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    Cambridge Audio DacMagic Review

    dacmagic-thumb.jpgThe Cambridge Audio DacMagic is not fancy by any means. It's a blue-collar DAC amongst white-collar competitors. The DacMagic doesn't command a stratospheric price and it gets the job done nicely. Strengths of the DacMagic are its versatility and price to performance ratio. The DAC offers three digital inputs and one digital output. These options almost guarantee it will work with any computer. The DAC's performance is boosted by its Adaptive Time Filtering (ATF™) asynchronous upsampling. No matter what sample rate the DAC is presented it upsamples to 24/192 and outputs good quality sound. At less than $400 this DAC isn't going to find diamonds in a lump of coal but it is a great value that will take lemons and make lemonade.[PRBREAK][/PRBREAK]

     

     

     

     

     

     

     

    <b>Versatility</b>

     

    The Cambridge Audio DacMagic is built to very good quality standards. It's a solid DAC compared to many other DACs that have come and gone from Computer Audiophile. As most readers have likely seen this DAC usually rests vertically in the included rubber stand. This makes for a great fit next to a computer monitor or a set of desktop speakers. The DAC can also rest horizontally and fit nicely with your existing components. The buttons on the front of the DAC are easy to use and switch inputs or phase with the slightest touch. The front panel also has an incoming sample rate indicator that illuminates sample rates from 32 to 96 kHz. This is not to be mistaken with a bit perfect indicator like an HDCD light. The sample rate indicator is also nice for people new to computer based audio. It's an easy way to visually identify if the correct sample rate is leaving your computer. This may sound elementary to some learned computer audiophiles, but there are days when all of us have to look at the end of a TosLink cable just to verify it's connected.

     

    The DacMagic has all the inputs and outputs the everyday audiophile will need. Two optical, two coaxial, and one USB input are enough for most applications. The DAC offers one coaxial and one optical digital output, and standard single ended (RCA) and balanced (XLR) analog outputs. The coaxial output came in very handy for me during the review. It allowed me to test for bit perfect output from my computer in a roundabout fashion. Using the MediaMonkey waveOut plug-in (v2.0.2a) I selected the DacMagic as my USB output device. I connected the coaxial digital output from the DacMagic to my Berkeley Audio Design Alpha DAC. Then I played HDCD encoded 16/44.1 tracks to verify the bit perfect signal reached the Alpha DAC and illuminated the HDCD indicator via the DacMagic's digital passthrough. If nothing else, this test verified the audio signal reached the DacMagic unaltered by Windows XP or anything else.

     

    The DacMagic USB input does not support native high resolution files at 24/96. In addition the Windows XP music server I used during this review did not have a coaxial output to send 24/96 files to the DAC. To test 24/96 albums with the DacMagic I connected the Bel Canto USB Link which converted USB to coaxial at full 24/96 resolution. Even though the DacMagic upsamples every input signal to 24/192 there was still a great advantage to using <u>some</u> 24/96 material. I have several DVD-Audio discs that I've ripped to 24/96 AIFF files. My John Hiatt <i>Bring The Family</i> 24/96 version is much better than any of the 16/44.1 versions available. Thus, sending the 24/96 AIFF version to the DacMagic, without downsampling to 16/44.1 via USB before upsampling to 24/192, was sonically very advantageous. The fact that 24/96 is a multiple of 24/192 certainly couldn't hurt either. It's often best to upsample in the same family as the original source material i.e. 24/88.2 to 24/176.4, and 24/96 to 24/192. The reason I used the verbiage, "... certainly couldn't hurt..." when discussing the DacMagic upsampling from 24/96 to 24/192 is that the Adaptive Time Filtering (ATF™) asynchronous upsampling is not your father's upsampler. The sonic impact of upsamping always depends on the manufacturer's implementation within the DAC. The Cambridge Audio DacMagic has a very solid upsampling implementation that is on par with many of the much more expensive DACs I've listened to recently.

