 bit / 48 kHz / 2 Channel)

    <ol>

    <li>Speak To Me (Mason)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>The Great Gig In The Sky (Wright) (Vocal Composition by Clare Torry)</li>

    <li>Money (Waters)</li>

    <li>Assorted Lunatics (Spoken Word)</li>

    <li>Brain Damage (Waters)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

     

    North American Tour 1975 (LPCM 16 bit / 48 kHz / 2 Channel)

    <ol>

    <li>Speak To Me (Mason)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>The Great Gig In The Sky (Wright) (Vocal Composition by Clare Torry)</li>

    <li>Money (Waters)</li>

    <li>Us And Them (Waters, Wright)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

    David Gilmour - Vocals, Guitars & VCS3

    Nick Mason - Percussion & Tape Effects

    Richard Wright - Keyboards, Vocals & VCS3

    Roger Waters - Bass Guitar, Vocals, VCS3 & Tape Effects

     

    Original Stereo Mixes engineered by Alan Parsons, assisted by Peter James (1973).

    Mixing Supervised by Chris Thomas.

    Additional post-production elements: Andy Jackson and Damon Iddins.

     

     

    4. Concert Screen Films (5.1 Surround Sound, Dolby Digital @ 448 kbps AC3 / 16 bit / 48 kHz)

     

    British Tour 1974 (5.1 Surround Sound, Dolby Digital @ 448 kbps AC3 / 16 bit / 48 kHz)

    <ol>

    <li>Speak To Me (Mason)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>Money (Waters)</li>

    <li>Brain Damage (Waters)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

     

    French Tour 1974 (5.1 Surround Sound, Dolby Digital @ 448 kbps AC3 / 16 bit / 48 kHz)

    <ol>

    <li>Speak To Me (Mason)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>The Great Gig In The Sky (Wright) (Vocal Composition by Clare Torry)</li>

    <li>Money (Waters)</li>

    <li>Assorted Lunatics (Spoken Word)</li>

    <li>Brain Damage (Waters)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

     

    North American Tour 1975 (5.1 Surround Sound, Dolby Digital @ 448 kbps AC3 / 16 bit / 48 kHz)

    <ol>

    <li>Speak To Me (Mason)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>The Great Gig In The Sky (Wright) (Vocal Composition by Clare Torry)</li>

    <li>Money (Waters)</li>

    <li>Us And Them (Waters, Wright)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

    David Gilmour - Vocals, Guitars & VCS3

    Nick Mason - Percussion & Tape Effects

    Richard Wright - Keyboards, Vocals & VCS3

    Roger Waters - Bass Guitar, Vocals, VCS3 & Tape Effects

     

    Original 5.1 Surround Mix by James Guthrie. Assistant Engineer: Joel Plante (2003). Mastered by James Guthrie and Joel Plante with thanks to Doug Sax. Additional post-production elements: Andy Jackson and Damon Iddins.

     

    Concert Screen Films Credits:

    Animation: Ian Emes

    Directors: Barry Chattington (British & French Tour 1974), Peter Medak (North American Tour 1975)

    Director / Producer Archive Film Elements: Lana Topham

    Film Restoration: Paul Robinson

    Colourist: Tom Russell

    Editors: Andrew Mason, Gavin Elder

    Digital Restoration: Tom Barrett

    With thanks to Deluxe 142 and On Sight Post-Production

     

    Speak To Me, The Great Gig In The Sky published by Pink Floyd Music Publishers Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada.

     

    On The Run, Time, Us And Them Published by Pink Floyd Music Publishers Ltd. / Roger Waters Music Overseas Ltd., Artemis Muziekuitgevenij B.V. (BUM/STE) administered by Warner / Chappell Music Publishing Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

    Money, Brain Damage, Eclipse Published by Roger Waters Music Overseas Ltd., Artemis Muziekuitgevenij B.V. (BUM/STE) administered by Warner / Chappell Music Publishing Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

    DVD Authoring: The Pavement, London

    Menu Design: Corrine Pollock

    Production: Ian Walker

    Special Thanks to Andy Evans

    Menu Audio Loops: Andy Jackson and Damon Iddins.

