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    The Computer Audiophile

    Subjective: Audeze LCD-4z Headphone Review

    As you may know, these headphones weren't in my review queue until about one week ago. I don't usually review headphones because the topic is a bit out of my wheelhouse and covered much better by our resident headphone experts. However, in the interest of the Audiophile Style community, Audeze, and my own curiosity, I felt the need to follow up the review published September 4, 2019 by @Sonis, with my own purely subjective review. In addition, we have simultaneously published our own objective review of the LCD-4z with measurements and explanations by @mitchco (who was sent a pair of LCD-4z headphones directly from Audeze).

     


    I used the exact same pair of Audeze LCD-4z headphones used by Sonic in his review. Not just the exact same model, but the exact pair. They were shipped to me along with the exact same pair of Sennheiser HD800 headphones used for comparison in his review. I will use both headphones in this review for the sake of consistency and because it illuminates major differences between the two products and enables readers to better understand what each headphone does for music reproduction.

     

    Driving the headphones, I have a Benchmark DAC3 B connected via balanced XLR cables to a Benchmark HPA4 headphone amp. Both were sent to me directly from Benchmark at the request of Audeze. I gladly accepted them and agreed that using a known DAC/amp combination would aid in the review process and ensure a known level of performance. Audeze also sent me a Chord Hugo2 DAC / headphone amp to use during my review. 

     

    DAC3_B_Silver_02_2000x.jpeg  HPA4_Silver_340_2000x.jpg

     

     

     

    Over the last week I've listened to everything under the sun. Every kind of music, every instrument, every original master vs remaster, etc... in an effort to hear as much as possible through the Audeze LCD-4z. I wanted to find its strengths and weaknesses. I'll start my subjective listening impression with a track I've been listening to since August 1991, Pearl Jam's Black. This is my favorite track of all time. If I was on a desert island with only one track, this would be it. 

     

    Pearl Jam's Black was remixed in 2004 for release on the band's Rearviewmirror greatest hits album (Qobuz link). This is the definitive version of the track. Listening through the Benchmark DAC / amp combo, the LCD-4z had a very distinct sonic signature. The overall sound was pretty colored, with the mid-range up through the highest frequencies sounding quite compressed, while the bottom end was much less defined than other headphones. Let's walk through the track, available on most major streaming platforms, to give readers a sense of what I heard and when I heard it. 

     

    At 0:25 the vocals, guitar and drums kick in to get the track going. I could immediately hear a compression as the vocals and instruments sounded blended together. Eddie Vedder's voice didn't have the range that I know is on this track. The second very noticeable shortcoming I hear through the Audeze LCD-4z is the lack of air around the cymbal / hi-hat throughout this part. There is a synthetic sound to the cymbals that is reminiscent of MP3 because it's missing important sonic details. 

     

    At the track moves forward past 1:00, Vedder's vocal is the main "instrument" heard through the LCD-4z, like it is pushed very forward in the soundstage or like there's an equalizer bump right in his range. Yet, at the same time there is this compression of all sounds at and above his vocal range. I can only describe this as a compression sandwich. The vocal is compressed as are the other instruments at or higher, but the forward vocal is beneath the rest of the instruments that lay on top. To put it another way, the vocal is one distinct instrument and everything above this is one distinct instrument. They are sandwiched together at this point in the track. 

     

    At 1:58, there is a drum transition from the chorus to the second verse. Through the LDC-4z there is clearly something amiss. These drums have very little delineation between them and they sound very compressed with no atmosphere around them. The opposite can be heard through the Sennheiser HD800 headphones. I can identify each drum head as it's hit and I can place each drum in Dave Krusen's drum kit within the soundstage. The sound of this track is absolutely stunning for Pearl Jam fans. 

     

    When the track continues past the two-minute mark, Krusen's rhythm on the cymbals and hi-hat are airy and completely separate from the other instruments, but only on the Sennheiser HD800. This is not the case through the LCD-4z. 

