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    Bel Canto Design DAC 1.5 e.One Processor Review

    Front-dac-1-5-thumb.jpgPleasantly surprised right from the first note is one way to describe my time with the Bel Canto Design DAC 1.5. I was initially drawn to the DAC 1.5 because of its price ($1,395) and features. I wasn't sure what to expect sonically from the least expensive DAC in the Bel Canto Design lineup. What I heard was very good. Comparing the DAC 1.5 to a very popular product in this competitive market segment lead me to place it on the Computer Audiophile <a href="http://www.computeraudiophile.com/content/Computer-Audiophile-Suggested-Hardware-List">C.A.S.H. List</a><a href="http://www.computeraudiophile.com/content/Computer-Audiophile-Suggested-Hardware-List"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a> immediately. DACs of this ilk must be good to survive the onslaught of Internet chatter, reviews, and endless comparisons. The Bel Canto Design DAC 1.5 is clearly the best value in the Bel Canto DAC lineup. This DAC worked very well in my system whether connected to Windows, OS X, or Linux music servers. Plus the characteristic that matters most to me, sound quality, was the real standout. It's tough to beat a value like the DAC 1.5, that works well, and sounds this good.

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    <b>The Best Value In The Bel Canto LIneup</b>

     

    The new Bel Canto e.One series includes three processors, or DACs as they're frequently called, the DAC <a href="http://www.belcantodesign.com/Belcanto_DAC1_5_Digital_Audio_Converter.html">1.5</a> ($1,395), <a href="http://www.belcantodesign.com/Belcanto_DAC2_5_Digital_Audio_Converter.html">2.5</a> ($1,995), and <a href="http://www.belcantodesign.com/Belcanto_DAC3_5_Digital_Audio_Converter.html">3.5VB</a> ($3,495). Not surprisingly the cost and performance increases as the numerical name of the DAC increases. Bel Canto's John Stronczer first introduced me to what would become the new series of x.5 DACs while visiting him at <a href="http://maps.google.com/maps?f=q&source=s_q&hl=en&geocode=&q=bel+canto+design&aq=&sll=37.0625,-95.677068&sspn=54.269804,90.966797&ie=UTF8&hq=bel+canto+design&hnear=&ll=44.98599,-93.269874&spn=0.000728,0.001899&t=h&z=20&layer=tc&cbll=44.985924,-93.269781&panoid=fwGh8dC4fw8fSKefeOlcQg&cbp=12,238.22,,0,-6.92">Bel Canto's headquarters</a><a href="http://maps.google.com/maps?f=q&source=s_q&hl=en&geocode=&q=bel+canto+design&aq=&sll=37.0625,-95.677068&sspn=54.269804,90.966797&ie=UTF8&hq=bel+canto+design&hnear=&ll=44.98599,-93.269874&spn=0.000728,0.001899&t=h&z=20&layer=tc&cbll=44.985924,-93.269781&panoid=fwGh8dC4fw8fSKefeOlcQg&cbp=12,238.22,,0,-6.92"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a> in Minneapolis, MN. This visit to Bel Canto was over one year ago. I simply do not remember what model of DAC I heard and saw during the visit. I was impressed by John's no nonsense engineering approach to component design. Being the engineer that John is he had to mention the name <a href="http://en.wikipedia.org/wiki/Nyquist%E2%80%93Shannon_sampling_theorem">Nyquist</a><a href="http://en.wikipedia.org/wiki/Nyquist%E2%80%93Shannon_sampling_theorem"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a> at some point in our discussion about computer based sources and high resolution audio. As our conversation continued John and I discussed the importance of clocking and the unfortunate fact that everything matters when it comes to high performance audio. I say unfortunate because life would be so much easier and less expensive if components were simple to design and all internal components were commodities. The reason I mention my conversation with John Stronczer is because readers should know as much about a company as they do its products before spending hard earned money. Purchasing an audio component is much more than a simple add-to-cart process. Bel Canto's products are driven by solid engineering principles and are backed by a great group of people.

     

    Coming in at $1,395 the DAC 1.5 is the best value in the entire Bel Canto lineup and one of the best values in high end DACs. Best value does not equate to the most inputs, highest sample rates, or anything else that goes along with the misleading numbers game. Best value to me means the product as a whole, including the company designing and supporting the product, has the best price to performance ratio. That said if the product doesn't sound good it doesn't matter a bit if the company is great and giving the product away for free. I don't think any audiophile, myself included, would happily listen to a substandard product while enjoying the comfort of a well supported product from a great company. Hopefully my point has been made. Performance is king, but all things matter.

     

    The DAC 1.5 is going to make some armchair engineers uneasy. It sports an adaptive USB interface as opposed to asynchronous USB. Some of these armchair engineers consider adaptive USB a nonstarter and rule out the possibility of a very good sounding adaptive USB DAC before they finish reading the spec sheet. While we're at it I might as well mention the DAC 1.5 ships with a switch mode power supply. I can see the spec sheet buyers running for the exits right now. Bel Canto has developed its Virtual Battery technology with the goal of bettering the standard linear power supplies. BC uses switch mode supplies even in its VBS1 virtual battery unit. This enables Bel Canto to lower the audio band noise and move low frequency noise to very high frequencies where it can be easily filtered. The DAC 1.5 does not feature all the benefits of the full VBS1 power supply but some critical VB technology was implemented in the DAC 1.5. The biggest differences between the DAC 1.5 and it's more expensive siblings is the increased technology and performance put into the power supplies of the other units.

