manisandher Posted November 3, 2018 Author Share Posted November 3, 2018 35 minutes ago, manisandher said: Interestingly, between 16-21 kHz, Sample A has more energy than Sample B. At 21 kHz, the difference is ~4dB. This may account for some of the comments, such as: On 10/27/2018 at 5:04 AM, PeterSt said: A. Sounds much clearer which is readily noticeable on the guitar. Lively. There's more vibrato in the bass (cello ?) audible. Mani. Main: SOtM sMS-200 -> Okto dac8PRO -> 6x Neurochrome 286 mono amps -> Tune Audio Anima horns + 2x Rotel RB-1590 amps -> 4 subs Home Office: SOtM sMS-200 -> MOTU UltraLite-mk5 -> 6x Neurochrome 286 mono amps -> Impulse H2 speakers Vinyl: Technics SP10 / London (Decca) Reference -> Trafomatic Luna -> RME ADI-2 Pro Link to comment
manisandher Posted November 4, 2018 Author Share Posted November 4, 2018 9 hours ago, Miska said: To me it sounds strange if original format sounds worse than the down-conversion... I wasn't implying that in all the comparisons I've made, redbook is better than the equivalent hires. In most cases I find it much of a muchness. The only cases where the originals obviously sound better than the redbooks to me are some of the 2L DXDs. I suspect you share the same experience. Mani. Main: SOtM sMS-200 -> Okto dac8PRO -> 6x Neurochrome 286 mono amps -> Tune Audio Anima horns + 2x Rotel RB-1590 amps -> 4 subs Home Office: SOtM sMS-200 -> MOTU UltraLite-mk5 -> 6x Neurochrome 286 mono amps -> Impulse H2 speakers Vinyl: Technics SP10 / London (Decca) Reference -> Trafomatic Luna -> RME ADI-2 Pro Link to comment
manisandher Posted November 4, 2018 Author Share Posted November 4, 2018 8 hours ago, austinpop said: Certainly, there are many cases where there is no discernible improvement with hi-res over CD. Rajiv, this is really my point. 8 hours ago, austinpop said: I've been comparing, and I can provide you with the 16/44.1 and 24/96 versions of a couple of tracks where to my ears the hi-res is clearly better. If you want to give it a listen, I'd love to have you do so. Definitely interested. If you could PM with a link, that'd be great. 8 hours ago, austinpop said: I'm happy to expose them here too, but you'd know the sample rates. I can hear the cries of "expectation bias" already. I know expectation bias is real, but I reckon it's massively over-rated in some situations. There have been many occasions where I've wanted something to sound great, but it just doesn't, so I don't use it. All my hyper-expensive cables (bought when I was younger and more care- and child-free) sit in boxes in my cellar. My gorgeous-looking SET amps sit boxed up in my cellar. I sold my Pacific Microsonics Model Two because it didn't sound as good as my current DAC, costing a fraction of its price. Etc., etc. Look forward to taking a listen to the tracks you mentioned. Mani. Main: SOtM sMS-200 -> Okto dac8PRO -> 6x Neurochrome 286 mono amps -> Tune Audio Anima horns + 2x Rotel RB-1590 amps -> 4 subs Home Office: SOtM sMS-200 -> MOTU UltraLite-mk5 -> 6x Neurochrome 286 mono amps -> Impulse H2 speakers Vinyl: Technics SP10 / London (Decca) Reference -> Trafomatic Luna -> RME ADI-2 Pro Link to comment
manisandher Posted November 4, 2018 Author Share Posted November 4, 2018 29 minutes ago, austinpop said: PM sent. Thanks Rajiv. Will share my thoughts here in a short while. Mani. Main: SOtM sMS-200 -> Okto dac8PRO -> 6x Neurochrome 286 mono amps -> Tune Audio Anima horns + 2x Rotel RB-1590 amps -> 4 subs Home Office: SOtM sMS-200 -> MOTU UltraLite-mk5 -> 6x Neurochrome 286 mono amps -> Impulse H2 speakers Vinyl: Technics SP10 / London (Decca) Reference -> Trafomatic Luna -> RME ADI-2 Pro Link to comment
