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    Simple Design Rendu Ethernet to S/PDIF Converter Review

    P1040190-thumb.pngHigh end audio can be a polarizing hobby. Audiophiles like to select a product or technology and support it vigorously as if they have a large financial interest in its success. I was born an audiophile. I completely understand the desire for one's selection to be validated by the audiophile community. I also completely understand how unhealthy that desire for validation is and the neurosis it can cause. Audiophiles, myself included, must realize the products we select today will sound just as good in five years regardless of competing products, newer technologies, and others' opinions. One polarizing topic in computer audio is digital interfaces. Two digital interfaces that have strong vocal support from users are USB and Ethernet. Users of one technology frequently turn a blind eye to the merits of the other technology and won't even consider its use. Many users selected one technology a few years ago based on the information available at that time and refuse to update their own knowledge for any number of reasons. This leads to armchair engineer arguments based on half truths and old information. These discussions are a disservice to all readers. Based on my experience with both USB and Ethernet interfaces it's clear to me that both can sound excellent and both will have a strong presence in high end audio for the foreseeable future. One Ethernet interface that caught my attention a couple months ago is the UPnP AV 2.0 / DLNA compliant Simple Design Rendu Ethernet to S/PDIF Converter. Admittedly I was drawn in by the features and specs, notably its ability to play DSD, 24/192 PCM, and gapless audio streamed over Ethernet. I've since listened through the Rendu for countless hours and put it through a number of network audio tests. At first the Rendu was a bit picky and had some playback issues. Today using the newest firmware I'm happy to report the Rendu works very well and continues to sound very good. The Simple Design Rendu Ethernet to S/PDIF Converter is a product to watch in both two channel and whole house network audio. [PRBREAK][/PRBREAK]

     

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    Simple Design Rendu Ethernet to S/PDIF Converter

     

    P1040218-thumb-mid.pngThe Simple Design Rendu is an Ethernet to S/PDIF all digital converter. The Rendu could be considered an audio appliance. It has one switch on the outside that turns the unit on/off and zero user configurable options. The Rendu is simple to understand. Ethernet in, S/PDIF out. Its only input is an Ethernet port that's connected to a home network via CAT5 or better cable. Its only output is a transformer coupled true 75 ohm BNC S/PDIF port that connects to a Digital to Analog Converter (DAC). Connecting to a DAC with an RCA S/PDIF port requires a very inexpensive BNC to RCA adapter. Simple Design can also supply a Cardas BNC to RCA cable. In addition to the Ethernet to S/PDIF model reviewed here Simple design offers an HDMI i2s model and a version with a built-in DAC among others.

     

    The Rendu features a low noise, low output impedance linear power supply. This power supply no doubt has roots in the extensive research Simple Design has done for its USB converters and Sonore music server PSUs. Critically important in converters such as the Rendu is the clocking scheme. Simple Design uses two fixed frequency low jitter clocks in the Rendu. This is frequently seen as one of the best, if not the best, way to lower jitter. One feature that may seem un-audiophile at first blush, but is very nice, is the integrated, 32 bit, high precision volume control. I really like this feature for controlling volume in independent zones. For example, when using several Rendu units and streaming the same or different audio to each unit it's possible to control the volume from an iPad / iPhone app such as JRemote. Using JRemote enables the user to not only control the volume of each zone independently but also from anywhere in one's house as long as the iDevice is on the network. During the review period I spent limited time with the volume control feature as my main use was two channel audio where my preamp remote was always available. In the next week or two I will publish a complete article on multi-zone audio using several Rendu units. In this upcoming article I will touch on the digital volume control of the Rendu.