     

    Bel Canto designed the DAC 1.5 and 2.5 with the Burr Brown PCM1796 DAC chips. The DAC 3.5VBS includes the BB PCM1792. This PCM1796 chip achieves 122dB dynamic range in the DAC 1.5. The 1.5 has a very successful implementation of ASRC (Asynchronous Sample Rate Conversion) for jitter rejection. The filter and digital PLL combat jitter starting at 2Hz with a rejection of over 80dB by 100Hz. All of the new x.5 DACs feature the Master Reference Ultra Clock™ that enables designers this level of filtration and low jitter clocking.

     

    Computer audiophiles can interface with the DAC 1.5 four different ways each galvanically isolated from the computer. The first three inputs AES/EBU, electrical S/PDIF x 2, and optical S/PDIF support all sample rates from 16/44.1 kHz through 24/192 kHz. The fourth input is USB which supports 16 and 24 bit files at 44.1, 48, 88.2 and 96 kHz. It's important to note the ability to send audio to any input is dependent on the source computer and the DAC interface. For example a Mac computer can easily send audio out a USB port to the DAC 1.5 at 24/96 or 24/88.2. The built-in optical port on all Macs may not be able to send audio at 24/88.2 and will unequivocally not be able to send audio above 24/96 while running the Mac OS X operating system. 24/88.2 support on Macs depends on the vintage of the hardware. Readers can easily discern the capability of their Macs by entering Audio Midi Setup, selecting Built-in Output on the left, and selecting the down arrow next to Format on the right side. All supported sample rates will be listed in the drop-down box whether or not a DAC is connected. On the output side of the 13 lbs. (8.5” W x 12.5” D x 3.5” H) chassis the DAC 1.5 offers single ended RCA and balanced XLR connections. Like all Bel Canto components the DAC 1.5's build quality is very good. The flawless faceplate and smooth multi-function control knob are very refined. Readers in favor of a <a href="http://images.computeraudiophile.com/graphics/2011/0503/blackad03.jpg" class="thickbox" rel="bel-canto-dac-1.5">black faceplate</a><a href="http://images.computeraudiophile.com/graphics/2011/0503/blackad03.jpg"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a> should contact their dealers to inquire about availability.

     

    <a href="http://images.computeraudiophile.com/graphics/2011/0503/bal-canto-dac-remote-full.png" class="thickbox" rel="bel-canto-dac-1.5"><img src="http://images.computeraudiophile.com/graphics/2011/0503/bal-canto-dac-remote-small.png" style="padding: 2pt 5pt 2pt 2pt;" align="left" alt="bel-canto-dac-1.5-remote"></a>One of the more sought after features in DACs right now is volume control. The DAC 1.5 features a .5 dB step digital volume control. This allows the user to bypass a preamp and extra set of cables to connect directly to a power amplifier. All audio systems perform differently. I highly recommend trying the DAC 1.5 with and without a preamp. The DAC 1.5's included remote control is capable of far more than most DAC remote controls. Users with additional Bel Canto components should be able to operate all of them with this single remote. The most critical functions on the remote (for me), input select and volume control, are simple to use prominently featured at the top of the handheld device.

     

    <p>The DAC 1.5 certainly boasts a plethora of features with the absence of a high performance price tag. These features alone are not solely responsible for this DAC's placement on the <a href="http://www.computeraudiophile.com/content/Computer-Audiophile-Suggested-Hardware-List">C.A.S.H. List</a><a href="http://www.computeraudiophile.com/content/Computer-Audiophile-Suggested-Hardware-List"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a> or its position as the best value in the Bel Canto lineup. The DAC 1.5's very good sonic qualities are what really separates it from some competitors and make it a true value.</p>

    <center><img src="http://images.computeraudiophile.com/graphics/2011/0503/Front-dac-1-5-large.jpg"></img></center>

    <center><img src="http://images.computeraudiophile.com/graphics/2011/0503/Back-dac-1-5-large-700.jpg"></img></center>

     

     

     

     

    <b>The DAC 1.5 In Use</b>

     

    Working well may sound like a given for audio components but I assure CA readers this is not often the case. A simple search of the CA forum will reveal many examples of DAC related frustrations. I'm not completely against DACs requiring software/drivers. The fact is DACs that require driver installation have issues where driverless DACs do not. Period. The DAC 1.5's driverless USB implementation is plug n' play every single time without question. Whether connected to Windows 7 or Mac OS X 10.6.7 the DAC 1.5 simply worked very well.

     

    In my system the DAC 1.5 was connected directly to my McIntosh MC275 power amp via Balanced (XLR) cables. Bypassing a preamp required me to enable the variable output via a button on the rear of the unit. The other button setting is for fixed output and is used when the DAC 1.5 is connected to a preamp that handles the volume control. Connecting straight to my power amp has worked well in my system with the Berkeley Audio Design Alpha DAC, Weiss DAC202, and dCS Debussy. All of this could easily change if in the future I insert a preamp that improves the sound. It hasn't happened yet, but I won't rule it out.

     

    The two main computers used with the DAC 1.5 were a <a href="http://www.computeraudiophile.com/content/Computer-Audiophile-Pocket-Server-CAPS">C.A.P.S. Server</a><a href="http://www.computeraudiophile.com/content/Computer-Audiophile-Pocket-Server-CAPS"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a> and a Mac Pro. The C.A.P.S. server is a minimal Windows 7 solid state fanless design capable of outputting via USB, electrical S/PDIF (coaxial), and AES/EBU. The only Windows based consumer application I used was J River Media Center version 16. I set the Audio Output Mode to WASAPI - Event Style to remove an unreliable Microsoft layer and allow for a more direct data path to the driver / hardware. The WASAPI - Event Style hardware buffer size was set to 100 milliseconds. When outputting AES/EBU I used a Mykerinos audio card and Pyramix software. This configuration is not for the faint of heart. The Mac Pro is running OX S 10.6.7 and has four spinning 1TB disks at the moment. Applications used on the Mac include Amarra, Pure Music, Fidelia, and Audirvana. Most files were pulled from a Thecus or Synology NAS in either FLAC or AIFF format. Files played through Pyramix software were loaded on the local solid state drive. All music played through the DAC 1.5 was output as a bit perfect audio stream from each computer.

