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  • bobfa
    bobfa

    Budget Basement Stereo

     

     

    My office is located in my basement in an L-shaped room.  The long part of the L is the main space, and my office/ham shack is in the short end.  There is no perfect place to put a system down there!  But, I want excellent music playing whenever I am there.  I have tried hard to get something at my desk; there is no room to place them along with the laptop, external display, and podcast and video gear.  So there are two HomePod Minis there, and “they work rather well” and take up no space.  They are just not enough. Well, for me, not enough.

     

    So the search continued to assemble a Budget Basement Stereo.  I have been visiting the local stores, surfing the net, networking, and having loads of fun.  I found some new gear of interest; some old equipment was too expensive but GREAT.  Again, I am with back with my Goldilocks and the Three Bears story: Too expensive/big.  Too weird.  Poor or odd sound qualities.

     

    My primary playback mode is streaming either local files or over the Internet.   I have a slowly growing collection of CDs I like to play, so accommodating my CD player is on the checklist.  Keeping things simple is another.  Streaming with the internal board and uPnP or a Pi4 with LMS fulfills the immediate need.

     

    My first experiment was with a pair of 15-year-old M-Audio studio monitors, a Pi4 feeding a Topping D10Bal DAC.  That design was pretty nice, with taller stands, Isoacoustic isolators.  Ok, this will work.  I could/should have stopped there.

     

    IMG_1505.jpg IMG_1482.jpg

     

     

    A couple of months ago, things started to come together.  I completed a network system for a customer.  Some horse-trading and an ongoing working relationship have born fruit for both parties.  Happy Circumstances.

     

    While looking around, I “fell in love” with a pair of Audio Physic models that were WELL out of the budget range, even used.  I looked at some Dali stand mount models, unique, tiny things.  I took home and tested the KEF LS50 Wireless II, which my wife called eyeballs staring out her.  Finally, I studied several models of studio monitors.  Could I use Genelec Monitors for a system like this? Not sure; move on.


    The opportunity came along to look at a more conventional system, and an ARCAM SA-30 was sitting there!   ARCAM has been evolving their Class G amplification system for quite a while, and when I worked at an audio store, I liked what they were doing.  The SA-30 is an exciting bridge to #FutureFi.  It has one foot in the digital world and one in the Analog.   There are multiple inputs on digital and analog.  A streaming board does Airplay, Chromecast, UPNP, Internet Radio all on its own.  There is even a phono stage!  The SA-30 also comes with DIRAC built-in, and it ships with a microphone, so you can do speaker/room correction using your laptop and their software.  There is a built-in web server, and you can play local music, stream from several on-online services, internet radio, and local UPnP servers.

     

    The speakers I found are the Reference 3A Veena models initially released in 2006.  The used pair I have are now in their fourth home.  The Veena is a 2-way rear-ported floor-standing speaker with no crossover. There is a long story about the construction and design of these speakers that I am still researching.  When I auditioned the Veena speakers, they were in a smaller room and close together, just like my situation.  They do not reach for the bottom of the audio spectrum like my Heavenly Soundworks 517’s do, but they are lovely.  The imaging and detail fall right into place with my desires.  I did cheat a little and purchased Gaia III isolators for the speakers.  

     

     

    IMG_2055.jpg Arcam Teac.jpg

     

     

    When you step back in time and remove the amplifier from the speakers, you need to provide a set of speaker cables; how quaint!  I have tried three cable sets, a pair of used AudioQuest Clear Hyperlitz, a new set of copper flat cables from Nordost, and used Purist Audio Designs Aqueous 20th Anniversary cables from around 2006.  The Nordost and the PAD are bi-wired.  Of the three cables, the PAD Aqueous fits the system sonically and mechanically better than either of the others.   The Nordost flat copper cables ring when they move; they intern imparted that vibration to the case of the SA-30.  The AudioQuest cables sounded thin.  The Purist cables impart a much more robust bass signature, and they may help the top end from feeling shouty.  These cables are short, and that works for my little space.


    As I noted above, the PAD Aqueous did a lot to improve the speakers' bottom end and calm some of the shouty-ness that they exhibit at louder volumes. Creating synergy in a system of separate components is a journey in itself.  For me, this is a selection process of used and even vintage equipment mixed with modern gear is fun.

     

    Note to future self.  When building and changing systems, get speaker cables with banana plugs.  You will thank your former self.

