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For details and chances to debunk caveats errors etc, please refer to If you have suggestions, you're welcome Results : Bernie Grundman uses, or at least used to master Joe jackson's Body & Soul in 1984, the Bruel & Kjaer Kevin Gray, at least for his SACD of the above, used straight 0 dB to 1K, downward straight slope from 1 to 20 K, 20 K -3 dB (projected, he lets, as I do, the natural parabolic fallout of his speakers above 10K) Alan Yoshida seems to use the same (Somethin' Else by Cannonball Adderley for HDTracks) Shawn R Britton to master Steamin' by Miles Davis (MFSL SACD) : same as above but -4.25 at 20 K Bob Katz (claims): same as above but -7.26 @24000 Steve Hoffman : oh my ! read in the above quoted thread Please think carefully : are the versions you prefer the absolute very best (could be because of source, transfer...) or the best match to your own in room response ? What if there's no alternative version and you're far off ? I encourage to have at hand several in room responses to match the engineers' Mind that there are several dBs difference that no usb cable or LPS will compensate
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