     

    Control of music playback was done via Apple's Remote iPhone/iPad application, Audiofile Engineering's Fidelia Remote iPhone app, Apple's Screen Sharing, Digibit's Bit Remote, and Microsoft's Remote Desktop.

    <center><a href="http://images.computeraudiophile.com/graphics/2011/0503/wasapi-event-style-full.png" class="thickbox" rel="bel-canto-dac-1.5"><img src="http://images.computeraudiophile.com/graphics/2011/0503/wasapi-event-style-small.png"></a>   <a href="http://images.computeraudiophile.com/graphics/2011/0503/JRMC-dsp-options-full.png" class="thickbox" rel="bel-canto-dac-1.5"><img src="http://images.computeraudiophile.com/graphics/2011/0503/JRMC-dsp-options-small.png"></a>   <a href="http://images.computeraudiophile.com/graphics/2011/0503/wasapi-event-style-settings-full.png" class="thickbox" rel="bel-canto-dac-1.5"><img src="http://images.computeraudiophile.com/graphics/2011/0503/wasapi-event-style-settings-small.png"></a></center>

     

     

     

    <b>If It Sounds Good, It's Good</b>

     

    On to my favorite part, the DAC 1.5 listening sessions. The bottom line is the Bel Canto DAC 1.5 sounds very good. When compared to the Benchmark DAC1 PRE in my system I much preferred the Bel Canto DAC 1.5 with all types of music. Listening to Jack Johnson's newly remastered debut album <a href="http://www.computeraudiophile.com/content/Jack-Johnsons-Debut-Album-Brushfire-Fairytales-Remastered-and-Available-16-bit-48-kHz-Lossle">Brushfire Fairytales</a><a href="http://www.computeraudiophile.com/content/Jack-Johnsons-Debut-Album-Brushfire-Fairytales-Remastered-and-Available-16-bit-48-kHz-Lossle"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a> at 16/48 kHz the DAC 1.5 did everything right for me. The sound was very clean reproducing Jack's acoustic guitar like he was sitting between the speakers. Playback of this album through the Benchmark DAC1 PRE caused fatigue fairly fast. The DAC1 PRE sounded bloomy and tube-like. The guitar plucks, using the DAC1 PRE, appeared rounded-off when there should have been clear delineation between different stings starting and stopping. Through the DAC 1.5 this unnatural, far too full, acoustic guitar sound disappeared. Moving on to other music including Christina Aguilera's <a href="http://www.amazon.com/s/ref=nb_sb_ss_i_1_38?url=search-alias%3Ddigital-music&field-keywords=save+me+from+myself+christina+aguilera&x=0&y=0&sprefix=save+me+from+myself+christina+aguilera">Save Me From Myself</a><a href="http://www.amazon.com/s/ref=nb_sb_ss_i_1_38?url=search-alias%3Ddigital-music&field-keywords=save+me+from+myself+christina+aguilera&x=0&y=0&sprefix=save+me+from+myself+christina+aguilera"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a> really showed off the DAC 1.5's lack of grain and crispness. Hearing Christina's lips and tongue between verses sounded like she was right there in the room. Switching to the Benchmark I thought the fullness in the mid range was again too full and changed the pitch of her voice. Again, this is evident when comparing two components head to head and may not equate to an individual's listening experience with only one DAC in the system. Some readers may prefer a fuller sound or better yet some readers may think the Benchmark sounds perfect depending on the other system components. It's all subjective and dependent on many variables. Listening to Shelby Lynne's <a href="http://www.amazon.com/Just-A-Little-Lovin/dp/B00130K4N4/ref=sr_1_1?ie=UTF8&s=dmusic&qid=1304453087&sr=1-1">Just A Little Lovin'</a><a href="http://www.amazon.com/Just-A-Little-Lovin/dp/B00130K4N4/ref=sr_1_1?ie=UTF8&s=dmusic&qid=1304453087&sr=1-1"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a> track from the album of the same name indicated the Bel Canto DAC 1.5 did have as much bass as the DAC1 PRE but the bass through the DAC 1.5 was likely more controlled down to its lowest levels. The Benchmark bass was more pronounced and possibly overdone when directly compared to the Bel Canto DAC 1.5 in my listening room. The DAC 1.5 was simply more coherent across the entire frequency spectrum when placed in my system. Comparing the reproduction of transients between the DAC1 PRE and DAC 1.5 I again preferred the Bel Canto DAC 1.5. Listening to the Kansas City Symphony's Grammy winning performance of Britten's Orchestra track 6. <a href="https://www.hdtracks.com/index.php?file=catalogdetail&valbum_code=HD030911112028">Passacaglia</a><a href="https://www.hdtracks.com/index.php?file=catalogdetail&valbum_code=HD030911112028"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a> at 24/176.4 the DAC 1.5 clearly had the edge. Again with the Dallas Wind Symphony's Crown Imperial track 8. <a href="https://www.hdtracks.com/index.php?file=catalogdetail&valbum_code=HD030911111229">Niagara Falls</a><a href="https://www.hdtracks.com/index.php?file=catalogdetail&valbum_code=HD030911111229"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a>, this time at 24/96, the Bel Canto reproduced the transients without memorializing the events to the best of its ability. This ability was better than that of the Benchmark DAC1 PRE. Neither DAC is an all-out-assault nor as refined as some in the $5,000 + DACs on the market, but the Bel Canto DAC 1.5 may be competitive with most DACs south of 5K. It's simply a great solid state design.

