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    The Computer Audiophile

    Esoteric D-07 DAC Review

    <img src="http://images.computeraudiophile.com/graphics/2010/1005/d-07-thumb.png" style="padding: 5pt 10pt 5pt 5pt;" align="left">Wednesday evening the Minnesota Twins will play the New York Yankees in game one of the American League Division Series. This is Major League Baseball's first round of the 2010 playoffs. The reason I mention the Twins v. Yankees playoff series is because it has a direct parallel with my experience evaluating the Esoteric D-07 DAC. The New York Yankees are known as a team that seeks out the best players in baseball with great stats, high profiles, and high salaries. Over the years the Yankees have been incredibly successful using this all-star team approach. Once in awhile the Yankees stumble and lose to teams with less known players who come together as a team at the right time. This year the Minnesota Twins could be that low paid team built from within the organization's ranks to upset the Yankees. In high-end audio the Esoteric company is known for great specifications, components that support advanced technologies, and complete digital systems with fairly high price tags. For the most part this formula has worked very well for Esoteric and its legions of satisfied customers. The Esoteric D-07 sports 32-bit stereo DACs, dual mono design with 32bit resolution throughout the signal path, support for very high sample rates on most digital inputs, word clock in/output, a beautiful aluminum chassis, 32-bit digital attenuation, upsampling all the way to DSD, an apodizing filter, and a host of other great technical concepts. Unfortunately my experience using the D-07 DAC over the last several weeks has made it clear that the whole is not always greater than the sum of its parts and an all-[PRBREAK][/PRBREAK] 

     

    <b>Continuing The Baseball Analogy With The Esoteric D-07 DAC</b>

     

    <a href="http://images.computeraudiophile.com/graphics/2010/1005/hi-res-front.png" class="thickbox" rel="d-07-2"><img src="http://images.computeraudiophile.com/graphics/2010/1005/hi-res-front-thumb.png" style="padding: 5pt 10pt 5pt 5pt;" align="left"></a>Readers familiar with baseball know that it's a game called by umpires. Umpires use their eyes and ears to make judgement calls during every game. Even though the strike zone is clearly defined in the baseball rulebook there are disagreements during every game about balls and strikes. Reviewing audio components is somewhat similar. Writers user their eyes and ears to make judgements during every component evaluation period. Some judgments are based on objective criteria such as jitter specs. Even so there are many disagreements how to measure and interpret these specs or results. Other judgements such as sound quality are subjective and never fail to bring about disagreements after every review. What this boils down to is a series of judgments and opinions. Calling it as one sees it. One umpire's strike three is another umpire's ball four. One audio writer's "terrible USB implementation" is inside another writer's "best USB DAC on the market." Fortunately in high-end audio consumers have an opportunity to make these judgement calls themselves and to use instant replay until a satisfactory opinion can be rendered.

     

    Computer Audiophile readers are encouraged to check out Vade Forrester's recent review over at SoundStage for a contrasting opinion of the D-07. [<a href="http://www.soundstage.com/equipment/esoteric_d07.htm">Link</a>]

     

     

     

    <b>Strike One</b> (Not a good start)

     

    When the Esoteric D-07 DAC arrived I connected it to my system and open the manual for a cursory page flip or two. I usually get components up and running and return to the manual afterward for clarification and recommendations. Sure it's backward but I believe I'm in a group with a majority of people when it comes to manual reading. I skipped to the USB and computer audio portions of the manual first. To my dismay the D-07 manual instructs readers to improperly configure the operating system, to use Windows Media Player, and says, <i>"The USB-connected personal computer must be running with Microsoft Windows XP or Windows Vista. Other operating systems are not guaranteed."</i> In addition the manual contains incorrect and misleading information about the D-07 USB input.

     

    <b>A</b>. Information about using Windows

     

    The statement that Windows is the only operating system guaranteed to to work with the D-07 is troubling. If Windows truly was the only OS guaranteed to work I could simply make a note of this deficiency. However, there is nothing special about the D-07 that even remotely suggests it should not work with other operating systems. The D-07 USB implementation works with an operating system's built-in USB drivers. In fact I've yet to see a USB DAC using native device drivers that doesn't work on at lest Windows and Mac OS X. I'm unsure what lead to this statement's placement in the manual, but it's not helping Esoteric win over potential customers using Mac OS X.

     

    I consider any computer configuration that does not output bit perfect audio to be an incorrect configuration. Readers can imagine the look on my face when I read the following information in the D-07 manual.