     

     

    I have a good relationship with one of the local stereo stores, and during a visit, we talked about the system with the owner.  I brought home a pair of used VTL Compact 80 tube amplifiers to see how they pair with the speakers.  To simplify the system setup, I used my Volumio Primo as the sole source for the system.  The new Volumio 3.0 OS and apps are a step up in user interface interaction; I like what they have done, yet,… The sound stage is concentrated in the middle.  The clarity is excellent, the dynamics are lovely, but the system sounds uptight.  This may also be a problem with speaker placement and room acoustics.

     

    VTL.jpg VTL 01.jpg

     

     

    For the next experiment, I put a Pi2AES streamer and an Ayre Codex on the VTLs.  The sound stage is more open, and the top end is better controlled.  I think I like tubes.  I have to test this with the SA-30.  Do I want to dedicate the Codex to this system?  Oh, there are some other DACs to try. I am in the queue for the Questyle CMA Fifteen review tour 2.

     

    Ayre Codex.jpg

     

     

    What would an article be without actual equipment reviews?

     

    Starting with the Arcam SA-30.  I have a message to Arcam: Rubber bottomed plastic feet attached with push-in plastic pins on the bottom of a heavy amp is a bit over-cheap.  You cannot slide or move the amp without breaking them off.  REALLY. 

     

     

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    Arcam, can you test your software a bit more?  False starts and stops with AirPlay.  Chromecast regularly does not connect.  The text in the webserver on the Chromecast section is way out of date.  The 1/2 thick two-pound manual in multiple languages is a nice touch, but there is nowhere near enough information on the streamer and software in there.  Sending folks to a community on the internet for support is very “mod” but unsatisfying for many customers.


    In turn, I have some comments for the folks at Reference 3A.  Pretending we are in 2006, reviewing the speakers.  The out-rigger feet are nice but attaching them with “drywall” screws? 

     

    IMG_2151.jpg

     


    The grills are magnetically attached to the speakers, and the screws that are the magnetic attachment points in the cabinet fronts are odd-looking.  

     

     

    IMG_2213.jpg IMG_2214.jpg

     

     

    The binding posts on the speakers are $0.50 of hardware.  The nuts inside of the cabinets come loose!  

     

    Veena Ref 3a Binding Posts.jpg

     


    I know it is a long time, but I could not find a manual for the speakers on your website.  What are your placement suggestions, please?

     

    Sonically they are excellent if fed well.  They are picky and get shouty at higher volumes.  The soundstage is precise and small-ish.  Yet, they have stood the test of time, and I enjoy them!  This makes me want to hear what Reference 3a has done in the intervening years. 

     

    So, why do I have this system; fun, listening, frustration, learning?  Maybe a bit of it all; I want more than a pair of HomePod Minis in the corner; I do not want to wear headphones all the time; I like to feel the music in the air.

     

    I have traded time and talent plus some networking gear for this system.  I am re-learning separates; I have music in my office, not shabby results for everyone. 

     

    In the future, I need a small rack instead of the table I am using, and the printer will have to move to accommodate this fun. 

     

    The end of this article is in the middle!  I am running with the SA-30 under the printer and the PAD cables.  I have not tried the Codex into the SA-30 yet.  Those VTL’s call to me. ?? Am I looking at Tube Separates?  Yet I am free; this is MY HOBBY!   Nothing forced to perfection.  No expectations. Bonus: I got a rug for the Floor!

     

    Here at the end, this is a re-birth of my hobby.  Raspberry Pi servers and endpoints. Tubes Bob? Yes REALLY! 


    But, wait, there will be more:  remember the word “timeless.”

     


    Bob

    73 KE9A


     




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    Thanks for the article Bob. As always, I like your style, not only because it's very different from mine, but I understand a bit of where you're coming from because you put little nuggets into the article. 

     

    Two things stand out to me most, 1) Your sentence "I have been visiting the local stores, surfing the net, networking, and having loads of fun." This is what it's all about. The fun part. That's why we are in this hobby. And 2) Your paragraph starting with "Arcam, can you test your software a bit more?" and ending with "Sending folks to a community on the internet for support is very “mod” but unsatisfying for many customers." was a valuable honest take on your experience. It's this stuff that people won't find on a spec sheet. You only come to this conclusion after using the components. 