     

    Careful selection of internal components by Simple Design enables the Rendu converter to stand out with a great set of features that work. Fans of Ethernet audio understand very well that UPnP / DLNA audio renderers often fail to meet the marketing hype from many manufacturers. The Rendu Ethernet to S/PDIF converter can do everything as advertised by Simple Design. This is a company that understands computer audiophiles and the Internet. Simple Design knows people will rant far more than they rave about a product. If the Rendu doesn't work as promised the company will never hear the end. A few of the Rendu's great features are DSD / DoP support for DSF and DFF files, 44.1 through 192 kHz support, AIFF, ALAC, WAV, and any FLAC compression level support, and (the mother of many heated internet rants) gapless audio support.

     

    The Rendu digital converter has some specific requirements in order to use its full potential. The Rendu hardware is ahead of most software applications with its DSD / DoP streaming capability. Readers looking to use the Rendu as a simpler PCM only converter without gapless support can likely use almost any UPnP / DLNA server / controller combination to feed audio to the unit. I have several DSD albums and live albums that require gapless playback for full effect. Thus I setup my system to meet the Rendu's requirements (at first). Then I strayed from the requirements and succeeded in producing a better user experience with my own configuration. According to Simple Design, "Gapless is currently supported via Android with Bubble UPNP as controller, J-River on PC and Mac as controller with local storage." In addition, "DSD/DoP pass thru requires the use of MinimServer." Once I verified the aforementioned configurations worked OK I moved to my preferred setup that I knew would also work. I used JRiver Media Center v18.0.175 as the server and an iPad with JRemote v2.31 as the control point. All my music is stored on a Synology DS1812+ NAS that isn't running any UPnP / DLNA software. JRiver's newest Media Center build features what it calls Bitstream DSD. This feature must be enabled deep within the Media Network settings for Media Center to stream DSD content as DoP to a compliant device. DoPE (DSD over PCM Ethernet) is supported by JRiver Media Center and MinimServer with the dopwav transcoder option. I used both during this review, but mainly JRiver because I like all its features, support forums, and using JRemote. The Simple Design Rendu supports gapless playback using SetNextAVTransportURI. There are other methods to accomplish gapless playback but I believe using SetNextAVTransportURI is the best method. JRiver Media Center sends a SetNextAVTransport call to the Rendu and identifies the upcoming track. It's then up to the Rendu to play the next track gapless. I put the Rendu through the ultimate torture test by attempting to play a gapless DSD album. Let's just say playback was a little less than great, but I believe JRiver Media Center had a hand in this subpar performance as well.

     

    Note: No question is a dumb question. Some readers have asked what is gapless playback. Gapless playback is simply playing the tracks on an album or in a queue without a time gap between tracks. When listening to The Dark Side of the Moon the tracks bleed into each other as do the tracks on most live albums. Without gapless support there is a pause of one or two seconds while the next track loads before playback continues. Gapless playback eliminates this time between tracks for smooth playback of all tracks just as the artist intended.

     

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    Testing Rendu's Features

     

    The Rendu not only had to sound good it had to work as advertised. Playback of 16 bit / 44.1 through 24 bit / 192 kHz material may seem like a standard feature that should work on every device, but that's not the case. Many UPnP / DLNA devices based on the Stream Unlimited Stream 700 board have a difficult time playing uncompressed FLAC files at 176.4 and 192 kHz. The Rendu doesn't use the Stream 700 board and doesn't have any problem playing 24/192 material bit perfect. The ability to play all relevant sample rates in whatever file format I use is a big deal. Devices that require transcoding one's entire library to a different format or compression level can tun off potential users and steer people from network based audio for no good reason. I connected the Rendu to my Berkeley Audio Design Alpha DAC for much of the testing as this DAC enables me to check for bit transparency. The sound quality of the Rendu was very good in my Berkeley / Spectral / TAD system. I really didn't know what to expect as I've never seen measurements for this device and I've only heard from Simple Design about the sound quality. Based on my extensive listening to the Rendu it's a terrific converter at all PCM sample rates.