    <ul>

    <li><i>"Use the OS based media player for playback (Windows Media Player, etc)."</i></li>

     

    <li><i>"If the sound does not playback normally when you are using a supported operating system, and the connections are correct as described above, check the following points. Click “Control Panel” and then “Sound”. Click the “Playback” tab and check that “SPDIF Interface ESOTERIC D-07” is selected. [The] Following settings are also recommended: Clicking “Properties” at this window (“Control Panel” and then “Sound”) displays the following window (<a href="http://files.computeraudiophile.com/2010/1005/windows-manual-photos.pdf">pictured here</a> pdf). Click “Supported Formats”, then uncheck the check box of “Encoded Formats”. Check the check box of the sample rate you want to set. Click “Advanced”. Select “2 channel, 24 bit, ********Hz”. <b>Regardless of the format of your selected music file, PCM signals are sent at the selected sampling rate when using the USB connection</b>."</i></li>

    </ul>

    Recommending Windows Media Player without discussing the negative sonic impact of imperfect output is a mistake. Following this the manual goes on to show readers how setup the Sound options within the Windows Control Panel. All the provided information is technically correct, but is absolutely the incorrect way to output bit transparent audio. There is nothing written about Exclusive Mode, or WASAPI, Kernel Streaming, and ASIO output methods. In the J River Media Center article I wrote on 02/24/2010 [<a href="http://www.computeraudiophile.com/content/Windows-7-Audio-J-River-Media-Center-14-Configuration">Link</a>] I actually recommend setting the sample rate in the Windows Control Panel to a rate that is unlikely to every be used. This way a DAC that displays the incoming sample rate will let the listener know something is configured incorrectly if this unlikely sample rate is displayed. Playback applications should never rely on the Windows Audio Control Panel settings if bit transparent audio is desired. These applications should use WASAPI, Kernel Streaming or ASIO for bit transparent output, even at the 16-bit, 44.1 kHz sample rate.

     

    Manufacturers should either instruct customers correctly or not instruct them at all. Esoteric is an industry leader in digital audio and a company others look to for innovation. Esoteric's explanation of how to output audio is likely viewed by distributors, dealers, and customers around the world as the correct way to use a computer for high-end audio. This is a disservice to the aforementioned entities and the industry as a whole. All of this information in the manual about Windows only and how to configure Windows appears to be an oversight by Esoteric at best and lack of research or interest in computer playback at worst.

     

    <b>B</b>. Incorrect or misleading information about the USB input

     

    Many potential customers and Computer Audiophile readers frequently rely on user manuals provided by manufacturers to find correct information about components. Questions arise about sample rate support via USB input or specifics about upsampling all the time. Quite often a reader will paste information from the user manual into a comment and the thread will conclude with the assumed correct information straight from the horses mouth. With this in mind, here are a few specs copied word for word from the Esoteric D-07 DAC user manual (bold emphasis mine).

    <ul>

    <li>"Input sampling frequencies XLR*, RCA, OPTICAL 32, 44.1, 48, 88.2, 96, 176.4, 192 (kHz) <b>USB 32, 44.1, 48, 88.2, 96 (kHz)</b> * Only the XLR terminal can receive DSD signals when connecting with an Esoteric P-05 CD/SACD transport. (The Esoteric P-05 is an optional component not included with this device)."</li>

    <li>"The D-07 features a variety of digital inputs, including a USB terminal, that support the playback of Super Audio CDs together with ESOTERIC’s Super Audio CD Transport products, as well as the playback of high-resolution music files. <b>The D-07’s USB input can accept native resolution up to 24bit/96kHz.</b>"</li>

    <li>[Analog output] Output terminals XLR (2ch) x1 RCA (2ch) x1 Output impedance XLR: 100? RCA: 100? Maximum output level 2.2Vrms (1 kHz, full scale, 10k?) Frequency response 5 Hz - 40 kHz S/N ratio 130 dB Total harmonic distortion 0.001 % (1 kHz) [Digital input] Balanced digital input XLR x1 24bit/192kHz Coaxial digital input RCA x2 24bit/192kHz Optical digital input Optical x1 24bit/192kHz <b>USB input USB Type B x 1 24bit/96kHz</b> [Word Sync output] Output terminal BNC x 1 Output frequency 44.1, 88.2, 176.4, 48, 96, 192 kHz (rectangular wave) Output level TTL level (75 ?) [Word Sync input] Input terminal BNC x 1 Input frequency 44.1, 88.2, 176.4, 48, 96, 192, 100 kHz (rectangular wave) Input impedance 75 ? Input level TTL level [General] Power supply AC 230V 50Hz AC 120V 60Hz AC 220V 60Hz Power consumption 7 Watt External dimensions(WxHxD) 442 mm x 103.5 mm x 346 mm (17-3/8" x 4-1/16" x 13-5/8") Weight 9.5 kg (21 lbs)</li>

    </ul>

    The first example is simply incorrect. The Esoteric D-07 cannot handle 88.2 kHz audio. Period. Either it does not play or the playback application is required to down or upsample the audio in order for the D-07 to handle it via USB. The second example clearly leads average unlearned computer audiophiles to believe the 88.2 kHz sampling frequency is supported. Resolutions up to 24/96 has an inherent assumption associated with the phrase that all usable sample rates or all sample rates supported by the other interfaces up to 24/96 are supported. The third example is simply a reiteration through implication that support for 24/96 includes the relevant sample rates below. The above examples are not simply nitpicking. These are real world examples from the D-07 manual that will mislead and disappoint consumers.

