The Computer Audiophile Posted April 26, 2019 Share Posted April 26, 2019 This could be interesting. https://www.musicbusinessworldwide.com/amazon-is-readying-a-hi-def-music-streaming-service/ Note: "It’s understood that Amazon has not partnered with MQA for its own HD tier." tmtomh 1 Founder of Audiophile Style | My Audio Systems Link to comment
Melvin Posted April 26, 2019 Share Posted April 26, 2019 The competition heats up! That $15/month price tag for "better than CD quality" might just be compelling enough for an exodus (of sorts). Amazon has a pretty extensive library if I remember correctly. Link to comment
BrokeLinuxPhile Posted April 26, 2019 Share Posted April 26, 2019 Qobuz got completely ignored in that piece like they don't even exist. I find journalistic spin fascinating. tmtomh 1 Link to comment
photonman Posted April 28, 2019 Share Posted April 28, 2019 Amazon. Cloud pioneer. AWS. Data centers. Bandwidth. Profitable. Hi-res music. What more can we ask for! RIG: iFi Zen Stream - Benchmark DAC3 L - LA4 - AHB2 | Paradigm Sig S6 | Cables: anything available Link to comment
TubeLover Posted April 28, 2019 Share Posted April 28, 2019 It could be interesting indeed if they can secure a catalog with the size, depth and variation that Tidal has. At this point, I'll take any number of quality competitors to ensure that at least cd quality streaming remains as an option from here on. And Amazon certainly has the money and resources. JC Link to comment
Patrick Cleasby Posted April 29, 2019 Share Posted April 29, 2019 As a Marantz owner, if this functions correctly through the existing HEOS support, I can see Roon and Qobuz starting to feel a bit superfluous. lucretius 1 Link to comment
asdf1000 Posted May 11, 2019 Share Posted May 11, 2019 Meanwhile, at the other members of The Big 4, Google Music (paid subscriptions) struggles: https://www.wsj.com/articles/google-struggles-to-attract-paying-music-subscribers-11557337040 While Apple Music makes several moves to catch Spotify (including poaching Google staff): https://www.digitalmusicnews.com/2019/05/09/apple-music-publishing-hire/ Very interested to see if this Amazon Hi-Res streaming thing goes ahead and how the rest of The Big 4 react (if they do...) Link to comment
Ralf11 Posted September 7, 2019 Share Posted September 7, 2019 https://9to5mac.com/2019/09/06/streaming-music-services/ Big Bux in streaming Link to comment
PAP Posted September 14, 2019 Share Posted September 14, 2019 I wonder who will pay the musicians and the composers..... Link to comment
PAR Posted September 14, 2019 Share Posted September 14, 2019 5 hours ago, PAP said: wonder who will pay the musicians and the composers..... This is pretty much sorted out. The USA will now have what is common in the rest of the developed world, a collecting society to do this. Up until now America has had several such societies ( ASCAP, BIEM etc.). However these only functioned for the composers. Outside of the USA various such societies in combination representing all copyright owners have existed for many years ( often meaning up to at least a century). Insofar as artists are concerned their interests are normally part of their contractual arrangements with their record company and/or are individually represented via a collecting society depending upon local copyright legislation. https://www.theverge.com/2018/10/11/17963804/music-modernization-act-mma-copyright-law-bill-labels-congress Link to comment
Jud Posted September 15, 2019 Share Posted September 15, 2019 On 4/25/2019 at 10:12 PM, The Computer Audiophile said: This could be interesting. https://www.musicbusinessworldwide.com/amazon-is-readying-a-hi-def-music-streaming-service/ Note: "It’s understood that Amazon has not partnered with MQA for its own HD tier." Interesting is one word for it. If this is seriously going to adhere to standards (huge question), can you see the smaller competitors surviving? Perhaps in Europe, perhaps not. And perhaps it won’t be standards compliant, in which case we’re in real trouble. One never knows, do one? - Fats Waller The fairest thing we can experience is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science. - Einstein Computer, Audirvana -> optical Ethernet to Fitlet3 -> Fibbr Alpha Optical USB -> iFi NEO iDSD DAC -> Apollon Audio 1ET400A Mini (Purifi based) -> Vandersteen 3A Signature. Link to comment
Popular Post The Computer Audiophile Posted September 15, 2019 Author Popular Post Share Posted September 15, 2019 40 minutes ago, Jud said: Interesting is one word for it. If this is seriously going to adhere to standards (huge question), can you see the smaller competitors surviving? Perhaps in Europe, perhaps not. And perhaps it won’t be standards compliant, in which case we’re in real trouble. I look at it this way: They all have the same trillion tracks, or will soon. The differentiators are user interface, price, algorithms, curation, sound quality. As a behemoth Amazon will go for mass not class. Music is just an accessory for Amazon, not its main thing. As such, this will be obvious to discerning consumers like audiophiles. Does anyone remember Amazon’s push into HiFi with a few high end brands? Didn’t think so. Behemoths are usually bad for the little guys but perhaps Amazon will make services like Qobuz look that much better. Tidal sure makes Qobuz look like a million bucks. Ran and tmtomh 2 Founder of Audiophile Style | My Audio Systems Link to comment
