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Analog Attenuator?


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54 minutes ago, acg said:

The beauty of the autoformers is that the good ones can handle more than 8V at 20Hz so are able to be used between the source/preamp and amplifier.  They have this wonderful knack in this position of lowering the source impedance as seen by the amplifier as soon as any attenuation is used.  So at -6dB attenuation the source impedance as seen by the amplifier is improved 16 fold, and it increases logarithmically from there reducing to pretty much zero by no later than -10dB attenuation.  Compare that to a stepped attenuator (Goldpoint, Khozmo etc.) used in that position, the impedance seen by the amplifier is increased as you start attenuating and after a while starts to fall again.  What does this all really mean?  Well, it means that with an autoformer volume control, you do not have to limit yourself to gain stages with low output impedance (read: high levels of global negative feedback) if you do not wish to...you have more options in selecting the active linestage/preamplifier circuit to craft the sound you want.  It also means that if you are not caught in the "race to the bottom" of THD and other specmanship, and cannot hear the difference between 0.001%THD and 0.01%, that you have options.

 

Great post! :)

One of the most remarkable aspects I discovered right away when using the Slagle autoformer is the amount of detail and engagement with the music that remains ever when you turn the volume way down. The experience is completely unlike that of even the very best resistor-based attenuator.

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