     

     

     

     

    <b>Price / Performance</b>

     

    With the 2008 holiday shopping season nearing an end and the global financial situation looking dismal, it's fabulous to see high performance low price audio components. The DacMagic is certainly one of these components. It has Dual Wolfson WM8740 24bit DACs, a Texas Instruments TMS 320VC5501 DSP upsampling digital filter and a 2-Pole Dual Differential Bessel Double Virtual Earth Balanced analog filter. As the front panel of the DAC suggests it supports input sample rates from 32 to 96k and upsamples everything to 24/192. All of this comes together to produce some very nice sound from a reasonably priced package. The DacMagic did not sound offensive throughout the range of high and low frequencies. The DAC was pleasant to listen to and was not fatiguing at all. There is nothing worse than a component that turns an enjoyable listening experience into a headache causing nightmare. Fortunately the DacMagic was enjoyable from start to finish. Listening to Rock and Acoustic music this DAC sounds great and has no trouble sending out analog exactly what came in as digital. John Mellencamp's new album <i>Life, Death, Love, and Freedom</i> in the 24/96 CODE version sounded very nice from track one through fourteen. I enjoyed listening to the complete album through the DacMagic. Classical Music with a wide dynamic range was a little different story. The DacMagic doesn't extend up or down as far as I prefer and the sound was congested at times. Listening to quite a few tracks from High Definition Tape Transfers (HDTT) it was clear this is surely not an Alpha DAC, but at $4,600 cheaper nobody should expect Alpha DAC performance from the DacMagic. All three digital interfaces sounded virtually indistinguishable from each other. This is good news for audiophiles with only one type of digital output on their computer. There is no need to wonder if purchasing a new computer with an optical or coaxial output, instead of the USB output, would improve the sound. In my opinion this DAC alleviates a little "Audiophilia Nervosa." Select an interface, start listening, and stop worrying. All the interfaces are good.

     

    Note: The majority of listening was done using a Windows XP music server, MediaMonkey, uncompressed AIFF files, and the waveOut plug-in.

     

     

     

     

    <b>Conclusion</b>

     

    The Cambridge Audio DacMagic is a very nice component to mate a computer with a traditional audio system. In addition this DAC would make an excellent higher-end desktop audio system even better. Placing the DacMagic vertically next to a monitor allows easy access to switch inputs if needed and offers a close-up view of the sample rate indicators. The DacMagic's very good sound quality is what we've all come to expect from Cambridge Audio. In typical Cambridge fashion the price of this DAC is very reasonable as well. The DacMagic's high quality upsampling implementation is a big reason why this DAC competes with major high-end audio players. The DacMagic may be viewed as a utility man on a star-studded roster of DACs, but there is no doubt this DAC offers major league performance at a minor league price.

     

     

     

     

     

     

     

     

    DacMagic Upsampling Information <a href="http://files.computeraudiophile.com/2008/1222/upsampling-dac-info.pdf">PDF Link</a>

    DacMagic Manual <a href="http://files.computeraudiophile.com/2008/1222/AP239051DacMagicUserManual01English.pdf">PDF Link</a>

    Manufacturer: <a href="http://www.cambridgeaudio.com">Cambridge Audio</a>

    U.S. Distributor: <a href="http://www.audioplusservices.com">Audio Plus Services</a>

    Price: $399

     

     

    Associated Equipment: Windows XP music server, Mac Pro, Lynx AES16/e card, Kimber USB cable, Berkeley Audio Design Alpha DAC, PS Audio DLIII, Devilsound DAC, Benchmark DAC1 PRE, Kimber Select cable, Avalon Acoustics speakers, Focal Electra Be series speakers, McIntosh tube amplification, Virtual Dynamics power cables, Richard Gray's Power Company cables, Bel Canto USB Link.