     

    I also compared three of the digital inputs on the DAC 1.5 to each other. My suspicion was that the inputs would sound incredibly close to each other because of the implemented jitter rejection and ASRC. My conclusion was that the sounds from each interface was surprisingly similar with the AES/EBU edging out others buy a single, subjective, non-double-blind, hair. I can't say the AES/EBU input is treated differently by the DAC 1.5 but I do know I've heard some incredible results when using the Mykerinos audio card and Pyramix software in other systems as well. Part of my preference for AES may be do in part to the source more so than the DAC 1.5.

     

     

     

    <b>DAC 1.5 Wrap Up</b>

     

    <a href="http://images.computeraudiophile.com/ca/cash-logo-black.png" class="thickbox" rel="cash"><img src="http://images.computeraudiophile.com/ca/cash-logo-black-thumb.jpg" style="padding: 2pt 5pt 2pt 2pt;" align="left" alt="CASH-List"></a>The Bel Canto DAC 1.5 is unequivocally a great value at $1,395. The DAC works every time and its sound quality is very good. I have no doubt the DAC 1.5 will do very well in this extremely competitive market segment. No longer should audiophiles consider adaptive USB a non-starter. Readers must remember a DAC is the sum of all the parts not solely a DAC chip, a single interface, or a specific USB transfer mode. Bel Canto's John Stronczer has proven that a very good sounding DAC doesn't have to include asynchronous USB, a linear power supply, and dual fixed crystal oscillators. The DAC 1.5 isn't the be-all end-all of DACs. It's simply a really good sounding DAC that's a great value and will satisfy many computer audiophiles around the world. I enthusiastically welcome the Bel Canto DAC 1.5 to the <a href="http://www.computeraudiophile.com/content/Computer-Audiophile-Suggested-Hardware-List">C.A.S.H. List</a><a href="http://www.computeraudiophile.com/content/Computer-Audiophile-Suggested-Hardware-List"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a>.

     

     

     

     

     

     

     

    <b>Product Information</b>:

    <ul>

    <li>Price - $1,395 (Sliver or Black)</li>

    <li>Product Page - <a href="http://www.belcantodesign.com/Belcanto_DAC1_5_Digital_Audio_Converter.html">Link</a><a href="http://www.belcantodesign.com/Belcanto_DAC1_5_Digital_Audio_Converter.html"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a></li>

    <li>User Guide - <a href="http://files.computeraudiophile.com/2011/0503/UserGuide_DAC1_5v1.pdf">(PDF)</a><a href="http://files.computeraudiophile.com/2011/0503/UserGuide_DAC1_5v1.pdf"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a></li>

    <li>Data Sheet - <a href="http://files.computeraudiophile.com/2011/0503/data_Sheet_DAC1_5.pdf">(PDF)</a><a href="http://files.computeraudiophile.com/2011/0503/data_Sheet_DAC1_5.pdf"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a></li>

    <li>System Configuration - <a href="http://files.computeraudiophile.com/2011/0503/SystemConfig_DAC1_5.pdf">(PDF)</a><a href="http://files.computeraudiophile.com/2011/0503/SystemConfig_DAC1_5.pdf"><img src="http://images.computeraudiophile.com/ca/icons/ex.png" style="padding: 0pt 0pt 0pt 3pt;" alt="link"></img></a></li>

    </ul>

     

     

    <b>Associated Equipment</b>:

    <ul>

    <li>Source: <a href="http://www.computeraudiophile.com/content/Computer-Audiophile-Pocket-Server-CAPS">C.A.P.S. Server</a>, <a href="http://www.apple.com/macpro/">Mac Pro</a></li>

    <li>Playback Software OS X 10.6.7: <a href="http://www.sonicstudio.com/amarra/index.html">Amarra</a>, <a href="http://www.channld.com/puremusic/">Pure Music</a>, <a href="http://www.audiofile-engineering.com/fidelia/">Fidelia</a>, <a href="http://code.google.com/p/audirvana/">Audirvana</a></li>

    <li>Playback Software Windows 7: <a href="http://www.jriver.com/">J River Media Center 16</a>, <a href="http://www.merging.com/products/show?product=1">Pyramix 7</a></li>

    <li>Remote Control Hardware: <a href="http://www.apple.com/iphone/">iPhone 4</a>, <a href="http://www.apple.com/ipad/">iPad</a>, <a href="http://www.apple.com/macbookair/">MacBook Air</a></li>

    <li>Remote Control Software: <a href="http://www.apple.com/itunes/remote/">Remote</a>, <a href="http://itunes.apple.com/us/app/fidelia/id408043917?mt=8">Fidelia</a>, <a href="http://www.apple.com/macosx/">Screen Sharing</a>, <a href="http://www.bitremote.com/">BitRemote</a>, <a href="http://www.microsoft.com/mac/remote-desktop-client">Remote Desktop</a></li>

    <li>Amplifier: <a href="http://www.mcintoshlabs.com/products/mcintosh-mc275-vacuum-tube-power-amplifier.asp">McIntosh MC275 amplifier</a></li>

    <li>Loudspeakers: <a href="http://files.computeraudiophile.com/2010/0418/Brochure_Fidelio.pdf">Verity Audio Fidelio loudspeakers</a></li>