    Additional Elements: James Guthrie and Joel Plante

     

     

     

    <b>Disc 5</b> – Blu-ray (Audio / Audio & Video)***********

    <ul><li>The Dark Side Of The Moon 5.1 Surround Mix (2003) (RAW/PCM 24 bit / 96 kHz)</li>

    <li>The Dark Side Of The Moon Original Stereo Mix (1973) (RAW/PCM 24 bit / 96 kHz)</li>

    <li>The Dark Side Of The Moon 4.0 Quad Mix (1973) (RAW/PCM 24 bit / 96 kHz)</li></ul>

     

    Track Listing

    <ol>

    <li>Speak To Me (Mason)</li>

    <li>Breathe (In The Air) (Waters, Gilmour, Wright)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>The Great Gig In The Sky (Wright) (Vocal Composition by Clare Torry)</li>

    <li>Money (Waters)</li>

    <li>Us And Them (Waters, Wright)</li>

    <li>Any Colour You Like (Gilmour, Mason, Wright)</li>

    <li>Brain Damage (Waters)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

    David Gilmour - Vocals, Guitars & VCS3

    Nick Mason - Percussion & Tape Effects

    Richard Wright - Keyboards, Vocals & VCS3

    Roger Waters - Bass Guitar, Vocals, VCS3 & Tape Effects

     

    All lyrics by Roger Waters

    Tracks 1, 5 and 8 published by Pink Floyd Music Publishers Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

    Tracks 2, 3, 4, and 7 Published by Pink Floyd Music Publishers Ltd. / Roger Waters Music Overseas Ltd., Artemis Muziekuitgevenij B.V. (BUM/STE) administered by Warner / Chappell Music Publishing Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

    Tracks 6,9 and 10 published by Roger Waters Music Overseas Ltd., Artemis Muziekuitgevenij B.V. (BUM/STE) administered by Warner / Chappell Music Publishing Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

    5.1 Surround Mix by James Guthrie. Assistant Engineer: Joel Plante (2003). Mastered by James Guthrie and Joel Plante with thanks to Doug Sax.

    Mixed and Mastered ay das boot recording.

     

    Original stereo mix engineered by Alan Parsons, assisted by Peter James (1973). Mixing supervised by Chris Thomas.Mastered by James Guthrie and Joel Plante at das boot recording, 2011.

     

    4.0 Quad Mix supervised by Alan Parsons (1973). Mastered by Peter Mew at Abbey Road Studios.

     

     

    4. Live In Brighton 1972

    (I AM UNABLE TO LOCATED THIS ON THE BLU-RAY DISC THUS CANNOT RIP THESE TWO TRACKS.)

    <ol>

    <li>Careful With That Axe, Eugene (Waters, Wright, Mason, Gilmour)</li>

    <li>Set The Controls For The Heart Of The Sun (Waters)</li>

    </ol>

     

    David Gilmour - Vocals, Guitars & VCS3

    Nick Mason - Percussion & Tape Effects

    Richard Wright - Keyboards, Vocals & VCS3

    Roger Waters - Bass Guitar, Vocals, VCS3 & Tape Effects

     

    Track 1 Published by Lupus Music Co. Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada. Track 2 Published by Westminster Music Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada.

     

    Filmed at The Brighton Dome, UK on June 29, 1972.

    Audio Remastering 2011: Andy Jackson, Tube Mastering.

     

     

    5. The Dark Side Of The Moon 2003 Documentary

     

    Electronic Press Kit produced for the 30th Anniversary Edition.