Popular Post manisandher Posted November 4, 2018 Author Popular Post Share Posted November 4, 2018 19 hours ago, austinpop said: I've been comparing, and I can provide you with the 16/44.1 and 24/96 versions of a couple of tracks where to my ears the hi-res is clearly better. Well, that was interesting! I listened to the 24/96 and 16/44.1 formats of the two tracks you sent me a few times. My general impressions are the same for both tracks. 24/96 Easy on the ear. Smooth. Rounded. Brown/grey. Homogeneous. A bit boring to listen to. 16/44.1 Vibrant. Colour. More bite. Too 'etched' - like an artificial sheen/halo around instruments. More interesting to listen to, but fatiguing in the long run. Which would I go for? Ideally, I'd like a mix of both - 16/44.1's vibrancy/life and 24/96's smoothness. But to my ears, neither was obviously superior/inferior to the other. Incidentally, I took an FFT of both the formats of one of the tracks. I converted the 16/44.1 to 24/96 in order to compare with the hires: The redbook has what looks to be the remnants of noise-shaping within the audio band - that hump between 13.5-22.05 Khz is not signal. The hires has something seriously weird going on between 30-48 kHz. If that's what the hires offers for the extra cost, I'd rather not have it. Mani. austinpop, Arpiben and PeterSt 2 1 Main: SOtM sMS-200 -> Okto dac8PRO -> 6x Neurochrome 286 mono amps -> Tune Audio Anima horns + 2x Rotel RB-1590 amps -> 4 subs Home Office: SOtM sMS-200 -> MOTU UltraLite-mk5 -> 6x Neurochrome 286 mono amps -> Impulse H2 speakers Vinyl: Technics SP10 / London (Decca) Reference -> Trafomatic Luna -> RME ADI-2 Pro Link to comment
manisandher Posted November 5, 2018 Author Share Posted November 5, 2018 5 hours ago, audiobomber said: But isn't it wrong to mix 24/96 and 16/44? It should be 24/88 and 16/44, to avoid algorithm interpolation. Just to be clear, I didn't choose these tracks - @austinpop suggested that I take a listen to them, which I did. The original 'apples-to-apples' thread used a 24/88.2 hires and a 24/44.1 MQA decoded to 24/88.2 (I'll add the 16/44.1 when I can get around to it): For me, it's still one of the most insightful comparisons. Mani. Main: SOtM sMS-200 -> Okto dac8PRO -> 6x Neurochrome 286 mono amps -> Tune Audio Anima horns + 2x Rotel RB-1590 amps -> 4 subs Home Office: SOtM sMS-200 -> MOTU UltraLite-mk5 -> 6x Neurochrome 286 mono amps -> Impulse H2 speakers Vinyl: Technics SP10 / London (Decca) Reference -> Trafomatic Luna -> RME ADI-2 Pro Link to comment
manisandher Posted November 5, 2018 Author Share Posted November 5, 2018 4 minutes ago, clipper said: Maybe it's your DAC. There is no 'higher end' DAC than the Phasure NOS1... IMHO of course ?. Mani. Main: SOtM sMS-200 -> Okto dac8PRO -> 6x Neurochrome 286 mono amps -> Tune Audio Anima horns + 2x Rotel RB-1590 amps -> 4 subs Home Office: SOtM sMS-200 -> MOTU UltraLite-mk5 -> 6x Neurochrome 286 mono amps -> Impulse H2 speakers Vinyl: Technics SP10 / London (Decca) Reference -> Trafomatic Luna -> RME ADI-2 Pro Link to comment
manisandher Posted November 5, 2018 Author Share Posted November 5, 2018 20 minutes ago, austinpop said: We hear what we hear! 100%. Mani. Main: SOtM sMS-200 -> Okto dac8PRO -> 6x Neurochrome 286 mono amps -> Tune Audio Anima horns + 2x Rotel RB-1590 amps -> 4 subs Home Office: SOtM sMS-200 -> MOTU UltraLite-mk5 -> 6x Neurochrome 286 mono amps -> Impulse H2 speakers Vinyl: Technics SP10 / London (Decca) Reference -> Trafomatic Luna -> RME ADI-2 Pro Link to comment
Popular Post manisandher Posted November 5, 2018 Author Popular Post Share Posted November 5, 2018 38 minutes ago, Ralf11 said: We hear what we think we hear! Not a long time ago in a thread not far, far away.... I thought I could hear a difference between a file being played back in 2 different bit-identical ways. I thought I could demonstrate that I was hearing what I was hearing. I scored 9/10 in a blind ABX. Mani. sandyk, Teresa and look&listen 3 Main: SOtM sMS-200 -> Okto dac8PRO -> 6x Neurochrome 286 mono amps -> Tune Audio Anima horns + 2x Rotel RB-1590 amps -> 4 subs Home Office: SOtM sMS-200 -> MOTU UltraLite-mk5 -> 6x Neurochrome 286 mono amps -> Impulse H2 speakers Vinyl: Technics SP10 / London (Decca) Reference -> Trafomatic Luna -> RME ADI-2 Pro Link to comment