     

    DSD over PCM Ethernet (DoPE) is a feature that intrigued me very much. At first I asked Simple Design why I would need this because the DoP devices I had used were all USB based and the Rendu was S/PDIF. Simple Design said DoP isn't interface specific and will work on S/PDIF, USB, and AES. Once I learned that major piece of information I was on a mission to find a DAC that supported DoP on its S/PDIF inputs. As luck would have it the dCS Vivaldi stack with DAC, Upsampler, and Clock arrived shortly thereafter. The Vivaldi DAC and Upsampler both support DSD DoP on all inputs. With the Vivaldi in place I could test the Rendu's DSD playback capability and sound quality. Much like it was with PCM the Rendu sounded very good with DSD material. My usual Nat King Cole album The Very Thought of You streamed via DoP from my computer to the Rendu then through the Vivaldi Upsampler was impressive. My only problem with DoPE playback was related to software. When selecting a DSD track playback started in JRiver MC but sound didn't come through the system for about 15-20 seconds. The tracks suffered a majorly delayed start, but weren't shortened in any way. MinimServer didn't produce this long of delay but my MinimServer library was vastly different as it resided on my Mac with five albums. Right now I consider MinimServer a testing tool because the JRiver interface with JRemote is so much better. However, for many people MinimServer is perfect because it is very low profile as it runs in the background and can be directed at a user's existing iTunes library. Perhaps if DoPE was of great importance to me and much of my collection was DSD encoded I would switch to MinimServer. I'm willing to bet JRiver will improve DoPE streaming in the coming weeks and months. The feature was only recently enabled. Without many test users for such a feature it's hard to get user feedback for improvement in a short period of time.

     

    Note: The EMM Labs DAC2X doesn't support DoP on S/PDIF or AES inputs yet. I've been told the Mytek Stereo 192 DAC and Benchmark DAC2 HGC support DoP on S/PDIF and AES inputs.

     

    Gapless playback over Ethernet has been the bane of many manufacturer's existence. Thus, I tested gapless playback extensively throughout the review period. The original version of Rendu firmware didn't support gapless playback. Simple Design furnished a firmware update, version 1.36.1.5, that enabled gapless playback at all sample rates. My music library contains gapless albums of all sample rates from 44.1 through 192 and even DSD. As noted earlier gapless DSD didn't work, but I don't hold that against Simple Design and the Rendu. I started with simple 44.1 albums such as The Dark Side of the Moon. Rendu didn't blink upon each track change. Playback was gapless or seamless from Dark Side track to track. I moved up to The Dark Side of the Moon at 24/96 ripped from the Blu-ray in the Immersion Box Set. My experience was identical to playing 44.1. The Rendu didn't blink and the sound was very good. After playing some gapless 24/176.4 material I moved to Stevie Ray Vaughan and Albert King at 24/192 kHz. The entire album start to finish played gapless through the Rendu. I also stopped and started a few tacks to simulate what a real user may do while listening. The Rendu / JRMC combo performed flawless. I thought I'd find issues with gapless as I moved up in sample rate. Fortunately there was no difference in gapless performance from 44.1 to 192. There was no way to identify the sample rate of the current album based on gapless performance. Either it's gapless or it's not and the Rendu is gapless at 192.

     

    Near the end of the review period I connected the Simple Design Rendu to the EMM Labs DAC2X's S/PDIF input and my CAPS Carbon server to the DAC2X's USB input. I wanted some reference with which to compare the sound quality through the Rendu. This comparison isn't the most real world comparison as most people with computers within 16 feet of their audio systems will simply select USB. The remaining users must user a longer distance technology like Ethernet. I don't see the Rendu as a competitor to products like the Berkeley Audio Design Alpha USB converter because the technologies are like apples and oranges. Users will likely require one or the other. During the comparison I was able to move directly from the USB to S/PDIF input and back with ease because the EMM Labs 2X remote has discrete input selection. I much prefer long term listening to compare components, but I did both short and long term for this review. Overall the Rendu holds its own very well versus the USB input of the DAC2X. Readers should consider that the 2X resamples all data to DSD rates as part of its jitter reduction scheme. I don't know if this equalizes the sound quality of the inputs a little bit or majorly. Music via the direct USB input was a bit tighter with a more solid image. When switching between inputs the first thing I noticed was the tightness of the images when using USB. I don't mean smaller image or soundstage rather the sound in the image just appeared tighter. The other noticeable sonic difference was a slight soft edge at the top and bottom frequencies through the Rendu. This softness was really minor. It's likely that many users wouldn't notice it unless presented with these two options for comparison and very familiar music. The Rendu was at a large disadvantage because the direct USB input is asynchronous and controls the clocking. Yet music played through the Rendu sounded very good. This is a terrific Ethernet to S/PDIF converter that works and sounds very good.

