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    The Computer Audiophile

    Wireless Music Distribution Part One

    airtunes-thumb.jpgMusic distribution throughout a residence has been around as long as I can remember. This may say more about my age than the longevity of whole house music, but nonetheless we are not talking about a new concept. Traditional music distribution used a couple amplifiers and long analog cable runs that frequently suffered signal degradation. While this old-school method worked virtually every time it produced less than stellar sound at a less than stellar price. Today music distribution can be accomplished via ubiquitous wireless home networks and a couple Apple Airport Express units. The cost is greatly reduced and the sound quality is greatly improved when compared to the traditional music distribution systems. The convenience of having a complete music library accessible at the tap of an iPod Touch icon is an improvement over many systems available in the past. Plus it's even possible to turn the music on and off in individual zones from a single iPod Touch. This is the first part in a series of articles about distributing music throughout a residence. Part one provides a diagram and basic explanation of music distribution with a computer based music server. Subsequent articles in this series will show exactly how to configure iTunes and Airport Express units for music distribution as well as Apple TVs for selecting different music in each zone of the residence. [PRBREAK][/PRBREAK]

     

     

     

     

     

    There are many different ways to distribute music throughout a residence. Most of these methods either cost an arm and a leg or they just don't sound good at all. some of the proprietary systems function very well but they make it hard to justify moving to a different platform because none of the components purchased in the past will work with anything in the future. Nobody needs electronic bricks worth several thousand dollars laying around the house. For the aforementioned and a few other reasons I really like distributing music with the $99 Apple Airport Express units. When additional features and control are required a step up to the $230 Apple TV is easily justifiable. Both of these devices output bit perfect 16/44.1 audio streams via an optical TosLink cable to any digital audio converter of your choice. It's also possible to use the built-in Airport Express DAC but that's stretching this very inexpensive technology a little to far in my opinion.

     

    Music distribution with a Mac Mini and an Airport Express is much easier than most people imagine. At a high level, one only needs to tell iTunes where to output the audio signal. Through the iTunes interface it is possible to select any single output device or any combination of output devices throughout a single home network. For example, I can listen to my main Mac Mini system only and disable sending music to any other zone in the house. I can also send the music to other zones only and not play a single note through my main Mac Mini system in my listening room. Controlling this audio output is possible from the music server itself, screen sharing, or via iPod Touch. From the living room it is possible to direct the music to other rooms of the house using the free Remote application from Apple. As I said earlier, part one of this series is just an overview. The following parts of the series will go into the fine details of configuring iTunes and an Airport Express for music distribution and then move to an Apple TV for playing separate music selections in different room all from the same music sever.

     

    The following is a diagram of a Mac Mini based system with three music zones. In this system it is only possible to send the same music out to each zone. It is possible to select each output that will play the music either via iTunes or an iPod Touch. The diagram has pictures of each interface and shows the selection screen for choosing specific zones. The path of the music in the diagram is from a Mac Mini to an Airport Express via wireless, from the Airport Express to an AV Receiver via optical TosLink and from the receiver to local speakers. Zone One in the diagram does not use an Airport Express because the Mini has its own built-in optical output which connects directly to the AV Receiver in the same equipment rack. As the name of this site suggests I like to focus on Audiophile solutions. This particular diagram uses some components not traditionally thought of as Audiophile grade. While good sound is possible with these components it is always possible to step it up a notch to improve sound quality. For simplicity I elected to send the music into an AV Receiver for the first diagram.

     

    Note: This is an interactive series of articles. Please let me know what parts of the puzzle you'd like to know more about and what parts just don't make any sense. There is always more than one way to explain concepts and I never said I get it right the first time :~)

     

     

     

     

     

    <a href="http://images.computeraudiophile.com/graphics/2009/0308/music-distrubution.pdf">PDF Vector version (large) 3.7 MB</a>

    <a href="http://images.computeraudiophile.com/graphics/2009/0308/music-distrubution.png">PNG version (large) 1.18 MB</a>

     

     

     

     

     

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    <img src="http://images.computeraudiophile.com/graphics/2009/0308/music-distrubution.jpg">

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    Thanks for the quick reply Chris! I've been sick the last couple of days so my troubleshooting has been on hold. Here's what I know so far:<br />

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    1: the HDCD light does NOT light when connected directly to the Toslink out on the iMac or the Airport<br />

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    2. Audio MIDI is set to 44.1 / 16bit (I've also tried 44.1 / 24bit) volume at -0.00<br />

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    3. Itunes volume is all the way up and disabled actually for remote speakers<br />

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    4. All rips were done on this iMac with a Plextor drive using iTunes.<br />

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    It seems like the key element here is that the I cannot get the HDCD light to "light" even when plugged directly in. It's got to be at the computer level not anything to do with the AE.<br />

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    I have the latest version of sound flower installed as well but I'm currently not using it. Not sure if this would help or hurt my cause. I can also send you the .m4a lossless I'm using to see if perhaps my ripping setup is not what it should be.<br />

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    Any thoughts??

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    It's about 16 Megs. Can I send you a link privately??

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    I've got an old iMac G5 nothing is too weird on it. What could it be?

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    What are you using for an optical cable? A mini-toslink to toslink cable or a regular toslink to toslink cable with an adapter?<br />

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    Does your Audio Midi look like mine pictured below? If not because of OS X versions, are your settings at least the same? I noticed you said volume was at -0.00. I don't even have the option in Audio Midi for volume control when the digital output is selected.<br />

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    <img src="http://images.computeraudiophile.com/graphics/2010/0413/audio-midi.png"></img><br />

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