Listening sessions around Computer Audiophile have been extremely enjoyable lately. The last two DACs reviewed, EMM Labs DAC2X ($15,500) and Chord QBD76HDSD ($8,500), both made the C.A.S.H. List and delivered great sonic performance. Next in line for review is the $399 Musical Fidelity V-Link 192 asynchronous USB to S/PDIF converter. The V-Link 192 doesn't cost nearly as much as the sales tax on the previously reviewed components let alone the retail prices. Fortunately, as computer audiophiles know, really good sound can come at really good prices. The V-Link 192 costs roughly 20% as much as the best USB to S/PDIF converter I've used (BADA Alpha USB) yet it delivers near 90% of the sonic performance. I highly recommend the V-Link 192 for the vast majority of users who don't feel the urge to spend vast amounts of money squeezing the remaining few percentage points of performance from their systems. At $399 the V-Link 192 is a uncomplicated device that plays a critical role and is a tremendous overachiever.[PRBREAK][/PRBREAK]
Top of the V Series
The Musical Fidelity V-Link 192 is the top USB to S/PDIF converter in the V Series. It is completely powered by the USB bus of the connected computer. No wall-wort external power adapters needed or even possible. Using the V-Link 192 is as simple as connecting a standard USB cable on one end and an AES or coaxial cable on the other. There are no settings or switches to mess with on the V-Link 192. Its asynchronous USB input, developed in-house using the XMOS chipset, supports all pertinent PCM sample rates from 44.1 kHz through 192 kHz. The "192" is a Class 2 USB audio device that requires drivers on Windows operating systems but not on newer versions of Linux and OS X. Connected to my MacBook Pro running 10.7.4, the Weiss Engineering MAN301, and the Aurender W10 the V-Link 192 worked flawlessly. On the Windows platform Musical Fidelity uses the very robust Thesycon software and drivers. Simple installation and flawless performance just like Linux and OS X servers.
Internally the V-Link 192 has improved power supply regulation over the first generation of V Series converters. This power supply feeds the internal clock Musical Fidelity placed next to key components to shorten the signal path. The V-Link 192 has two fairly average fixed oscillators from the Shin Koln Cooperation. One 22.579 MHz for the 44.1 kHz family of sample rates and one 24.576 MHz for the 48 kHz family. As data enters the V-Link 192 it traverses an I2S bus to the S/PDIF converter. According to Musical Fidelity this reduces jitter. After conversion to S/PDIF data flows via transformer coupled galvanically isolated AES/EBU or coaxial S/PDIF outputs to one's DAC of choice. The 30T-2521NL transformers from Yuan Dean Scientific are used for isolation and ground loop prevention, a major issue in many audio systems, although the 30T-2521NL doesn't offer great high frequency isolation. I used the balanced AES output to connect to the EMM Labs DAC2X for the entire review period. Adjacent to the AES and coaxial outputs are LED indicators of power, lock, and sample rate. The sample rate indicators are a very nice feature. They don't indicate if the audio is bit perfect from the computer but they do provide feedback that can indicate something major has gone wrong. For example, if a user is playing CD quality content at 44.1 kHz but the V-Link 192 indicates the sample rate is 96 kHz the user immediately knows something isn't right.
Playback
Most playback during the review period was via my C.A.P.S. v2.0 server running Windows 7 and JRiver Media Center with WASAPI - Event Style as the output mode. During playback the V-Link 192 adjusted to new incoming sample rates immediately without pops, clicks, or hiccups. The major sonic differences between the V-Link 192, the Alpha USB, and a straight USB connection to the EMM Labs DAC2X were atmosphere, transients, resolution and focus. On Randi Tytingvaag's Red or Dead (24 bit / 44.1 kHz) her vocals were just a touch less focussed or defined and the edges of the bass were rounded just a tiny bit. Everything else on this track sounded great through the V-Link 192. On Antonio Forcione's Heart Beat (24 bit / 48 kHz) his guitar strings were a little less defined, crisp, clear and focussed compared to the Alpha USB and a direct USB connection into the DAC2X. Similar to Red or Dead, Take Five performed by Antonio Forcione and Sabina Sciubba (24 bit / 192) suffered a little loss of resolution and focus in the vocals. The acoustic guitar gem that is Ottmar Liebert's One Guitar (24 bit / 96 kHz) revealed the V-Link 192 doesn't quite reproduce the atmosphere of this live recording like the best interfaces and DACs. The sound was a bit closed down and the transients just weren't at the same level as I'm used to with the direct DAC2X USB connection. Most of the shortcomings identified were fairly small. The V-Link 192 is an overachiever as evidenced by great sonic performance of everything else on the aforementioned recordings. On Virtuoso from Joe Pass the entire album sounded great. I would be hard pressed to find major audible flaws that detract from the performance. Pop recordings like those from my favorite Christina Aguilera are nearly indistinguishable whether played back through the V-Link 192, the Alpha USB or a direct USB connection to the DAC2X. This is great news for computer audiophiles with mainly pop music collections at 16 bit / 44.1 kHz.
