You may have come across Jan Evensmo's work referenced in jazz publications or liner notes or by reading his fascinating website -http://www.jazzarcheology.com/ . I contacted him and he kindly agreed to answer a few questions:
Q: Your website is entitled "the treasures of vintage jazz". You have written "solographies" of numerous famous or lesser known artists. When did your passion for jazz start and how did you come to writing these solographies?
It started when I was
Loren Schoenberg (of the the National Jazz Museum in Harlem) has published a four part lecture on Ben Webster on YouTube.
The production is not of the highest quality (but the content easily makes up for it), and some of the tracks are better heard on youtube directly or from your collection, if you can find them. There are quite a few rarities.
Duke Ellington recorded music for 50 years.
Ask any Ellington fan to pick their favorite album, they will not be able to decide. Ever changing, throughout these 50 years, but always distinctive, what is it that makes Ellington so special ? His arrangements, his compositions, his ability to gather in his band the best talents and use them at their best ?
One aspect which I find fascinating is his piano playing. His style and sound is instantly recognizable, and forms the
Ellington never ceases to amaze and suprise me. Witness this short piece, released by Storyville earlier this year: "The Lake", part of his suite "The River", and performed at the end of a 1969 concert. Here are the Storyville notes:
"On November 7th, 1969, Duke Ellington and his orchestra played two concerts in Rotterdam, in the famous De Doelen concert hall. The second concert of the evening was prolonged, as the public wouldn’t let Ellington go. So while the rest of the bandmembe
At this time it is relevant to reflect on the merits of japanese-style greetings. Respect can be shown to others while avoiding the traditional western handshake.
Bowing can start when you first see the person at a distance, and continue as you approach them, but has to stop at a one meter distance !
Avoid the mistakes of Trump and Obama.
Reading AustinPop's excellent review of the EtherRegen I could not help but thinking - does it need to be so complicated ? Cascading switches, linear power supplies, audiophile network and DC cables, clocks - there has to be be a better way ! Call me naive, but I believe there is always an elegant and simple solution to all problems, and don't see why digital audio should not conform to that rule. If we have not found it, then we need to look harder
Here's an example to illustrate the importance of remastering quality.
The track is "Stepping into Swing Society" by Duke Ellington, recorded on January 13, 1938. I love the title !
Here's what Eddie Lambert has to say about this track (in "Duke Ellington: A Listener's Guide" - a little publicity for this great book:https://www.amazon.com/Duke-Ellington-Listeners-Guide-Studies/dp/0810831619 ) :
"By early 1938, the swing era was well under way. and Ellington in
A beautiful interpretation of "I Cover the Waterfront", by Henry "Red" Allen, dating from 1957:
Red Allen - trumpet
J.C. Higginbotham - trombone
Buster Bailey - clarinet
Coleman Hawkins - tenor saxophone
Marty Napoleon - piano
Evertt Barksdale - guitar
Lloyd Trotman - bass
Cozy Cole - drums
In the words of Gunther Schuller ("The Swing Era"):
"Recorded evidence of Allen's work from 1946 to his death in 1967 is
After spending quite a few years experimenting with various components, I finally have a system which satisfies me, so I thought I would describe it and explain why.
Speakers: Davis Courbet 4 (http://www.davis-acoustics.com/en/courbet-n4/)
Amplifier: Lavardin ISX (http://www.lavardin.com/lavardin-isE.html)
DAC: ECDesigns MOS16 DAC (https://www.ecdesigns.nl/de/info/mos16)
Source: ECDesigns UPL (with ElectroTos cable) (https://www.ecdesigns.nl/de/info/upl16)