YashN Posted November 1, 2016 Share Posted November 1, 2016 Limiting typically is suggested for use only in the mastering stage. Isn't the only time it is used. Some use it mixing, some even use it recording. I find for myself it changes the way tracks sound. Usually not in a good way in my opinion. As you don't really need it at the mastering stage to prevent clipping (and hard limiting and clipping aren't so different) I don't find it a good practice. Since it isn't needed to prevent clipping as it is commonly used well, I say that isn't the normal use of it. I say it is used to increase basic loudness and perhaps to achieve a particular sound even if I myself don't like that sound. It has to process the recording for sure, otherwise it can't work. For a limiter, you want to try for the most transparent one you can get your hands on. As Mastering 'Engineer', you sometimes don't get the headroom you need for precise work when the mix comes from someone else. If you don't like it, then you have a lot more leeway to avoid it if you have control over the recording, the mixing and mastering yourself. The reality in many commercial productions is unfortunately completely different. Ask yourself (and around you) how many commercial productions (CDs or otherwise) have a Limiter by default on the Mastering Chain because a lot of business is done fast and with hectic deadlines... Dedicated Line DSD/DXD | Audirvana+ | iFi iDSD Nano | SET Tube Amp | Totem Mites Surround: VLC | M-Audio FastTrack Pro | Mac Opt | Panasonic SA-HE100 | Logitech Z623 DIY: SET Tube Amp | Low-Noise Linear Regulated Power Supply | USB, Power, Speaker Cables | Speaker Stands | Acoustic Panels Link to comment
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