    <li>Cables: <a href="http://www.audioquest.com">AudioQuest Diamond USB Cable</a>, <a href="http://www.wireworldcable.com/products/106.html">Wire World Silver Starlight USB Cable</a>, <a href="http://www.audioquest.com">AudioQuest Redwood Loudspeaker Cable</a>, <a href="http://www.audioquest.com">AudioQuest Niagara Balanced XLR Analog Interconnects</a>, <a href="http://www.audioquest.com">AudioQuest Eagle Eye 75 Ohm BNC Digital Cable</a>, <a href="http://www.kimber.com/products/interconnects/digital/select/ks2020/">Kimber Select KS2020 Digital Cable</a></li>

    </ul>

     

     

     

     

     




    User Feedback

    Recommended Comments



    <br />

    I’ve sat here reading theu the pages of CA and silently wondered why no press on the BC lineup. Why especially when other similarly priced or not too distantly priced DACs are covering the pages instead. I was astonished only the forums yielded pub for Bel Canto.<br />

    <br />

    Bel Canto, a leader in the digital realm for years. They release a plug and play DAC with a digital volume control & USB interface years ago. And they’re in the same state as CA resides!<br />

    <br />

    Why? BC is relatively popular enough, garnering a pretty strong folowing in the upper end audio sphere. Hmmm. Not posh enough? Not pricey enough? Wrong design topology ie., adaptive vs asynch? Bad blood between BC and CA? Stereophile’s JA measured the e One DAC III and said it was the first device he had measured which exceeded the makers specs and tested honestly throughout. Jitter reduction circuitry rests in the analog side where the e one DAC 3 employs it and is exceptionally effective in it’s reduction. Truly balanced from input to output. Remote controled. Sleek appearance and well built. Compact package. Off the grid operation above the BC 1.5 entry level DAC. <br />

    <br />

    Who else is doing this? Taking the power grid out of the audio heaven equation must be seen as a plus if for no other reason than one need not invest in the power cable hype/arena at all!<br />

    <br />

    <br />

    I got it! <br />

    <br />

    Snowed in! That had to be it! CA & or BC were always snowed in and could not communicate!<br />

    <br />

    It has to be it, they’re only able to talk once a year or so according to this article! “… over a year ago…”<br />

    <br />

    The Bel Canto e One DAC 3 is virtually half the price or less, of the more vaunted and well covered competing DACs gracing these pages routinely… Ala weiss and berkely and dcs. With each of those DACs revealing the shortcomings of their rivals upon closer examination, the perfect OOOOOOhhhh, and affordable to the many rather than to the few, DAC, has yet to be discovered. <br />

    <br />

    Perhaps with the discovery of the Bel Canto DAC 1.5… a closer look at the top tier BC DAC will soon take place. <br />

    <br />

    It seems appropriate enough given the top tier DACs from other makers, litter CA pages… and they’re abundance of ‘can’taffordium’ infused into their makeups did not prevent any acounts here of their showings.<br />

    <br />

    It’s DAC lineup has offered things like a plug and play USB interface, and volume control since the e One DAC 3s release years ago!<br />

    <br />

    Why BC’s dAC lineup has been ignored so far amazes me. <br />

    <br />

    I’m quite glad to not have ignored the E One DAC III, myself. I’ve been very happy with it’s performance for some time now, and not have had to cowtow to reputedly other more popular beliefs or trends in order to achieve outstanding sound quality.<br />

    <br />

    Perhaps the ‘Why of it’ resides in this assertion, <br />

    <br />

    “only the latest or more glamorous releases” receive pub here. <br />

    <br />

    Beats me. I am however relieved Bel Canto has finally been able to garner some space on the CA pages even if the recital was not on the top offering BC has released… perhaps there will be yet another day for that, as it is clearly evident the slightest sibling offers much for any audio enthusiast, and it’s sitting on the lowest rung of the BC DAC ladder!<br />

    <br />

    Thanks for the article Chris!<br />

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    Thanks for the write-up.<br />

    <br />

    Just curious, is the 1.5 compatible with the VBS1? Reading through the literature on BC's site, I can't seem to find any indication that it is. <br />

    <br />

    - Jason

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    No, only their top end dac 3.5VB which uses either the LNS1 or the VBS1. The DAC 2.5 has the LNS1 built in.<br />

    <br />

    Note the following from Chris' review.<br />

    "....The DAC 1.5 does not feature all the benefits of the full VBS1 power supply but some critical VB technology was implemented in the DAC 1.5. The biggest differences between the DAC 1.5 and it's more expensive siblings is the increased technology and performance put into the power supplies of the other units. ...."<br />

    <br />

    Cheers,<br />

    <br />

    savjam

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    Roch,<br />

    <br />

    Thanks for the info regarding the BNC/RCA adapter. Its good to know that HD is providing a quality adapter with the Bridge. <br />

    <br />

    I also wanted to mention that I talked with Jonathan at Halide Design and was able to do an exchange for an RCA Bridge. I can't say enough about how great it was to deal with Halide Design, outstanding customer service! <br />

    <br />

    As soon as I receive the new Bridge I will do a comparison between the Bridge and the USB input of the Dac 1.5.

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    To keep my comment as short as possible I'll start with a summary of what I *think* I've read:<br />

    <br />

    (a) the 1.5 is pretty awesome -- it made the CASH list!<br />

    (b) the 2.5 adds an analog input and improved power supply to the 1.5<br />

    <br />

    Is the 2.5 even awesomer than the 1.5? I know middle children sometimes get forgotten but I can't get too excited about the 3.5 because of the price, ST in place of USB input, and the fact that BC eliminated the headphone jack. Are there other improvements to the 3.5?<br />

    <br />

    Maybe I could add a cost effective power supply (e.g., Channel Island) to the 1.5 to make a 2.5 on the cheap. Either way it might be worth a listen to keep a pre-amp out of the chain.

