Jump to content

FredM

Members
  • Content Count

    282
  • Joined

  • Last visited

About FredM

  • Rank
    Newbie

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. Hi Geoff, I understand your question, I’ll try to answer. Please let me start saying that in case the MU1 is used in combination with a Grimm LS1 speaker system ( =my situation), the MU1 acts as the ‘pre-amp’. There is a proprietary connection, carrying both audio data and control data between MU1 and LS1’s (I won’t go in detail how the LS1 work. On the Grimm’s site you can find a white paper with schematics etc and much more in depth information). In addition to the proprietary LS1 output, the MU1 has two other outputs to connect a (3th party) DAC with. One of them can also output a volume controlled signal to the DAC. One of those might be suited for you. I remember that in an interview Eelco Grimm has explained the design of the MU1 volume control. I believe the volume setting/calculation is done on the FPGA board and that it would be very difficult to hear a difference, if any compared with a external pre-amp/volume control. So with the Roon app you’re controlling the FPGA board directly, not Roon’s volume calculations. (I did have a quick look for you, but couldn’t find the specific fragment of the interview.) The disc on top of the MU1 also acts as the volume control (I rarely use it, as the MU1 sits in a cabinet), I very much like the convenience of the app, everything at the touch of my fingers. In my experience I don’t notice a degree of anything using the MU1 to control the volume and very much fancy the convenience. I haven’t compared with a top notch external pre-amp/volume control device in between. I love the simplicity with the MU1. Cheers, Fred
  2. I understand, please don’t take it too serious, consider it as an alternative to share/indicate my listening experience (which is personal, etc). As we all know how it’s feels when we’re touched by music. It’s even possible to move towards a more scientific approach to measure the (emotional) effect/connection if you want, I just found this goosebump sensor 🙃 (But please in an other topic, not keen to open a can of worms).
  3. Apparently the link has been changed, hope this one sticks:
  4. Haha, I don’t know, both I think. Are you suggesting A/B comparison sessions, blind? Oh wait.. uhm.. 😁
  5. Update: now that the MU1 is settled in, it’s time to share my listening journey with the Grimm Audio MU1. As mentioned earlier, please don’t expect a professional like write up where several hifi components are compared and carefully described with a rich hifi/ audiophile vocabulary. Even after about two months of listening I couldn’t catch the MU1 in an one word summary. There is more to it, which I’ll explain later. To share my personal thoughts with you, this ‘listening journey’ update has three perspectives. Please let me start with the first, and most important: Objective listening experience Here’s a chart on how the MU1 objectively sounds: This is probably the most fact based experience I can share with you*. The items on the bottom represent the listening sessions, the value per bar displays the number of goosebumps per session. I’ve never experienced this before, it’s great to have such an (emotional) connection with the music. With the MU1 I’m not listening technical and dissect a song, it’s about the joy of listening, where my foot starts tapping, etc. (*Disclaimer: I’m not a person with a notebook and pencil at hand during listening sessions, I would say it touches five on an average evening). So perhaps the MU1 can best be described as a goosebump inductor, or as a pleasurability generator: “Canadian researchers have suggested that when humans are moved by music their brains behave as if reacting to delicious food, psychoactive drug, or money. The pleasure experience is driven by the chemical dopamine, which produces physical effects known as "chills" that cause changes in heart rate, breathing, temperature and the skin's electrical conductance. The responses correlate with the degree to which people rate the "pleasurability" of music. Dopamine release is greatest when listeners had a strong emotional response to music. "If music-induced emotional states can lead to dopamine release, as our findings indicate, it may begin to explain why musical experiences are so valued,” wrote the scientists.” Listening impressions What impresses most during the first weeks is the lack of listening fatigue. Three, four, five hours without a problem, no limit. Great to listen song after song, album after album. Or just sit back and let Roon serve its picks and discover new tunes. This effortless comes with a warning, it’s addictive. Thanks to separated listening room (with no mrs M. around) listening till 2.00-3.00 AM is no exception, like having a candy shop at home. New for me, the volume also doesn’t seem to trigger listening fatigue. Delicately soft or screaming loud with striking dynamics: it’s all good, where the volume