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At least philosophically, I prefer to keep DSD (dsf) files DSD and PCM files PCM. It seems that each conversion has an algorithm that has rounding in it…the more times your round "rounded" numbers, the more you depart from the original. The experts say the "best" way to convert from PCM to DSD, for example, is to record to analog (tape) and then back to DSD. Just saying what they say. Keep the DSD (dsf) files if you do convert…you may (will) want them later!



Positive emotions enhance our musical experiences.


Synology DS213+ NAS -> Auralic Vega w/Linear Power Supply -> Auralic Vega DAC (Symposium Jr rollerball isolation) -> XLR -> Auralic Taurus Pre -> XLR -> Pass Labs XA-30.5 power amplifier (on 4" maple and 4 Stillpoints) -> Hawthorne Audio Reference K2 Speakers in MTM configuration (Symposium Jr HD rollerball isolation) and Hawthorne Audio Bass Augmentation Baffles (Symposium Jr rollerball isolation) -> Bi-amped w/ two Rythmic OB plate amps) -> Extensive Room Treatments (x2 SRL Acoustics Prime 37 diffusion plus key absorption and extensive bass trapping) and Pi Audio Uberbuss' for the front end and amplification

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Keep DSD files as long as posible as DSD, and PCM as PCM ...

Use on the fly conversion if needed, but do not change the "origingal" *) data - if possible.

At least this is may way of handling it, as usually one does not know what the future - and (as example) DAC manafacturers - will bring up next :-)

Esoterc SA-60 / Foobar2000 -> Mytek Stereo 192 DSD / Audio-GD NFB 28.38 -> MEG RL922K / AKG K500 / AKG K1000  / Audioquest Nighthawk / OPPO PM-2 / Sennheiser HD800 / Sennheiser Surrounder / Sony MA900 / STAX SR-303+SRM-323II

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