manisandher Posted November 5, 2018 Author Share Posted November 5, 2018 20 minutes ago, Ralf11 said: were the software and its setting the same?? The 2 outputs from the software were captured digitally and proven to be bit-identical. Mani. Teresa 1 Main: SOtM sMS-200 -> Okto dac8PRO -> 6x Neurochrome 286 mono amps -> Tune Audio Anima horns + 2x Rotel RB-1590 amps -> 4 subs Home Office: SOtM sMS-200 -> MOTU UltraLite-mk5 -> 6x Neurochrome 286 mono amps -> Impulse H2 speakers Vinyl: Technics SP10 / London (Decca) Reference -> Trafomatic Luna -> RME ADI-2 Pro Link to comment
Popular Post manisandher Posted November 6, 2018 Author Popular Post Share Posted November 6, 2018 9 hours ago, manisandher said: The 2 outputs from the software were captured digitally and proven to be bit-identical. 8 hours ago, Ralf11 said: after reading the thread properly, that may not have been adequate... 7 hours ago, Ralf11 said: a well-written Methods section is a sine qua non of all technical writing No-one was doing scientific research. I was certain I could hear differences between bit-identical playback. So confident was I that this was the case, I invited a well-respected CAer up to demonstrate this to him, with a view to posting the results up, whichever way they went, for all to see. (Does anyone think I would have done this if I couldn't hear what I was hearing?) We captured the input to the DAC digitally in real time during the ABX - there were 30 captures from the 10 ABXs. All 30 captures were compared and shown to be bit-identical. And yet I identified X correctly 9/10 times (1% probability by guessing alone). I know of no other test conducted as rigourously as this, in situ in a domestic setting. "Whether or not a thing is measurable is not something to be decided a priori by thought alone, but something that can be decided only by experiment." Mani. audiobomber, sandyk, daverich4 and 2 others 3 2 Main: SOtM sMS-200 -> Okto dac8PRO -> 6x Neurochrome 286 mono amps -> Tune Audio Anima horns + 2x Rotel RB-1590 amps -> 4 subs Home Office: SOtM sMS-200 -> MOTU UltraLite-mk5 -> 6x Neurochrome 286 mono amps -> Impulse H2 speakers Vinyl: Technics SP10 / London (Decca) Reference -> Trafomatic Luna -> RME ADI-2 Pro Link to comment
manisandher Posted November 6, 2018 Author Share Posted November 6, 2018 41 minutes ago, audiobomber said: ... I found the music deeply boring. 10 minutes ago, randyhat said: Exactly. Good music, no matter how well recorded will always sound better than well recorded boring music. FWIW, I like the music in all 3 'apples-to-apples' threads ?. Mani. Main: SOtM sMS-200 -> Okto dac8PRO -> 6x Neurochrome 286 mono amps -> Tune Audio Anima horns + 2x Rotel RB-1590 amps -> 4 subs Home Office: SOtM sMS-200 -> MOTU UltraLite-mk5 -> 6x Neurochrome 286 mono amps -> Impulse H2 speakers Vinyl: Technics SP10 / London (Decca) Reference -> Trafomatic Luna -> RME ADI-2 Pro Link to comment
manisandher Posted November 6, 2018 Author Share Posted November 6, 2018 5 minutes ago, austinpop said: Hmm, I have to analyze my recent tendency to talk in yoda-like sentences. "My recent tendency to talk in Yoda-like sentences to analyze I have." Surely? Mani. austinpop 1 Main: SOtM sMS-200 -> Okto dac8PRO -> 6x Neurochrome 286 mono amps -> Tune Audio Anima horns + 2x Rotel RB-1590 amps -> 4 subs Home Office: SOtM sMS-200 -> MOTU UltraLite-mk5 -> 6x Neurochrome 286 mono amps -> Impulse H2 speakers Vinyl: Technics SP10 / London (Decca) Reference -> Trafomatic Luna -> RME ADI-2 Pro Link to comment
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