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    that a substantial improvement could be made to the 1.5 by substituting a really good power supply. If one is handy one could DIY a superb shunt regulated supply for around $100-$200 pretty easily, just remember to keep the DC cabling as short as possible to keep supply impedance low.

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    <br />

    My exp with the BC e One DAC III and a couple other DACs, has proven that the better the interface, or signal conduit to the DAC, the better the sound will be.<br />

    <br />

    Upon arrival of my BC DAC 3 while using USB initially… I bought the German ASIO driver for USB components. $60 +/-… pretty good results. XP & Vista operating systems… no probs. Nice.<br />

    <br />

    Threw a Stereovox XV2 RCA/BNC onto a USB sound card and fed the BC DAC III that way… better results. Adding the Dutch ASIO driver for the el cheapo Creative USB card? Better still. Very nice.<br />

    <br />

    Did nothing else but exchange out the coax cable then. Still things improved.<br />

    <br />

    Got a BNC Hiface… and another upscale BNC cable to feed the BC DAC III…. Hiface + Oyaide silver 1.5M BNC. Best yet! Now using the Kernal Streaming Hiface driver on either Vista, or XP. Great.<br />

    <br />

    WASAPI vs Kernal Streaming? Six one way half Dozen the other. Each output format laid the sound stage a wee bit differently. I felt the wASAPI a tad more about the music, than Kernal streaming… feeling the KS was aimed at presenting ALL the critical info and sonic cues first, and music second, so pronounced were they in the replay. Albeit, this is a marginal assessment… Neither output introduced any listening fatigue or concerns… it/they were merely differing choices or perspectives on the same cuts.<br />

    <br />

    Adding the Oyaide Silver BNC cable eliminated the overtly critical reproduction of the music and made it do an about face towards the more natural side of the coin.<br />

    <br />

    Sometimes press can be misleading. Lending an ear to things is always best.<br />

    <br />

    Recently stepping up to a Lynx AES 16express PCI card and Gotham AES/xlr CABLE thus eliminating the Oyiade silver BNC, again delivered a closer more immediate account of the musical presentation. The consideration here IMO is the presentation clearly divides the heard of good and bad recordings. <br />

    <br />

    So in all each step had to be considered on it’s own merits as no honest correlation of the various interfaces could be found out as the sole reason for the gains being delivered.<br />

    <br />

    Ultimately, the Lynx won out over all other in house channels to feed the BC DAC III. <br />

    <br />

    The newer version, the 3.5 becomes an actual preamp, has a read out indicating the bit rate and sampling freq on the units face plate, operates off the grid, adds a GLASS optical interface by eliminating the USB, and sort of co-signs my note on using a better interface for introducing your music to Bel Canto DACs. It also boasts better numbers on paper by using 2 stages of even greater jitter reduction. One in the digital domain, one in the analog area.<br />

    <br />

    There is even an HT bypass for use in an HT setup.<br />

    <br />

    With over 5 volts of output power, and an output impedance of 200 ohms RCA (100 per leg on XLR), it should drive amps even with lengthy cables.<br />

    <br />

    The only note I see as a concern is the analog inputs… they have a 12K ohm input impedance… which is pretty low.<br />

    <br />

    There’s no need for a high cost power cord for it, so there’s that! If you go on to acquire more BC gear, such as Preamp, or disc palyer, *(if current tech) all can be run off the grid!<br />

    <br />

    No pricey power cords, or power conditioning needed!<br />

    <br />

    Given an advanced power supply too? I’m thinking the flexibility and performance of the BC DAC 3.5 should make it a quite noteable product, for both the performance elitist and the audio enthusiast who seeks to shorten the signal path and have greater flexibility in their DAC, perhaps using it as a top flight hub or signal router & decoder.<br />

    <br />

    I use a bit better preamp with my DAC III, though on it’s own as a digital preamp it’s no slouch, especially if you are seeking a more surgical presentation. Albeit, RWV.<br />

    <br />

    My BNC Hiface now see’s duty in a second system with a BNC to RCA Gold plated adapter, and a 1.5M Belken Gold series USB extension cable… as the Hiface is plugged directly into an RCA coax connector on my Onkyo TXSR 805. I’m quite pleased with both systems… the Lynx + BC DAC III, and my bedroom rig with the Hiface & Onkyo receiver.<br />

    <br />

    The better the pathway you promote the audio signal, transfer it out, and then into the ???? DAC, the better off you are!<br />

    <br />

    IMHO… the USB interface on the BC DAC III simply put is not the optimum path for musical recreation. Removing it from the newer 3.5 version, BC sort of admits this.<br />

    <br />

    To go strickly “ 1394 or USB forever and always” I’d look into Wavelength DACs or some other models.<br />

    <br />

    The BC DAC 3 & now 3.5 simply offer a lot to think about and great flexibility too. The 3.5 seems to have picked up the DAC 3s performance parameters, and sent them skyward at a much steeper angle and far greater pace.<br />

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    Hence my inquiry about the VBS1 earlier, albeit an expensive upgrade. According to Bel Canto when asked about compatibility, <i>"the short answer is "yes" you may do this. The improved performance will not necessarily be those differences that can be quantified by specs, however there will be a substantial improvement in sound, which is usually the case with the use of an improved power supply. <br />

    You will need a different ($100) power cable to connect the Dac1.5 to the VBS1."</i><br />

