Part-Time Audiophile Posted October 23, 2011 Share Posted October 23, 2011 Chris -- nice write up!<br /> <br /> But a note about sound quality at shows ....<br /> <br /> At RMAF this year, some rooms sounded just great. Some, not so much. But it simply isn't true that most rooms sound bad at shows. Most sound quite fine. Maybe not their absolute best, but there is quite a bit of effort that goes in to those rooms. Enough so that when you're in a room that gets it wrong, it's a shock that the sound quality is actually and actively bad. Now, making a big deal out of a bad sounding room is probably nothing but snark, but making nothing out of a great sounding room is worse. <br /> <br /> LSA sounded very good. Joseph Audio sounded very good. Volti sounded fantastic. Sjofn sounded fantastic. The little Brodmann was fantastic. The giant Cessaro was, literally, stunning.<br /> <br /> The big YG? Not so much. Ditto the Magico room. Ditto the Burmester room. Rosso Fiorentino had some issues with some bass-heavy tracks and so did the big Brodmanns. At least one widebander had a serious mid range suckout, and another seemed to completely lose track of the bass entirely. Does that mean that any of those speakers suck? Hardly. But their failures do nothing to take away from the successes of the other rooms. Scot Hull Part-Time Audiophile Link to comment
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