     

     

     

     

     

     

    <center>

    <a href="http://images.computeraudiophile.com/graphics/2008/1222/DM001.jpg"><img src="http://images.computeraudiophile.com/graphics/2008/1222/DM001-small.jpg" alt="DacMagic"></a>

    </center><center>click to enlarge</center>

    <center>

    <a href="http://images.computeraudiophile.com/graphics/2008/1222/DM002.jpg"><img src="http://images.computeraudiophile.com/graphics/2008/1222/DM002-small.jpg" alt="DacMagic"></a>

    </center><center>click to enlarge</center>

     

    <center>

    <a href="http://images.computeraudiophile.com/graphics/2008/1222/dac_magic_front.jpg"><img src="http://images.computeraudiophile.com/graphics/2008/1222/dac_magic_front-small.jpg" alt="DacMagic"></a>

    </center><center>click to enlarge</center>

     

    <center>

    <a href="http://images.computeraudiophile.com/graphics/2008/1222/DAC_Magic_rear.jpg"><img src="http://images.computeraudiophile.com/graphics/2008/1222/DAC_Magic_rear-small.jpg" alt="DacMagic"></a>

    </center><center>click to enlarge</center>

     

     

     

     

     

     

    <center>Digital Filter Algorithm Graphs</center>

     

    <center>Linear Phase</center><center>

    <a href="http://images.computeraudiophile.com/graphics/2008/1222/LinearPhaseFilter.jpg"><img src="http://images.computeraudiophile.com/graphics/2008/1222/LinearPhaseFilter-small.jpg" alt="DacMagic"></a>

    </center><center>click to enlarge</center>

     

     

     

    <center>Minimum Phase</center><center>

    <a href="http://images.computeraudiophile.com/graphics/2008/1222/MinimumPhaseFilter.jpg"><img src="http://images.computeraudiophile.com/graphics/2008/1222/MinimumPhaseFilter-small.jpg" alt="DacMagic"></a>

    </center><center>click to enlarge</center>

     

     

     

    <center>Steep Phase</center><center>

    <a href="http://images.computeraudiophile.com/graphics/2008/1222/SteepPhaseFilter.jpg"><img src="http://images.computeraudiophile.com/graphics/2008/1222/SteepPhaseFilter-small.jpg" alt="DacMagic"></a>

    </center><center>click to enlarge</center>

     

     

     

     




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    But my 2 cents is still that the NE5532 op-amp is an inferior component which always sound inferior and harsh.<br />

    <br />

    If you can not hear it, that is not my problem - I would immediately replace it with a Burr-Brown, National or Analog Devices chip made for audio and I have done so on a number of devices and even my wife immediately notices the difference though she has no clue as to what have been done!<br />

    <br />

    The 5532 is a component which sounds inferior to almost anything made with audio quality in mind. The output section of the Squeezebox Classic is even worse. That is made with an opamp made for telephones and comms systems. <br />

    <br />

    Also, my reaction is due to the fact that I get very disappointed when a DAC with the word MAGIC in its name in 2009 uses an opamp which I replaced the first time in 1990... <br />

    <br />

    That being said, the DacMagic does not sound too bad, but why spend that kind of money on a dac, when the same (analogue) circuit can be found in a receiver which is so much more versatile - and eventhough the DAC-section is less sophisticated still sounds way better than the DacMagic when properly modified... <br />

    <br />

    So you're right in recmmending people to use their ears, I've done so, and my conclusion was clear: The unit was sent back, full refund received.

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    Jens,<br />

    <br />

    Have you heard this DAC? Impressive kit. <br />

    <br />

    Best regards,<br />

    <br />

    Kurt

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    <i>"I'm sorry Chris, but from a technical perspective the analogue section of this DAC is of so poor quality that it should be pulled from the market asap."</i><br />

    <br />

    No need to be sorry Jens. It's clear you're not a fan of some of the Cambridge Audio products and that's totally fine with me. I certainly don't design products for them or have any stake in the company. I do know there are many people around the world enjoying the DacMagic who think the price to performance ratio is very good.<br />

    <br />

    I'm curious to know what DACs you own and what DACs you consider good? It helps put a little perspective on your very black & white comments.

