Jump to content

Recommended Posts

On 9/30/2020 at 7:55 PM, Kal Rubinson said:

Yes, that is only one reason to disqualify the Currentzis.  OTOH, there are many excellent recordings of this from the reference (if that's possible) Mavrinsky to the massive Honeck (in multichannel DSD256).  


A late comment,
 

Honeck’s Beethoven 7th symphony with Pittsburg Symphony Orchestra is even more massive in NativeDSD’s upsampled 512 stereo version. Recently Tom Caulfield remastered it using HQPlayer Pro’s ASDM7EC filters and it’s quite something else when played through a NOS system.

 

And another thumbs up for Berliner’s debut recording Tchaikovsky 6th symphony for their own label. One of my test recordings for soundstage. Curious to try their Beethoven’s 7th.

Link to comment
  • 4 weeks later...
  • 2 weeks later...
  • 1 month later...
  • 4 months later...
  • 4 weeks later...
  • 3 weeks later...
  • 2 months later...
  • 2 weeks later...
  • 8 months later...
  • 2 weeks later...
  • 1 month later...
  • 2 weeks later...
  • 2 weeks later...

A 30min explanation of Rach3 by Garrick Ohlsson (ex Warsaw Chopin Competition winner). Helps to understand the ways pianists approach it.

 

https://youtu.be/owfrXIaIwz4

 

But if you want how it was played during Rachmaninov's time, one has to go back to the past and hear some of the 1930-40s Vladimir Horowitz's versions when they were contemporaries. It's played much faster than by today's pianists. 

Link to comment

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now



×
×
  • Create New...