    Interviewer: John Aizlewood

    Interview filming: Jade Carmen

    Director / Editor: Simon Hilton

    2011 Audio Remastering by Andy Jackson, Tube Mastering

     

     

    6. Concert Screen Films (2 Channel RAW/PCM 24 bit / 48 kHz)

    ***************

    British Tour 1974 (2 Channel RAW/PCM 24 bit / 48 kHz)

    <ol>

    <li>Speak To Me (Mason)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>Money (Waters)</li>

    <li>Brain Damage (Waters)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

     

    French Tour 1974 (2 Channel RAW/PCM 24 bit / 48 kHz)

    <ol>

    <li>Speak To Me (Mason)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>The Great Gig In The Sky (Wright) (Vocal Composition by Clare Torry)</li>

    <li>Money (Waters)</li>

    <li>Assorted Lunatics (Spoken Word)</li>

    <li>Brain Damage (Waters)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

     

    North American Tour 1975 (2 Channel RAW/PCM 24 bit / 48 kHz)

    <ol>

    <li>Speak To Me (Mason)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>The Great Gig In The Sky (Wright) (Vocal Composition by Clare Torry)</li>

    <li>Money (Waters)</li>

    <li>Us And Them (Waters, Wright)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

    David Gilmour - Vocals, Guitars & VCS3

    Nick Mason - Percussion & Tape Effects

    Richard Wright - Keyboards, Vocals & VCS3

    Roger Waters - Bass Guitar, Vocals, VCS3 & Tape Effects

     

    Original Stereo Mixes engineered by Alan Parsons, assisted by Peter James (1973).

    Mixing Supervised by Chris Thomas.

     

     

    7. Concert Screen Films (5.1 Surround Sound RAW/PCM 24 bit / 48 kHz)

     

    British Tour 1974 (5.1 Surround Sound RAW/PCM 24 bit / 48 kHz)

    <ol>

    <li>Speak To Me (Mason)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>Money (Waters)</li>

    <li>Brain Damage (Waters)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

     

    French Tour 1974 (5.1 Surround Sound RAW/PCM 24 bit / 48 kHz)

    <ol>

    <li>Speak To Me (Mason)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>The Great Gig In The Sky (Wright) (Vocal Composition by Clare Torry)</li>

    <li>Money (Waters)</li>

    <li>Assorted Lunatics (Spoken Word)</li>

    <li>Brain Damage (Waters)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

     

    North American Tour 1975 (5.1 Surround Sound RAW/PCM 24 bit / 48 kHz)

    <ol>

    <li>Speak To Me (Mason)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>The Great Gig In The Sky (Wright) (Vocal Composition by Clare Torry)</li>

    <li>Money (Waters)</li>

    <li>Us And Them (Waters, Wright)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

    Original 5.1 Surround Mixes by James Guthrie. Assistant Engineer: Joel Plante (2003). Mastered by James Guthrie and Joel Plante with thanks to Doug Sax.

    Additional post-productin elements: Andy Jackson and Damon Iddins

     

    Concert Screen Films Credits:

    Animation: Ian Emes

    Directors: Barry Chattington (British & French Tour 1974), Peter Medak (North American Tour 1975)

    Director / Producer Archive Film Elements: Lana Topham

    Film Restoration: Paul Robinson

    Colourist: Tom Russell

    Editors: Andrew Mason, Gavin Elder

    Digital Restoration: Tom Barrett

    With thanks to Deluxe 142 and On Sight Post-Production

     

    Blu-ray Authoring: The Pavement, London

    Menu Design: Corrine Pollock

    Production: Ian Walker

    Special Thanks to Andy Evans

    Menu Audio Loops: Andy Jackson and Damon Iddins.

    Additional Elements: James Guthrie and Joel Plante

     

     

     

    <b>Disc 6</b>* - CD Previously Unreleased Tracks (16 bit / 44.1 kHz)

    The Dark Side Of The Moon 1972 Early Album Mix

    <ol>

    <li>Breathe (In The Air) (Waters, Gilmour, Wright)</li>

    <li>On The Run (Gilmour, Waters)</li>

    <li>Time (Mason, Waters, Wright, Gilmour)</li>

    <li>The Great Gig In The Sky (Wright) (Vocal Composition by Clare Torry)</li>

    <li>Money (Waters)</li>

    <li>Us And Them (Waters, Wright)</li>

    <li>Any Colour You Like (Gilmour, Mason, Wright)</li>

    <li>Brain Damage (Waters)</li>

    <li>Eclipse (Waters)</li>

    </ol>

     