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    Hi Chris and Kurt<br />

    I have not had the chance to listen to the Beresford. <br />

    Currently I use a NAD M15 pre/processor which when it it works (knock on wood) sounds really good with the rest of my system which is made up of a NAD C272 amp (a bit cold sounding), a custom built class D poweramp and a custom built speaker system based on Seas Excel and Scan Speak Revelator units.<br />

    <br />

    My wet dream is to make the speakers digitally active - meaning I want to make the crossover completely in the digital domain and a separate dac in front of a seperate class D amp driving the units directly. <br />

    <br />

    I have a Sony (no fan of the brand) ES SACD player which has been modified using the same components as outlined here:<br />

    http://www.sacdmods.com/DVD2900.htm<br />

    except that the clock is an older version.<br />

    <br />

    My only regret is that it is impossible to put my music server (Vista, Foobar) output into the sony - and equally impossible to rip SACD a replay the SACD stream.<br />

    What someone at NAD might want to consider is that the modified Sony sounds better than the M15 - to my ears anyway - and the difference is particularly clear when playing SACD analog out versus normal CD digital out.<br />

    <br />

    I know that I was out of line claiming the Cambridge should be pulled from the market, but I bought the unit based on all the hype and I got so disappointed with the sound and started looking on the net for an possible explanation. <br />

    When I found out that it was built using the NE5532 my adrenalin levels set a new record...<br />

    <br />

    Back in 1989/90 I modified a very expensive Denon CD player and for the first time heard the difference between opamps made for answering machines and opamps made for audio on another level.<br />

    Seeing the same chip in 2009 was far from my idea of good fun..<br />

    <br />

    I should have counted to 500 before posting - but now you know why :-)<br />

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    that I really like the Benchmark DAC1 - have only heard in a friends system but it sounded very smooth and detailed at the same time.<br />

    <br />

    I have also heard a soundcard which sounded very nice - opamps were replaced by AD797 - here it is: http://www.auzentech.com/site/products/x-meridian.php <br />

    <br />

    It is discontinued but their newer models look promising as well.<br />

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    Hey Jens,<br />

    <br />

    Thanks for the explanation, it makes sense. An opamp change can really make a difference in a DAC.<br />

    <br />

    Best wishes,<br />

    <br />

    Kurt

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    hi,<br />

    <br />

    i'm a total noob when it comes to connections. does the toslink output of the DACMAGIC be able to send multiple data? like ADAT lightpipe?<br />

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    Hi FNDR - Welcome to Computer Audiophile. I'm not 100% sure about my answer, but I give you my best guess and contact Cambridge Audio to follow-up. My guess is that this output cannot send anything other than S/PDIF audio. Below is some info from Wikipedia about ADAT Lightpipe and S/PDIF incompatibility. The two may share a common interface but that's about it in my opinion.<br />

    <br />

    From <a href="http://en.wikipedia.org/wiki/ADAT_Lightpipe#Cables_and_interface"Wikipedia</a><br />

    <i>"Lightpipe uses fiber optic cables (hence its name) to carry data, with Toslink connectors at either end, making them identical to S/PDIF optical cables. However, the data streams of the two protocols are totally incompatible. S/PDIF is mostly used for transferring stereo or multi-channel surround sound audio, whereas the ADAT optical interface supports up to 8 channels at 48 kHz, 24 bit."</i>

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    Thank you for the review. We're Cambridge Audio enthusiastic, and recommend the DacMagic.<br />

    <br />

    Kind regards,<br />

    <br />

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    I have recently purchased a DACmagic, I am using my Denon DVD as a transport which is connected to the DACmagic via digital coaxial out (other components are NAD370 amp and B&W 703's). The sound is very good but sometimes vocals at top end are a bit 'hissy', i suspect this may be somethingo do with the age of my amp or quality of CD's I am playing....... Any advise on how to how to rectify this problem would be appreciated.<br />

    <br />

    Also can anyone advise on the 'output phase' selection switch on the DACmagic, I can not really tell any difference when I switch between settings ie reverse phase.... thanks in advance for your assistance.. <br />

    <br />

    simon

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    Well Jen what mods do you suggest for DacMagic? Replacing output OpAmps? Whith what exactly?<br />

    I Have CA 640 v2.0 and DacMagic and i'd really like to improve them!