     

    At 4:06 both the guitar and piano play the oh-so-familiar outro that has grit, grime, and an elegant piano sound through the HD800. Through the LCD-4z the sound is a jumbled mess. I hate to say it but Black doesn't sound like this now that is has been remixed. In a way, the LCD-4z put a spin on the sound that makes it similar to the original 1991 release.

     

    Switching tracks and versions to Jeremy off the 24/88.2 remaster of Ten from 2009 (Qobuz link), the LCD-4z shows its sonic signature right on the opening bass lines and continuing through the song. The best way I can describe the bass is pretty loose and lacking definition. Each pluck of the string and finger slide to change chords is clearly audible through the Sennheiser HD800. Not so through the Audeze LCD-4z. I don't understand enough about headphone design to know why, but I always thought a planar transducer would provide the ultimate in detail. This is absolutely not what I experienced through the LCD-4z. The bass throughout Jeremy's 5:18 is quite sloppy sounding and similar to one note bass heard through less than good subwoofer implementations. 

     

    Listening to Ike Quebec's Blue and Sentimental track of the Blue & Sentimental album at 24/192 from Qobuz (Link), I initially thought I heard some redeeming qualities through the LCD-4z. I like the sound of Ike's sax and heard Paul Chambers' bass as deep and authoritative. This was a fun sound although not what I consider the most neutral. Then I switched to the HD800 and thought wow, what a difference. I can see how the LCD-4z would be enjoyable on this album, but the HD800 sounded far more nuanced and neutral. The sound of Philly Joe Jones' hi-hat and cymbal taps are delicate with texture through the HD800. I just don't hear that texture and humanistic lifelike sound through the LCD-4z. The LCD-4z sounds a bit like a vivid setting on a TV would sound, some colors / frequencies bumped while others aren't. With respect to the cymbals, the loudest hit is certainly present, but all the micro details and nuance that sends one's mind into the recording venue is gone through the 4z.

     

    One example at 3:00 of the first track one can hear a guitar loud and clear, but it over powers the cymbals and hi-hat. It's overbearing, with loose bass laying the foundation. There is no air or texture to the cymbals. The presentation through the Sennheiser HD800 is completely opposite. Sure the guitar is more up front than the other instruments but the base groove is just that, a nuanced groove not a lumpy low range sound. The cymbal work from Jones is delicate and airy like a butterfly keeping time for the rest of the band. 

     


    Conclusion

     

    I went into this review with a very open mind. I had a very positive feeling about planar drivers due to their speed and the physics behind the technology. In fact, I own a pair of Audeze LCD-XC closed back headphones. I was well aware that Sonis didn't like the LCD-4z, but I didn't let that cloud my judgement at all. I owed it to the Audiophile Style community, Audeze, and myself to give this headphone a fair shake. I think it would've been easier to fall in love with this headphone because the people at Audeze have been so great behind the scenes, sending a pair of headphones for review and making sure I had proper amplification etc... Audeze truly believes in this headphone and that can be convincing in and of itself. If I'd have disagreed with Sonis, no harm, no foul. We have different tastes.

     

    However, I'm in agreement with Sonis about much of how the LCD-4z sounds. Although I didn't use the same adjectives as he did and I don't consider the sound wretched, I don't believe the LCD-4z is a headphone I could enjoy for long. The sonic signature was just too much for me. The coloration was the equivalent of watching television with a sepia tone filter. I can see how it's neat to some people, but it isn't my cup of tea. 

     

    I look forward to hearing other products from Audeze because I still believe in its technology and know the company puts more into R&D than many HiFi companies combined. Hopefully a better experience for me won't be too far off in the future. 

     

     

     

     

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    4 minutes ago, kumakuma said:

    Perhaps he meant that Sonis lacks integrity. 

    Yeah, that makes to most sense. Keeping these models straight in my mind over almost a decade of hearing different ones at different times, is confusing and I'll admit that a number of times I  wrote from memory rather than checking my own earlier  writings to make sure that I didn't misspeak. Such are the wages of laziness!

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    6 minutes ago, Sonis said:

    I suspect that KumaKuma is right and he meant that I lack integrity. He's entitled to his opinion

    When faced with multiple possible explanations, always choose the funnier.

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    Just now, mansr said:

    When faced with multiple possible explanations, always choose the funnier.