     

    <center><a href="http://images.computeraudiophile.com/graphics/2010/1005/bit-rate-support.png" class="thickbox" rel="d-07-1"><img src="http://images.computeraudiophile.com/graphics/2010/1005/bit-rate-support-thumb.png"></a>   <a href="http://images.computeraudiophile.com/graphics/2010/1005/sample-rate-support.png" class="thickbox" rel="d-07-1"><img src="http://images.computeraudiophile.com/graphics/2010/1005/sample-rate-support-thumb.png"></a>  

    <a href="http://images.computeraudiophile.com/graphics/2010/1005/windows-882.png" class="thickbox" rel="d-07-1"><img src="http://images.computeraudiophile.com/graphics/2010/1005/windows-882-thumb.png"></a></center>

     

     

     

    <b>Ball One</b> (Pretty good)

     

    The Esoteric D-07 is certainly a jack of all trades. Its XLR, RCA, and optical inputs all support 32, 44.1, 48, 88.2, 96, 176.4, 192 (kHz) and the USB input supports 32, 44.1, 48, 96 (kHz). The D-07's 32-bit digital volume control allows one to bypass a preamplifier and the associated interconnects. Support for DSD audio from SACDs is enabled via the XLR input when using the Esoteric P-05 transport. Fans of upsampling will approve of the D-07's support for 2x, 4x, and DSD upsampling options. The D-07 offers two digital filter choices that only apply to PCM audio signals not upsampled to DSD. The Finite Impulse Response filter is a 32-bit filter that oversamples the input signal to eight times the frequency of the original. According to Esoteric this is supposed to provide a <i>"fuller, richer and deeper sound"</i> but I found it to be a bit over-exaggerated, inaccurate, and almost cartoonish sounding in my system. I used the S_DLY Apodizing filter for nearly all of the review period. The D-07 manual describes this filter as, <i>"A 32-bit short delay filter oversamples the input signal to 8 times the frequency of the original signal. This provides an impulse response without pre-echo, natural attack and reverberation. This setting provides tonal quality that is closer to the original recorded material and without enhancement."</i> I don't disagree with this statement. I think the Apodizing filter is closer to the above attributes than the FIR filter. Unfortunately just because the filter is closer to something doesn't mean it is close to something. During the review I also used a Lynx AES16 audio card that's capable of accepting incoming word clock signals while sending out AES digital audio. In the past I've achieved very good sound using a DAC to send word clock out to a Lynx AES16 card. Using the Lynx AES16 / Esoteric D-07 combination did offer sound quality superior to the USB input and equivalent to using the Weiss INT202 FireWire to AES / S/PDIF converter into the D-07. The D-07 can also receive an incoming word clock signal from an external clock such as the Esoteric G-03X or G-0Rb, or a Lynx AES16 card.

     

    <center><img src="http://images.computeraudiophile.com/graphics/2010/1005/d-07-inputs-rear.png"></img></center>

     

     

     

    <b>Strike Two - Foul Ball</b>

     

    When Esoteric announced the immanent release of a DAC with USB input many computer audiophiles, including myself, were pleased to see such an esteemed company get into the game. I certainly applaud Esoteric for thinking about computer audio and the next phase of high-end audio reproduction. However, it now appears that computer based audio and the USB input were afterthoughts to Esoteric. Below is information obtained from the USBProber application. It clearly shows there is no support for 88200 Hz and the USB implementation as an Isochronous adaptive data endpoint. Surely I never discount any USB interface because it is adaptive as opposed to asynchronous, but this is simply an additional data point to consider when evaluating a product. As it turns out the D-07 sound quality via USB input was my least favorite. In this case the specifications (adaptive USB) and my listening experience (not positive) both jibe.

     

    <ul>

    <li>Audio Class Specific Audio Data Format

    Audio Stream Format Type Desc.

    Format Type: 1 PCM

    Number Of Channels: 2 STEREO

    Sub Frame Size: 2

    Bit Resolution: 16

    Sample Frequency Type: 0x04 (Discrete)

    Sample Frequency: <b>32000</b> Hz

    Sample Frequency: <b>44100</b> Hz

    Sample Frequency: <b>48000</b> Hz

    Sample Frequency: <b>96000</b> Hz

    Endpoint 0x03 - Isochronous Output

    Address: 0x03 (OUT)

    Attributes: 0x09 (<b>Isochronous adaptive data endpoint</b>)

    Max Packet Size: 388

    Polling Interval: 1 ms</li>

    </ul>

     

     

     

     

    <b>Strike Three</b> (There's always next time)

     

    <a href="http://images.computeraudiophile.com/graphics/2010/1005/hi-res-angle.png" class="thickbox" rel="d-07-2"><img src="http://images.computeraudiophile.com/graphics/2010/1005/hi-res-angle-thumb.png" style="padding: 5pt 10pt 5pt 5pt;" align="left"></a>Most disappointing to me was the sound quality of the Esoteric D-07. I could easy look beyond the previously mentioned strikes against the DAC if the sound quality was spectacular. Unfortunately I was underwhelmed by nearly everything I heard coming from the D-07. One important item to keep in mind while reading my sound quality assessment is the rest of the audio components used throughout the review. I only evaluated the D-07 using my current playback system. This is comprised of the D-07 feeding a McIntosh MC275 tube amplifier directly via Kimber Select RCA interconnects, and the MC275 feeding Verity Audio Fidelio loudspeakers via Kimber speaker cable. Feeding the DAC was both Windows and Mac OS X based music servers using a Weiss INT202 FireWire to AES-S/PDIF converter, straight USB, or an AES digital signal from a Lynx AES16 card. I am willing to say this may not have provided the best synergy for the D-07. Yet another reason I encourage readers to check out Vade Forrester's D-07 review mentioned earlier in this article.