slider in Roon is very convenient to simply adjust things on the fly (with peace in mind, thanks to a ‘comfort limit’ setting). When listening at low levels, there is still a sharp picture, details and image remain. I mostly listen at folk/vocal, jazz, electronic and pop/rock btw. What could be a down side for some: great recordings sound great, exceptional recordings sound exceptional and lesser quality recordings show there shortcomings. I have the impression that the MU1 doesn’t overemphasis. Replay is transparent and honest, it’s fast with lots of details (with for example the beautiful gradually dying of a piano tone or the tip of a drumstick hitting a cymbal) but not in an overemphasised / in your face way. Most difficult to describe is the ‘flow’ of the music, I don’t know if this is related with the LS1be also in play. I’ll try to explain what I mean with ‘flow’ in an other context: It like riding a rocking horse on a carousel. When sitting on a rocking horse (normal listening) is very entertaining, the extra joy (flow) is created by the carousel, where al individual pieces (instruments) seem to move in same direction, and each have their own character next to you: moving up and down, sideways and with their own pace on the carousel platform: All instruments towards the same direction, being surrounded and sucked into the music. I hope this makes any sense, please excuse me, I couldn’t think of an easier way to describe it. At least you now know the limitations of my writing skills 🙂 Relaxed listening Also worth mentioning is the impact on the hobby. After adding the MU1 in the set, it seems everything falls into place. I still occasionally read about hifi news and developments, but in a more distanced way. Despite knowing there are some (potential) upgrade possibilities, the ‘upgrade bug’ has left the building. With power cables, network input and perhaps vibration as the usual upgrade suspects, I don’t feel a desire to improve in a specific area (I’m currently using a white Walmart power strip, go figure). The chain seems very well balanced. Endgame? Yes. Who knows what the future brings. If I would change things, I reckon it’ll most likely be driven out of curiosity (not from a desire to improve or fix certain area’s). It’s also a comforting thought that Grimm has a reputation for offering upgrades on existing products, so why pursue upgrades: Better to relax and enjoy the music. A big thumbs up for the Grimm team, a stellar performance!
  6. That’s my point, a general ‘best’ doesn’t exist, it about best for Yorkshireman. Talking about ‘best’ and even making a comparison with the Statement, while the Extreme jr isn’t available yet is speculation. Or better said, it depends. OP is looking for a server at a similar price level as the Statement. Besides SQ and price of a component dozens other aspects can be important, which of course are all personal (match with DAC, ability to audition, dealer/service, sound signature, size, looks, resell value, upgrade ability, brand preference, etc).
  7. I think it’s clear what you would do and who you echo, but imho this topic isn’t about you. It’s about helping Yorkshireman, from his perspective. It’s fine you don’t like the Innuos sonic signature at shows, Yorkshireman owns a Innuos SE..
  8. I could be wrong, but I thought Innuos also offers an upgrade possibility for their products? The gap between the MK3 and statement is quite big, you could check at Innuos if something is around the corner (to perhaps upgrade your SE)
  9. Recently I bought the Grimm Audio MU1 😀. For my journey, you can have a look here:
  10. Hi Yorkshireman, for what it’s worth, at about a similar price range, this was my recent long list for a Roon server, adding three other candidates (JCAT, PF, SOtM) - JCAT server* - Grimm Audio MU1 - Innuos Statement - PinkFaun 2.16x - SOtM server * - Taiko server jr * * mentioned as ‘in development’
  11. @ray-dude Thanks for the great write up and playlist, I’m enjoying the drum solo on Take Five at the moment!
  12. Can't edit the opening post, here's another MU1 interview. Eelco Grimm and Guido Tent give some details on developing the MU1 (some go over my head), followed with a review by Jason Kennedy from The Ear.
  13. Thanks Ricky, it’s a dedicated listening room, 4x5,2m (approx 13x17 feet), with side and front wall panels and bass traps in the front corners.
