tranz Posted May 25, 2015 Share Posted May 25, 2015 Has anyone come across a list of modern music recorded using the Pacific Microsonics ADC? I read that Reference Recordings uses the ADC, but it is more classical focused, and I am looking more for pop, RnB, rock, EDM type of modern. Cheers Link to comment
manisandher Posted May 25, 2015 Share Posted May 25, 2015 I sold my Model Two to 'Translab Mastering' in Paris (TRANSLAB MASTERING) and know that they intend to release hi-rez mastered on it. Mani. Main: SOtM sMS-200 -> Okto dac8PRO -> 6x Neurochrome 286 mono amps -> Tune Audio Anima horns + 2x Rotel RB-1590 amps -> 4 subs Home Office: SOtM sMS-200 -> MOTU UltraLite-mk5 -> 6x Neurochrome 286 mono amps -> Impulse H2 speakers Vinyl: Technics SP10 / London (Decca) Reference -> Trafomatic Luna -> RME ADI-2 Pro Link to comment
astrotoy Posted May 27, 2015 Share Posted May 27, 2015 I know that Paul Stubblebine and Michael Romanowski have several Model Twos which they use for mastering - including many non classical releases. Many of Winston Ma's FIM CD's (many non classical) were made using the Model Two (those that Paul mastered in the 2000's). Also many folks use the Model Twos at Skywalker Sound to do their recording and mastering. We were at Skywalker a couple of years ago at the invitation of my consultant, Mark Wilsher to see him doing a recording using the stack of Model Two's (and Pyramix software) for a mch recording of a string quartet (Cypress Quartet recording their "American" album). That is just in the Bay Area. Many Model Twos were used in Hollywood to make film scores. That is where mine came from - Warner Bros. Larry Analog-VPIClas3,3DArm,LyraSkala+MiyajimaZeromono,Herron VTPH2APhono,2AmpexATR-102+MerrillTridentMaster TapePreamp Dig Rip-Pyramix,IzotopeRX3Adv,MykerinosCard,PacificMicrosonicsModel2; Dig Play-Lampi Horizon, mch NADAC, Roon-HQPlayer,Oppo105 Electronics-DoshiPre,CJ MET1mchPre,Cary2A3monoamps; Speakers-AvantgardeDuosLR,3SolosC,LR,RR Other-2x512EngineerMarutaniSymmetrical Power+Cables Music-1.8KR2Rtapes,1.5KCD's,500SACDs,50+TBripped files Link to comment
Hiro Posted May 27, 2015 Share Posted May 27, 2015 So was the Pacific Microsonics ADC a true 24bit PCM ADC, or a hybrid of some sorts, as some suspect? Link to comment
Axiom05 Posted May 27, 2015 Share Posted May 27, 2015 I downloaded several new Reference Recording albums from hdtracks in 24/176 and I was very disappointed when I saw that HDCD encoding is missing. I would have thought that HDCD encoding is irrelevant if you have the 24/176 recording. Isn't HDCD used to give more of the sense of the original recording but at a lower resolution? Main System: [Synology DS216, Rpi-4b LMS (pCP)], Holo Audio Red, Ayre QX-5 Twenty, Ayre KX-5 Twenty, Ayre VX-5 Twenty, Revel Ultima Studio2, Iconoclast speaker cables & interconnects, RealTraps acoustic treatments Living Room: Sonore ultraRendu, Ayre QB-9DSD, Simaudio MOON 340iX, B&W 802 Diamond Link to comment
astrotoy Posted May 28, 2015 Share Posted May 28, 2015 I would have thought that HDCD encoding is irrelevant if you have the 24/176 recording. Isn't HDCD used to give more of the sense of the original recording but at a lower resolution? My understanding is that Keith Johnson developed HDCD encoding for CD's to give more resolution than 44/16. It wasn't for 176/24 which is what Keith recorded his master files which he down converted to 44/16 to make CD's). Some of these master files Reference Recordings sells directly from the website (physical discs with 176/24 files - I have most of them - at $45 each. They then started selling them as downloads through HD Tracks for less (I don't have any of those). They shouldn't be HDCD encoded AFAIK. I have ripped the Reference Recording CD's that I have which are HDCD encoded and they all light up the HDCD light on my Model Two as well as my BADA2 when I play them back. Hiro, do you have a reference to where people have said that the PM is a hybrid, and not a true 24bit PCM ADC? I can contact Keith and Paul Stubblebine to find out whether that is true. Larry Analog-VPIClas3,3DArm,LyraSkala+MiyajimaZeromono,Herron VTPH2APhono,2AmpexATR-102+MerrillTridentMaster TapePreamp Dig Rip-Pyramix,IzotopeRX3Adv,MykerinosCard,PacificMicrosonicsModel2; Dig Play-Lampi Horizon, mch NADAC, Roon-HQPlayer,Oppo105 Electronics-DoshiPre,CJ MET1mchPre,Cary2A3monoamps; Speakers-AvantgardeDuosLR,3SolosC,LR,RR Other-2x512EngineerMarutaniSymmetrical Power+Cables Music-1.8KR2Rtapes,1.5KCD's,500SACDs,50+TBripped files Link to comment