     

    The first thing that comes to mind when describing the sound quality of the D-07 is a photographic print. The sound of the D-07 has a matte character to it as opposed to a glossy character. Ideally there would be no character to the sound of this DAC, but in the real world a more acceptable character would lie somewhere in between matte and glossy. Throughout the review I used a verity of music to evaluate the D-07. In heavy rotation was my standard Shelby Lynne album Tiers, Lies, and Alibis, Petteri Iivonen's Art of the Violin at 24/88.2 ( Yarlung Records <a href="http://www.linnrecords.com/recording-petteri-iivonen--art-of-the-violin.aspx">05787</a>), Jack Johnson's compete catalog, Nat King Cole's The Very Thought of You (Analogue Productions <a href="http://store.acousticsounds.com/d/64376">CAPP 1084 SA</a>), and Britten's Orchestra by Michael Stern's Kansas City Symphony at 24/176.4 (Reference Recordings <a href="http://referencerecordings.com/HRxORDER.asp">HR-120 HRx</a>). No matter what music I played I could not shake the matte sound. I felt like there was a thin sheet hanging between my speakers and listening chair that removed detail throughout the frequency spectrum. The Esoteric D-07 did not allow me to hear into the music at all. I frequently had to turn up the volume to loud levels in order to hear fine details in a recording like Britten's Orchestra. The D-07's USB input was clearly inferior to the others including optical S/PDIF. Using the Weiss INT202 improved the sound quality compared to USB whether I entered the DAC via AES or coaxial S/PDIF. I heard no difference between AES and coaxial S/PDIF using the Weiss / Esoteric combination.

     

    Toward the end of the review period I tried very hard to narrow down the cause of my displeasure with the D-07. The sound was simply dead and I really wanted to make it come alive, to experience what so many satisfied Esoteric customers experience daily. I first looked into the D-07's upsampling capability. As many Computer Audiophile readers know I am not a fan of manual upsampling. I call it manual because it's an option DAC users can manually enable, disable, or adjust. I consider upsampling hard coded by a manufacturer to be automatic or uncontrollable by the user. The D-07 allows users to enable, disable or adjust this upsampling feature. In my opinion the sound quality was inversely proportional to the amount of upsampling done by the DAC. The higher I upsampled the more reverb I lost and the less I liked the sound. After upsampling I spent more time with the D-07's Finite Impulse Response and S_DLY Apodizing digital filters. The inaccuracy of the FIR filter was clearly inferior to the Apodizing filter. As I said earlier the Apodizing filter was better than the FIR filter, but it didn't help or hurt the sound enough for me to conclude how much of the sound quality was due to filtering. I think it's fair to say that I simply don't know why the D-07 was such a disappointment in my system. My guess is a little bit of everything, Esoteric and otherwise, all came together to affect the sound quality and system synergy.

     

    After concluding my listening sessions with the Esoteric D-07 I reconnected my Berkeley Audio Design Alpha DAC and listen to some of the same music I had listened to during the review. Not only is this a sanity check for me but it also allows me to check the other components in my system to make sure they all sound as they should. Plus the $5000 Alpha DAC and the $4800 D-07 are definitely competing for the same consumers who are interested in a comparison of the DACs. As I always say, nothing is better than a personal audition in one's personal audio system. Please take my opinion as a single data point among many. Immediately after connecting the Alpha DAC I was back in sonic heaven. The three qualities that really stood out were the Alpha's superior separation of instruments, incredible detail at low volumes, and wonderful transparency. It was no contest in my current system.

     

     

     

    <b>Post Game Report</b>

     

    By now it should be crystal clear that I call things as I see them. I see the D-07 DAC as Esoteric's half-hearted attempt to enter the USB DAC market. Between the misleading manual, the mediocre USB implementation, and the unsatisfactory sound quality it appears as though computer audio was an afterthought to Esoteric. Like the USB portion of this DAC was a bolt-on feature added just before the DAC's release. It's also possible that the homogeneity of a pure Esoteric system with DAC, transport, and external clock may be what's required for best performance. Esoteric has not reached its current level of prestige and overall performance by making bad products. Even after my experience with the D-07 I can't conclude it's an all around bad product. My conclusions about its performance and sound quality are only valid to my ears through my audio system in my listening room. Again, use this review as a single data point among many. Writing-off the D-07 or any Esoteric product because of this review would do a disservice to anyone in the market for new components.