    OK, well said!

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    17 hours ago, kennyb123 said:

    I finally got a chance this afternoon to hear the LCD-4z while I was at Definitive Audio in Seattle.  I was able to compare them to headphones from Sennheiser and Focal. 

     

    My initial reaction was surprise as they didn't sound "wretched".  I was with a friend and signaled that he come over to listen.  I suggested he compare them to the Focal Utopias and let me know what he thought.  He wasn't aware at all of the reviews here of the LCD-4z.  He only spent about 10-15 minutes total with these.  When he was done he simply said something like "they're different and I think which one is favored depends on the listener".  He pointed to some the same differences I heard.  The key takeaway for me was that he also didn't come away with the reaction that there was anything "wretched" about these.

     

    This is not to say that the LCD-4z didn't have issues.  As I did further listening I found that I agreed totally with what Chris wrote that there is a "lack of air around the cymbal / hi-hat".  I spent a good amount of time listening to "Miles Smiles" and the ride cymbal was just not reproduced as I would expect.  It was veiled.  By comparison the Focal Stellia and Sennheiser 800S reproduced the ride cymbal more like I'd expect it to sound from listening on my home system.  I liked the Stellia a lot.

     

    I spent only enough time with these headphones to really come up with a short list should I decide to one day take the plunge for headphones priced well above my AQ NightOwls.  The LCD-4z would not have made it onto my short list because, as a drummer, the reproduction of cymbals is far too important to me.  

    Well all subjective reviews are, almost by definition, relative. I have had all manner of headphones pass through my hands over the years. The "high-end" ones have ranged in price from about US$200 on the bottom end of the scale to around $5000 on the top. When a $4000 pair of phones sound poorer than any other pair I've heard, regardless of price, then, relatively speaking, I think the term "wretched" is not at all a hyperbolic description of their sound!

     

    At the same time I was listening to the Audeze LCD-4z I was also listening to a pair of HiFiMan 400s phones. These 'phones retail for US$299 and they sounded not just a little better than the LCD-4z, they sounded a lot better!

     

    I realize that all of this is quite subjective and tastes do vary, but when a consensus of my audiophile friends all come to the same conclusion as I came to that a $300 pair of phones blew a $US4000 pair of phones out of the water, sonically, the question becomes what the hell is Audeze doing charging this much money for something this compromised?

    In conclusion, Chris found the same shortcomings that I found with the LCD-4z and the objective measurements mirror those sonic impressions, so as far as I'm concerned, the matter is closed. You found them not as bad as I did. OK, there are many possible reasons for that. Our taste in SQ may differ that much, or you haven't heard as many fine headphones over the last couple of years as I have and don't have my perspective on what a truly great pair of headphones CAN sound like (like a Pair of Stax SL-009s, for instance).  

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    1 hour ago, Sonis said:

    Well all subjective reviews are, almost by definition, relative. I have had all manner of headphones pass through my hands over the years. The "high-end" ones have ranged in price from about US$200 on the bottom end of the scale to around $5000 on the top. When a $4000 pair of phones sound poorer than any other pair I've heard, regardless of price, then, relatively speaking, I think the term "wretched" is not at all a hyperbolic description of their sound!

     

    At the same time I was listening to the Audeze LCD-4z I was also listening to a pair of HiFiMan 400s phones. These 'phones retail for US$299 and they sounded not just a little better than the LCD-4z, they sounded a lot better!

     

    I realize that all of this is quite subjective and tastes do vary, but when a consensus of my audiophile friends all come to the same conclusion as I came to that a $300 pair of phones blew a $US4000 pair of phones out of the water, sonically, the question becomes what the hell is Audeze doing charging this much money for something this compromised?

    In conclusion, Chris found the same shortcomings that I found with the LCD-4z and the objective measurements mirror those sonic impressions, so as far as I'm concerned, the matter is closed. You found them not as bad as I did. OK, there are many possible reasons for that. Our taste in SQ may differ that much, or you haven't heard as many fine headphones over the last couple of years as I have and don't have my perspective on what a truly great pair of headphones CAN sound like (like a Pair of Stax SL-009s, for instance).  