    Produced by Pink Floyd

    Mixed at Abbey Road Studios, London, December 1972

    Mix Engineer: ALan Parsons

    Assistant: Peter James

    Saxophone on Us And Them and Money by Dick Parry

    Backing Vocals by Doris Troy, Lesley Duncan, Liza Strike, Barry St. John

    All lyrics Roger Waters

     

    Extra Tracks

    <ol start="10">

    <li>The Hard Way (from ‘Household Objects’ project) (Gilmour, Waters, Wright, Mason)</li>

    <li>Us And Them (Richard Wright Demo) (Wright)</li>

    <li>The Travel Sequence (Live from Brighton June 1972) (Gilmour, Waters, Wright, Mason)</li>

    <li>The Mortality Sequence (Live from Brighton June 1972) (Wright)</li>

    <li>Any Colour You Like (Live from Brighton June 1972) (Gilmour, Mason, Wright)</li>

    <li>The Travel Sequence (Studio Recording 1972) (Gilmour, Waters, Wright, Mason)</li>

    <li>Money (Roger Waters’ Demo) (Waters)</li></ol>

     

    Tracks 10 and 15 recorded at Abbey Road Studios, October 1973.

    Produced by Pink Floyd

    Engineered by Alan Parsons

    Assisted by Peter James

     

    Tracks 12, 13 and 14 recorded in Brighton

    Mixed in 2010 by Andy Jackson and Damon Iddins at Astoria Studio

     

    All tracks Mastered in 2011 by Andy Jackson, Tube Mastering

     

    Tracks 1, 2, 3 and 6 published by Pink Floyd Music Publishers Ltd. / Roger Waters Music Overseas Ltd., Artemis Muziekuitgevenij B.V. (BUM/STE) administered by Warner / Chappell Music Publishing Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

    Tracks 4, 7, 11, 13 and 14 published by Pink Floyd Music Publishers Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

    Tracks 5, 8, 9 and 16 published by Roger Waters Music Overseas Ltd., Artemis Muziekuitgevenij B.V. (BUM/STE) administered by Warner / Chappell Music Publishing Ltd. for the World excluding USA & Canada and TRO - Hampshire House Publishing Corp. for USA & Canada

     

    Tracks 10, 12 and 15 Published by Pink Floyd Music Publishers Ltd. / Roger Waters Music Overseas Ltd., Artemis Muziekuitgevenij B.V. (BUM/STE) administered by Warner / Chappell Music Publishing Ltd. for the World excluding USA & Canada. Pink Floyd Music Publishers Inc. / Roger Waters Music Overseas Ltd., Artemis Muziekuitgevenij B.V. (BUM/STE). All rights on behalf of Artemis Muziekuitgevenij B.V. (BUM/STE) administered by Warner-Tamerlane Publishing Corp. for USA & Canada.

     

    David Gilmour - Vocals, Guitars & VCS3

    Nick Mason - Percussion & Tape Effects

    Richard Wright - Keyboards, Vocals & VCS3

    Roger Waters - Bass Guitar, Vocals, VCS3 & Tape Effects

     

     

     

     

     

     

     

     

     

     

     

     

     




    User Feedback

    Recommended Comments



    <cite>and more importantly, why would you hijack this BluRay ripping primer thread to ask and complain about it?</cite><br />

    <br />

    Didn't I say that I thought (abusively) that this was the idea of the poster concerned ?<br />

    <br />

    <cite>No one downmixes quad mixes if they don't have to. :)</cite><br />

    <br />

    Is that so ?<br />

    Well, quite many of DVD-A's from HDTracks (96Khz) are (though 5.1 of course). <br />

    <br />

    You ask why I would do that ?<br />

    Easy, because I have 4 speakers of which 2 are connected. :-)<br />

    <br />

    Do you know how many of these Quattro albums exist ? I guess more than DVD-A ...<br />

    And in more interesting titles I <cite>think</cite>.<br />

    <br />

    Sorry I stirred in your hires p(l)ot. Again.<br />

    Peter<br />

    <br />

    Edit : But Chris, you should really delete my posts in here; they are totally irrelevant indeed, as I understand it.<br />

    Thanks.