     

     

     

     

     

     

     

     

     

     

     

     

     

     

    Product Information

     

    <li>Price - $4,800</li>

    <li>D-07 Product Page - <a href="http://esoteric.teac.com/dacs/d-07/">Link</a></li>

    <li>D-07 Product Brochure - <a href="http://files.computeraudiophile.com/2010/1005/d-07-brochure.pdf">Link</a></li>

    <li>D-07 Manual - <a href="http://files.computeraudiophile.com/2010/1005/d-07-manual.pdf">Link</a></li>

     

     

     

     

     

    Associated Equipment:

     

    <a href="http://files.computeraudiophile.com/2010/0418/Brochure_Fidelio.pdf">Verity Audio Fidelio loudspeakers</a>, <a href="http://www.mcintoshlabs.com/products/mcintosh-mc275-vacuum-tube-power-amplifier.asp">McIntosh MC275 amplifier</a>, <a href="http://www.richardgrayspowercompany.com/products.aspx?type=accessories">Richard Gray's Power Company High Tension Wires</a>, <a href="http://www.berkeleyaudiodesign.com/">Berkeley Audio Design Alpha DAC</a>, <a href="http://www.usbdacs.com/Products/Products.html">Wavelength Audio Proton</a>, <a href="http://www.computeraudiophile.com/content/Computer-Audiophile-Pocket-Server-CAPS">C.A.P.S. server</a>, <a href="http://www.belcantodesign.com/Product_USBlink.html">Bel Canto USB Link</a>, <a href="http://www.halidedesign.com/bridge/">Halide Design Bridge</a>, <a href="http://www.dcsltd.co.uk/product/debussy-dac"><i>d</i>CS Debussy DAC</a>, <a href="http://www.dcsltd.co.uk/product/puccini-u-clock"><i>d</i>CS Puccini U-Clock</a>, <a href="http://www.kimber.com/products/interconnects/digital/usb/bbus/cu/">Kimber USB Cu</a>, <a href="http://www.kimber.com/products/interconnects/digital/usb/bbus/ag/">Kimber USB Ag</a>, <a href="http://www.benchmarkmedia.com/system1/digital-analog-converter/dac1-pre">Benchmark DAC1 PRE</a>, <a href="http://www.kimber.com/products/interconnects/analog/select/singleended/ks1011/">Kimber Select KS1011 Analog Cables</a>, <a href="http://www.kimber.com/products/interconnects/digital/select/ks2020/">Kimber Select KS2020 Digital Cable</a>, <a href="http://www.kimber.com/products/loudspeakercables/monocle/x/">Kimber Monocle X Loudspeaker Cable</a>, <a href="http://usa.asus.com/product.aspx?P_ID=SPZfqXDJvadmFPoh&templete=2">ASUS Xonar HDAV 1.3 Slim</a>, <a href="http://www.apple.com/ipad/">Apple iPad</a>, <a href="http://www.amarraaudio.com/">Sonic Studio's Amarra</a>, <a href="http://www.m2tech.biz/products.html">M2Tech hiFace</a>, <a href="http://www.weiss-highend.ch/dac202/index.html">Weiss Engineering DAC202</a>, <a href="http://www.lynxstudio.com/product_detail.asp?i=13">Lynx Studio AES16 Digital I/O Card</a>.

     

     

     

     

     

     

     

     




    User Feedback

    Recommended Comments



    Yes, blindjim, you were the other proponent of adding a high priced pre-amp to improve the signal quality.<br />

    <br />

    We're not going to agree on this. I want to remove all sources of noise, distortion and non-linearity from my signal path, and you believe that some such sources (namely, high priced pre-amps) can improve the sound. That's up to you, just like some people like the sound of vinyl or tube amps, despite the well-known defects of both.<br />

    <br />

    However, you appear to be confused about my NAD M2 Direct Digital Amplifier, which you refer to as a "NAD int". However, is has nothing in common with NAD's excellent range of budget HiFi integrated amplifer. It is a brand new, all-digital product. It is essentially a high tier DAC, where the analogue output is 200W of loudspeaker power instead of the line level of conventional DACs. It wasn't cheap either - at $6,000 it is quite a bit more expensive than most DACs mentioned here, but since it replaces a DAC, pre-amp and power amps, I think it's very reasonably priced. I think it would hold its own again any DAC, pre- and power- amp that you care to specify.<br />

    <br />

    <cite>Why do you nay say higher tier components from being added to the signal path ? …it’s because you don’t have them… that’s all.</cite><br />

    <br />

    No, it's not because I don't have them, it's because they are totally unnecessary in my signal path. In fact, there is no analog line-level path anywhere in my system (including inside the NAD M2). The NAD does have a couple of analog line inputs for legacy sources, but they are immediately fed into an ADC, because the M2 only operates in the digital domain.<br />

    <br />

    To use your automobile analogy, you are trying to persuade me that I need to add better fuel injectors to my Tesla Roadster!<br />

    <br />

    Anyway, further discussion of the NAD M2 probably doesn't belong here. I started a thread on it in the DAC forum a few weeks ago.<br />

    Share this comment


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    Nigel<br />

    <br />

    .... my auto analogies were I felt appropriate. I don’t recall saying you needed to super charge anything.<br />

    <br />

    My statements on the use of a higher quality preamp being added into the signal path, in my rig, in my home, and at the dealership, as well as at other's homes in their outfits, and with all our ears said, Putting my Thor TA 1000 MK II with NOS tubes into the mix where either another one was previously or there was none at all, , made a positive difference to the quality of the sound being produced regardless the system, room or ears that heard it…. <br />

