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ednaz

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Everything posted by ednaz

  1. Great podcast. It's always fun to get the backstory to something like RP. When I listen, I'm always amazed at how many new artists I get introduced to, and even more amazing, many new favorites are artists from back in my young days that I just hadn't come across.
  2. Using the KEF Egg also, and it's a nice little setup for me when I'm working on editing photos. They're set a bit farther apart than I'd like, given the size of my editing monitor and the distance I prefer for editing, but it doesn't seem to affect the sound. Instruments in the middle come from the middle of the screen, with a nice little soundstage on my desk. They have the KEF sound character, too, reminding me of my living room LSX speakers.
  3. How about LSX? A year and a half ago I was thinking about getting one of the Dynaudio all in one systems for our small living room, which would provide background for the dining room across the hall. I couldn't find a system to listen to, but listened to a number of competitive systems... and was bemoaning how much space the best sounding systems took up. 32" wide for the Dynaudio 7. That's the whole damn table top! (The RS200 is a pretty big item itself, and looks like it demands space around it.) And then heard a pair of KEF LSX. And I went... now THAT sounds really nice.
  4. I had a pair of LSX that I used in my living room, and I began with low expectations - just better than the single box solutions for social background music. They won me over big - enough that I thought, I'd be shush-ing guests if some favorite came on. To reduce total pieces and wires, I decided to try a set of wireless LS50s in our master bedroom. (Replacing a Peachtree Audio integrated, B&W CM2 plus subwoofer speakers, different wireless DAC's rotated in and out.) Sold everything after two weeks. One week for the speakers to settle down, and then... those two speakers slayed
  5. I just spent a half hour rehearsing my explanation to She Who Is the Final Judge of All Things On Display Other Than In the Basement as to why we need this three box thing added as an endpoint to a component stack that already tests her design sensibilities, and I'm just not cutting it. But I am looking forward to the Twenty, because I've been through a few different server designs, and while the NUC we have now is less visually objectionable than previous solutions, it's still got fan noise, and because a fan, the tendency to suck in dog hair from time to time that requires disassembly and cl
  6. Right out of films about 2040 that were made in 1980.
  7. Discourse that rapidly declines into ad hominem attacks is to a great extent caused by people mistaking rudeness for frankness, mistaking being an asshat with not being politically correct, confusing arrogance with confidence, and overall taking everything way too personally by making everything way too personal. (That last one is the connection to religion...) The biggest compliment I got in my decades of business strategy and technology consulting was from a client who told me that I was the only person who could tell him that most of the decisions they made were wrong, that the
  8. Jealous... because the other thing that drove me to the madness of a pile of iPods is the mobile phone signal where I live, and where I often drive for photography. Where I live, I don't get the LTE symbol on my Verizon Wireless phone, and except for one second floor bathroom, only one bar. Yeah, out in the sticks. On the 7 mile drive out to a major road, with a lot of homes along the road, I go to "no service" notices a couple of times, and don't get LTE until I'm about a mile from the major roads. Verizon Wireless' response has been, that's why your phone can connect via wifi, it's just not
  9. I've come up with a somewhat unconventional approach to having my music library, with all its breadth of genres, available to me in my daily drive/distance drive SUV in 16/44 form. Driven heavily by the age related quirks of the vehicle. A 2014 Mercedes SUV. Its Apple iPod connector is the older type, Mercedes doesn't make one for the Lightning type connector, and using an adapter doesn't work well. It'll only play compressed formats from the SD card slot. So my only options for at least Redbook sound is, iPod, or CDs. It supports the full iPod functionality on the system screen. (
