Jump to content
IGNORED

Stereophile Series on MQA Technology


Recommended Posts

8 minutes ago, NOMBEDES said:

Don't you have to use speakers which have some sort of "time domain" capability in order to take advantage of time domain improvements?  Something like Vanderstine (sp) et al?  

 

In regards to speakers, I believe the factor is being time-correct, ie, not bieng smeared with certain crossover elements.

 

There’s also various technologies that help...Zu has a system I forget the name of. One boutique maker uses a method that includes connecting the two speakers together to exchange information: http://vanlspeakerworks.com/theory.html

 

Link to comment
48 minutes ago, GUTB said:

 

In regards to speakers, I believe the factor is being time-correct, ie, not bieng smeared with certain crossover elements.

 

There’s also various technologies that help...Zu has a system I forget the name of. One boutique maker uses a method that includes connecting the two speakers together to exchange information: http://vanlspeakerworks.com/theory.html

 

You have the knack.  No, sorry, saying regular speakers are monophonic below 400 hz is wrong.  They aren't. Represents a misunderstanding of the effect of stereo described in Blumlein's patent in the 1930's. 

 

Now having difference voice coils will widen the stage some.  It is a very poor method for doing that.  One can much more simply add that in processing of the file.  Works like processing a mid-side recording.  More difference is wider with less center fill.  

 

Refering to the Van L speakerworks theory in your link. 

And always keep in mind: Cognitive biases, like seeing optical illusions are a sign of a normally functioning brain. We all have them, it’s nothing to be ashamed about, but it is something that affects our objective evaluation of reality. 

Link to comment
32 minutes ago, GUTB said:

The Zu system is called zu-griewe cabinet loading.

Zu speakers are very low-fi. I'm surprised a connoisseur such as yourself would even mention them.

"Science draws the wave, poetry fills it with water" Teixeira de Pascoaes

 

HQPlayer Desktop / Mac mini → Intona 7054 → RME ADI-2 DAC FS (DSD256)

Link to comment

All I'm saying is this: the younger generation has little to no interest in high-end audio. In the headphone world I would describe the high-end as hi-fi (vs lo and mid-fi). In 2 channel setups the quality scale seems broader so I use the high- mid- low- and ultra low-end scale.

 

Remember when you were a teenager and into your 20s you would salivate over exotic cars? You would probably never have one but you loved them anyway. That's our car culture at work. There was such a thing as high-end audiophile culture, but that appears to be dead -- not only does the newer generations not care about it, they actively dismiss and attack it. They could go to a show and listen for themselves but they just don't care to. Millenials aren't spending a few thousand on a VPI, Rega or Clearaudio, they're spending a hundred bucks on some ultra low-end AT, Crosley, etc. and putting them in the corner just to look cool. If they get interested in better audio it typically goes no further than a $200 pair of lo-fi headphones and some USB stick DAC. They won't lust after Utopias or HE1Ks. They won't get excited over the latest Cavelli or Woo amp.

 

 

Link to comment
6 minutes ago, GUTB said:

All I'm saying is this: the younger generation has little to no interest in high-end audio. In the headphone world I would describe the high-end as hi-fi (vs lo and mid-fi). In 2 channel setups the quality scale seems broader so I use the high- mid- low- and ultra low-end scale.

 

Remember when you were a teenager and into your 20s you would salivate over exotic cars? You would probably never have one but you loved them anyway. That's our car culture at work. There was such a thing as high-end audiophile culture, but that appears to be dead -- not only does the newer generations not care about it, they actively dismiss and attack it. They could go to a show and listen for themselves but they just don't care to. Millenials aren't spending a few thousand on a VPI, Rega or Clearaudio, they're spending a hundred bucks on some ultra low-end AT, Crosley, etc. and putting them in the corner just to look cool. If they get interested in better audio it typically goes no further than a $200 pair of lo-fi headphones and some USB stick DAC. They won't lust after Utopias or HE1Ks. They won't get excited over the latest Cavelli or Woo amp.

 

Isn't what you're saying here is if they're not like you, they're not legit audiophiles?  If they don't covet what you covet, they're mid-fi?    Your requisite covetousness bar for audiophiles is rather absurd IMHO. And FYI, Cavalli Audio no longer exists.

Link to comment
42 minutes ago, beetlemania said:

This thread has gone horribly off the rails. More so than the "MQA is vaporware" thread when many posts were criticizing Brian Lucey for compression!

 

My own assessment of Austin's latest article is that it says hardly anything new or noteworthy. I get the sense that upcoming articles will utterly fail to mention, never mind address, the many criticisms (sonic and otherwise) raised by multiple manufacturers, engineers, and industry professionals.

 

You are correct and I have a bunch of items on my check lists people haven't mentioned yet. 

 

 

Link to comment
On 12/15/2017 at 11:33 AM, GUTB said:

 

Do you have a MQA DAC?

 

That's your standard response when you don't have a constructive one.

Convince me of the relevance of the answer to the discussion, and I'll provide it.

"People hear what they see." - Doris Day

The forum would be a much better place if everyone were less convinced of how right they were.

Link to comment

Back to "MQA Tested, Part 1"...

Here is the response of the linear phase DAC, when input is MQA encoded impulse:

118mqaaustin.MQAfig4.jpg

Fig.4 Benchmark DAC3 HGC, impulse response (one sample at 0dBFS, MQA-encoded, 48kHz sampling, 100µs/horizontal div.).