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    So, for $108.19 from Amazon, plus the cost of the other software listed above(if you don't already have it), you can have a 24 bit/96 kHz copy of Dark Side Of The Moon at 24 bit / 96 kHz. I think I will wait. :)

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    Since a lot of computers don't have Blu Ray players (including mine!), can someone recommend a good external model for ripping?

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    They are everywhere. Then just rip from your computer. I think this is what I'm going to do.

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    I can't add an internal Blu Ray to my Mac Mini. Would still like to hear some recommendations of external players that have successfully be used for ripping.

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    Deleted my post:<br />

    Moved my question on the comparitive sound quality of these rips to the "24/96 Dark Side of the Moon" thread posted under "Music in General"

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    A comment on the video regarding the splitting of the files.<br />

    <br />

    I saw something that looked like 'voodoo' in the video, where you show the cue sheet, and highlight the track times, saying something about the not showing thousandth place for the time, and the value cannot go above 75 to the right of the decimal point. This didn't make sense, as it is just time. <br />

    <br />

    I did use your unaltered cue sheets, and I got a noticeable skip for every transition to a track. I went back and edited the cue sheet, supplying the exact value provided in the chapter guide from the bluray rip, including thousandths of a second. It works fine, and there are no more gaps in playback. <br />

    <br />

    Note, I do have jRiver Media Center version 16.0.179, which looks slightly different than the version Chris was working with. For example, it took me forever to find the 'Convert Format..' link under 'Tools', 'Library Tools'.<br />

    <br />

    I also had to relaunch jRiver after removing files/adding the cue sheets, as the Library did not auto update. This drove me nuts, causing me to think the cue sheet import didn't work. Closing down jRiver and relaunching showed that the cue sheet import worked fine. If anyone knows how to refresh the display, please let me know!<br />

    <br />

    Regards,<br />

    <br />

    Gary<br />

    <br />

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    Hi Chris, et al - thanks for the great instructions - they're very clear and easy to follow. I've got a problem though - when I click on the 00011.mpls I do not get the streams populating, see screen grab. I've tried the process on a stand alone win7 box and on an iMac running Parallels and Win7. I don't have a blu-ray drive but do have the iso (the iMac auto mounts it and the Win7 box is running DVD Fab virtual drive). Any help would be appreciated.<br />

    <br />

    Cheers.

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    Chris, thanks for all the info. DVD Audio Extractor worked great, and I'm really enjoying the results.<br />

    <br />

    The best result so far was the rip from my 2005 Cream Reunion DVD. The sound is simply amazing.<br />

    <br />

    One thing, I guessed at a bit rate of 24 on some rips, just to be on the safe side. Although I see that you say that most DVDs are 16 bit. Is there any harm in putting the setting at 24 bit, besides wasting hard drive space? Any benefit, sound wise?<br />

    <br />

    Dave

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    I discover dvd audio extractor, is simple, great!!!! and for mac!<br />

    <br />

    I have some questions about I never understand about QUADRAPHONIC DVDA I have some,<br />

    <br />

    but I don't get it, for ear completely full experience I need 4 speakers?<br />

    <br />

    I do some test, I export to .aiff <br />

    see settings 4 channels: http://i.imgur.com/qviI8.png<br />

    see results in vlc info: http://i.imgur.com/Rr9E6.png<br />

    <br />

    my question is, with the .aiff I have the same SOUND of the original DVDA? or Ioose (I always want the full quality of the original format, I dont like mp3, compress .flac etc... downgrades to AC3 etc... etc..) so why not keep the DVDA? I can but I would be great play the aiff's in itunes, more handly...<br />

    <br />

    now a test with .wav separate channels<br />

    http://i.imgur.com/zrWR9.png<br />

    <br />

    help! with quad, Im a begginer for understand, I just have 2 simple bose computer speakers<br />

    <br />

    thanks

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    see mine DVDA say:<br />

    http://i.imgur.com/LqmxT.png<br />

    48000 Hz<br />

    bit rate 1546kbs<br />

    <br />

    but when I rip to .aiff show 96000 Hz<br />

    bit rate 24<br />

    <br />

    why the differences between the original and output?<br />

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    Maybe you have the output setting to 24/96 instead of "same as original"?