     

     

     

    Conclusion

     

    cash-logo-black-thumb.jpgThe Simple Design UPnP AV 2.0 / DLNA compliant Rendu Ethernet to S/PDIF Converter is a fairly unique device. Its features such as true gapless support from 44.1 through 192 kHz and DSD DoPE playback for streaming DSD over Ethernet help set the Rendu apart from the competition. Features are one thing but sound quality and a device that delivers on the manufacturer's promises is another. The Rendu sounded very good in all systems I used during the review. Both PCM and DSD playback was impressive through the Rendu. It's linear power supply likely plays a significant role in its sonic quality. The Rendu delivers on all its advertised features from DSD to 24/192 PCM playback to gapless audio all streamed over Ethernet. These features simply work as they should. The Simple Design Rendu Ethernet to S/PDIF Converter is a great solution for Ethernet based audiophiles, those tempted by Ethernet audio, and multi-zone music aficionados among others. Highly recommend and CASH Listed.

     

     

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    Product Information:

     

     

     

    • Product - Sonore Rendu Ethernet to S/PDIF converter
    • Price - $1,369
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    I don't know of one but I would imagine that a small, silent computer device could be devised to fill that need. It would be a niche that no one is currently filling.

     

    The bigger question is, why didn't Simple Design go with USB out in coming up up with their design for the Rendu? I would think that the majority of DACs these days work with USB(this being true of Sonore's own DSD DAC).

     

    Esau

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    In UPnP parlance the Rendu is considered the "Media Renderer" (hence the name)--the slave device that can playback the stream, into a DAC via S/PDIF in this case. As Chris mentioned in his comparison, one can compare the output from from the CAPS computer (as a UPnP Server when running software like JRiver which can function as one) either via Ethernet into the Rendu, or via USB (or optical TosLink/coax S/PDIF either internal or external) direct into a DAC.

     

    Shoot, I was trying to answer your question simply, but failed. Try again:

    The point of the Rendu is to have your computer in a different room than your DAC and stereo, and then to use a UPnP compatible remote control app (Controller in UPnP lingo) in your lap in front of the stereo.

     

    As you can tell from his write-up and from the many challenges people have with UPnP set-ups, it can be a complicated affair. Also, iTunes users are pretty much left out in the cold. But now that first versions of JRiver are available for OS X, Mac users do have a reasonable option. But niceties like software upsampling and other DSP plug-ins don't seem to be part of the UPnP picture. While it is good to have the choices and flexibility offered by a UPnP Renderer such as the Rendu, I would want to compare that type of set-up versus the "OS-bypassing" "purity players" such as Amarra, Pure Music, Audirvana Plus, JPlay, HQPlayer, etc.

     

    Seems to me that if you already have a suitable, quiet and dedicated little computer for audio playback, a renderer and the trouble of UPnP is a bit redundant since you can do remote control of your music library manager/player with many apps and there are more s/w choices. However, if you have a big, noisy, multipurpose family computer in your den or office--and prefer to manage your music library there--then a renderer is a great way to send quality audio to your listening studio.

    Sonore seems to have done a very fine job with this product for that purpose. I wish Jesus much success with it.