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    Was there a final reply to this question? The replacement of the OpAmps?

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    Renerator - Go to the links provided by Jens in this thread. It appears that the mods will cost a high percentage of the DAC Magic's orginal price. I'm tempted, though. <br />

    <br />

    Chris - is there any chance you can compare the "before and after mods" to the DAC Magic for us?<br />

    <br />

    Thanks,

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    <i>"Chris - is there any chance you can compare the "before and after mods" to the DAC Magic for us?"</i><br />

    <br />

    I reviewed one Mod in the past but it's not something I'm fond of doing.

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    Where can I read your review of the mod?

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    Hi RCduck7 - Maybe I missed something here but I'll provide an opinion anyway. The NE5532 only plays a role in the total sound of a unit. The USB interfaces of the DAC1 and the DacMagic are vastly different and also play a role in the sonic differences.<br />

    <br />

    Forgive me if I missed something and I'm not adding to the conversation.

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    I've owned a VDAC for 5 weeks and have just swapped it for a Cambridge DacMagic. The VDAC has a very "Musical Fidelity" sound. Music Fidelity is a company that specialises in beautifully built high end hi-fi but as a lot of their amplifiers are pure class A designs, the sound is akin to a valve design. The VDAC majors heavily on mid range presenting a solid and well separated sound stage with plenty of depth. The downside is also its strength. The mid range, especially vocals is sometimes too far forward to the detriment of the rest of a recording. If you like vocals and appreciate harmonies then this could be the DAC you need. Looking at the box, it's no great looker with an air of being home built. The switch between the USB and the digital input feels flimsy and I think gives the box a feeling of being home built. The reason I swapped it for the Cambridge is that I felt I was listening too much to vocal music in preference to the rest of my collection and I realised that I wasn't happy with it.<br />

    Installed the DacMagic a couple of days ago and at first I wasn't happy with the sound stage which seemed flat compared to the DacMagic. However it's now burning in very nicely and constantly improving. I listen to mostly rock and jazz, using the wav lossless format. It's a much better balanced sound with no obvious faults with my musical tastes. It looks and feels well built and is very easy to switch between inputs. I'm so satisfied with it that when I've finished ripping my entire CD collection to WAV lossless, the Arcam CD player is going on Ebay, as when I listen to the same music through the CD player and the DAC, I can discern very little difference in quality.

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    There appears to be an apparently held misconception concerning the NE5532. <br />

    <br />

    Here is an answer in regards to Jens commentary about the NE5532:<br />

    <br />

    <br />

    <br />

    <br />

    <br />

    From Benchmark Media.com<br />

    <br />

    "Don't underestimate the NE5532. We have just completed a very comprehensive set of tests on the NE5532 and on various substitutes. We have not found anything that will equal the transparency provided by the NE5532.<br />

    <br />

    Some have suggested substituting OPA2134 op amps in place of the 5532s. This is a bad idea! Our tests show an increase in both 2nd and 3rd harmonic distortion, and the addition of higher order (4th, 5th, 6th, and 7th) harmonics that are virtually absent from a stock DAC1. In addition, IMD will increase, and SNR will degrade.<br />

    <br />

    The NE5532 is power hungry, it has high input bias currents, and high offset voltage, but it can drive high-level low impedance circuits with ease. The 5532 should not be used with low signal levels, and it should only be used in low gain circuits. Also, the offset voltage must be managed with appropriate design techniques. I believe the NE5532 has aquired a bad reputation because it has often been missapplied. The DAC1 is carefully designed specifically for the NE5532 op amp. It may surprise you that the NE5532 was selected for transparency and not on the basis of cost. " <br />

