Jump to content
IGNORED

Article: MQA: A Review of controversies, concerns, and cautions


Recommended Posts

9 hours ago, Archimago said:

Are these the words of "true believers"?

Or the words of one with an all expenses paid vacation professional trip to Europe? Maybe not unlike the "news" readers on teevee that get paid $$$$ to repeat corporate and government propaganda.

Roon ROCK (Roon 1.7; NUC7i3) > Ayre QB-9 Twenty > Ayre AX-5 Twenty > Thiel CS2.4SE (crossovers rebuilt with Clarity CSA and Multicap RTX caps, Mills MRA-12 resistors; ERSE and Jantzen coils; Cardas binding posts and hookup wire); Cardas and OEM power cables, interconnects, and speaker cables

Link to comment
1 minute ago, beetlemania said:

Or the words of one with an all expenses paid vacation professional trip to Europe? Maybe not unlike the "news" readers on teevee that get paid $$$$ to repeat corporate and government propaganda.

 

Here is the deal:  I would have more respect for TAS if they were being directly compensated for such uncompromising "true believer" copy.  The thing is they probably are not (and will defend their "integrity" like a mother bear). This means they are unaware that they are the targets of a confidence game, and that they are playing their role perfectly.  

Hey MQA, if it is not all $voodoo$, show us the math!

Link to comment
19 hours ago, mitchco said:

snippet...............

When Archimago and I attended the Vancouver Audio Show to listen to MQA files, we had an expectation that we would be presented with some AB testing, so we could hear the difference, as the system was certainly resolving enough :-) However, there were no comparisons and instead listened to some gobbledegook from the MQA sales rep, then a few nice sounding recordings, but no AB comparisons.........snippet

 

I posted about a similar experience when my wife and I made the trip to the same Vancouver show specially to hear MQA.  We sought out and spoke to the sales rep prior to his presentation, asking about the technology as it was a still very much a mystery to us and the articles from Harley had been so overwhelmingly positive.  May have just been a bad day for him but he replied with a dismissive and snide arrogance.  Laughably he told us that one of MQA inc's biggest challenges, was to convince B. Stuart that he not simply "give" the technology away to the industry at large; Stuart's altruism and higher moral purpose as the guiding principal.

Nevertheless the sales rep, using a 200K system, played files purported to be MQA that were never followed with the non-MQA equivalent even when the audience spoke out loudly asking that they do so.

This, to me, suggests the essential dishonesty within the MQA rollout as it appears, from the cheap seats, that the audiophile press and the major labels are cajoled and coddled while the public appear to be "blown off" in a casual fashion.

Why the subterfuge?  

Link to comment
40 minutes ago, crenca said:

 

He must be a victim of the public schools.  Never got past long division...

 

Must have been home schooled.

Current:  Daphile on an AMD A10-9500 with 16 GB RAM

DAC - TEAC UD-501 DAC 

Pre-amp - Rotel RC-1590

Amplification - Benchmark AHB2 amplifier

Speakers - Revel M126Be with 2 REL 7/ti subwoofers

Cables - Tara Labs RSC Reference and Blue Jean Cable Balanced Interconnects

Link to comment
On 3/7/2018 at 11:11 PM, skater999 said:

There are only two reasons I can think of why  someone would  say that MQA is not the BEST sounding format. NO other format comes close to the sound of MQA files.

1) That streaming MQA files will cause your business to fail. No one needs to buy high Rez files which do not sound as good as streamed MQA.

2)  You have not spent enough time listening to live music.......and you have spent to much time listening to CDs....

 

Its about the timing,  MQA gets it right, all other digital doesn't...Its that simple...and because the timing is correct, you will recognize more information in the recording.

 

 

 

 

 

 

 

 

 

 

 

New Shill Alert for IndyDan

 

Link to comment
22 hours ago, Doug Schneider said:

 

This is the way that the folks at MQA have been going at things since Day 1 -- and probably the biggest mistake of the audio press who praised what they heard not to actually mention. I sat in a press demo at Munich's High End where they played one MQA recording after another -- and nothing non-MQA. Total B.S. But the shocking thing was what I read afterwards from writers who were there, praising the sound yet never mentioning that no comparisons were done. They could've been listening to MP3s for all they new. What's probably the worst thing about all this is that the MQA folks still don't do demos today. In fact, when I mentioned that to one designer, he said, "That should tell you all you need to know, shouldn't it?"