     

    Still not very clear.. would like to ask some questions..

     

    1. The Sonore Rendu is a UPNP renderer, similar to something like a squeezebox or Linn? The ethernet connection will be from router to the Rendu, correct?

    2. When using the control app, we 'push' the upnp signal from Jriver to this renderer?

    3. It will be unable to playback all other sources from PC - e.g. sync with video, directsound (for youtube, games), etc.

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    I'm new to this type of stuff. Because it was easy to figure out how to set it up and (until it was discontinued) the price was right, I set up a Squeezebox Touch to be at the heart of my home audio system. I'm using it to stream from my PC to the Squeezebox and I'm connecting from the Squeezebox to a Benchmark DAC with a coaxial digital cable. That's pretty much what this Sonore Rendu device does, right? So this is what I am wondering -- what what advantage does a $1369 Sonore Rendu have over a $300 Squeezebox other than that it is still in production?

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    Congrats to Simple Designs to achieve hires gapless for FLAC and other formats, where the majors have failed (or couldn't care less or 'too hard'). There's something in the review that's stands out as premature though.

     

    "The remaining users must user a longer distance technology like Ethernet. "

     

    Must use Ethernet....is ST fiber, USB Extender using Cat5 or Multimode fiber forgotten, obsolete or proven not to work?

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    I don't know of one but I would imagine that a small, silent computer device could be devised to fill that need. It would be a niche that no one is currently filling.

     

    The bigger question is, why didn't Simple Design go with USB out in coming up up with their design for the Rendu? I would think that the majority of DACs these days work with USB(this being true of Sonore's own DSD DAC).

     

    Esau

     

    Esau, the Rendu will not have USB output. The Rendu is Asynchronous as are some USB devices in producing the supported outputs so you are not losing that capability. The outputs (i2s, analog, MSB, etc..) that we are developing are part of our commitment to support as many formats as possible. The Rendu is meant to be a hot rod with a dedicated audio board and high quality PS. The Rendu is about getting back to basics...

     

    Jesus R

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    Congrats to Simple Designs to achieve hires gapless for FLAC and other formats, where the majors have failed (or couldn't care less or 'too hard'). There's something in the review that's stands out as premature though.

     

    "The remaining users must user a longer distance technology like Ethernet. "

     

    Must use Ethernet....is ST fiber, USB Extender using Cat5 or Multimode fiber forgotten, obsolete or proven not to work?

     

    The Logitech's Squeezebox Touch @ $300 has offered gapless playback over ethernet from the beginning. Does "Simple Designs" justify it's additional $1000 in price by doing something that the Squeezebox doesn't do?

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    Still not very clear.. would like to ask some questions..

     

    1. The Sonore Rendu is a UPNP renderer, similar to something like a squeezebox or Linn? The ethernet connection will be from router to the Rendu, correct?

    Yes

     

    2. When using the control app, we 'push' the upnp signal from Jriver to this renderer?

    Not exactly. The controller informs the Renderer where and what to play. It's similar to Google telling your browser where a webpage from a search is.

     

    3. It will be unable to playback all other sources from PC - e.g. sync with video, directsound (for youtube, games), etc.

    This is not a limitation of the Rendu. We need a third party app that performs this function. There is one such app underdevelopment, but it's not available yet.

     

    Jesus R

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    Are XLR outputs an option for the DAC, or AES for the renderer?

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    The Logitech's Squeezebox Touch @ $300 has offered gapless playback over ethernet from the beginning. Does "Simple Designs" justify it's additional $1000 in price by doing something that the Squeezebox doesn't do?

     

    Somsak, we can choose to build a Beetle or a Ferrari. We chose to build a Ferrari. Without getting into the short comings of other products the Rendu is quite different compared to the Touch.