 

1. Jim Austin writes "This response is mostly linear-phase, though the asymmetry suggests some nonlinearity in the phase response."  WTF is "mostly linear-phase"?  Wouldn't it be more honest to say the response has lost the linear phase symmetry while at the same time retaining the pre-ripple?  In other words it looks kind of f'd up?

2.  Why didn't he show the response of the minimum phase and slow roll-off filters to the MQA encoded impulse?  I don't see how it could be an oversight that these were not included.

3. Can the people on here who are much smarter than me figure out how what modification MQA is making to the impulse such that it that would result in the response shown in Figure 4?
 

Link to comment
11 minutes ago, psjug said:

Back to "MQA Tested, Part 1"...

Here is the response of the linear phase DAC, when input is MQA encoded impulse:

118mqaaustin.MQAfig4.jpg

Fig.4 Benchmark DAC3 HGC, impulse response (one sample at 0dBFS, MQA-encoded, 48kHz sampling, 100µs/horizontal div.).

 

1. Jim Austin writes "This response is mostly linear-phase, though the asymmetry suggests some nonlinearity in the phase response."  WTF is "mostly linear-phase"?  Wouldn't it be more honest to say the response has lost the linear phase symmetry while at the same time retaining the pre-ripple?  In other words it looks kind of f'd up?

2.  Why didn't he show the response of the minimum phase and slow roll-off filters to the MQA encoded impulse?  I don't see how it could be an oversight that these were not included.

3. Can the people on here who are much smarter than me figure out how what modification MQA is making to the impulse such that it that would result in the response shown in Figure 4?
 


Is this deliberate degrading / making the transient more complex, and being undone back to normal by MQA's renderer filters?

image.thumb.png.5b0e2004b09c6d76f5137c85ff451d00.png

http://archimago.blogspot.be/2017/07/measurements-mqa-filters-on-mytek.html

Designer of the 432 EVO music server and Linux specialist

Discoverer of the independent open source sox based mqa playback method with optional one cycle postringing.

Link to comment

1. There are no MQA supporters on this forum. I'm essentially the only one. Some of you guys have an extrodinarily misplaced sense of oppresaion.

 

2. MQA haters are named such because they have an emotional response against MQA. My support for MQA comes simply from subjective factors. 

 

3. The younger generation not only dismisses high-end audio they also show no interest in mid-end sound unless it can be had for less than $1000 in which case they will sometimes show passing interest.

Link to comment

So why does the article about Mytek's impulse response is being compared to upsampling? Same applies for all those canned articles which explain MQA's time domain hocus pocus, like the sound on sound article which is used by all the MQA key opinion makers.

Shouldn't this ring a bell to those readers not following up on CA and Archimago, that MQA is based on upsampling?

Designer of the 432 EVO music server and Linux specialist

Discoverer of the independent open source sox based mqa playback method with optional one cycle postringing.

Link to comment

I'm actually coming around to MQA. Two things that I knocked from the beginning:

 

           1. confusing---you need this to unfold that....but only partial unfold if you only have this

 

           2. Lack of mid priced ($500-$900) non usb options.

 

I get the manufacturers arguments against:

 

           1. Another licensing fee for products that are already considered priced to high

 

           2. Another feature to support via firmware upgrades, etc

 

After finally getting my system set up to utilize the USB/MQA capabilities of my DAC, I can appreciate how MQA sounds. Does it sound better than a comparable HI REZ PCM file? I don't think so. However, the difference over REDBOOK is apparent. The MQA version of RUSH Moving pictures and Hotel California (Eagles) sounds fantastic. 

 

I appreciates Mastering Engineer's perspective. Would that perspective change if the engineer was paid to produce an MQA version of the files as well? Hard telling. 

 

If MQA were introduced back in 2000 around the time SACDs were starting up, I think MQA would have won out. Basically any $79 drug store cd player could play the MQA cd as normal. If the player had a digital out, all the audiophile had to purchase was a dac or receiver with MQA capabilities.

 

I am now in the mindset that MQA is wonderful (I knocked the hell out of it before). I do not believe or hear (with equipment I have) and better sonic benefit over PCM. Maybe the bandwidth advantage for streaming...but I would not even stream MQA over a cellular network. 

 

Too bad Apple does not have any major interest in the audiophile world.  Apple has the products, catalog, and infrastructure to really give us a wonderful choice. But then again, if Apple went audiophile, we would probably have fewer choices from some other great companies.

Link to comment
9 minutes ago, arcman said:

 Too bad Apple does not have any major interest in the audiophile world.  Apple has the products, catalog, and infrastructure to really give us a wonderful choice. But then again, if Apple went audiophile, we would probably have fewer choices from some other great companies.

I'd be hugely surprised if Apple touched MQA with a 10ft pole. We still might see ALAC-compressed Hi-Res PCM Audio or at the very least literal CD quality audio from them at some point, although I would expect Spotify to beat them to it.

Link to comment

Oh boy.  Here is my take on why younger people don’t indulge themselves in higher end Audio equipment.

 

As wealth accumulated to fewer and fewer families,  wages became stagnant.  After all the money that goes to the vampire squid has to come from some place!

 

Add on student debt, housing costs, and the general expense of existence.....they just don’t have the money. 

 

Of of course there are other factors ...... but I like to follow the money.

 

 

 

 

.

 

 

In any dispute the intensity of feeling is inversely proportional to the value of the issues at stake ~ Sayre's Law

Link to comment

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now



×
×
  • Create New...