    I think the reason we concluded differently is because your rhetoric took into account the price of these and mine didn’t.


    I don’t believe that any audio enthusiast who listened to these without knowing the model or the price would say they sounded wretched.  But after telling them the price, you’d see varying reactions, including the hyperbolic reaction you had.

     

    The lesson you should take away from this is to not let the price influence your description of how a product you’re reviewing actually sounds.  Save your opinions for the conclusion.   Avoid hyperbole altogether as there is really no upside for the reader or for you.
     

    It’s pretty clear that you react very emotionally to the idea that there’s a product out that costs so much and yet is so flawed.  Nothing wrong with that - as long as you don’t get carried away.  Sonis probably got it right as far as these headphones, but he damaged his brand by going overboard.  Chris, on the other hand, handled his review exceptionally well and conducted himself in a way that was above reproach - and in doing so greatly enhanced his brand.  

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    46 minutes ago, kennyb123 said:


    I think the reason we concluded differently is because your rhetoric took into account the price of these and mine didn’t.


    I don’t believe that any audio enthusiast who listened to these without knowing the model or the price would say they sounded wretched.  But after telling them the price, you’d see varying reactions, including the hyperbolic reaction you had.

     

    The lesson you should take away from this is to not let the price influence your description of how a product you’re reviewing actually sounds.  Save your opinions for the conclusion.   Avoid hyperbole altogether as there is really no upside for the reader or for you.
     

    It’s pretty clear that you react very emotionally to the idea that there’s a product out that costs so much and yet is so flawed.  Nothing wrong with that - as long as you don’t get carried away.  Sonis probably got it right as far as these headphones, but he damaged his brand by going overboard.  Chris, on the other hand, handled his review exceptionally well and conducted himself in a way that was above reproach - and in doing so greatly enhanced his brand.  

    I’m sorry, when a pair of headphones sounds this bad REGARDLESS OF PRICE, they’re a lousy product. Obviously you weren’t paying attention earlier today when I said that a $300 pair of HiFiMan 400s phones sounded not just better, but much better. And don’t tell me that price isn’t a factor in all purchases. How would you feel if you spent $200,000 for a new car and later found that an old East German Trabant was better made, more luxurious and out-performed your new $200,000 baby? You’d be pretty pissed, I’ll wager. If not, there’d be something wrong with you.
     

    P.S. I don’t give a tinker’s damn what you think of my “brand”. Plenty of other folks agreed with my evaluation. It was honest, truthful and spot-on. Like I’ve said to you before: if you don’t like my writing style or what I write, don’t read me. It’s really quite that simple. Now have a nice day!

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    7 minutes ago, gmgraves said:

    I’m sorry, when a pair of headphones sounds this bad REGARDLESS OF PRICE, they’re a lousy product. Obviously you weren’t paying attention earlier today when I said that a $300 pair of HiFiMan 400s phones sounded not just better, but much better. And don’t tell me that price isn’t a factor in all purchases. How would you feel if you spent $200,000 for a new car and later found that an old East German Trabant was better made, more luxurious and out-performed your new $200,000 baby? You’d be pretty pissed, I’ll wager. If not, there’d be something wrong with you.
     

    P.S. I don’t give a tinker’s damn what you think of my “brand”. Plenty of other folks agreed with my evaluation. It was honest, truthful and spot-on. Like I’ve said to you before: if you don’t like my writing style or what I write, don’t read me. It’s really quite that simple. Now have a nice day!

     

    All I'm saying is that when reviewing a product as Sonis, it would behoove you to keep your emotions in check.  I have no problem with you switching to gmgraves to let your emotions run free.

     

    Clearly having a civil discussion about the appropriate tone to take in a review is off limits with you.  I'll say no more.  

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    1 hour ago, kennyb123 said:

     

    All I'm saying is that when reviewing a product as Sonis, it would behoove you to keep your emotions in check.  I have no problem with you switching to gmgraves to let your emotions run free.

     

    Clearly having a civil discussion about the appropriate tone to take in a review is off limits with you.  I'll say no more.  