 

Doug Schneider
SoundStage!

 

Such demos have been done.  I attended one Meridian did in NYC about 6 to 8 months ago at Innovative Audio.  Direct A/B's of a track, followed by that track MQA'd.

- Mark

 

Synology DS916+ > SoTM dCBL-CAT7 > Netgear switch > SoTM dCBL-CAT7 > dCS Vivaldi Upsampler (Nordost Valhalla 2 power cord) > Nordost Valhalla 2 Dual 110 Ohm AES/EBU > dCS Vivaldi DAC (David Elrod Statement Gold power cord) > Nordost Valhalla 2 xlr > Absolare Passion preamp (Nordost Valhalla 2 power cord) > Nordost Valhalla 2 xlr > VTL MB-450 III (Shunyata King Cobra CX power cords) > Nordost Valhalla 2 speaker > Kaiser Kaewero Classic /JL Audio F110 (Wireworld Platinum power cord).

 

Power Conditioning: Entreq Olympus Tellus grounding (AC, preamp and dac) / Shunyata Hydra Triton + Typhoon (Shunyata Anaconda ZiTron umbilical/Shunyata King Cobra CX power cord) > Furutec GTX D-Rhodium AC outlet.

Link to comment
On 3/8/2018 at 11:13 AM, Archimago said:

"awesomifies"

image.thumb.png.62c2375f790a0a0ace6a41630a70aa47.png

 

The reference "a solution looking for a problem" reminds when Olympus introduced "Live View" in DSLRs in 2006. It seemed like such an obvious evolution. Instead the media (the WE make NEWS crowd) trashed the idea. Now it's ubiquitous. Guess someone got pissed it wasn't their idea first or backed by their big monied advertisers.

 

Conversely, MQA aims to improve nothing and reduce consumer choice. A solution looking for a problem indeed.

 

The music industry hasn't learned :(. I thought we were finally on the right path - make music accessible for a reasonable price and no one gives up the family jewels. Those who want more can pay more.

 

My fear is the tech hiway is littered with the roadkill of superior tech that didn't have marketing or business chops. MQA seems to have marketing backed by the "WE make NEWS" crowd. Please keep up the good work guys, you are providing music consumers a great service! 

 

Hmmmm, my Stereophile subscription is up for renewal. I'm getting the feeling if I really want to help the artists I should spend my money on the Spotify IPO or music festival tix (that Shaky Knees Music Fest looks very interesting and with a couple of my kids birthdays coming up, a good excuse to check out the new Michigan rockers Greta Van Fleet). Looking forward to more great reading guys. Thanks!!

Link to comment

I just cant get with the paranoid view that MQA is somehow going to prevail and wreak all kinds of havoc on audiophile options and impose a degraded level of sound quality on listeners, especially if its most important potential customers continue to balk and demand a fair, open test of MQA’s claims. And if there continues to be a widespread perception that MQA is dodging such a fair, open test, and/or MQA fails to make a convincing case in the court of audiophile and AES opinion, I just don’t see the brand thriving.

 

The blowback to date has been brutal, companies hate controversy, and if things don’t somehow turn around in terms of convincing skeptics, MQA is doomed.

Link to comment
3 minutes ago, HalSF said:

I just cant get with the paranoid view that MQA is somehow going to prevail and wreak all kinds of havoc on audiophile options and impose a degraded level of sound quality on listeners, especially if its most important potential customers continue to balk and demand a fair, open test of MQA’s claims. And if there continues to be a widespread perception that MQA is dodging such a fair, open test, or if MQA fails to make a convincing case in the court of audiophile and AES opinion, I just don’t see the brand thriving.

 

The blowback to date has been brutal, and if things don’t somehow turn around in terms of convincing skeptics, MQA is doomed.

 

I think we need to put a nail in it's coffin. I don't want them trying to resurrect MQA at a later date when we forget about it. Archimago did a fine job of using  reason, proof of experiments, and concise arguments to de-bunk MQA. Now we just need to make sure it doesn't have 9 lives.

