sandyk Posted March 1, 2020 Share Posted March 1, 2020 On 3/1/2020 at 2:23 AM, The_K-Man said: Just remember, any difference you hear between the 24/96 and the 24/192 is 90% attributable to the mixing and/or mastering of each. Barry Diament disagrees with that. He says that 24/192 gets very close to what he hears through his microphone feed, and is virtually indistinguishable. This is why all his recent recordings are 24/192 , not 24/96 of the earlier recordings PAP 1 How a Digital Audio file sounds, or a Digital Video file looks, is governed to a large extent by the Power Supply area. All that Identical Checksums gives is the possibility of REGENERATING the file to close to that of the original file. PROFILE UPDATED 13-11-2020 Link to comment
sandyk Posted May 23, 2020 Share Posted May 23, 2020 2 hours ago, PAP said: I guess Barry Diament knows what he is talking about, he must have good ears, he was the mastering engineer on many an audiophiles Holy Grail album; The Eagles - Hotel California. Barry's wife has very good ears too.When she was younger she could hear 23kHz. ! Here are some of his other albums from his time at Atlantic Records https://forums.stevehoffman.tv/threads/essential-barry-diament-masterings.131468/https://forums.stevehoffman.tv/threads/essential-barry-diament-masterings-part-2.220334/page-12 PAP 1 How a Digital Audio file sounds, or a Digital Video file looks, is governed to a large extent by the Power Supply area. All that Identical Checksums gives is the possibility of REGENERATING the file to close to that of the original file. PROFILE UPDATED 13-11-2020 Link to comment
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