     

    Nothing against a Beetle though...I use to own a 57 oval:)

     

    Jesus R

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    Congrats to Simple Designs to achieve hires gapless for FLAC and other formats, where the majors have failed (or couldn't care less or 'too hard'). There's something in the review that's stands out as premature though.

     

    "The remaining users must user a longer distance technology like Ethernet. "

     

    Must use Ethernet....is ST fiber, USB Extender using Cat5 or Multimode fiber forgotten, obsolete or proven not to work?

     

    Thanks. I think what Chris was trying to say is that after a certain distance with USB you are better off going to ethernet. I have not tried the various USB extender options. The Sabre DAC module design does not lend itself to balanced outputs and would not have added anything to it. However, I am developing a single bit converter for DSD playback that will have both balanced and unbalanced outputs. The general idea is that the Rendu is very close to your DAC where a properly terminated SPDIF connection is more than enough to do the job. I prefer and recommend BNC connections because they are 75 OHM per the SPDIF spec.

     

    Jesus R

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    Somsak, we can choose to build a Beetle or a Ferrari. We chose to build a Ferrari. Without getting into the short comings of other products the Rendu is quite different compared to the Touch.

     

    Nothing against a Beetle though...I use to own a 57 oval:)

     

    Jesus R

     

    OK, but from what's written in the review I'm not grasping what, other than DSD playback, the product brings to the table that is lacking in products costing 1/4 as much. Going with your automobile analogy, I know what a Ferrari does that a Beetle cannot. Those things can easily be demonstrated and one can decide for themselves whether those things are worth the price differential. I'm less clear about that with Simple Designs vs Squeezebox - what is the differentiating factor between the products? Is it a fair assumption that the sound quality of the Simple Designs device is in another league entirely?

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    Sorry for dumb questions.

     

    1/ Does an attached DAC have to be capable of DSD D->A conversion to work with this device?

     

    2/ If no. Is there a setting in software in the Rendu that does DSD-> PCM conversion

     

    3/ What DSD capable DAC's are definitely compliant. Is the Invicta? Is there definitive list from Sonore?

     

    Cheers

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    Somsak, there are actually quite a few underlining differences some are small and some are significant. The Touch is mass produced, distributed and then sold through a dealer. The true cost of that product is actually much less than 200-300 bucks. For arguments sake says it cost 150 bucks to produce. You as a consumer have to consider what your getting for that 150 bucks. I won't go into details here in the forum, but just one part on our custom hand built linear power supply costs us 70 bucks and some of the designs use two of these parts. Also, my customers know the most important thing they get when they buy a Sonore product...

     

    Jesus R

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    OK, but from what's written in the review I'm not grasping what, other than DSD playback, the product brings to the table that is lacking in products costing 1/4 as much. Going with your automobile analogy, I know what a Ferrari does that a Beetle cannot. Those things can easily be demonstrated and one can decide for themselves whether those things are worth the price differential. I'm less clear about that with Simple Designs vs Squeezebox - what is the differentiating factor between the products? Is it a fair assumption that the sound quality of the Simple Designs device is in another league entirely?

     

    Hi Somsak - One huge difference is UPnP support. The Squeezebox isn't really a UPnP renderer as it requires use of the squeeze server software. That's a giant limitation. Also the SB can't play 4x high resolution and the user interface / controller options are very limited compared to the Rendu.

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    Somsak, there are actually quite a few underlining differences some are small and some are significant. The Touch is mass produced, distributed and then sold through a dealer. The true cost of that product is actually much less than 200-300 bucks. For arguments sake says it cost 150 bucks to produce. You as a consumer have to consider what your getting for that 150 bucks. I won't go into details here in the forum, but just one part on our custom hand built linear power supply costs us 70 bucks and some of the designs use two of these parts. Also, my customers know the most important thing they get when they buy a Sonore product...

