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About Me

Found 6 results

  1. Hi, we are excited to announce that SongKong is now available for any Synology Disk Station that supports Docker (i.e Intel based). If you are not aware of SongKong but are aware of Bliss then you could consider SongKong to be similar type of software, although in many ways it is very different. Its focus is automatic matching of your music via AcoustId/MusicBrainz/Discogs, it can then add very detailed (Roon level) metadata and artwork. SongKong provides automatic song identification for your music, identifying songs, adding metadata and artwork, and also deletion of duplicate songs. It also provides manual editing and a completeness report totally free, and the automated matching can be run in preview mode so you can see the exact results. It can be fully controlled via a web-browser making it totally suitable for use on a Synology Disk Station. If you are a QNAP user then we expect to have it working for QNAP very soon. It has been thoroughly tested upon a Synology DiskStation 218+, and full installation instructions are available here
  2. I am presenting the new Tonal app (the old one here), which defines a better way to build and experience your audiophile music collection. To structure Tonal’s specifications and features in a compact yet engaging way, I am listing ten opinionated principles for good (software audiophile) players. I want to keep the post as short as possible. TEN PRINCIPLES FOR GOOD PLAYERS 1. GOOD PLAYERS ARE INNOVATIVE Tonal introduces a new audio file format, a feather-light playback engine, and a groundbreaking music metadata solution. Built on these foundational innovations, Tonal creates its category. 2. GOOD PLAYERS ARE PREDICTABLE Tonal collects music into .tonal audio files — a lightweight audio format containing pure PCM or DSD data of a complete disc in a standardized encoding. The effects of different codecs and/or parameters are completely eliminated before playback. 3. GOOD PLAYERS HAVE CONSTRAINTS Tonal rejects lossy audio and incomplete discs. Red Book discs must be AccurateRip verified. Don’t worry, CUETools is included to fix broken rips automatically. Remember, we’re curating, not just collecting. These constraints make the playback even more confident and predictable. These constraints, in the end, set you free. 4. GOOD PLAYERS ARE ACCURATE Tonal is always bit-perfect. The whole app is engineered bottom-up from an audiophile engine that is canonical and featherweight —— only 4 SLOC in C (the theoretical minimum code footprint). Tonal also offers fine volume control at your DAC’s native resolution, enhancing your Mac’s native experience. 5. GOOD PLAYERS REQUIRE NO CONFIGURATION Tonal has preferences, but no settings, not a single. No need to tweak checkboxes, pickers, or sliders for optimal audiophile performance. Tonal automatically measures and optimizes all parameters on your Mac before the first note is played. Discuss the music and the sound with your friends, not the settings. 6. GOOD PLAYERS MAKE DURABLE COLLECTIONS .tonal audio files contain no music tag, making them absolutely stable once created. Collectors always hold bit-identical .tonal audio files for the same audio disc. Also, there is no duplicate music on your storage. 7. GOOD PLAYERS ARE RESPONSIBLE Indexing your music collection using proprietary metadata sources is irresponsible: they may not last long. Tonal relies on only one metadata source: the Tonal disc catalog. Edit metadata easily in the browser-based Tonal Editor, which syncs your collection in real-time. The catalog is licensed under the (not revocable) CC BY-NC-ND 4.0. Your collection and the metadata must outlast Tonal. 8. GOOD PLAYERS EMPOWER COLLABORATIONS Collaboration is the spirit of our community. The Tonal disc catalog is contributed solely by Tonal users —— community collaboration on music metadata is finally real. Improve data quality, or establish a style guide, there are many things you can do! Imagine a published discography of [name your favorite pianist] with your name on it —— only Tonal can make it happen. 9. GOOD PLAYERS ARE LOCAL Tonal is local first. You create no account to use Tonal. You can play and explore all your collections without a network connection. You can migrate or rebuild your entire library even without Tonal backend services. Tonal is subscription-free. Buy once and use forever. Apple wants developers to switch to a subscription model, which simply does not align with Tonal’s philosophy. 