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Showing results for tags 'Dolby'.
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Need help in making a decision. Just asking for input, and this is a very important crossroads. The FeralA filters are now 'perfect'. They work for everything presented, only 3 adjustments, and possible to bring it down to two -- both are dB type adjustments with narrow ranges. There is also the calibration for decoding itself, but that also has been generally very stable on non-normalized consumer material. Everything presented is cleanly decodeable, even the ABBA stuff, Carpenters and other previous 'problem children.' There was a discrete change which opened up the full solution. It is of similar form to the previous filter design, but a major 'hole' was patched. My reality: I recognize that I know that the audience is limited, and that not many people are truly enthusiastic, many probably not believing in the problem, even now... Should I publish the filters or not? I know that there aren't very many DolbyA decoders out there, but there are indviduals who have strong marketing/sales abilities, and I have none. It is very possible that with proper marketing support, someone could make a LOT of money on the filter designs (improved sound for everything, easy to adjust), but I also want to 'fix' the music. I really don't mind if someone makes money on this design, but it doesn't seem right that 2-3yrs (probably 8yrs total) of part time work would be monetized by someone else, without supporting the person who did the work... Note: I don't care about money -- but I do care about fairness. I like helping people, but there is a certain morality (or lack of) by some people in this world... What do I do? This is NOT rhetorical -- the filters are NOW perfect, I can create true DolbyA material from almost any pop FeralA stuff, often first iteration. Anyone could use the filters now.... John
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- Dolby
- dynamic range
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