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Article: A New Listening Room Part One


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Bravo Chris @The Computer Audiophile! What a wonderful audio journey you are on. You just got to hear first hand how a room can have such an impact on sound quality with the same equipment.

 

One item you may want to bring up in the next article is the comparison of room decay time or RT60 with REW.  There is a recommended target response, based on room volume as to what the decay time should be. In the case of your room and most peoples for that matter, there is a range typically between 400 and 600 milliseconds. The rule of thumb is to aim for as much liveliness in the range, as too dead of a room sucks the life out of the music.

 

Speaking of room ratios :) May I make a suggestion and I know it is after the fact. If you look at room ratios, some are better than others for the distribution of low frequencies, which sounds better to our ears. One can use a Room Mode Calculator to punch in the dimensions of ones listening environment and basically get the gist of the distribution of room modes. There is even audio output so you can hear first hand the trouble spots as you move the mouse cursor along the graph. Don't forget to turn down the volume before you try it. https://amcoustics.com/tools/amroc

 

My room ratio sucks and near the 2nd worst ratio one can get outside of a cube. This is why I am into DSP, as no amount of bass traps can unf&*k the physical dimensions of my room. My reviews of Acourate and Audiolense are testament on how good these DSP products work, but if you can start out with a decent room ratio, you are further ahead to begin with.

 

Which brings me to my recommendation for your room. Looking at your dimensions that I popped into the room mode calculator: https://amcoustics.com/tools/amroc?l=21&w=13.9&h=9&ft=true&re=DIN 15996 - Studio Note I reduced the length from your  25' 8" to 21 feet length. Have a look at the Bolt area chart. That room ratio is a favourable ratio. Now punch in 25" 8".

 

How much audible difference will it make? Well, the bass is unlistenable in my room without DSP.  Having worked in a number of well designed studio control rooms and listening rooms with favourable room ratios, always best if you can do it. So it means putting up a false wall... the false wall could also help with low frequency damping... like a Helmholtz resonator. Whether practical or visually appealing, of course is an issue. If it is a potential room mod, Vicoustic would have to run the math to confirm. Regardless of any changes, this room will sound better than the 6.5' ceiling room. Congrats!

 

All the best on your audio journey Chris!

 

Mitch

 

 

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