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28 minutes ago, mansr said:

Three years later, we still have no information at all about what Keith Johnson actually measured, much less a replication of his experiment.

 

 I remember seeing details back then, but did not save them at the time. IIRC, they included Eye patterns and B.E.R.

 

How a Digital Audio file sounds, or a Digital Video file looks, is governed to a large extent by the Power Supply area. All that Identical Checksums gives is the possibility of REGENERATING the file to close to that of the original file.

PROFILE UPDATED 13-11-2020

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20 hours ago, mansr said:

That isn't how light works. As for CD pickups in general, the photodetector is likely most sensitivite around the wavelength of the laser and relative insensitive to green light. Moreover, due to the construction of the optics, only light from a small angle reaches the detector in the first place.

 

Who's talking about the LED working? If it did, all laser assemblies would come with one. Come out with an innovation. Write up some believable story based on some science. Get some positive reviews. Or better still get a group and do a demo. This usually will work even as people just follow what others are sayings. Anyone who has been to the Frank Cheng's resonators should know.

 

New photos coming up. One is Krell without the LED and a Sonic Frontier with locally made DAC module replacing a faulty "no longer in production" original module.

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ST

 Do those little sealed motors often need replacing, or lubricated ?

Alex

 

How a Digital Audio file sounds, or a Digital Video file looks, is governed to a large extent by the Power Supply area. All that Identical Checksums gives is the possibility of REGENERATING the file to close to that of the original file.

PROFILE UPDATED 13-11-2020

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11 hours ago, mansr said:

Where does one get 24-bit CDs to play on this beast?

Mansr

There are numerous releases on HD Tracks etc, that are in 24/44.1 format. Would it be possible to burn them to a normal CD-R ,both in the Recording studio and at home, and play them on a player such as this one ?

 

How a Digital Audio file sounds, or a Digital Video file looks, is governed to a large extent by the Power Supply area. All that Identical Checksums gives is the possibility of REGENERATING the file to close to that of the original file.

PROFILE UPDATED 13-11-2020

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17 minutes ago, sandyk said:

Mansr

There are numerous releases on HD Tracks etc, that are in 24/44.1 format. Would it be possible to burn them to a normal CD-R ,both in the Recording studio and at home, and play them on a player such as this one ?

An audio CD has 16 bits per sample, no more and no less. If you somehow put 24-bit data onto a CD, standard players won't be able to play it.

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9 minutes ago, mansr said:

An audio CD has 16 bits per sample, no more and no less. If you somehow put 24-bit data onto a CD, standard players won't be able to play it.

Agreed, but I was asking about players such as this one. The CD-R would be a Data disc.

 

How a Digital Audio file sounds, or a Digital Video file looks, is governed to a large extent by the Power Supply area. All that Identical Checksums gives is the possibility of REGENERATING the file to close to that of the original file.

PROFILE UPDATED 13-11-2020

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4 hours ago, Miska said:

 

That was a HDCD player? Somewhat similar to what MQA is trying again now. Practically means that the decoder/upsampling filter outputs 24-bit:

http://tech.juaneda.com/download/PMD100.pdf

 

IOW, not much different from other regular CD players apart from the HDCD peak extension feature.

 

P.S. These old digital filter chips are at least as good or better than what you can these days find in best DAC chips...

 

Yes, the chasing of more impressive numbers has gone on forever - obviously, the bigger the number, the better 😉 - my original Yamaha CD player had "20 bits!" splashed over all the promo material, in the largest font; you had to dive into the fine print to appreciate it was talking of the volume control ... luckily, those more gung ho technical accomplishments didn't get in the way of delivering good sound 🙂.

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14 hours ago, Miska said:

 

Good sound is result of technical accomplishment... ;)

 

 

Which is why I prefixed the phrase with "gung ho" 🙂 - isn't it Chord who talks of -160dB or something noise levels being addressed - this is truly in the realm of imaginary do-gooding ... IME, all the problems lie roughly in the 70-80 dB down area - that's where the action is, if one is chasing best sound.

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14 minutes ago, fas42 said:

Which is why I prefixed the phrase with "gung ho" 🙂 - isn't it Chord who talks of -160dB or something noise levels being addressed - this is truly in the realm of imaginary do-gooding ... IME, all the problems lie roughly in the 70-80 dB down area - that's where the action is, if one is chasing best sound.

 

But not any better stop-band attenuation than the PMD chip in question here...

 

Signalyst - Developer of HQPlayer

Pulse & Fidelity - Software Defined Amplifiers

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