    <br />

    That’s simple fact. You can not deny this. <br />

    <br />

    It’s almost like me saying I wore black shoes yesterday…. And someone I’ve not met says, “No, they were brown.”<br />

    <br />

    What?<br />

    <br />

    I did not mean to slight your amp, at all. Forgive me please, but isn't an amp which contains both preamp and power amp (s) called an integrated amp? <br />

    <br />

    Or am I still missing your point… your amp only has a digital to analog converter ahead of the gain stages, and no volume control?<br />

    <br />

    Regardless it’s design… I’ll not argue something I don’t know much about… only those things I do know about.<br />

    <br />

    Check out many of the reviewers online, and in actual printed magazines... a very large contingent of them prefer the use of tubes for their own listening pleasures.<br />

    <br />

    Even in this review.... tubes make up that MC275 input and gain stages which are coupled to it's output autoformer thingy.<br />

    <br />

    OK.. so what? tubres or not tubers... improving the quality of the sound itself isn't always done best by subtraction only.<br />

    <br />

    This is about my sole salient point here.<br />

    <br />

    I see no other satisfactory explanation, given the results I've seen first hand by adding more at times into the signals travels, and thereafter realizing a better quality has been infused into the sound itself..<br />

    <br />

    Neither will I deny your outfit does for you what you want it to do.<br />

    <br />

    I'm simply saying... subtraction of elements from the signal path is not always the best method to wind up having outstanding audio reproduction. I went so far as to say that in fact it can be made better by adding in more or different items into that same exact signal conduit, only because I’ve found this to be true. As have several others.<br />

    <br />

    Truth, in and of itself, does not require that I either ackknowledge it, or even agree with it for it to be true. yet in the case I submit here, as have some others, it has been repeatedly validated.<br />

    <br />

    I added that until one finds out for themselves by experiencing such things first hand, those without knowledge of that thing, can't possibly deny it's result.<br />

    <br />

    Well, they can actually... lots of people said the earth was flat for a long time.<br />

    <br />

    Ever been to a live rock & roll show? There's plenty of distortion going on therre... the very acoustic can and is often distorted or is poor to begin with... the amplified sound is raging on and contains it's own distortion.<br />

    <br />

    But often... it feels good and sounds good too. Right?<br />

    <br />

    I'm about a palpable organic natural sound wherein the artists appear in my home. I've achieved it in the build of the components I now own. Doubtless it is not the only avenue this sort of enterprize can yeild similar or better results.<br />

    <br />

    but my DAC is pretty good DAC, so are the balance of the goods in my audio setup, and it's sound is noticeably better with the addition of my line stage preamp, another set of ICs, another power cable, and positioning & using isolation footers. <br />

    <br />

    Easily.<br />

    <br />

    But I'm cool with whatever you choose to do. I simply say, until you try it, you do not really know.<br />

    <br />

    For myself, were I to ordinarily or utterly discount the addition of any item with which the audio quality might be improved upon with, and refuse to accept some other outcome, is pure obstinacy and ignorance. At the very very least, it's a blatant display of my own contempt prior to investigation.<br />

    <br />

    It ain’t what we know that hands us the greatest number of problems, it’s what we know that just ain’t so, that usually is our undoing.<br />

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    Blindjim,<br />

    <br />

    Sorry you didn't get my Tesla analogy, or my explanation of the new digital technology in my system, but I'm sure we'll both enjoy the music anyway.<br />

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    Hey Nigel & Blindjim, can you guys take your off topic preamp thread crap elsewhere please?

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    To all those commenting that the Esoteric may improve if used with a pre-amp: It may be the case there is a mismatch between the output of the D-07 and Chris' power amp, however Esoteric themselves say ... <em>"The D-07 also has an attenuator for controlling the level of analog output. This can be combined with selector functions that are used for a variety of digital inputs, and allow the DAC to serve as a high-end digital preamplifier."</em><br />

    <br />

    So Chris can't be moaned at for using the D-07 in this combination.<br />

    <br />

    Eloise<br />

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    Chris<br />

    Eloise<br />

    <br />

    I asked Chris very early on a couple questions regarding his take on what went into his choice of using or not using a preamp in his reference system??<br />

    <br />

    …..for this, or any other review. <br />

    <br />

    it/they went without answer… and remain that way todate.<br />

    <br />

    At no time did I seek to denegrate this thread by clouding it with off topic materials.<br />

    <br />

    I merely asked a question, then was aided by some other poster and ultimately denounced by Nigel as to the actual benefits of employing one in a playback system, yet Nigel had never tried out the scenario I suggested<br />

    <br />

    So how could he or anyone without personal knowledge commit to such a position?<br />

    <br />

    The only other incredibly germaine and fascinatingly crucial line of info being bandied about herein amounted to just what is a PC DAC and what is not…. <br />

    <br />

    Which has exactly what to do with the comments Chris made on the Esoteric DAC?<br />

    <br />

    My whole, entire, and complete aim was to point out as Chris has recently begun adding into his accounts of equipment on these pages, one must try a thing before one can denounce it out of hand. As most true.<br />