    <br />

    By this point, going with the DAC3.5VB would be the better idea.<br />

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    I just got my BC 1.5 DAC in anticipation of hooking my Mac up via USB. In the mean time I have it hooked up to my CD Transport via AES just like I had my beloved MSB hooked up. Both have been upsampled to 24/96. Even with the 1.5 not broken in (BC says several hundred hours if you believe that)the diffrences in sound are pretty astounding. Note that I said "differences". There is so much to love about the sound the MSB produces that I would not really want to say one is better than the other, but overall to me the sound from the BC 1.5 is astounding, especially considering the price point, which is very close to the MSB with the power base. Everything is just tighter, more articulated, voices more fleshed out, very tight bass etc. However, if you step back for a moment and just listen to the overall sonic impression the MSB sounds a little more musical due to the very fact that the various instruments and vocals are not so precisely segregated. The BC can sound a little cold and technical, whereas the MSB is more laid back. The MSB also tends to pounce on the bass giving a little more punch than the very precise/tight bass of the BC, which almost seems to understate the bass on some recordings. This all may of course change after "hundreds of hours" of break-in but those are some initial very subjective impressions. Overall I would highly recommend the BC - it is one high performing DAC and I am very pleased with the sound so far. I am now listening through some old CD's that I know very well and use as reference for all my equipment changes and discovering new nuances and somtimes not so subtle cords that I did not know existed before. In short, you need to include this DAC in your shortlist!

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    After 100 hours it’ll begin to lose its wire sharp leading edge info and begin to sound more realistic…. If it’s like my DAC 3… at 200 you should be really close or in about a week of steady play. By 250 – 300 you ought to be set.<br />

    <br />

    Following only a few days or 60 hours or so… it should begin to acquire more balance across the bandwidth.<br />

    <br />

    I just heard an MSB Platinum DAC on some EAR amps, and AZ speakers… with Isoclean conditioning. I actually felt somewhere in that mix someone was being starved for power or had a critical issue in the upper midrange lower treble at times. Otherwise, I liked what I heard then. I’d also have to say given the cost of the MSB Plat, at double or more that of my BC DAC 3? It would not be a DAC I’d get too worried about or interested in. I could easily live with the BC D3 presentation, which I believe relates better with tubes in the arrangement… or a more forgiving affair of audio appliances..<br />

    <br />

    But then every system is a mix of characters and characteristics. Attributes and adjustments. Concerns and compromises. Preffs and budgets… usually. Having too much of a good thing is well … just too much.<br />

    <br />

    Enjoy… and congratulations.<br />

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    Thanks for the advise. I will try to be patient. I am letting my iPod hooked into a Wadia i170 play on random all day so hopefully i will be in music nirvana soon. Cheers!

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    Jim, can you please clarify something? Since I don't have a DAC yet, I would like to buy something that can potentially play high rez without using drivers or any kind of adapters with a Mac Mini. I'm looking for plug and play as much as possible, and I would like it to sound as good as my CD player. I assume that if I don't have to buy soundcards and adapters, I can put the money into a better DAC.<br />

    <br />

    Of course, I can't hear all the DACs, but I will always need preamp capabilities due to still having a turntable. So, the clarification I am hoping for is whether I need a soundcard, etc with the BC products? Also, do you know the price point on the 3.5?<br />

    <br />

    Thanks...

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    <cite>The RCA at the left is better that that on the right, those are RCA for composite video in the mHz frequencies, and the Halide is 96 kHz.</cite><br />

    <br />

    It is good to remember that S/PDIF can also reach quite high frequencies. At 96 kHz the S/PDIF signal frequency is 12.288 MHz and at 192 kHz naturally double that at 24.576 MHz...<br />

    <br />

    Good quality 75 ohm composite video RCA cables work fairly OK.<br />

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    NickG, all Bel Canto DACs are plug and play and can be used to drive an amp directly.<br />

    <br />

    The DAC 3.5VB is available with two different power supplies, namely the standard LNS1 and the optional VBS1. MSRP with the LNS1 is $3495 and $5000 with the VBS1.<br />

    <br />

    <br />

    savjam<br />

    <br />

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    Couple things right off… what is your definition of High Res files? Up to 24/96? Up to 24/192? Or anything over 16/44?<br />

    <br />

    Mac interfaces with anything are not my particular slice of cake…. I understand they have an Optical out jack. TOS. How much info can be streamed or passed via that interface I suspect in part at least depends on the software being used, and the OS to some extent…. But don’t quote me on that.<br />

    <br />

    I’m a Windows owner only… so far.<br />

    <br />

    I’ve found regardless the bridge, USB ASIO driver, etc., the better the signal which can be transmitted, the better the audio. USB 2.0 has it’s limitations without a bridge or converter in the mix. 24/96 I believe is that limit… straight from pc to DAC via just a wire. Some DACs do not enable bit depths and smapling rates above 16/48 on their USB interfaces… this is rapidly changing though so do look into it on which ever unit you think you like going in.<br />

    <br />

    IMHO… on the gear I’ve owned outright in my home… AES/EBU or xlr seems so far as the top nut in the high fidelity rodeo. BNC is right there too… then RCA, and thereafter TOS and USB.. again… IMHO.<br />

    <br />

    so if you aim to do all the rates up to and including 24/192... a card might be needed to passs those higher rates out of your confuser.<br />

    <br />

    The BC D3.5 MSRP = $3500…. Likely one can better that figure. <br />

    <br />

    I’d investigate one more thing however on the BC side of the coin… your output impeadance of your phon preamp… as the input imp of the DAC 3.5 is 12K I think and it’s not a phono preamp per se either. <br />