rando Posted September 15, 2019 Share Posted September 15, 2019 King B would do us a bigger favor by focusing on affordable long term cloud storage of xxTB music collections. Maybe even tie in HDD purchases that show up to your door preloaded with files in a WCS full/partial rebuild of working copies. Link to comment
PAP Posted September 15, 2019 Share Posted September 15, 2019 19 hours ago, PAR said: This is pretty much sorted out. The USA will now have what is common in the rest of the developed world, a collecting society to do this. Up until now America has had several such societies ( ASCAP, BIEM etc.). However these only functioned for the composers. Outside of the USA various such societies in combination representing all copyright owners have existed for many years ( often meaning up to at least a century). Insofar as artists are concerned their interests are normally part of their contractual arrangements with their record company and/or are individually represented via a collecting society depending upon local copyright legislation. https://www.theverge.com/2018/10/11/17963804/music-modernization-act-mma-copyright-law-bill-labels-congress This is how it looks right now. Think of the old days when you can be a one hit wonder and still make a million.😗 ''Music Streaming Royalties Calculator $0.019 per stream. Tidal. $0.01284 per stream. Apple Music. $0.00783 per stream. Google Play Music. $0.00676 per stream. Deezer. $0.0064 per stream. Spotify. $0.00437 per stream. Amazon. $0.00402 per stream. Pandora. $0.00133 per stream. YouTube.'' https://www.dittomusic.com/blog/how-much-do-music-streaming-services-pay-musicians Link to comment
PAR Posted September 15, 2019 Share Posted September 15, 2019 3 hours ago, PAP said: Think of the old days when you can be a one hit wonder and still make a million.😗 ''Music Streaming Royalties Calculator Yes, well now you can be a one hit wonder and make several million. I am assuming that your point is that you think the sums are low? You seem not to appreciate how those small figures accumulate in streaming. In the days of physical sales a fairly successful album may sell, what, 50,000 copies in a year. A hugely successful one from a world class act 1,000,000. Let's say that they earned $2 per copy ( not unreasonable for a big act). So in one year that hugely successful act earned $2M from that album. Now understand that streaming means huge numbers. Last year from Spotify only Beyoncé alone had over a BILLION streams for a single new album. Now take your rate per stream for Spotify and multiply it by 1,000.000,000. That's what Beyoncé earned from a single service for one album. She also got sums from all of the other services, plus world sales, plus radio play, plus her back catalogue , plus , plus. Now , of course an unsuccessful artist will earn significantly less. And these figures hide a major problem for minority interest music genres like classical or jazz where the annual streams per album may be in single or double figures. But if you consider that the rates that you cite are for streaming services currently in their formative days such rates per stream are generally likely to remain in the same area although the yield will be even higher . If you imagine that they should be significantly increased then , as the streaming service would have to pay them and that they get their income from their subscribers , expect a monthly subscription to be not $9.99 but, what, $99.90 or $999 or more ? I trust that you can appreciate the existential problem. Link to comment
The Computer Audiophile Posted September 15, 2019 Author Share Posted September 15, 2019 With the purchase model an artist gets paid once and I listen as many times as I want with no more money going to the artist. With the streaming model the artist gets paid forever every time I listen. Sounds like the lottery. Lumps sum but less money now vs payments for the whole winnings over time. Founder of Audiophile Style | My Audio Systems Link to comment
PAR Posted September 15, 2019 Share Posted September 15, 2019 12 minutes ago, The Computer Audiophile said: Sounds like the lottery Eh? A lottery is a game of chance. Royalty payments are defined and, failing payment, legal action may be taken. I don't think any lawyer will take up my action for not winning the Euromillions this weekend 😭 Yes, over here in the UK too there is a lottery game where instead of a lump you can be paid a sum monthly for thirty years. At my age I ain't going to be here in thirty years! Anyway my main point is that for very popular artists streaming is an Aladdin's cave. There are, however, huge problems with specialist genres. I was in conversation with the the chief executive of one of the best known independent classical labels last year. I know some of his costs in producing a single, simple, album ( a piano recital). There is no way that he can recoup his recording costs alone from streaming currently. The outcome is that he currently refuses to licence streaming. However he may not have the option in the USA under the new legislation. This could ultimately mean his company closing as streaming is a direct substitution for sales given the superb quality from e.g. Qobuz. Link to comment