Conclusion
Readers contemplating the purchase of a USB to S/PDIF converter should start with the V-Link 192 for $399. Some users may find this is the last converter they'll ever need to buy while others may realize the V-Link 192 isn't going to eek out every ounce of performance from a high end system. Spending $399 on this converter will either leave one with plenty of cash for music downloads or be a small price to pay to realize one needs something better. Comparing the V-Link 192 to other interfaces and a direct USB connection was pretty easy in my Spectral Audio / TAD Labs CR1 / EMM Labs DAC2X system. This system is incredibly transparent and reveals the shortcomings of most connected components. It's hard to say what the sonic differences would be between the V-Link 192 and other converters on a different system. One item readers must consider is the ability of the DAC2X to reject jitter and noise coming into its AES/EBU input. Most DAC manufacturers say their products reject incoming jitter extremely well or something to that effect. In reality no DAC rejects all jitter and many DACs handle jitter differently. What I'm getting at is the V-Link 192 performance will likely vary from system to system and users should demo the unit if possible. Getting nearly 90% of the performance at a fraction of the price is a no-brainer for most computer audiophiles. I highly recommend walking before running and I highly recommend starting with the V-Link 192 before spending hundreds or thousands of dollars on another USB to S/PDIF converter.
Product Information:
- Product - Musical Fidelity V-Link 192
- Price - $399
- Product Page - Link
- User Manual - Link (PDF)
Specifications:
- Input data: 24 Bit 192kHz USB stream (maximum)
- Output Impedance: 50 Ohm SPDIF
- Operating Systems: Apple Macintosh Apple OS X 10.6.4 and later, Windows XP (SP3), Vista, and 7, Linux Kernel 2.6.33 or later
- Inputs: 1x USB 2.0 Type B
- Outputs: 1x Coaxial SPDIF galvanically isolated, 1x XLR AES/EBU Balanced Digital, galvanically isolated
- Dimensions - WxHxD (mm): 95 x 45 x 170
- Weight (unpacked / packed): 350g / 400 g
Associated Music:
- A.A. Bondy - American Hearts
- Antonio Forcione & Sabina Sciubba - Meet Me In London (24 bit / 192 kHz download)
- Ben Harper - Welcome to the Cruel World
- Keith Greeninger and Dayan Kai - Blue Coast Collection 1 (DSD Version)
- Keb' Mo' - Keb' Mo'
- Chet Baker - Chet (Original Analogue Productions version out of print)
- John Coltrane - Standard Coltrane (Original Analogue Productions version out of print)
- Dave Brubeck - Time Out (Sony K2HD Version)
- Dave Matthews & Tim Reynolds - Live At Luther College
- Diana Krall - Live In Paris
- Christina Aguilera - Back To Basics
- Isaac Hayes - Hot Buttered Soul (24 bit / 96 kHz download)
- Kanye West / Jay-Z - Watch The Throne
- Dallas Wind Symphony - Crown Imperial (24 bit / 176.4 kHz HRx version)
- Dallas Wind Symphony - Crown Imperial (24 bit / 96 kHz download)
- Kansas City Symphony - Britten's Orchestra (24 bit / 176.4 kHz HRx version)
- Kansas City Symphony - Britten's Orchestra (24 bit / 88.2 kHz download)
- Ottmar Liebert - One Guitar (24 bit / 96 kHz download)
- Randi Tytingvaag - Red (24 bit /44.1 kHz download)
Associated Equipment:
- Source: MacBook Pro, C.A.P.S. v2.0 Server, Aurender W10
- DAC: EMM Labs DAC2X
- DtoD: Berkeley Audio Design Alpha USB
- Preamp: Spectral Audio DMC-30SS Series 2
- Amplifier: Spectral Audio DMA-260
- Loudspeakers: TAD Labs CR1 Compact Reference
- Remote Control Software: JRemote, Apple Remote
- Remote Control Hardware: iPhone 4, iPad (3rd Generation)
- Playback Software Windows 7: J River Media Center 17
- Playback Software Mac OS X 10.7.4 : iTunes, Pure Music v1.86, Audirvana Plus, Amarra, Fidelia (Advanced)
- Cables: Spectral Audio MH-770 Ultralinear CVTerminator Series II Loudspeaker Cable, Spectral Audio MI-350 Ultralinear CVTerminator Series II Analog Interconnects (RCA), Mogami W3173 Heavy Duty AES 110, ALO Audio AC6 Power Cables, Wire World Silver Starlight USB Cable, AudioQuest Diamond USB Cable
- Network: Cisco SG200-26 Switch, Baaske MI-1005 Ethernet Isolator, Micro Connectors Augmented Cat6A Ethernet Cable, Apple AirPort Extreme, Cisco RVS4000 Router, Cisco DPC3000 Docsis 3.0 cable modem, Comcast Extreme 105 Mbps Internet Service
Recommended Comments