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Found 8 results

  1. i have engaged in a rip journey to transform the cd piles in wav files on a synology media server DSP214play now, the whole ripping and tagging process it is not exactly a breeze, it looks more more like a trial & error process or a steeplechase race... whilst consulting the fifth edition (2015) of robert harley's audio guide i read with amazement on p 220 'the downside of wav is that they have no provision for embedded metadata ... you could create a large music library as wav files on an nas drive ... only to discover that the metadata disappears when your drive is connected to another server... you can move your wav files to another server but the metadata will be unreadable by the new server...' is this true? am presently set on XLD (for ripping) and kid3 (for further tag editing) both on macbook also downloaded wav audio files from qobuz - including what appears to me as embedded metadata (??) is there somebody who can comment and expand on the statements of robert harley and explain what are in practical terms the limitations, constraints and risks of tagging wav files?
  2. Hi, I have a song that I recorded, which I converted from a WAV file to an ALAC file using iTunes. The song plays on iTunes on my Macbook Pro with no problems, whether I play it directly through iTunes or using Audirvana Plus or BitPerfect through my HeadRoom Portable Desktop Amp (PDA). However, when I transfer the ALAC file to either of my two iPod Classics, there are audible clicking and popping sounds present throughout the track. I have rebooted both iPods and their software is up to date. My iTunes software is also up to date. Please note, I am using the same headphones (Denon AH-D5000 for iTunes and iPod playback. The crackling and popping noises occur when I use the headphone jacks on the iPods or when I use my Onkyo ND-S1 dock through my HeadRoom PDA, so this is not a connection problem. I have reconvereted the WAV file to an ALAC file twice using iTunes; the track still plays correctly on my Macbook through iTunes, but the track is still crackling and popping when I put it on my iPod. If I convert the wav file to an AIFF file, it does not pop or click on either iTunes or my iPods. This does not seem logical. There must be an error occuring when iTunes transfers the ALAC track to my iPods; however, I have >7000 ALAC tracks dispersed over 3 iPods and this is the first instance of this error. In summary: WAV to ALAC: clicking and popping on two iPod Classics but not on iTunes. WAV to AIFF: no clicking on iPods or on iTunes. Here is another interesting twist based on a test that I did. If I convert the AIFF file that I made in iTunes from the WAV file to an ALAC file using the program Max rather than iTunes, there are no clicking and popping sounds when I play the Max-created ALAC file with iTunes or on my iPod Classics. I transferred the ALAC file that I made in Max to my IPod using iTunes. This means that iTunes is somehow converting the WAV file to an ALAC file that exhibits no errors when played back with iTunes, but that does exhibit errors when played on either of my iPod Classics. It seems that I've solved this problem. Convert the WAV file to an AIFF file in iTunes and then convert the AIFF file to an ALAC file using Max, but I should be able to convert the wav file directly to an ALAC file in iTunes. Has anyone else had a similar problem? Thanks, Heath
  3. Hi-res Wav vs Flac vs CD vs Mp3 free comparison files Downloads: Link to Zip File ; Compare Formats
  4. I am currently using JRiver in server mode on Win7 OS to stream WAV files to my Marantz SR6006 reciever. I am controlling with JRemote. The files play ok but show up on the receiver as MP3. I cannot figure out how to get them to play as a WAV file and of course I want the best possible quality. I do note on JRemote there is a streaming quality option in settings but it is limited to 64, 128 or 320 kbps and no other options are offered but I would think that setting is for files streamed to my iPhone and the receiver. Last evening I tried some files directly from PC to Marantz (no JRiver or JRemote involved) and still shows MP3. Does anyone have any suggestions on appropriate settings? Many thanks.
  5. Hey there, I am interested to burn an Audio CD. This will be a compilation having as source, wav files. I am interested to mix some of them using custom curve crossfade or no fading effects. I know that some burning software (like Nero for example) have a built in option called crossfade with previous track, but the result will involve a fade in/out as well. Having this project in mind, what is your recommendation in order to preserve the native quality of the wav tracks? Saving the compiled files (was as well) could come with loss of quality? how can I check taking in consideration the fact that the resulted files will be at different duration, CD index, etc. I've tried Nero SoundTrax but no so sure about the quality. Thanks,
  6. Hello, I'm looking for an internal PC drive in order to rip Music lossless files from CD's. Objective is to rip AIFF or WAV files with the highest possible quality, I'm using Dbpoweramp software. I remember times ago Pioneer & Plextor were the best drives but might not be the case today ? Thank you for your feedback Rgds
  7. Note: This is going to be a little complicated, so I will try to cover every factor in this problem I've had. I purchased some DSD (352 khz) files of solo piano music that's fairly dynamic and detailed, with loads of gorgeous harmonics. I prefer to play my music in 24/88 or 24/96 format, and also be able to convert to 16/44 WAV to play on my 256 gb Apple devices. So I purchased a well-respected converter (Mac version) to make the 24/88 FLAC and WAV files, and carefully followed the instructions given by the music critic who promoted the album, as well as the detailed instructions given by the converter gurus. Those 24/88 conversions not only wouldn't play on my PC in Foobar2000, they corrupted Foobar so badly that I had to reinstall it. That process of conversion from DSD to 24/88 and attempts to play on Foobar followed by reinstallation was repeated many times, with input from the persons noted above, with no success. Note that I have over a thousand high-res (24/88 to 24/192) WAV and FLAC files from HDTracks and several other such sites, and I've never had a single problem playing those on my Foobar2000 player. And I tested a number of those again during this process. So I finally decided to convert the DSDs to 16/44 WAV files, and those played just fine on Foobar2000. But when I converted those WAV files to FLAC, the FLAC files (Level 5 FLAC) were smaller than MP3s, i.e. about 23 percent of the 16/44 WAV size. Using that same Foobar2000 and both FLAC converters I have (ca. 2007 and 2014), I've converted several thousand CD/WAV rips to FLAC over the years, and none of those FLACs were less than 60 percent of the WAV file size. I even went a step further to see how my trusty FLAC converter could make files smaller than the corresponding MP3s - I converted a few MP3s (320 kbps, 4 minutes and 10 mb each) to 16/44 WAV tracks (44 mb each), and then I restarted Foobar and converted those WAVs to FLAC. Those FLACs, which originated from the MP3 files, were now 24 MB each, and Foobar showed a bitrate around 760 kbps when playing. The "23 percent" FLACs noted above showed a bitrate playing in Foobar of 290 kbps. So my question is, given that I cannot make a FLAC that's 23 percent of a WAV file size from any of the thousands of WAV files that I've ripped or purchased, or even from up-rez'd MP3s, what could possibly be in the WAV files I got from the well-regarded Mac converter that I purchased, that would trick my FLAC converter into making FLACs smaller than MP3s? The converter software gurus say that the DSD recordings have "extremely low complexity", which makes no sense, and doesn't fit with all of the other experience I've described.
  8. Does big labels spoil the audio quality by over producing /mixing/ mastering? Or are there examples that proves this theory wrong? As an example I chose these 2 musically very satisfying albums. Adele;Amazon.com: Adele: 21: Music Carmen Gomes;http://www.soundliaison.com/ Adele ''21''; DRdata base score; min. 5, max. 8. Carmen Gomes ''Thousand Shades of Blue''; DRdata base score; min. 12, max. 15. That is almost 2 times as much dynamic range and Carmen Gomes, on that album, is singing softer than Adele. But of course it is also two completely different production methods; Carmen Gomes source;http://www.soundliaison.com/ Adele 21; source;Tom Elmhirst: Recording Adele 'Rolling In The Deep'
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