The Computer Audiophile Posted September 15, 2019 Author Share Posted September 15, 2019 6 minutes ago, PAR said: Eh? A lottery is a game of chance. Royalty payments are defined and, failing payment, legal action may be taken. I don't think any lawyer will take up my action for not winning the Euromillions this weekend 😭 Yes, over here in the UK too there is a lottery game where instead of a lump you can be paid a sum monthly for thirty years. At my age I ain't going to be here in thirty years! Anyway my main point is that for very popular artists streaming is an Aladdin's cave. There are, however, huge problems with specialist genres. I was in conversation with the the chief executive of one of the best known independent classical labels last year. I know some of his costs in producing a single, simple, album ( a piano recital). There is no way that he can recoup his recording costs alone from streaming currently. The outcome is that he currently refuses to licence streaming. However he may not have the option in the USA under the new legislation. This could ultimately mean his company closing as streaming is a direct substitution for sales given the superb quality from e.g. Qobuz. Fortunately no label is forced to offer music for streaming. If specialist genres want to sell products people don't want to buy (physical media) that's up the them. Founder of Audiophile Style | My Audio Systems Link to comment
PAR Posted September 15, 2019 Share Posted September 15, 2019 1 hour ago, The Computer Audiophile said: Fortunately no label is forced to offer music for streaming Unfortunately as far as I can see you are wrong on this. In the USA the new Music Modernization Act provides a compulsory licence i.e. no refusal, no negotiation. Link to comment
The Computer Audiophile Posted September 16, 2019 Author Share Posted September 16, 2019 23 minutes ago, PAR said: Unfortunately as far as I can see you are wrong on this. In the USA the new Music Modernization Act provides a compulsory licence i.e. no refusal, no negotiation. Very interesting. Do you have any links about this? Founder of Audiophile Style | My Audio Systems Link to comment
PAR Posted September 16, 2019 Share Posted September 16, 2019 There are tons of links about his out there. most are written for lawyers I guess and it is hard to find a clear one for a layman. For example here is one from the US government : https://www.copyright.gov/music-modernization/faq.html And see this link too: https://www.lexology.com/library/detail.aspx?g=b9456015-b34e-4e7d-9e6e-7a785439c03b You should see from the first couple of paragraphs that they are talking about a compulsory licence. However reading further I may be wrong as it appears that the compulsory licence applies to mechanical rights ( musical compositions) and not to sound recordings. It looks like I may have been misled earlier by an article written by a non-specialist journalist . However it is not entirely clear as many articles on this matter also incorporate reference to The Classics Protection and Access Act . Which concerns sound recordings and not musical works. This is why lawyers can earn big bucks! wgscott 1 Link to comment
Jud Posted September 16, 2019 Share Posted September 16, 2019 46 minutes ago, PAR said: Unfortunately as far as I can see you are wrong on this. In the USA the new Music Modernization Act provides a compulsory licence i.e. no refusal, no negotiation. That interpretation would seem to eliminate the need for services to sign agreements with labels, so I'm not sure it's correct. I think the compulsory licensing may set the compensation for reproduction in formats a label makes available, but not necessarily require availability in all formats. The Computer Audiophile 1 One never knows, do one? - Fats Waller The fairest thing we can experience is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science. - Einstein Computer, Audirvana -> optical Ethernet to Fitlet3 -> Fibbr Alpha Optical USB -> iFi NEO iDSD DAC -> Apollon Audio 1ET400A Mini (Purifi based) -> Vandersteen 3A Signature. Link to comment
firedog Posted September 16, 2019 Share Posted September 16, 2019 On 4/26/2019 at 11:12 PM, BrokeLinuxPhile said: Qobuz got completely ignored in that piece like they don't even exist. I find journalistic spin fascinating. Not spin. They are just so small they are ignored. Same thing happens to Tidal in some streaming write ups. Main listening (small home office): Main setup: Surge protector +>Isol-8 Mini sub Axis Power Strip/Isolation>QuietPC Low Noise Server>Roon (Audiolense DRC)>Stack Audio Link II>Kii Control>Kii Three (on their own electric circuit) >GIK Room Treatments. Secondary Path: Server with Audiolense RC>RPi4 or analog>Cayin iDAC6 MKII (tube mode) (XLR)>Kii Three . Bedroom: SBTouch to Cambridge Soundworks Desktop Setup. Living Room/Kitchen: Ropieee (RPi3b+ with touchscreen) + Schiit Modi3E to a pair of Morel Hogtalare. All absolute statements about audio are false Link to comment
PAR Posted September 16, 2019 Share Posted September 16, 2019 6 hours ago, Jud said: I think the compulsory licensing may set the compensation for reproduction in formats a label makes available, but not necessarily require availability in all formats. Yes. I hope that I covered this point in my last posting. The compulsory licence turns out to relate to mechanical reproduction rights and not to the separate rights in the sound recording. That is the right to make a recording ( mechanical copy - the term originated with piano rolls) of a musical composition. That would include making a copy on the streaming services ' servers and may extend to ephemeral copies ( e.g. those made ephemerally in the technology used to provide streaming) if US judges adopt a similar view when interpreting the law as has happened here in the UK a few years ago. However I have been away from the music business for some years now so there may well be updates that I am unaware of. So it looks like there will still need to be an agreement with the record label but not with the music publishers. Link to comment
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