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Audiophiles: Dead or Dying?


GUTB

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18 minutes ago, bluesman said:

And that Echo Dot sounds a lot better than the Motorola transistor radio I got for the same money in 1959!

 

No kidding! They are impressive little things - perhaps not for appreciating the individual details of an orchestra, but for something like Queen totally hits the spot. 

SERVER CLOSET (in office directly below living room stereo):NUC 7i5BNH with Roon ROCK (ZeroZone 12V on the NUC)>Cisco 2690L-16PS switch>Sonore opticalModule (Uptone LPS 1.2)>

LIVING ROOM: Sonore opticalRendu Roon version (Sonore Power Supply)> Shunyata Venom USB>Naim DAC V1>Witchhat DIN>Naim NAP 160 Bolt Down>Chord Rumor 2>Audio Physic Compact Classics. OFFICE: opticalModule> Sonore microRendu 1.4> Matrix Mini-i Pro 3> Naim NAP 110>NACA5>KEF Ls50's. BJC 6a and Ghent Catsnake 6a JSSG ethernet; AC cables: Shunyata Venom NR V-10; Audience Forte F3; Ice Age copper/copper; Sean Jacobs CHC PowerBlack, Moon Audio DIN>RCA, USB A>C. Isolation: Herbie's Audio Lab. 

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12 hours ago, tapatrick said:

But where are the numbers? When I was in my 20's it was a cultural phenomenon to sit around with friends listening to and sharing albums on 2 speaker systems. We sought out where the good systems were and got ourselves invited round. 

 

Funny this - it points out cultural differences towards music and hifi even in the past. When I was in my twenties, I can't recall once anyone talking about or comparing hifi gear - we were all too busy making music or going to shows (we're talking 1984-1994 and admittedly my friends were the likes of Mudhoney, Soundgarden, etc). Getting together and comparing records, yes, of course, but really no considerations to how they sound - esp since most were pretty poorly recorded in the first place, so it really didn't matter. A hifi setup usually consisted of a Japanese receiver of some sort, Technics turntable (maybe a Dual or equivalent as well) and Advent or Speakerlab speakers. Louder was the key element = get the party started right! Often bought used at the local Naim dealer, Hawthorne, who are still there (bought my 160 BD from them last month). Thing is, very few of us had any disposable income so never even bothered with the rooms on the right hand side of the store where all the Naim etc gear resides. 

 

So in a nutshell, we cared deeply and passionately about music, but I and most of my peers gave little thought to the actual delivery of it, and I suppose this is much like the youth of today. 

SERVER CLOSET (in office directly below living room stereo):NUC 7i5BNH with Roon ROCK (ZeroZone 12V on the NUC)>Cisco 2690L-16PS switch>Sonore opticalModule (Uptone LPS 1.2)>

LIVING ROOM: Sonore opticalRendu Roon version (Sonore Power Supply)> Shunyata Venom USB>Naim DAC V1>Witchhat DIN>Naim NAP 160 Bolt Down>Chord Rumor 2>Audio Physic Compact Classics. OFFICE: opticalModule> Sonore microRendu 1.4> Matrix Mini-i Pro 3> Naim NAP 110>NACA5>KEF Ls50's. BJC 6a and Ghent Catsnake 6a JSSG ethernet; AC cables: Shunyata Venom NR V-10; Audience Forte F3; Ice Age copper/copper; Sean Jacobs CHC PowerBlack, Moon Audio DIN>RCA, USB A>C. Isolation: Herbie's Audio Lab. 

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