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    Chris,

     

    Thank you for your kind thoughts.  I need to elaborate more on the support thing; the SA30 support forum is "unofficial."  What bothers me is that we need it.  The SA30 is a pretty complex component hiding in an Integrated Amplifier box.   I have not even tried to play with DIRAC yet.  There is a lot to learn in there.  

     

    I may actually play with a subwoofer after I get my headphone setup nailed.

     

     

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    I had to smile when I sore the pictures of the ARCAM feet and read the associated text. I have owned (and very much enjoyed) ARCAM equipment for close to 25 years now. In that time I have owned (to the best of my recollection) 3 CD players*,  2 power amps (ARCAM Alpha 10P 3's- which I still use to power 2 small systems in my office at work and my home office,) and 4 AVR amps - including my current AVR850.

     

    On every single one of these, the feet came off / broke each and every time I moved them. The first time, I contacted ARCAM and then, very kindly, sent me some replacement clips at no cost; but these failed as well. I then moved on to a combination of glue and / or double stick tape. Now-a-days I just sit the units carefully on the feet and let gravity do the work. 😃

     

    **In fairness the CD players didn't use the type of feet pictured in the article, but rather little rubber pads - which also fell off!!

     

    Thank you for an enjoyable article. I enjoyed your writing style.

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    I have never understood why some vendors do not understand that feet are essential.  Or that sharp edges cut people.

     

    I am very happy you enjoyed the article.

     

     

     

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    1 minute ago, bobfa said:

    I have never understood why some vendors do not get those feet are essential.  Or that sharp edges cut people.

     

    Agree 100%. 

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    Bob, since this is a “bargain basement stereo” article, I think you should share what you paid for each component so readers can decide for themselves just how bargain basement your new system really is!


    Thanks for sharing. JCR WBOESD

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    I stated in the top of the article that this was a barter deal.  Time and some materials on another project! Everyone is happy.

     

     I am purchasing the Gaia III isolators.

     

    RJF

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    Quote

    Sonically they are excellent if fed well.  They are picky and get shouty at higher volumes.  The soundstage is precise and small-ish.  Yet, they have stood the test of time, and I enjoy them!  This makes me want to hear what Reference 3a has done in the intervening years.

     

    These are the usual symptoms of speakers which don't have enough effective mass stabilising the cabinet - what I would do is place a flat platform of the highest mass I could muster, under each speaker; and then couple its four corners to that mass. This is the easiest, and fastest way to 'biggify' the sound, IME - the vibration of the cabinet, which is what wrecks the SQ, is transferred to the much greater, inert mass below it.

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    Frank,  That is interesting.  I am thinking about putting a 5lb bag of sugar on top each one to play!  Or maybe sandbags from light stands...  Just as a test.

     

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    I have been playing with my Roon Server and I am trying that tonight direct to the SA30..  I am also adding removable mass to the speakers.  

     

    A887E51A-B269-4C22-890E-21B63FC8CACC.thumb.jpeg.fb197d28a6686c7bfc9b4628700d110e.jpeg

     

     

    I am looking around for the “Darko Door Stops” to try them.  I could get three of the smaller ones up there.  About 7 3/4 lbs

     

     

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    20 hours ago, bobfa said:

    Frank,  That is interesting.  I am thinking about putting a 5lb bag of sugar on top each one to play!  Or maybe sandbags from light stands...  Just as a test.

     

     

    Yes, it's very worth while investigating this, IME - I would suggest that one can go quite silly with the weight, just to see what difference it makes. In my own efforts, I put on a total mass far greater than I can lift; steadily increasing it until it doesn't appear to improve things.

     

    One tip: be very careful about adding anything metallic to do this; it disturbs the electrical environment, if too close to the drivers, etc, I've found - degrading the SQ.

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    It is better to have weight in the bottom of the speaker cabinet (not many allow this, but I have ones that do), it makes it less prone to wobble and plants the speaker to the floor better. As far as Frank saying metal interferes, well then, the other diver (or driver's if 3 way or more) the driver frame should interfere than, same with the magnet(s) from the other speaker driver(s).

     

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    Whether the weight is on the bottom or top of the speaker wouldn't be as relevant as how how well the overall addition of mass does the job of stabilising the cabinet; whichever is more convenient, to do tests with, would be my first consideration - I have done the job with mass top and/or bottom, over the years.

     

    A high mass of metal near a, treble, driver has caused a loss of quality for me - other people's experiences may vary.