    <br />

    This “see for yourself” facet of PC or any other aspect of audio for that matter, is exactly what one should do prior to passing judgements on those items they know nothing about.<br />

    <br />

    One review or some other should not ever be the Holy Grail for any product or justify why someone may or may not buy it.<br />

    <br />

    Predominately, any outlay of near $5K ought be made following some up close and personal audition with it in your own home, if at all possible!<br />

    <br />

    Then my new BFF and self appointed thread cop, Kenro so eloquently spit out his/her apparent attempt to censor anymore input or debate aligned with the merits or demerits surrounding the use of a dedicated upper tier preamp in a stereo system, in nearly as crass a manner as could be allowed to be posted..<br />

    <br />

    Even though at that point , the preamp discussion was apparently concluded.<br />

    Child, please! Go see if you can push some little kid off the see saw at the park.<br />

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    I would just like to underline my thinking about burn-in.<br />

    <br />

    I personally thing that something must be wrong with a electronic device, if they require a considerable amount of burn-in hours.<br />

    If they do, then the vendor should take care of it before leave the factory.<br />

    <br />

    More that 500 hours seems to be an incredible amount.<br />

    <br />

    Who can honestly identify how much comes from the listening habituation and ear adaptation and how much comes from burn-in?<br />

    <br />

    What needs burn-in is other mechanical objects, like loudspeaker drives, for obvious reasons. <br />

    <br />

    Are there parts in a DAC that need "mechanical burn-in"?<br />

    <br />

    Just my 2cents.

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    Re "I wouldn't call it crap, just off topic :~)"<br />

    <br />

    On the contrary, I would say largely on topic, as the issue is whether the D-07 would have sounded better through a preamp. I don't see a problem with being reminded that there are differing views about this. But it would be interesting if Chris tried both and reported back.<br />

    <br />

    -- Daniel

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    It is refreshing and reassuring to see that some reviewers have the honesty to say that not everything sounds great, even if it remains a subjective view.<br />

    <br />

    The burn in time question comes back again and again, I must say that I wonder if, after 500 hours, one is just so used to one's system that it has become the norm and whatever thing was displeasing at the beginning has just become normal.<br />

    <br />

    The comment of John van Spijker might explain some of the disappointment around this DAC: if you change the box, the brand and reduce the price by 60% you may have a nice and competitive DAC. I suspect that Esoteric may have pushed the marketing game a bit too far.<br />

    <br />

    I have been using a D-05 for some time now. I assume that the conception is better than the D-07 (?), I do have the feeling that the sound is alive, that there is much transparency and a lot of details, etc. It is definitely better than mid-range DAC like the MF V8, but how it compares to similarly priced DACs, I don't know.<br />

    I use it with an integrated amp (Pass Int150) so I wouldn't know the interest of using a preamp or not. However, as Eloise said, Esoteric do say that their DACs can be used without a preamp and that their 32bit DAC chip allow digital gain management without tampering with the data.

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    "Child, please! Go see if you can push some little kid off the see saw at the park."<br />

    <br />

    The "crap" was your attitude and your "the lady doth protest too much" pontificating style, as far as I can tell.<br />

    <br />

    have a great day*<br />

    <br />

    clay

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    MikeKazz and Fyper. Well, you have a very valid point about burn-in--how much is habituation? I'm pretty convinced it isn't (just) habituation. I had my system turned off for three weeks this summer. When I got back from vacation, it sounded very harsh, but this time it only took 3-4 days to regain the normal smoothness, whereas the initial burn-in time for DAC and speakers is indeed several hundred hours. <br />

    <br />

    Of course, it might just be that my habituation kicked in earlier because of the previous habituation. I don't think so, though, because I don't think you habituate to harsh sound. Habituation, IMO and experience, more affects soundstage and perspective.

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    I thought he simply meant DAC chips in PCI/PCI-E cards vs. standalone DACs....

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    you can license the Mac logo, and it's royalty free. The license allows you to use the Mac logo, provided the applicance or equipment works on OSX...<br />

    />

    <br />

    I was curious & looked at the interior of the Esoteric and the quality of the build looks as though it is made to mass market consumer rather than for high end build quality that the price is being charged at. Whether it uses cheap components or not, I can't make the out from the photo which they are, but the boards themselves don't do the price justice. <br />

    <br />

    Still, with some people loving the sound from the Esoteric D-07 and others like Chris much the opposite really, is there inconsistency on the build quality that would cause the vast differences?