    Thank the gods for small favors.

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    Hey George - It's often not what you say but how you say it. Your responses here are a bit over the top and don't encourage more interaction between the members of this community and those who work very hard to write in-depth reviews. Please show a bit more respect to the people commenting on your review(s) and take your own words to heart, "all subjective reviews are, almost by definition, relative."

     

     

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    31 minutes ago, The Computer Audiophile said:

    Hey George - It's often not what you say but how you say it. Your responses here are a bit over the top and don't encourage more interaction between the members of this community and those who work very hard to write in-depth reviews. Please show a bit more respect to the people commenting on your review(s) and take your own words to heart, "all subjective reviews are, almost by definition, relative."

     

     

    Yeah, I’m afraid that I got a little snippy with Kennyb123, but he has been dogging me about this Audeze review since day one, and won’t let it go. I get it, he doesn’t agree with my assessment of these ‘phones. I don’t understand how anyone could defend them, but it takes all kinds. But for heaven’s sake, let’s move on already!

     I will endeavor, in the future to be more tolerant and show more respect to those who comment on my reviews. Perhaps the best way for me to handle this is when I feel that I’m being baited by someone who just wants to argue, that I not respond to those posts at all. After all, I really do not wish to offend anyone if I can help it. And if I did offend Kennyb123, I humbly apologize. 

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    thanks for this review and for giving an honest review

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    Well I hate to revive a thread from the depths of the year of the Covid, but my take is on topic.

    I have had these headphones on my short list for a few months (current cans are Empyreans and HE1000SE on the higher end and a few sets of Meze Classics 99, (past owned are most Senn's as well as Elex, Clear, and Stellia's) and my dac/amps have stretched from 200 Schiit stuff to $6500 Holo Audio combo's with a myriad in between (A90/D90, Burson, and on and on) so I say this with some equipment experience and admittedly some 45yo+ well listened and AGED ears too.  I appreciate the follow up from Chris as well as the further comment on the LCD4z from Kennyb.  Those two have allowed  me to take the LCD4z off of my current list.  Thanks.

    As for the original Sonis review and his subsequent comments as his reviewer (persona) and his other login, I will gladly not read any of his reviews going forward.  Not pleased that it took 2 articles and 12 pages of comments to come to the end result but nonetheless sometimes the squeeze isn't worth the juice after all.

     

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    3 hours ago, 1IH said:

    Well I hate to revive a thread from the depths of the year of the Covid, but my take is on topic.

    I have had these headphones on my short list for a few months (current cans are Empyreans and HE1000SE on the higher end and a few sets of Meze Classics 99, (past owned are most Senn's as well as Elex, Clear, and Stellia's) and my dac/amps have stretched from 200 Schiit stuff to $6500 Holo Audio combo's with a myriad in between (A90/D90, Burson, and on and on) so I say this with some equipment experience and admittedly some 45yo+ well listened and AGED ears too.  I appreciate the follow up from Chris as well as the further comment on the LCD4z from Kennyb.  Those two have allowed  me to take the LCD4z off of my current list.  Thanks.

    As for the original Sonis review and his subsequent comments as his reviewer (persona) and his other login, I will gladly not read any of his reviews going forward.  Not pleased that it took 2 articles and 12 pages of comments to come to the end result but nonetheless sometimes the squeeze isn't worth the juice after all.

     

    Sorry to hear that you feel that way, but I can’t please everybody and don’t even pretend to try.
    OTOH, I’m glad that I was instrumental in saving you from making a big mistake and buying into an expensive, horrible pair of headphones. Believe me, this side of a pair of Stax SR-009s your HE1000SEs are about as good as dynamic phones get. So, my advice would be to put your money in something else - maybe lots of new music! 

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    I couldn’t agree with this review more, I demo’d the LCD4zs today and they sounded terrible, about the same accuracy as a pair of Sony MDREX15APs that I bought waiting for a flight at Seattle airport. This was after listening to the HD800s which are absolutely incredible and ~$2,500 cheaper. They were also heavy and very tight around the ear, on the positive the styling on the outside of the ear piece is beautiful.

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