10. GOOD PLAYERS ARE AS SIMPLE AS POSSIBLE Tonal does not treat the UI like a bazaar, letting recommendations, portraits, biographies, audio metadata, and various controls compete for your attention. Tonal is just 25 MB (universal build runs natively on Apple silicon and Intel-based Macs). Tonal wants to be a tool —— a simple, precise, predictable, and working tool. “Technology is nothing. What’s important is that you have faith in people, that they’re basically good and smart -- and if you give them tools, they’ll do wonderful things with them. Tools are just tools. They either work, or they don’t work.” —— Steve Jobs BUILD YOUR AUDIOPHILE COLLECTION THE HARD WAY A Plex-like app that monitors your folders and grabs music metadata automatically works well until it fails. No commercially available music metadata source meets Tonal’s standard, especially for classical music. You need to do it yourself. You also need to learn a new language (see the complete user guide to learn more). Seriously? Why? As an Asian, organizing (think Marie Kondo here, not MBA courses) is deeply rooted in my mind and body. When practicing organizing, my philosophy pivots around two points: Good methodologies are usually hard to get started, a great one may be even harder (if not the hardest) and demands a lifetime commitment. Measure the entropy (as in information theory, represents uncertainty) and reduce it to the minimum. You need to fight hard for this, at all costs, for all the time. Building a music collection, at the essence, is all about organizing. I don’t want to preach on intangible things. Once you understand how Tonal works, you will never look back. Tonal is neither for everyone nor for every audio file on your disk. Please read the complete user guide, at least twice. I am glad to answer any unanswered questions here. CODA The new Tonal app is available for pre-order today and is expected to be released on June 30. The introductory price is $99.99 (50% off the regular price). You won’t be charged until the day Tonal is released for download. Please read the complete user guide. The website may also help you understand Tonal’s purpose. There will be no free trial during the introductory period (no plan afterward). I prioritize finding people who just know Tonal is their long-awaited missing piece and helping them onboard. ACKNOWLEDGEMENTS Thanks to Chris Connaker for offering me a great place to launch Tonal (for the 2nd time). Gratitude to David Bryant (WavPack), Matt Ashland (Monkey’s Audio), and Grigory Chudov (CUETools) for your wonderful work and kind support. Thanks to Mr. Spoon (dBpoweramp) for allowing Tonal to access the AccurateRip database. Thanks to Grigory Chudov, again, for allowing Tonal to access the CUETools database. Thanks to David Chesky for keeping me motivated and confirming “The sound is really nice.. !!!!”. Thanks to Kirk McElhearn for being the first user while he was busy reporting WWDC. This is my 20th year working on the classical music database I dreamed of, my 10th year working on Tonal, and the epoch year of the new Tonal. Thanks to music! Thank you all! PS The initial launch covers Canada, the United States, Ireland, the United Kingdom, Australia, New Zealand, and Singapore. The reason is simple: users collaborate on one single music metadata database (currently English). Please give me enough time to think about how more languages should be added. The playback quality of the old Tonal was well received, I also found a post on Roon’s forum praising its playback quality. The new Tonal shares the exact same renderer (only 4 SLOC in C). FYI.
  3. This thread is intended to differ from the M1 one by: Ooh, broadening the scope to all Macs Otoh, narrowing the focus on if a particular Mac Plays fine/Does not with regards to desirable settings My goal, and I guess it will be of interest to others, is to make an informed decision about the replacement (or not) of my MM1 8 Go RAM. With that machine I can, using convolution and, including Mch downfold to Stereo, ouput : • @ 256 SDM all PCM sources with rates up to 192 (384 untested) with 7EC Super and its 512 variant with satisfying filters ie Sinc MG/a or gauss hires lp Guess 512 and 1024 are desirable but no real frustration there • @384 PCM all PCM sources with rates up to 192 (384 untested ) with Sinc Long filter. That is frustrating and far from 1.5 M May (my DAC) capability that proves superior to lower rates with filters I could up that far. Yet with 1x sources it sounds good (I prefer SDM route and hires lp or Sinc MG with higher rates) • @128 SDM 64 SDM sources, (above and Mch : NO) with 7EC Light And source file has to be in a RAM disk and it’s not occasional glitches free That is very frustrating….. Plus I have RAM swapping almost all the time : I wonder if I would be so eager to churn a 16 Go RAM MM1… And you, what can you play with your Mac ?