    <br />

    http://www.benchmarkmedia.com/wiki/index.php/NE5532_Opamp<br />

    <br />

    Regards, GeneZ

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    Its been about five months now with my Dacmagic. Went through the breaking in period with little drama. Just recently I began experimenting more seriously with its features. So... <br />

    <br />

    Another DAC may sound smoother and very detailed. But, it should not stop there. For somethings un-tested may be in effect. For when taking advantage of the DacMagic's Polarity Reversal function? I discovered smoothness with detail that I was not hearing before. The phase settings also will make a difference. The designer was thinking real world usage. When comparing another DAC, the other may reverse polarity and sound smoother if the audio chain reversed polarity to begin with. <br />

    <br />

    I have learned over the years that not all electronic components leave polarity alone. As far as I know, its not my DacMagic that was reversing polarity. For when I was still using my PC's sound-card, I found manually reversing the speaker wires polarity improved the sound. <br />

    <br />

    The DacMagic's polarity reversal feature is great to have. Many years ago I had an RGR (Robert Grodinsky Research) expander that also had this feature. With it, I am easily able to reverse polarity for the occasional recording that is reversed. I simply use the reversal feature. I do not have to go through the inconvenience of reversing my speaker wires for those recordings. <br />

    <br />

    I was made aware about the effects of proper polarity since the late eighties. That's why when I read about the polarity reversal function of the DacMagic I lit right up. That was the final straw that sold me on making it the DAC of my choice. The other DACs I've read about failed to mention this kind of feature. I am sure they are good. Maybe even better in certain ways. But, their actual potential on all playback will not be recognized without having the freedom to reverse polarity as needed.<br />

    <br />

    IMHO, GeneZ

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    G'day, does anyone know if you can just connect a USB storage device to the DacMagic?

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    Batito7- no, any DAC including the DacMagic is going to convert the digital signal to analog only. You will need a computer or processor of some kind. I, as many others use the Mac mini for this although there are lots of other options to choose from.

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    Righto, many thanks for the advice :-)

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    It's been a while i posted here, i had the DacMagic when it came out and almost immediatly upgraded it internally and there was little improvement to be found. I also had a much more expensive Xindak DAC-8 after that wich was a beautiful component that also looked more expensive for it's price under 1000 euro and sounded very beautiful, especially for the midrange blossem. Still it lacked bass fundament in my system and therefore i sold it and kept the DacMagic as good bass is very important to me. I have experimeted with DAC's in CD players and receivers after that, also a highly regarded chinese MHZS CD88G CD player wich in certain circles get much respect. I thought i couldn't do better in this price range but i was wrong. Yes for it's price for abour 800 to 900 euro's the MHZS is better then some more higher price range gear with it's top loading mechanism cd transport and great DAC but when i read the review and forums of the small but well made looking Metrum acoustics Quad NOS mini DAC from the Netherlands i decided to order it, it's only 345 euro (was 299 euro when it came out) and in the review, the reviewer couldn't decide between this and it's much more expensive and modified reference DAC.<br />

    When i got the DAC, straight out of the box it sounded smooth and allready better then my DacMagic, and after some burn in it really sounded balanced and a sense of cohesion that i didn't witnessed before in my system. This DAC in Quad form (there is also a cheaper Duo DAC to choose from) uses 4 DAC's, 2 per channel and becausse of the succes of this review and more then expected sales of this DAC they are developing a new Octave DAC wich uses 8 DAC's and a seperate power supply with a price between 700 to 800 euro dependent of wich power supply you get. Metrum acoustics clearly won me over and i don't have the urge to upgrade anymore as i know more expensive isn't always better, when i start listening to music i just can't drag myself to bed and turn the thing off! Great DAC for the money and certainly one to consider!! But you will need to find a way to not use USB as it is Only coax and optical in. The Website... http://www.metrum-acoustics.nl/hoofdpagina_engels.html

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