accwai Posted May 28, 2015 Share Posted May 28, 2015 My understanding is that Keith Johnson developed HDCD encoding for CD's to give more resolution than 44/16. It wasn't for 176/24 which is what Keith recorded his master files which he down converted to 44/16 to make CD's). Some of these master files Reference Recordings sells directly from the website (physical discs with 176/24 files - I have most of them - at $45 each. They then started selling them as downloads through HD Tracks for less (I don't have any of those). They shouldn't be HDCD encoded AFAIK. Hmm... Hard to say. My Alpha DAC 2 came with a DVD-R copy of HRx Sampler 2011, the track list of which seems to be identical to what's on HDtracks: HRx Sampler 2011: A Classical and Jazz High Resolution Spectacular! | HDtracks The DVD tracks cause the blue HDCD light on the Alpha to turn on. I somehow doubt they would go to the trouble of making non-HDCD version specifically for HDtracks. Link to comment
tranz Posted May 29, 2015 Author Share Posted May 29, 2015 ...Hiro, do you have a reference to where people have said that the PM is a hybrid, and not a true 24bit PCM ADC? I can contact Keith and Paul Stubblebine to find out whether that is true. Larry I would be interested in that too as the only reason for me looking for these recordings is because it is the only PCM DAC I read about that does not use the delta sigma modulation. A bit of a needle, but I am curious whether a discrete ladder DAC sings best with PCM recordings that never went through delta sigma modulation. Cheers Link to comment
tranz Posted May 29, 2015 Author Share Posted May 29, 2015 I found this list on Goodwin's site: http://www.goodwinshighend.com/manufacturers/pacific_microsonics/pacific_microsonics_model_two.htm Mastering & Recording Studios using Pacific Microsonics Model Two USA Arizona Ø SAE Mastering - Phoenix, AZ - 602-242-0022 California Ø Skywalker Sound - San Rafael, CA - recording room plan-view - mic and equipment list Ø Paul Stubblebine Mastering - San Francisco, CA - 415-522-0108 Ø Michael Romanowski Mastering - San Francisco, CA - 415-522-0108 Ø John Greenham Mastering - San Francisco, CA Ø Rob Cross Mastering - San Francisco, CA Ø Cohearent Mastering - Kevin Gray - San Fernando Valley, CA - 818-894-3400 Ø Mockingbird Mastering - Jeffrey Norman - Petaluma, California - 707-696-0616 (M-F 10-7 PST) Ø Lou Hemsey Music and Film - Los Angeles, CA - 818-524-8545 Colorado Ø Air Show Mastering - Boulder, CO - 888-545-9035 Maine Ø Gateway Mastering - Bob Ludwig - Portland, Maine - 207-828-9400 Massachusetts Ø M Works Mastering Studio - Jonathan Wyner - Cambridge, MA - 617-577-0089 Ø Peerless Mastering - (equipment) - (article) - Jeff Lipton - Newton, MA - 617-527-2200 Nebraska Ø Focus Mastering - Doug Van Sloun - Omaha, NE - 402-504-9624 New York Ø Battery Mastering Studios - Mark Wilder - New York, NY - 212-833-7373 Ø Battery Mastering Studios - Tim Sturges - New York, NY - 212-833-7373 Ø Battery Mastering Studios - Vic Anesini - New York, NY - 212-833-7373 North Carolina Ø Kitchen Mastering - Brent Lambert - Carrboro, NC - 919-929-4494 Oregon Ø Future Disc Mastering - Steve Hall - (article) McMinnville, OR - 213-361-0603 Tennessee Ø Georgetown Mastering - (equipment) Nashville, Tennessee - 615-254-3233 INTERNATIONAL Ø Super Audio Mastering - Simon Heyworth - Great Britain - 44 (0) 1647 432 858 Ø Cutting Room - Stockholm, Sweden - 46 (0)8 505 817 00 Mastering & Recording Studios using Pacific Microsonics Model One Ø Magic Garden Mastering - Brian Lucey - Columbus, OH - 614-620-4567 Ø Hit Track Recording Studio - Las Vegas, NV - 702-481-1663 Ø The Red Room - Philippe Weiss - Suresnes, France Record Labels using Pacific Microsonics Model Two Ø Reference Recordings - San Francisco, California Ø Linn Records - Glasgow, Scotland - 44 (0)141 303 5027 Ø First Impression Music - Winston Ma - Seattle, Oregon Link to comment