  4. Hello everyone, For the past year I have been experiencing issues with macOS USB Audio implementation. Ocassionally, when using a USB DAC (in this case a Wadia di122) if there is a track change and the sampling rate is different to the previous track or idle state, there is a sudden burst of distorted audio and white noise coming out of the speakers. It sounds very similar to when one does process little--endian data as if it were big-endian data. You somehow hear the music behind that big mask of white static noise. I have to say this does not happen every time the sampling rate switches from one frequency to another but it does happen and when it happens it always follows the same pattern. Originally I thought it was the DAC, so I spoke to the dealer and I was offered a brand new replacement, which I gladly accepted. After a few days the issue appeared again, so I decided to look further into it. Whenever this happens, the DAC shows the correct sampling rate, the music software (roon, audirvana and hqplayer) they all show the right track info, and appear to be playing the track correctly. There are no messages in console and not a single error or warning anywhere in OS. I contacted Wadia (McInstosh Labs) and they pretty much didn’t know what to tell me. They suggested replacing the USB cable (something I had already tried), unplugging all other equipment (tried that too) and as a last resort, up sample everything to 192K or 384k (which didn't work). I have tried many things, reinstalling different macOS versions from El Capitan to Mojave, disk repairs, SMC and NVRAM resets but the issue will eventually occur at some point again. I even tried it on both, my Mac mini 2012 and my MacBook Pro 2015 (Plugged and battery only) and the same thing happened. Then I decided to go the Windows 10 route and I was surprised after weeks of intensive testing no loud bursts of noise were to be heard, (using the Wadia drivers for Windows). I then installed Linux on that old windows laptop and the DAC has had no problems with it for the past month. In the meantime I had also tried with a couple of DACs. An old Arcam rDAC I had lying around had not problems at all but I guess it is due to the fact that it works under the USB 1 protocol. I also had the chance to try with a Rega DAC-R (revised versión) and it did not show the loud white noise issue) but macOS had trouble recognising it under midi settings, had restart and reset SMC so that it would appear listed as a connected audio device. On some internet searches I did, I noticed that there are quite a few USB Audio-related entries about people having sporadic and sometimes weird issues for which there are no proper resolutions yet. Perhaps, in my case, the issue could be solved by having Wadia look at the firmware and see if there is something that needs to be revised in order to make this wonderful sounding DAC more compatible with macOS. I just doubt there is anybody at McIntosh Labs interested in looking into it. Same goes for Apple. I’ve used Apple products for more than a decade and there is certainly a change in the way their products are presented.They are still very functional in many aspects but very mainstreamed in the sense that they might no longer cater for the audiophile end corner of the market. If anybody has had similar experiences with macOS USB audio implementation, please post. Audirvana - Wadia di122 noise.m4a
  5. Now, I’m not going to do this anytime soon, but I need to upgrade my main computer to macOS Sierra. That is the computer with my master iTunes collection. A long story short, but it is still on Mavericks. NO, I thought Mavericks was OK, but I didn’t really like Yosemite. When I finally had the time to upgrade this particular machine to El Capitan, the boot installer I created was made with an El Capitan installer that had the expired certificates. So, that was a no go. I do like Sierra enough to make the jump. As I generally do a clean install, the only thing that worries me when upgrading this machine is iTunes. This OS X Mavericks computer is still on either iTunes 11, 12.1 or 12.2. (This computer is in another location.) From reading Kirk’s various columns, posts, and listening to his podcasts, I never got around to loving the latest versions of iTunes, but now I am ready to make the jump with 12.5. I have never used iTunes in the Cloud or Apple Music. And I mostly rip my own CDs. I never allow iTunes (or any other app) to download cover art. (I save the covers I use to a folder.) My question is “How do I make the jump?” I am gathering that if I do a clean install, I will automatically upgrade to 12.5. Or should I firstly, upgrade iTunes on the Mavericks machine to 12.5. Secondly, move the iTunes folder to an external drive and upgrade to macOS Sierra. Then, move the iTunes folder on the external drive to the newly blessed, clean computer? Actually, I want to prevent macOS Sierra and iTunes from establishing any setting that allows it to download artwork or any other thing. I just want to upgrade — not have iTunes force any additions, changes or substitutions. (Yes, I read some posts on the Kirk’s iTunes Forum about downgrading iTunes, but I’m trying to avoid that!) Some time around iTunes 12.5.0.61, in August, I noticed that I could no longer see my compilations. After doing some searching, I did see that they were still there. I could see them in ‘Recently Added,’ but not in the ‘Albums’ view. They finally appeared in ‘Albums’ after the second golden master of Sierra. With the computer I am using to test with, I only have a few compilations out of 71 albums. Any ideas, much appreciated! @kirk, I know you always write that you test the various versions of iTunes on a computer that does not house your main body of iTunes. Which version of iTunes holds your master iTunes collection? (If you don’t mind enlightening us.)
  6. It is called Meta, and I can attest to it's ease of use. I have figured it out and fixed most of the genre tags in my entire music collection this evening. If there is one thing I do not like about it, it would be that the artwork search is an in-app purchase on top of the $19.99 for the program. I did not buy it, I just use The Google. However, it is extremely user friendly, customizable, has every tag I can imagine you needing, and it will let you make your own if you need a special one just for you. Edit: It does let you import and work with your own artwork though, such as those downloaded from other sources. https://www.nightbirdsevolve.com/meta/
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