  10. Sounds like you were at least smiling, and often grinning throughout the review process. Exciting news.
  11. "Dynamic range compression and poor recordings are facts of life that no bit rate, bit depth, or sample rate can overcome. Listening to Metallica's Death Magnetic or the Red Hot Chili Peppers' Californication at 24 bit / 192 kHz just can't make them sound better. They are crushed to death. Period." Amen. There are some bands, and some electronica, that I no longer buy at 14/44, only at Apple compressed 256. I've listened to music from a couple of bands I like at CD quality and Apple Compressed. The DR compression completely wipes out any and all nuance. I just checked my recollecti
  12. I'm with you on this. Many audio media outlets have a standing policy of only publishing positive reviews. Sometimes mixed reviews (I can remember that the Yggy DAC got mixed reviews in a couple of places, generally super positive on listening and not so positive on measurements). But they avoid negative reviews, because silence doesn't threaten ad revenue like a bad review would. And after a few decades as a consumer, and as a consultant to a lot of well regarded companies, I know for certain that no company produces nothing but great products, so over time, with the accumulation of products
  13. Sigh. Looking at the Cobalt and Red, then looking at my on site photography laptop which when I travel is usually my system (relatively new MacBook Pro used for field processing images to show the client) with its USB-C ports. And my phone... USB-C. My tablet - Lightning port. Unfortunately the world of ports is in flux right now. I blame Apple for a lot of this. Since I started using Apple stuff for tablet and laptop (employer requirement) way back when, I've had a Bag-O-Dongles. Dongles to connect laptops or tablets to any of the various ports on video projectors. Others to conne
  14. It's difficult to get to compare active speakers. The big box stores tend to carry only one or two that are above junque level, so I had to fall back on looking at reviews by reviewers who seemed to hear the same things I hear when reviewing gear I own, with a price ceiling that represents sanity, and the fact that the speakers I was getting weren't going to be my primary setup. That got me to a short list. Then when I said, gotta be a Roon endpoint, I only had one choice - KEF LSX. Based on how good those little guys sound, I'd love to find a way to try out the big brothers, the L
  15. Absolutely agree on sometimes you can get joy (and make accommodations for joy) from a large speaker system. I had a double-Advent system for years in a range of small student and broke actor apartments for years. But while I know it's not a popular opinion, I do believe that in general, there's an optimal speaker size for spaces. Our place in NJ was huge in cubic feet - really high ceilings, open side walls. Along with long and wide floor measurements. We had GoldenEar Triton 2 speakers, traded up to the Triton 1, and it was amazing how they filled out the space with sound even better than be
  16. I can attest to the quality of the powered network speakers. We needed something for our small living room for morning music and dining room background. Just picked up a set of KEF LSX - had been looking at single box all in one stereo setups like the Dynaudio Music 7, but they all took up a lot of space in a small room. (Small enough that whatever we chose had to sit on one of the side tables - at an angle about 3 feet of separation.) The LSX pair takes up VERY little table space. The bass is surprisingly good, without any DSP. Had a sub I thought I might use, but won't... will be selling it
  17. At 260 pounds per speaker, he'll need those friends to help him move them around. Little locking casters, screwed in where the spikes will go, would be quite a useful customer nicety. Once you find the location, mark and swap spikes for casters.
  18. You may have seen me say earlier that because a space is hard to model using traditional acoustic engineering tools, simply means you fall back to ear. I'm on patents based on formal verification (which includes the most nightmarish math I've ever hated), number theory, and algorithmically driven computer code translation. So I'm not afraid of the math... just very cognizant that sometimes the math can suck because it isn't founded on certain necessary conditions. A few times, the higher math breakthroughs came from real wizards (I'm a catalyst, not a wizard) listening to intuitive experts tal
  19. The asymmetry and angled ceiling do make it an interesting math engineering problem, which is why that's probably not the right approach. Our last place had multiple ceiling heights, from 12 feet to nearly 3 stories, with a "flying bridge" (open balcony hallway) across the back, with another 12 feet behind it. Open one side, closed the other. First moved speakers around to get it to sound best as it was, then started with experimenting with absorption and diffusion. Found that a nice display of thick, heavy Tibetan and Indian rugs on the railing of the flying bridge, hanging down to cover the
  20. Damn, those crates! That's going to be a hell of a test of friendship finding someone who can store them. Know anyone who runs a storage business? I take continuing abuse from my family because I have every box (with all contents) for all the camera gear I own, and for all the audio gear acquired in the last decade. I've done a couple of upgrades in the last few years, and always make a huge point (to the point of my wife saying STFU about it...) of having the boxes and packing material. It definitely increases sales prices, and definitely makes me more relaxed about whether stuff
  21. I've had people scroll through my library (or back in the physical media world, my shelves of LPs and CDs) and in frustration ask me whether it's a library for multiple people. About the only thing I don't listen to is opera, and that's not even a hard and fast rule.
  22. Yep, it was the Adelphi. Damn, sad to hear it's drifted, although that's consistent with the path of high end audio in the US. Hardly any good specialist shops left except in the largest cities, and a fraction of what there used to be. I do remember that many of the shops were too small for the speakers they had even then (1998).
  23. Bravo on posting your playlist. I think that the music used to make judgments can influence the results. Not a negative - it influences the results to match YOUR preferred music. A long time ago, I moved to Singapore for a bit and left my audio gear in the US so I needed to buy a whole system. They had a wonderful mall that was four floors of high end audio gear. Most of the shops small, four or five brands. I had a handful of CDs that were my playlist. I had a written guide - this disk, these two tracks, that disk, this one track. I always let the shop use their playlist initially
  24. I see a lot of people talking about disappointment about added EQ and reverb. I've spent a fair amount of time in quite a few recording studios - inside where the musicians are, and then listening in the control room after takes. Most studio environments are incredibly dry sounding. Unpleasantly dry, and artificial sounding. We really don't hear pure instruments in any real world setting, it's always instruments in a space. Extremely common to "wet up" the recording with reverb. A lot of effort when building out recording studios goes into absorbing sound to minimize bleed and cros
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