accwai Posted May 29, 2015 Share Posted May 29, 2015 I would be interested in that too as the only reason for me looking for these recordings is because it is the only PCM DAC I read about that does not use the delta sigma modulation. A bit of a needle, but I am curious whether a discrete ladder DAC sings best with PCM recordings that never went through delta sigma modulation. I just quickly sampled a number of RR, Linn and FIM albums in my collection and none of them has any detail on the recording equipment. So your idea might be rather difficult to prove. By the way, don't know if it means anything in terms of the recording chain, but Linn has stopped putting HDCD encoding on their recent CDs. For example, the Pavlo Beznosiuk Back solo violin double CD says 2011 and is HDCD encoded. The Richard Tunnicliffe Bach solo cello double CD says 2012 and is plain Redbook. Link to comment
Hiro Posted May 29, 2015 Share Posted May 29, 2015 Hiro, do you have a reference to where people have said that the PM is a hybrid, and not a true 24bit PCM ADC? I can contact Keith and Paul Stubblebine to find out whether that is true. Larry, from what I remember PMII is using ladder-pipeline architecture, and no one at this point knows how many bits of resolution it actually achieves through its "ladder" part. If there's anyone who could know more about it on this forum, it's Mani and PeterSt. If you have a chance to ask someone in the know about whether it's a true flash(ladder) 24bit ADC or something else, then please do, if you want to find out what's really going on inside this converter. Link to comment
The Computer Audiophile Posted May 29, 2015 Share Posted May 29, 2015 Has anyone come across a list of modern music recorded using the Pacific Microsonics ADC? I read that Reference Recordings uses the ADC, but it is more classical focused, and I am looking more for pop, RnB, rock, EDM type of modern. Cheers Rather than look for music made with a PM2 you could look for lists of HDCD albums. They were all made with a PM1 or PM2. This may be easier. Founder of Audiophile Style | My Audio Systems Link to comment
Daudio Posted May 29, 2015 Share Posted May 29, 2015 My understanding is that Keith Johnson developed HDCD encoding for CD's to give more resolution than 44/16. It wasn't for 176/24 which is what Keith recorded his master files which he down converted to 44/16 to make CD's). Some of these master files Reference Recordings sells directly from the website (physical discs with 176/24 files - I have most of them - at $45 each. They then started selling them as downloads through HD Tracks for less (I don't have any of those). They shouldn't be HDCD encoded AFAIK. Larry, I agree. My understanding of HDCD is that it uses a control bit to allow expanding the bit depth of a redbook CD from 16 bits, to 18 or 20 in the decoded file or stream, thus increasing the dynamic range and/or SNR (not resolution). I have never heard of the process being used to expand a 24 bit file to 26 or 28 bits, and it wouldn't seem necesary, or useful, to 'guild that lily'. I suspect that the artwork and other marketing materials may not have been changed for the non-redbook versions, and thus the confusion. But, I could be wrong... Link to comment
The Computer Audiophile Posted May 29, 2015 Share Posted May 29, 2015 All RR material sold thought physical media and downloads (both 16 and 24 bit and both 44.1 and 176.4 kHz) should be HDCD encoded. The high resolution downloads I've tried and even through streaming services ave all been HDCD enabled. Founder of Audiophile Style | My Audio Systems Link to comment
