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2 hours ago, AnotherSpin said:

The recording, which has already been much talked about, is streaming in its entirety as of this morning. Definitely a disappointment. At best a set of raw sketches for a well-loved studio album themes. The playing is loose and shapeless, it feels like the musicians are under the influence and can't hear each other well. The addition of Pharoah Sanders and a second bassist only added to the overall disarray. The sound is poorly recorded, with rumbling drums in the foreground. Nothing of mystery and solemn uplift of original studio album. Made an effort to listen to the end.

 

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Don't really agree. The recording is reasonable. It's two mics to an Ampex reel to reel. An "amateur" recording, but done by someone with decent equipment who regularly recorded at this club and knew what he was doing. 

Yeah, the drums are too prominent. But you can still hear everything.

I didn't have expectations this would be a great live recording - and it isn't. But I've heard much worse released. 

 

As far as the performance: it's a window into where Trane was going at this time, edging towards the last, "post quartet" phase of his career. 

It's not my favorite era of his music, but if you like the studio version this is interesting and worth listening to.

@The Computer Audiophile: maybe move this post and the previous one to the thread about the album itself?

Main listening (small home office):

Main setup: Surge protector +>Isol-8 Mini sub Axis Power Strip/Isolation>QuietPC Low Noise Server>Roon (Audiolense DRC)>Stack Audio Link II>Kii Control>Kii Three (on their own electric circuit) >GIK Room Treatments.

Secondary Path: Server with Audiolense RC>RPi4 or analog>Cayin iDAC6 MKII (tube mode) (XLR)>Kii Three .

Bedroom: SBTouch to Cambridge Soundworks Desktop Setup.
Living Room/Kitchen: Ropieee (RPi3b+ with touchscreen) + Schiit Modi3E to a pair of Morel Hogtalare. 

All absolute statements about audio are false :)

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1 hour ago, firedog said:

Don't really agree. The recording is reasonable. It's two mics to an Ampex reel to reel. An "amateur" recording, but done by someone with decent equipment who regularly recorded at this club and knew what he was doing. 

Yeah, the drums are too prominent. But you can still hear everything.

I didn't have expectations this would be a great live recording - and it isn't. But I've heard much worse released. 

 

As far as the performance: it's a window into where Trane was going at this time, edging towards the last, "post quartet" phase of his career. 

It's not my favorite era of his music, but if you like the studio version this is interesting and worth listening to.

@The Computer Audiophile: maybe move this post and the previous one to the thread about the album itself?

 

I'm glad you like the recording. Perhaps I know Coltrane's legacy too long and too well to have too high a level of expectation, especially for a previously unknown reading of A Love Supreme. Decent record for almost anyone, and bad for Coltrane.

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image

 

You Have Already Gone to the Other World is A Hawk and a Hacksaw's sixth studio album with the subtitle "Music inspired by Paradjanov's Shadows of Forgotten Ancestors". It is a concept album which is written as a retrospective soundtrack for the 1964 movie Shadows of Forgotten Ancestors by Sergei Parajanov.

 

 

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