Current:  Daphile on an AMD A10-9500 with 16 GB RAM

DAC - TEAC UD-501 DAC 

Pre-amp - Rotel RC-1590

Amplification - Benchmark AHB2 amplifier

Speakers - Revel M126Be with 2 REL 7/ti subwoofers

Cables - Tara Labs RSC Reference and Blue Jean Cable Balanced Interconnects

Link to comment
4 minutes ago, kissov said:

Your response to the Beekhuyzen video is exactly why you should keep your idenity a secret. 

 

The problem is we have ALREADY DISCUSSED, in another thread that video with the author of that video. We debunked him there also. I feel his video was disingenuous at best and blatant lies on the other hand. 

 

I guess you are one of the MQA groupies. I wonder which one you really are.

 

I want to ask, How can a file that is TRUNCATED to 16-17 bit depth at the most, sound BETTER than the original file which is 24 bit depth? During the processing, there is added noise and decreased dynamic range (among other issues). It can't.

Current:  Daphile on an AMD A10-9500 with 16 GB RAM

DAC - TEAC UD-501 DAC 

Pre-amp - Rotel RC-1590

Amplification - Benchmark AHB2 amplifier

Speakers - Revel M126Be with 2 REL 7/ti subwoofers

Cables - Tara Labs RSC Reference and Blue Jean Cable Balanced Interconnects

Link to comment
5 minutes ago, botrytis said:

 

I think we need to put a nail in it's coffin. I don't want them trying to resurrect MQA at a later date when we forget about it. Archimago did a fine job of using  reason, proof of experiments, and concise arguments to de-bunk MQA. Now we just need to make sure it doesn't have 9 lives.

The way I think about it, MQA doesn’t need to be destroyed, it needs to win or lose on the actual merits. And on that score it’s losing badly and is a tainted brand. If there was an Amazon MQA product page, it would feature nothing but a minority of five-star and a majority of one-star reviews — in other words, a sales nightmare.

Link to comment
2 minutes ago, botrytis said:

I think we need to put a nail in it's coffin. I don't want them trying to resurrect MQA at a later date when we forget about it. Archimago did a fine job of using  reason, proof of experiments, and concise arguments to de-bunk MQA. Now we just need to make sure it doesn't have 9 lives.

 

I also don't really want MQA being around.

 

But we are the 1%. The fate of MQA mostly lies in the hands of the labels... They aren't listening to us (the 1%)...

 

That doesn't mean 'the good fight' shouldn't keep going of course. There's a chance this debate spills out into the more mainstream (not audiophile) website one day, to get more of the label's attention.

 

Link to comment
13 minutes ago, kissov said:

Your response to the Beekhuyzen video is exactly why you should keep your idenity a secret. 

 

Say more - what is your rationale? Why does his real name make any difference here?

Roon ROCK (Roon 1.7; NUC7i3) > Ayre QB-9 Twenty > Ayre AX-5 Twenty > Thiel CS2.4SE (crossovers rebuilt with Clarity CSA and Multicap RTX caps, Mills MRA-12 resistors; ERSE and Jantzen coils; Cardas binding posts and hookup wire); Cardas and OEM power cables, interconnects, and speaker cables

Link to comment
34 minutes ago, Em2016 said:

 

I also don't really want MQA being around.

 

But we are the 1%. The fate of MQA mostly lies in the hands of the labels... They aren't listening to us (the 1%)...

 

That doesn't mean 'the good fight' shouldn't keep going of course. There's a chance this debate spills out into the more mainstream (not audiophile) website one day, to get more of the label's attention.

 

Tidal, the only hope for a modicum of mass-market success for MQA, is on thin ice. The tech world is dominated by audio skeptics who embrace 256 kbps AAC as a very high-quality standard (which it is) and who could care less about even 16/44 Red Book, much less high-resolution audiophile snake oil (as they see it). Ars Technica and Pitchfork looked at MQA and pronounced it meh. Any Google searcher exploring MQA quickly runs into Linn’s “Why MQA is bad for music” link and this forum’s “MQA is Vaporware” thread. 

 

The idea that record labels are going to give MQA a sustained and committed push seems highly doubtful to me. So far Apple and Spotify are giving it a hard pass. Four years of not gaining momentum and traction is an eternity in tech.

Link to comment

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now



×
×
  • Create New...