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    This is very good system for the field of music. I think this music system depends on the DVD and Audio player. I must say that The Moon Immersion Box Set is the very great plan for all entertainment fields. It is very good thinking about all musician.<br />

    <br />

    <a href="http://www.pokiesslotmachines.com.au/" id="clean-url" class="install">online pokies</a> <br />

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    OK,<br />

    <br />

    I have a question that I'm hoping someone can set me straight on regarding ripping Audio from DVD Video disks. I will use Disk 3 from "David Gilmour's - Live in GDansk" Album as my guinea pig to help me in better explaining my question.<br />

    <br />

    When I load this DVD into my copy of "DVD Audio Extractor 6.0.2" I see two choices of interest> <br />

    <br />

    English AC3 (48kHz 2Ch)<br />

    English AC3 (48kHz 6Ch)<br />

    <br />

    In my case I am not using a surround sound system so I was going to choose the (2 CH) version for my ripping session.<br />

    <br />

    So now onto my specific question. Since there is no PCM/LPCM option for me to choose on this DVD will the SQ be compromised going from AC3 to FLAC? What about . WAV? <br />

    <br />

    I read somewhere that AC3 isn't a "real" audio format to begin with so I guess Im wondering if ripping an AC3 file is even worth the effort? Is this a compromised format if one's goal is to end up with the best possible SQ from the ripped source?<br />

    <br />

    Thanks for any info you can provide

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    Anyway of performing this task using OS X? I have an old G5. In fact it was the last model produced before Apple jumped to Intel.

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    Just to be clear, Chris, your response applies just to the ripping of audio off of Blu-ray discs, right? There's an OSX version of DVD Audio Extractor that works quite well. (And I understand that the author of DVDAE is working on a Blu-ray solution, though whether it will be for both PC and OSX, I'm not sure.)<br />

    <br />

    Russell

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    Just how much better does this, yet another, issue of Dark Side sound? How much can you improve a 40 year old recording? You can't go back and re-record the multi-track tape. I suppose you could re-mix the multi-track down to a 2 track master, but that would do more harm than good. You can remaster using better quality, advanced digital technology I suppose. I just don't have the gear to take advantage of this box set. Would a Blue-ray DVD player help? One with a digital out?

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    Hi Russell - Yes. There is no elegant Mac Blu-ray ripping solution. DVD Audio Extractor does work on OS X.<br />

    <br />

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    Hi Chris M. - Remastering can have a huge impact on sonics for some of the reasons you suggest and because the the engineer making decisions during the remastering process has a lot of leeway. It's an art not a science. <br />

    <br />

    I think the 24/96 stereo version is wonderful. I don't believe its been available through legal means in the past.<br />

    <br />

    The fact that it was recorded from June 1972 through January 1973 doesn't matter too much in terms of sound. Typical popular recordings don't use any better sounding technology. If it was re-recorded live to two track at 24/192 like Bravura Records records then it could sound awesome. That's kind of a side / nonissue though.<br />

    <br />

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    Thanks, Chris.<br />

    <br />

    So does anyone know how this new Blu-ray version compares with the SACD from a few years ago? (I asked this question earlier in this thread but got no responses.) I've got the SACD, of which the DSD layer sounds great (not so the RBCD layer).<br />

    <br />

    Russell

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    I'd like to see the same treatment for Steely Dan's Aja. Or Supertramp's Crime Of The Century. I remember these were some of the first Mobile Fidelity LP releases in the mid 70's. Mobile Fidelity got the whole "audiophile release" phenomenon started.

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    as the SACD, the bootleg DVD-A (of Parsons quad mix), etc. If you have the SACD and love it I would not spend any time or materials to hunt down the newest 24/96. It's not a night and day thing at all. It would take some real a/b'ing in my opinion. However, the new 24/96 does, of course, allow your likely-better-quality external DAC to process it, rather than your SACD player.

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