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    <br />

    <br />

    I think I’ll always remain amazed at what and how people can get by so far into life without acquiring good reading skills…. OR how people can read one thing and see it as something else completely… Paranoid? I’ll go with poor reading skills instead. <br />

    <br />

    Use a few words in the dictionary you don’t always find in the high school parking lot, to further illustrate your point of view and past experiences, , and you’re pontificating. Sheessh… I’m not even Catholic! But I have been to the Vatican.<br />

    <br />

    Ask why a particular device is or has not been implemented into a reference review system when the overwhelming majority of audio reviews do incorporate the use of one, and it’s both ignored by the reviewer and seen as a different question from other’s.<br />

    <br />

    Apparently the bias and inexperience levels around here by some more avid posters are greater than I initially thought. As well as is the stage of their maturity.<br />

    <br />

    I meant nor indicated any harm, malice or otherwise negative content to anyone here. Eloise, Chris, or Nigel, at all, as none of them made anything less than adult coments…. And both Chris and Eloise have been instrumentally helpful to me in my strides to lift up the performance of my own system.<br />

    <br />

    I suppose anyone can read into something that which does not exist, and in so doing view only a reflection of themselves, in the process. Oil well. <br />

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    "Use a few words in the dictionary you don’t always find in the high school parking lot, to further illustrate your point of view and past experiences, , and you’re pontificating."<br />

    <br />

    Looking at the dictionary for the definition of pontificate, we get this:<br />

    <br />

    "pontificate: to speak or express opinions in a pompous or dogmatic way"<br />

    <br />

    For pompous, we get:<br />

    <br />

    "pomp·ous/?pämp?s/Adjective<br />

    1. Affectedly and irritatingly grand, solemn, or self-important: as in, a pompous ass.<br />

    <br />

    2: having or exhibiting self-importance : arrogant as in, a pompous politician"<br />

    <br />

    And for dogmatic, we get:<br />

    <br />

    Definition of DOGMATIC<br />

    <br />

    1: characterized by or given to the expression of opinions very strongly or positively as if they were facts"<br />

    <br />

    <br />

    Those words sum up how your posts came across to an objective observer, "objective" given that I don't have a dog in the fight (in fact, I own a tube preamp and a tube Integrated amp).<br />

    <br />

    <br />

    <br />

    The evidence for my comment "the lady doth protest too much" (as it relates to your writing style here) is based on your response to a simple request:<br />

    <br />

    "can you guys take your off topic preamp thread crap elsewhere please?"<br />

    <br />

    Your response (along with many other words):<br />

    <br />

    "Then my new BFF and self appointed thread cop, Kenro so eloquently spit out his/her apparent attempt to censor anymore input or debate aligned with the merits or demerits surrounding the use of a dedicated upper tier preamp in a stereo system, in nearly as crass a manner as could be allowed to be posted.. [...]<br />

    <br />

    Child, please! Go see if you can push some little kid off the see saw at the park."<br />

    <br />

    <br />

    Referring (as you did) to the mere use of the word "crap" to describe off-topic (as confirmed by Chris) postings as "in nearly as crass a manner as allowed to be posted" is mind bogglingly naive, as well as a gross over-statement.<br />

    <br />

    <br />

    <br />

    "I suppose anyone can read into something that which does not exist, and in so doing view only a reflection of themselves, in the process."<br />

    <br />

    On this we agree, BlindJim<br />

    <br />

    In my experience, the words "view only a reflection of themselves" are ALWAYS relevant and appropriate to those who refer to others as "childish", or "less than adult".<br />

    <br />

    <br />

    <br />

    "I think I’ll always remain amazed at what and how people can get by so far into life without acquiring good reading skills"<br />

    <br />

    One might want to consider that communication is entirely a two way medium - and therefore blaming others for not comprehending exactly what one has intended is rather, well, pompous & arrogant.<br />

    <br />

    Further, assuming that others don't understand/comprehend what you are saying simply becuase they disagree seems likewise (i.e. arrogant).<br />

    <br />

    <br />

    clay<br />

    <br />

    <br />

    <br />

    <br />

    <br />

    <br />

    <br />

    <br />

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    Excellent summary Clay, thank you.<br />

    <br />

    Fwiw, to clarify my original intent with using the term "thread crap", please refer to the UrbanDictionary.com<br />

    <dd><br />

    Thread crapping occurs when a person comes into a thread and posts something contrary to the spirit/intent of the thread, often derailing the discussion or turning it into an argument.</dd> <dt><br />

    <br />

    Imho, the exchange/debate regarding upper tier preamps was contrary to the DAC review thread.<br />

    <br />

    Time to move on...<br />

    <br />

    Kenreau <br />

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    Thanks for the photos. What is your point? Why would you think audio is different from automobiles, watches, wine etc. What one pays for a product has little to so with the Bill Of Materials. These are not cost plus businesses.

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    When I purchase audio equipment, my main objective is good sound quality. Beyond that, I hope to be paying for good design and implementation, good ergonomics, and quality construction.<br />

    <br />

    The second photo shows a very well executed design which implements separate transformers, multiple power supplies and multi-stage regulation for digital and analog circuitry, separate power supplies and regulation for each channel, sheilding between analog and digital circuit paths, and abundant filtering to ensure quality power feed.<br />

    <br />

    In my experience, I don't think that good digital sound requires such a stiff power supply as shown in the second photo, but having auditioned the D-07 at a dealer a few weeks back, in my opinion I can't say the sound quality justifies the cost of the unit. It is very pretty though.

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    Hi Chris,<br />

    <br />

    Wondering if you could review the Esoteric K-01 or K-03 to see if the new async USB 24/192 input on these players has addressed any or all of your concerns in the D-07?<br />

    <br />

    Thanks.

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