bdiament Posted September 11, 2014 Share Posted September 11, 2014 ...Subjectively, the sound of vinyl is very often being perceived as more dynamic sounding than CD, even if no dynamic range compression was applied on the CD that was used for comparison. That is, despite the fact CD, purely as a medium, has technically more dynamic range than vinyl... Hi spdif-usb, In my view, this last is an all too common occurrence, where folks mistake CD's *signal-to-noise* ratio for its dynamic range. And mistakenly assume signal-to-noise ratio and dynamic range are the same thing. Signal-to-noise ratio basically describes the difference between the highest possible level (at the top end of the volume scale) and the *noise floor* (at the bottom end of the volume scale). While this *can* translate to potential dynamic range in an analog medium, in my experience, things don't work that way in the digital world. With a 16-bit medium like CD in particular, to my ears, low level sounds start to sound pretty raggedy. Harmonics are thinned and bleached and the overall sound is coarsened to a point where spatial cues are much harder to hear and reverb tails die away in unnatural fashion. Put very simply, if a low level cello starts to sound like a kazoo, I don't consider the lower end of its dynamic range to be properly captured. So regardless of the 96 dB signal-to-noise ratio specification (often curtailed by a bit under 4 dB from the addition of the requisite dither), I find the real, undistorted, dynamic range of CD to be closer to half that and probably quite a bit less (unless one deems an 8 or 10-bit representation of the data to be "undistorted"). While CD can sound pretty good, I've always felt the medium has some pretty severe limitations that will ever keep it from sounding great. Just my perspective of course. Best regards, Barry Soundkeeper Recordings The Soundkeeper | Audio, Music, Recording, Playback Barry Diament Audio Link to comment
goldsdad Posted September 11, 2014 Share Posted September 11, 2014 I should have said Stephen Hawkings. He's Stephen Hawking. Singular. Link to comment
Jud Posted September 11, 2014 Share Posted September 11, 2014 He's Stephen Hawking. Singular. Yes, he is a singular fellow, isn't he? One never knows, do one? - Fats Waller The fairest thing we can experience is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science. - Einstein Computer, Audirvana -> optical Ethernet to Fitlet3 -> Fibbr Alpha Optical USB -> iFi NEO iDSD DAC -> Apollon Audio 1ET400A Mini (Purifi based) -> Vandersteen 3A Signature. Link to comment
goldsdad Posted September 11, 2014 Share Posted September 11, 2014 Yes, he is a singular fellow, isn't he? One of a kind! Link to comment
sandyk Posted September 11, 2014 Share Posted September 11, 2014 Stephen Hawking Warns Of The God Particle Destroying All Hawking is here to ease the very same apocalyptic fears he created, adding that such an event would be unlikely, seeing that generating energy levels in excess of the universe-destroying 100bn GeV would require building a particle accelerator larger than the size of Earth. But how big would it need to be to destroy Earth only ? How a Digital Audio file sounds, or a Digital Video file looks, is governed to a large extent by the Power Supply area. All that Identical Checksums gives is the possibility of REGENERATING the file to close to that of the original file. PROFILE UPDATED 13-11-2020 Link to comment
spdif-usb Posted September 12, 2014 Share Posted September 12, 2014 Hi spdif-usb, In my view, this last is an all too common occurrence, where folks mistake CD's *signal-to-noise* ratio for its dynamic range. And mistakenly assume signal-to-noise ratio and dynamic range are the same thing. Signal-to-noise ratio basically describes the difference between the highest possible level (at the top end of the volume scale) and the *noise floor* (at the bottom end of the volume scale). While this *can* translate to potential dynamic range in an analog medium, in my experience, things don't work that way in the digital world. With a 16-bit medium like CD in particular, to my ears, low level sounds start to sound pretty raggedy. Harmonics are thinned and bleached and the overall sound is coarsened to a point where spatial cues are much harder to hear and reverb tails die away in unnatural fashion. Put very simply, if a low level cello starts to sound like a kazoo, I don't consider the lower end of its dynamic range to be properly captured. So regardless of the 96 dB signal-to-noise ratio specification (often curtailed by a bit under 4 dB from the addition of the requisite dither), I find the real, undistorted, dynamic range of CD to be closer to half that and probably quite a bit less (unless one deems an 8 or 10-bit representation of the data to be "undistorted"). While CD can sound pretty good, I've always felt the medium has some pretty severe limitations that will ever keep it from sounding great. Just my perspective of course. Best regards, Barry Soundkeeper Recordings The Soundkeeper | Audio, Music, Recording, Playback Barry Diament Audio Yes, the noise floor of CD in terms of human audible perception is a graph that looks completely different from what most people would imagine when they see the theoretical 96 dB SNR value of CD. On top of that, the severe ringing artifacts that result from the use of a steep cut-off digital filter (i.e., the one that is necessary to prevent aliasing at the ADC level, and the one that is necessary to prevent imaging at the DAC level), while already very much audible even regardless of the aforementioned noise problem in the first place, will also inevitably add their own impact on how exactly this highly artificial noise floor is perceived by the human hearing system. Due to how the human brain detects and identifies sounds against a noise background, and how it externalizes sounds as objects that generate sounds, just because we cannot always "hear noise" does not necessarily imply said noise does not shape our perception or does not manifest itself in audible ways other than "hearing noise". In fact, quite the opposite holds true. If you had the memory of a goldfish, maybe it would work. Link to comment
Audio_ELF Posted September 12, 2014 Share Posted September 12, 2014 But how big would it need to be to destroy Earth only? I think (if I understand it right) the apocalyptic even would be an all or nothing situation ... either nothing will happen; or it will destroy the universe. Of course some people say this has already happened and we are just a mathematic simulation being ran in a meta-dimension! and to quote from the article... "Australian scientists have also suggested that the energy levels required to power such a mission would be astronomical, probably exceeding the amount of energy already existing in the solar system." ...so I think we're probably safe! Eloise Eloise --- ...in my opinion / experience... While I agree "Everything may matter" working out what actually affects the sound is a trickier thing. And I agree "Trust your ears" but equally don't allow them to fool you - trust them with a bit of skepticism. keep your mind open... But mind your brain doesn't fall out. Link to comment
sandyk Posted September 12, 2014 Share Posted September 12, 2014 ...so I think we're probably safe! See No.25, for example. Actual Predictions That Were Absolutely Wrong (25 pics) - Picture #2 - Izismile.com How a Digital Audio file sounds, or a Digital Video file looks, is governed to a large extent by the Power Supply area. All that Identical Checksums gives is the possibility of REGENERATING the file to close to that of the original file. PROFILE UPDATED 13-11-2020 Link to comment
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now