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    40 minutes ago, botrytis said:

    It is better to have weight in the bottom of the speaker cabinet (not many allow this, but I have ones that do), it makes it less prone to wobble and plants the speaker to the floor better. As far as Frank saying metal interferes, well then, the other diver (or driver's if 3 way or more) the driver frame should interfere than, same with the magnet(s) from the other speaker driver(s).

     

       Adding mass to a cone of the driver changes physical parameters. Adding mass on top, based on my understanding of physics (medium understanding), will not really affect the sound because of the weight but because it extends the panel and changes the frequency response of the speaker. 

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    The speakers are Reference 3a Veena from 2006.  They have three feet.  I am going to try bricks on top and see what happens. 

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    As a thought experiment, consider the drivers being suspended from pieces of string attached to the ceiling, so that they match the position as they would on the front of a cabinet - no actual cabinet actually used. As compared to being inserted, and locked solidly into a huge, flat rock face, in the same arrangement. And drive them hard, with music. In the former, the frames of the drivers would happily flop around, constantly reacting to the force of the magnets and varying coil currents. In the latter, the frames are locked solid with respect to the space in which they are situated - something like a Wilson speaker is aiming for this sort of rigidity; which immediately gives them, "authority".

     

    So, the aim is to get as far away from the "strings from the ceiling" scenario as possible; the lighter the weight of the cabinet, and the taller it is, the more likely there will be too much spurious movement of the driver frames.

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    8 minutes ago, fas42 said:

    As a thought experiment, consider the drivers being suspended from pieces of string attached to the ceiling, so that they match the position as they would on the front of a cabinet - no actual cabinet actually used. As compared to being inserted, and locked solidly into a huge, flat rock face, in the same arrangement. And drive them hard, with music. In the former, the frames of the drivers would happily flop around, constantly reacting to the force of the magnets and varying coil currents. In the latter, the frames are locked solid with respect to the space in which they are situated - something like a Wilson speaker is aiming for this sort of rigidity; which immediately gives them, "authority".

     

    So, the aim is to get as far away from the "strings from the ceiling" scenario as possible; the lighter the weight of the cabinet, and the taller it is, the more likely there will be too much spurious movement of the driver frames.

    I’m not so sure this reasoning is correct. 
     

    It’s possible to get pistonic driver movement through clever engineering rather than the brute force method of granite speaker cabinets. In addition, many dense enclosures are designed this way to control resonance/vibration. 

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    32 minutes ago, bobfa said:

    The speakers are Reference 3a Veena from 2006.  They have three feet.  I am going to try bricks on top and see what happens. 

    How is the SQ of the SA30 compared to the Pi's?

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    Just now, The Computer Audiophile said:

    I’m not so sure this reasoning is correct. 
     

    It’s possible to get pistonic driver movement through clever engineering rather than the brute force method of granite speaker cabinets. In addition, many dense enclosures are designed this way to control resonance/vibration. 

     

    The diaphragm of the driver will move correctly with respect to the magnetic structure which is embedded in the frame of the driver, to the quality level of the engineering that went into the design. But if the frame, and hence the magnet is allowed to vibrate, depending upon the rigidity of the baffle, or other mounting, or lack of it, then there is a high possibility of intermodulation distortion. That's all I'm saying here ...

     

    Yes, the controlling of resonance/vibration is the answer. But if the manufacturer hasn't done as much as is possible, because of wanting to sell that model at a sensible price, then there is nothing to stop the consumer adding further control measures.

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    5 minutes ago, fas42 said:

    But if the manufacturer hasn't done as much as is possible, because of wanting to sell that model at a sensible price, then there is nothing to stop the consumer adding further control measures.

    Absolutely. 
     

    Speaker cabinets are where the costs are sunk. 

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    52 minutes ago, Rexp said:

    How is the SQ of the SA30 compared to the Pi's?

    Still under study.  

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    @bobfa Are these a similar to 3A de Capo's? I assume, bad to do at times. because the de Capos do not use a crossover but use the natural roll off of the drivers as the crossover. That is harder to do, as the drivers have to be matched carefully but sometimes can sound a little odd, since there is not filter really.

     

     

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    i think the 3A does that on several models including the ones I have.  They are a very nice speaker.

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    Interesting - that is what also makes these speakers more expensive - all the testing, etc. to get the drivers just right.

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