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Article: Urbanicity / Concerto for Electric Guitar and Orchestra / The New York Variations


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Thanks for the tip... I went ahead and downloaded this from HDTracks, and received the discount.<br />

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I've only listened once (through headphones), and enjoyed it... I don't think I would have known the instrumentation was synthesized (which is remarkable in itself), but was mostly struck by how much his music reminds me of Frank Zappa.

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I downloaded this out of curiosity since I used to play percussion in an orchestra in college. The sounds are frighting real. I must admit I do not think most real orchestras could play this precise. I have no idea how Chesky pulled this off. And it is amazingly audiophile as well as one would expect from a Chesky album. Maybe the best dynamics I have heard on digital.The music is modern but accessible and it grooves.<br />

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Maybe the world is changing a little to fast for my tastes. Whats next the computers will write music for themselves and we humans will be out of the picture all together?

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Well I never thought I'd hear computer generated music like this in my lifetime. From the first Moog to the digitally synthesized drums to virtually every instrument now is an unbelievable achievement.<br />

I am even more blown away by the dynamics and phrasing that this work has. Hats off to david and the programmers and engineers that pulled this off. What a great tool for young composers to "try out" their compositions with Sibelius and really hear them.<br />

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Next decade - we'll see the computer compose and play its own compositions after studying Bach or Mozart or maybe Alan Broadbent!!

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ACCESSIBLE and GROOVES ??? I wish I could agree. Chesky's music is to way out for my tastes. What is this Grooves stuff. I am happy to be old fashioned. Give me my Beethoven, Mozart, and Brahms any day of the week over this crazy stuff. I want my classical music to sound like classical music, not some hybrid invention.This music is not for me, but the sound is stunning and dynamic and would make a good test CD.

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Composer David Chesky has captured the sound of urban settings and New York in an orchestrated sampled work with astonishing effectiveness. The sound quality is very clean and seems entirely acoustic (except for the electric guitar played by Bryan Baker); there's wonderful use of percussion and drums--be prepared to reduce your subwoofer level by at least 3 dB to avoid overwhelming bass. For fans of multi-channel, including myself, the recording decodes beautifully in DTS Neo:6, Dolby Pro LogicII or Logic7, and there's a fine spatial element. I especially liked "New York Variations" with its opening nod to Gershwin's Porgy&Bess. I hear other influences from Leonard Bernstein to Stravinsky. This is challenging music, hardly background fare but be patient and go with it. Full disclosure: I dislike the distorted sound of heavy amplified guitar; I hear only the distortion; even in my druggy youth, I hated Hendrix and heavy metal, but fans of amped guitar will like the integration of guitar and orchestra. -- Alan Lofft <br />

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Figured @ $7.50 with the discount code it was worth a shot. Sounded like the kind of thing I might like.<br />

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Still listening to it the first time, but what's clear is that the SQ is very high. Very clean sound. Good dynamic sound - none of that "compressed" sound. <br />

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Good sense of "instruments" placed in the orchestra and in space. Not a classical expert, but I don't think it is blindingly obvious that this isn't an orchestra. You don't hear it and immediately think - "fake synthesized orchestra!". Not at all. Sounds like real music. I can imagine sitting in a hall hearing this performed by a real orchestra accompanied by a guitar and synthesizer. So David Chesky did a good job on that end of things. Shows how good something completely digital can sound.<br />

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In the first piece already noticed that the quality of the low orchestral bass sounds are some of the best I own. <br />

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Just a few first impressions. I think I will like the music also, but that takes a little longer to find out - do I listen to it just once or twice when new, or come back to it again after?<br />

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Later edit: I've decided I do like the music. And the sound quality is incredible - great dynamics, doesn't "sound digital". You can really show off your system with this one.

Main listening (small home office):

Main setup: Surge protectors +>Isol-8 Mini sub Axis Power Strip/Protection>QuietPC Low Noise Server>Roon (Audiolense DRC)>Stack Audio Link II>Kii Control>Kii Three BXT (on their own electric circuit) >GIK Room Treatments.

Secondary Path: Server with Audiolense RC>RPi4 or analog>Cayin iDAC6 MKII (tube mode) (XLR)>Kii Three BXT

Bedroom: SBTouch to Cambridge Soundworks Desktop Setup.
Living Room/Kitchen: Ropieee (RPi3b+ with touchscreen) + Schiit Modi3E to a pair of Morel Hogtalare. 

All absolute statements about audio are false :)

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At $7.50 I could not resist downloading and listening to this. <i>Technically</i> the sound was excellent, only sounding synthesized to me in the decay and ringing of some of the instruments. I'm not sure if I noticed it because I knew they were synthesized, or if it was really just as apparent as I think it was. <br />

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The music left me rather cold though. It sounded like mid-20th century avante garde music to me. (Think a more melodious Yoko Ono... :) <br />

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-Paul<br />

Anyone who considers protocol unimportant has never dealt with a cat DAC.

Robert A. Heinlein

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It sounds like being in Boston's Symphony Hall, but the musicians are just a little more precise than humanly possible. For me one of the most interesting parts is the percussion. I've seen and heard some great percussionists, but you'd need about 10 of the best to replicate what is on this album.<br />

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The composition is interesting and lively. It rewards repeat listening.

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In 1957 Vladimir Ussachevsky from the Columbia-Princeton Electronic Music Center convinced RCA that orchestras would soon be obsolete, and that they should help Columbia build an electronic synthesizer for his center so it could eventually replace all of those expensive orchestras.<br />

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While the RCA Mk 2 synthesizer never did put any musicians out of work, I think the goal of replicating the sound of an orchestra faithfully has finally been accomplished with this recording. But unlike with RCA, Chesky's motivation for doing it this way was not financially driven. He's used real living orchestras plenty of times in the past, but it was the complexity and dense nature of the music that necessitated this approach. To get even close to this level of precision playing without weeks of rehearsal would be almost impossible, so assembling it piece by piece was the only way.<br />

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Sonically, the dynamics are startling at times, and the bass energy impact will quickly pick out any weaknesses in your system. The strings and electric guitar (the only instrument actually played in real time) sound great, but it is the percussion that is really the star of the show. During some of the loudest passages the sound can become a bit relentless and congested, but that's probably more down to having a system that can sort out music that's so tightly woven together. It's not all loud and bombastic however, for example, the second movement of Urbanicity is based around tranquil themes played on what sounds like a Gamelan.<br />

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While other comments talk about having problems connecting with the music, I think it's unfair to call it difficult. This isn't Schnittke or Varese. It's more like the fifth movement of Messiaen's Turangalîla on acid.<br />

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Recommended.

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  • 7 months later...

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  • 3 weeks later...

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