Daudio Posted May 29, 2015 Share Posted May 29, 2015 All RR material sold thought physical media and downloads (both 16 and 24 bit and both 44.1 and 176.4 kHz) should be HDCD encoded. The high resolution downloads I've tried and even through streaming services ave all been HDCD enabled. I assume you mean that you saw the 'HDCD' light on the DAC light up, to know that the downloads and streams were HDCD encoded ? I can see that all those formats may be encoded, but what I don't understand is what any HDCD decoding would do, or not do, to 24 bit inputs. Any clue ? Link to comment
Daudio Posted May 29, 2015 Share Posted May 29, 2015 I have found what Ritter was said about these (from Goodwin's High end web site) Granting that HDCD will work for DVD-Audio, the question arises again as to why you would want to use it in a format that already has such high resolution. Ritter's answer is that better resolution actually increases the need for optimizing all links in the recording/playback chain. "Let's take a camera analogy," he says, "where HDCD is like a lens with very high resolution and very low chromatic aberration. That quality can actually be better appreciated if you are making a 4x5 plate than a 35mm image. So the truth is that the advantages of all the work we do to achieve extremely low distortion and extremely high resolution are even more evident in a high-resolution format like DVD-Audio than with the CD." Nice analogy, and all, but it is just marketing-speak, and doesn't give me any clues as to what HDCD decoding does to 24 bit music files and streams Didn't know about HDCD applicability to DVD-A, through ! Hmmmm... is there a licensing revenue stream in this somewhere ? Link to comment
Daudio Posted May 29, 2015 Share Posted May 29, 2015 Lots of info here: Goodwin's High End - HDCD Mastering, Mixing, RecordingGoodwin's High End - HDCD Ah, I had just found that, best yet, and back here to share the link - HDCD - But too late, I have been prempted Anyway, I didn't find any suprises on that page. Same idea of decoding 16 bit material to 24 (with 20 bit dynamics). I'll have to continue looking later... Digitally subtracted dithering ?? DSD ?? Link to comment
tranz Posted May 29, 2015 Author Share Posted May 29, 2015 Rather than look for music made with a PM2 you could look for lists of HDCD albums. They were all made with a PM1 or PM2. This may be easier. Thanks Chris. Since their money was earned selling the HDCD chips I thought it could have been used in other ADCs as well. You are absolutely sure about that? Link to comment
Axiom05 Posted May 29, 2015 Share Posted May 29, 2015 Maybe Pacific Microsonic A/D conversion don't have true 24 bit resolution without hdcd, but when hdcd is enabled that give him true 24bit resolution. Dithering can do a real magic somethimes. Plasma TV's are good example I don't think that HDCD encoding can increase dynamic range beyond what the original recording is. If it can, then it is totally artificial. Main System: [Synology DS216, Rpi-4b LMS (pCP)], Holo Audio Red, Ayre QX-5 Twenty, Ayre KX-5 Twenty, Ayre VX-5 Twenty, Revel Ultima Studio2, Iconoclast speaker cables & interconnects, RealTraps acoustic treatments Living Room: Sonore ultraRendu, Ayre QB-9DSD, Simaudio MOON 340iX, B&W 802 Diamond Link to comment
tranz Posted May 29, 2015 Author Share Posted May 29, 2015 Rather than look for music made with a PM2 you could look for lists of HDCD albums. They were all made with a PM1 or PM2. This may be easier. If you scroll down a bit to the HDCD section of this site, it looks like HDCD recordings could indeed have been made via a different ADC, which in turn could have had delta sigma modulation. http://www.jmrcds.com/Techsample.html Link to comment
tranz Posted May 30, 2015 Author Share Posted May 30, 2015 And from an old thread: HDCD recordings list, but it does not specify the ADC. http://www.head-fi.org/t/65414/hdcd-list Link to comment
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