    <br />

    I’m thinking this set of RCAs are intended for PASS THRU HT duties… not as an phono pre, or analog pre as a matter of course.<br />

    <br />

    I’m also very very lucky to have a quite special line stage active preamp. Every source I’ve connected to it so far, and every amp I’ve connected to it so far the quality of the audio was improved upon… and often dramatically…. But always the audio gains. Upstream and down.<br />

    <br />

    So utilizing any DAC as a preamp is just a bit of fun for a short time to see another perspective on the music. I always revert back to using my Thor MK II preamp with NOS tubes.<br />

    <br />

    Otherwise, as Chris said in his article, the BC dacs are virtually plug & play items, … and do remember too… in the 3.5 BC dropped the USB connection… and put a Glass Optical in it’s place. Glass opt is indeed different from standard optical as the connectors are slightly different… but it has the other TOS so you should be able to get going immediately.<br />

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    Jim, thanks for the response. For hi-rez, I was thinking 24/192. I'm under the impression that the Grace m903 and the Ayre both deliver at those rates via USB on a Mac without the need for drivers to be installed. <br />

    <br />

    I like the idea of the Grace features vs the limited set of features of the Ayre. Chris obviously likes the Ayre and the BC, but has not had the Grace in his system yet. I was supposed to have a Grace delivered two months ago, so gave up on that one given it not likely to be delivered any time soon. I'm also very curious about the Classe product about to hit the shelves.<br />

    <br />

    Anyway, it sounds like I can't get to the sound quality Chris describes up 24/192 without a soundcard and drivers being installed.<br />

    <br />

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    You want to achieve 24/192 computer playback with any of the bel canto DACs you will need to use the SPDIF input on the DAC. So you will need to have a separate SPDIF interface (soundcard, USB-SPDIF converter, Firewire-SPDIF converter).<br />

    The bel canto USB interface only handles data rates up to 24/96.<br />

    I would also suggest, as users above have mentioned, that for any data rate you will get the best out of this DAC by feeding it a high quality SPDIF signal. This means, for best computer performance, you should use a really good interface, like the Wavelink, etc.<br />

    The Grace and Ayre both offer direct support for 24/192 audio via USB. With any of these DACs, you need to hear them in your system to evaluate them. There are dealers who allow for in home demos out there (even via shipping), I would recommend taking your time, and auditioning the DACs you are considering. All of these models offer good sound, only you can decide which one will be right for you.

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    For example, Audioquest VDM-5 75 Ohm cable with HCF insulation (dielectric close to air) estate this cable for digital audio with special RCA's for SP/DIF up to 24.576 MHz, then 24/192 capable.<br />

    <br />

    Upon Bergeron Diagram cooper and optical fiber cables could get in reflections problems, 'similar to jitter problems', regarding cable length and impedance matching . In order to avoid this, some electronic engineers recommends a good dielectric (as HFC) and a minimum cable length of 1.50 meters (about 5'). This length is also recommended for analogue audio interconnects. Some other people believe that 'shorter is better', but I have my doubt since "too much of a good thing could be a bad thing".<br />

    <br />

    I know there is a lot of bull s..t regarding BNC connectors. The majority of adapters and connectors are not real 75ohms BNC's, but 50 ohms, but they sell it as 75 ohms. I attached 2 files showing the difference between 50 and 75 ohms BNC connectors.<br />

    <br />

    In my case I do prefer to replace in my DAC the RCA S/PDIF input for a genuine 75 ohms BNC. It's a about $12.50 from Cardas on The Cable Company.<br />

    <br />

    Thanks,<br />

    <br />

    Roch <br />

    <br />

    PS/ I'm sorry if this reply is some 'out of the thread' but I think is knowledge for everybody on CA.

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    I don't think you are correct. While you are correct that the big difference between the 2.5 and the 1.5 is the built in LNS1 in the 2.5, an engineer at Bel Canto actually told me he liked the 1.5 for it's improved flexibility over the 2.5 because you can 1) leave it the way it is, 2) add an external LNS1 (for about the same price total as buying the 2.5) or 3)add the VBS1 to the 1.5--which might be ideal if you were using multiple Bel Canto components as the VBS1 can support up to three components. That's straight from the guys at Bel Canto--who I spent a good deal of time with on the phone before buying the 1.5.

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    I am about 3 or 4 months into my Bel Canto DAC1.5 and really believe this is the best my music has sounded in years. I started out in the lower ends with the Cambridge Audio DacMagic moved over to the Wadia PowerDAC150 and now to the Bel Canto DAC1.5 and unlike the others, for my system and ears, I don’t think there is more to be had, or maybe more accurately needed, for me.

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    As a mac mini owner, my interfaces to the DAC are toslink or USB. My understanding is that Toslink is limited to 24/96 by the Mac and USB is limited to 24/96 by the Bel Canto 1.5. So if I was to purchase this DAC it would be limited to 24/96. Which interface sounds better with this DAC, toslink or USB? <br />

    <br />

    Mwheelerk - how much of a step up is this from the DacMagic?

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    @bottlerocket<br />

    <br />

    When I purchased the DacMagic it was for me the step that made computer based audio a reality. The DacMagic was a superior value but with limitations. One of those limitations for me was the lack of support for 24/96 files via USB. That was one of the instigators in my considering another DAC.<br />

    <br />

    The Bel Canto DAC1.5 took me from the realm of very good computer audio to excellent computer audio. Its all around sound in every element out performed my valued DacMagic. I am very happy I made the change.<br />

    <br />

    The Bel Canto does support 24/192 through the connections other than USB.

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