     

    Jesus R

     

    Capitalism sucks, but I don't make the rules. Actually I would expect it that Logitech pays (paid) much less than $150 per unit to have each SB Touch built. Logitech, being a huge company, is going to have pricing power over its assembly subcontractors that the little guys could never dream of obtaining. But that's to the consumer's benefit not to their detriment. If it costs you more to have your units built that doesn't benefit me as a consumer. That you only make 30% on something I must pay $1300 for is not a better deal to the me than Logitech making 200% on a SB that sells for $300. What matters to me is how much benefit I get per dollar spent, not how much money my equipment supplier is making compared to their investment. Sure, the SB is/was mass produced, but I'm not so sure that's a bad thing in this case.

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    Hi Somsak - One huge difference is UPnP support. The Squeezebox isn't really a UPnP renderer as it requires use of the squeeze server software. That's a giant limitation. Also the SB can't play 4x high resolution and the user interface / controller options are very limited compared to the Rendu.

     

    Maybe I should try asking my question more directly. Does a Simple Designs unit outputting SPDIF to a high quality DAC sound better than a Squeezebox Touch doing the same?

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    What matters to me is how much benefit I get per dollar spent, not how much money my equipment supplier is making compared to their investment. Sure, the SB is/was mass produced, but I'm not so sure that's a bad thing in this case.

    Hi Somsak - That's a very good point. Your questions about the SB v. Rendu are very good as well. I've use both products and have both products here right now. I didn't write about the SB in this review because it's such a different product. Comparing the two is really comparing apples to oranges. Yes both are network audio devices but without real UPnP / DLNA support the SB is extremely limited. Limitations and all the SB was a great deal for $300 when it was available.

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    Maybe I should try asking my question more directly. Does a Simple Designs unit outputting SPDIF to a high quality DAC sound better than a Squeezebox Touch doing the same?

    That makes it much easier :~)

     

    I didn't compare the two, although I can, but my guess is the Rendu will sound much better. One reason is the SB has no isolation on the S/PDIF output. There is a direct link from the noisy switching PSU through the S/PDIF output and into the DAC. Reducing jitter is one thing, but for a DAC to eliminate this noise is something else all together.

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    That makes it much easier :~)

     

    I didn't compare the two, although I can, but my guess is the Rendu will sound much better. One reason is the SB has no isolation on the S/PDIF output. There is a direct link from the noisy switching PSU through the S/PDIF output and into the DAC. Reducing jitter is one thing, but for a DAC to eliminate this noise is something else all together.

     

    rendu and sbt address to different perspectives...

    - sbt for The ones seeking the basic networking needs, for a low cost;

    - rendu for a no compromised approach and boutique built...

     

    Users who bought the SBT with a wish to no compromised sound started a journey of tweeking, that is completely avoided by the rendu...

     

    my concern is that at that cost the rendu will not retail at a competitive cost in Europe..

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    rendu and sbt address to different perspectives...

    - sbt for The ones seeking the basic networking needs, for a low cost;

    - rendu for a no compromised approach and boutique built...

     

    Users who bought the SBT with a wish to no compromised sound started a journey of tweeking, that is completely avoided by the rendu...

     

    my concern is that at that cost the rendu will not retail at a competitive cost in Europe..

     

    If the Simply Designs unit is in fact leagues above cheaper options in terms of sound quality then that in itself answers my question. But if it isn't, then I have to ask what's the point? If it's just for greater convenience or for something that is theoretically important to some people, I'll choose to pay $1000 less and be slightly inconvenienced. But if it produces distinctly superior sound, I'd part with that extra $1000 gladly.

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    Hi Somsak - That's a very good point. Your questions about the SB v. Rendu are very good as well. I've use both products and have both products here right now. I didn't write about the SB in this review because it's such a different product. Comparing the two is really comparing apples to oranges. Yes both are network audio devices but without real UPnP / DLNA support the SB is extremely limited. Limitations and all the SB was a great deal for $300 when it was available.

