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Article: Munich 2022 Show Report


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I'm looking forward to getting back to these shows. Interesting comments among those who have gone to Munich and recently Axpona among the various sites.

 

Just my observations.

 

What some love others hate and there is no dearth of opinions. The objective v. subjective argument, so often debated here is alive and well when judging by comments across the spectrum. Some have the best room that others claim is their worst room. Bias by owners of products and dealers, no matter how hard they try to conceal by claiming faint praise on other products, is clear among many of the comments on audio sites. 

 

It is obvious that these shows have so many variables and mix so many variables from show to show it's a wonder how anyone could judge just one component of a system. Whether it be the room, source, amplification, wires, etc. The one constant is that these systems are so good today, that any one of them could satisfy any of us when properly set up in a good room regardless of what we choose individually. Other than seeing and "hearing" a product at a show at that instant with a unique set of variables, the challenge posed of what to buy based on the complexity of so many variables is unique in the luxury market. I can understand how the OCD amongst us (most) could go nuts. 

 

Deniro summed up today's high-end audio in the movie Heat when he said, "Don't get attached to anything you are not willing to walk out on in 30 seconds". While the analogy is a little over the top, it does bring up a point when I see some emphatically putting down say MSB to praise the WADAX or vice versa. I mean, come on, especially based on a show?? Same goes for horns, panels, electrostats, cones, etc. 

 

Just my POV, but I have looked at these shows as the ultimate "live catalogue". 

 

Chris, thanks as always, for the levelheaded review and insight of your experience without the over-the-top dogma some seem is necessary. 

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