  14. Here you go, please let me share my journey/ process to decide for the MU1. In a follow up post I’ll attempt to describe the music experience with the MU1. Besides getting more familiarised with the MU1 at first, hopefully my enthusiasm is settled down (and my night sleep is also back to normal by then). Hopefully I’ve also thought of one simple word to describe the MU1, it isn’t only the qualities, there is more, hard to grab. As some of you might know, my quest for a decent digital front end started a while ago, to be combined with Harbeth speakers, Primaluna Dialogue amp, Metrum DAC in a medium sized room with some acoustic treatments. A joyful system, and very much to my liking. As part of my interest/this hobby I tracked the latest and rapidly changing front end developments. With Linn’s mantra ‘source first’ in my head, I decided the source should be the cherry on top. As several source (related) products where launched: server, endpoint, OS, clock, switch, psu’s and cabling, eventually I preferred an one-box-solution. Having no technical knowledge or relevant DIY skills to build something myself, I reckon it would be difficult and time consuming to determine a good mix of devices/cabling/.. Most would become trail and error in my case. With already some devices in and on the hifi cabinet, I also wanted to avoid a plethora of source related devices/cables. There where not that many servers on the market to my liking. When the hifi tailored AudioLinux software got more traction. I was eying a particular server with this kind of software onboard. Long story short: this appeared to be a dead end street, with a year waisted. Meanwhile -on the opposite side of the system- the idea of an active speaker system was growing on me. Similar to a one box source, an active speaker system is designed and tuned as one. The Grimm LS1, Dutch & Dutch 8c’s and Kii Three would be the usual suspects. When hearing the D&D and Kii Three for the first time I was surprised with their performance. Later I listened at the Grimm LS1 at a Dutch audio show (XFI 2019), their statement LS1be speaker system was connected with the MU1. What an experience, like a goosebumps inductor, once 3 times during one song..! This really grabbed me. Of course I haven’t listened at all speakers in the world, although more than enough to know this was very special. A fair amount of the afternoon I just sat in the room enjoying song after song. I remember driving back home, ‘I’ve just found a gem’. A while later at a dealer I had a direct comparison with the D&D 8c and two LS1 models from Grimm. The D&D and Grimm are both stunning speakers. I favoured the Grimm LS1a, where the LS1be with the dmf subwoofers in my experience where just magical. I was in love. Unexpectedly I was able to go ‘all in’ and sold my complete system and bought the LS1be’s. As much I liked my previous system, I never looked back. The LS1’s simply play in another league. Regarding the source I still was at square one. Oddly the MU1 wasn’t on my radar at first. In fast forward I went thru a similar thought process as before, pondering about separates vs an one-box-solution. I even thought of building my own server. I did some research on fanless cases, motherboards, RAM, cabling, psu, internal cards/bridge, etc. Where I have utmost respect for those who are skilled and have the time to discover and create servers themselves and share their insights online (which I enjoy reading, many thanks @seeteeyou, @austinpop, @bobfa, @romaz, @Nenon and many more!), I reckoned a turnkey solution would be more appropriate for me. As the MU1 was well received in the Dutch hifi press I realised the answer could be right under my nose, with the additional advantage that speaker and source will match excellent. Then, the more I read about the MU1, the more fascinated I got, hence this topic. Not looking on Grimm MU1’s sound quality, there are some other aspects which I find appealing and are perhaps worth mentioning: The design approach, as first mentioned in the OP the importance of matching the format of the source with the ‘native’ format of the DAC. Also walk the talk by choosing for S/PDIF via AES/EBU as the single digital output which carries the clock (quite daring as USB is most commonly used for consumer products). Custom end-2-end design and build, only the NUC and (optional) SSD are of the shelve components. i.e. the psu of the MU1 is developed by jitter measuring at the clock. Track record developing oscillators (Guido Tent, Tentlabs), like a server build by jitter experts. Deep understanding how ‘music works’, with Eelco Grimm being a front runner for Loudness Normalisation (ie analysing more then 4 million albums on Loudness, which recommendations are implemented by Tidal) As with other Grimm products, the MU1 isn’t just buying a server/streamer. Upgrade possibilities will appear, making the MU1 a future proof investment. Sure it’s a lot of money, but with good value imho. The MU2 is already announced (MU1 with internal DAC). Grimm is also working on custom playback software, as a free alternative for Roon which will deliver a higher sound quality. It took the Grimm team of experts (with Eelco and Guido also being university lecturers) about 4-5 years to develop the MU1. No way I will be able to match that with source (related) devices, where I mix and match products myself. So far my personal ‘journey post’, I hope it was interesting and perhaps useful for some. As I’ve enjoyed reading about the process and discoveries of others online, nice to share something in return. Oh, @beautiful music, here’s a nice picture, as requested 😋
×
×
  • Create New...