     

    With the SBT being discontinued there have been some people scalping the SBT on ebay for $400 or more. Even at those prices, it seems to have a better price-to-performance ratio than anything else on the market. I think that's true even for the stock unit, without any mods or tweaks -- assuming that you're using the S/PDIF outputs rather than the built-in DAC.

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    Sorry for dumb questions.

     

    1/ Does an attached DAC have to be capable of DSD D->A conversion to work with this device?

    No because the SPDIF output is regular PCM and is compatible with any DAC with SPDIF input.

     

    2/ If no. Is there a setting in software in the Rendu that does DSD-> PCM conversion

    JRiver acting as the server can do this for you. I can also make a version that can do this is in hardware as an option. The hardware solution is actually very good and outputs 176.4K or 88.2K selectable depending on your DAC.

     

    3/ What DSD capable DAC's are definitely compliant. Is the Invicta? Is there definitive list from Sonore?

     

    Cheers

    Again any DAC with SPDIF input. The list of DACs that support DSD/DoP via their digital inputs can be looked up here: https://docs.google.com/spreadsheet/ccc?key=0AgVhKcl_3lHfdFVyenBBNjNpQ2lieG81WGpqQTNfVUE#gid=0

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    Capitalism sucks, but I don't make the rules. Actually I would expect it that Logitech pays (paid) much less than $150 per unit to have each SB Touch built. Logitech, being a huge company, is going to have pricing power over its assembly subcontractors that the little guys could never dream of obtaining. But that's to the consumer's benefit not to their detriment. If it costs you more to have your units built that doesn't benefit me as a consumer. That you only make 30% on something I must pay $1300 for is not a better deal to the me than Logitech making 200% on a SB that sells for $300. What matters to me is how much benefit I get per dollar spent, not how much money my equipment supplier is making compared to their investment. Sure, the SB is/was mass produced, but I'm not so sure that's a bad thing in this case.

     

    Your political points of view are of no interest to me....

     

    There is a lot that your not considering and your making some incorrect assumptions. The fact is that the Rendu is more expensive because we build the PS by hand to a higher standard and the design calls for better and more expensive parts overall. If these features are not important to you then cast your vote and buy something else....

     

    Jesus R

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    ^OK. Thanks Jesus...Cool. Now I understand. This looks like a great device to add streaming capability (including DSD files) to any old DAC device with the appropriate connection....but yiy have to chose the correct Redu you need carefully. like Id need the hardware DSD->PCM one for say my old Benckmark DAC1. Nice one. :)

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    With the SBT being discontinued there have been some people scalping the SBT on ebay for $400 or more. Even at those prices, it seems to have a better price-to-performance ratio than anything else on the market. I think that's true even for the stock unit, without any mods or tweaks -- assuming that you're using the S/PDIF outputs rather than the built-in DAC.

     

    Somsak: Let me try and answer your question. Please consider that I do some consulting with Sonore. If you are very familiar with the SBT, perhaps you aware of all the people adding many modifications to it to improve its performance? I have seen many folks spend hundreds of dollars on external power supplies for the touch, and clock upgrades are also quite popular for folks trying to eek out some more performance from the SBT. No doubt, the Touch is great at what it does, and offers outstanding value. Perhaps, it offers adequate sound quality for you to be happy with it, there is nothing wrong with that, but, considering how much money and effort some folks are spending on upgrades to the Touch, it is clear that some people are looking for higher performance in terms of sound quality.

    The Rendu is a no compromise design, built to give the best sound quality possible when paired with a high end DAC. It features an onboard ultra low noise, ultra low output impedance power supply, which is critical in achieving low jitter. Additionally, all the clocking components are very high quality, in order to achieve the lowest jitter possible. Now, is this difference going to be meaningful to you, I cannot answer that question, only you can. All I can say is that the Rendu is designed to provide the highest sound quality possible, whereas the SBT was a mass produced consumer product, designed to suit the sound quality needs of average consumers.

    It is up to the audiophile to decide if the gains in performance are worth the cost of the unit.

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