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    Berkeley Audio Design Alpha DAC Reference Series 2 Review

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    Reviewing or writing about updated versions of products is something I rarely do. For the most part, I am just not as interested in the incremental updates so often placed into audio components, as I am interested in products that are new or significantly changed. I've been disappointed in the past to learn of manufacturers who release "Mark II" of a product only because a single internal component of the original version is no longer available. It's just as disappointing to see the unaware spend hard-earned money on such an upgrade. This type of thing happens across all industries. It's the nature of capitalism and consumerism. Fortunately, we are in the golden age of the Internet, where people can freely publish opinions about products without any trouble. We've all see numerous follow up reviews of version 2.0, where the writer says the upgrade isn't worth it or the upgrade didn't make any difference. Oh wait, today is November 1st, not April 1st. I can't recall ever seeing such an article. Back to my distaste of wasting virtual ink on incremental version upgrades. Aside from my skepticism about such upgrades, my lack of interest would no doubt lead to lackluster articles. Ever try writing about a topic with which you have zero interest? If the piece turned out good, you're a much better writer than I. Working for myself, I have no boss breathing down my neck to get a follow up review done. Without such pressure, I physically can't write such an article. It's just not in me. How does any of this relate to the Berkeley Audio Design Alpha DAC Reference Series 2? The DAC is obviously version 2 of the original, but in this case I can't not write about the RS2. The difference in sonic quality between Series 1 and Series 2 is substantial. This difference makes the decision to upgrade from from S1 to S2 a no brainer, and puts the Alpha DAC Reference Series back into play for people who may have written it off based on previous listening sessions. The Alpha DAC Reference Series 2 is easily Berkeley Audio Design's finest work to date and a reference by which other DACs will be measured.

     

     

     

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    Back in June 2016 I wrote an article previewing the Alpha DAC Reference Series 2, roughly 24 hours after receiving the unit. At that time I had more information about the DAC and what the S1 to S2 upgrade entailed than I had about the sonic qualities of version 2. Rather than repeat myself by listing the few technical details that are available about the RS2 again, I suggest everyone read the preview before consuming this review. Those seeking a plethora of design details and filter coefficients won't find either in the preview or this review. Berkeley Audio Design is famously secretive about its intellectual property and any items that may give competitors a view into what makes the Alpha DAC Reference Series 2 such a great audio reproduction device. In a time when people ridiculously suggest "information wants to be free," I completely understand the reasoning for not revealing that which isn't required. A quick Internet search can reveal much about component designs that either help a competitor or help an armchair engineer build a case against a product. I'd certainly love to publish schematics and design notes from Berkeley Audio Design, but I understand the company isn't a charity and deserves to be compensated for its work.

     

    Link to original Reference Series review - LINK

     

    Link to Reference Series 2 preview - LINK

     

     

    All audio products inevitably help us accomplish one thing, reproduce music. How well these products reproduce music can't be judged on a universal numerical scale or by a specific set of universal measurements. It all comes down to how each of us thinks the component sounds in our audio systems. Based on my extensive use of the Berkeley Audio Design Alpha DAC Series 2 in my system, here are my subjective thoughts about Berkeley's best work to date.

     

    Note 1: Berkeley Audio Design doesn't support playback of native DSD or DoP in any of its devices. In addition, all current 'Berkeley' devices support a maximum of 24 bit / 192 kHz audio.

     

    Note 2: Berkeley Audio Design is working on its MQA implementation for the Reference Series. The current plan is to offer MQA capability as a field-installable upgrade to the RS2.

     

     

    My audio system makeup for the majority of this review consisted of: Sonore microRendu > Berkeley Audio Design Alpha USB > Alpha DAC Reference Series 2 > Constellation Audio Inspiration 1.0 Mono amplifiers > TAD CR1 loudspeakers. I tried the DAC into both the standard XLR input and the Direct input of the amplifiers. After much listening I settled on the standard XLR input as my preferred interface. This input has little extra gain that gave the overall sound better punch. The Direct input (still using balanced XLR terminations) sounded a touch too soft for me, when connected directly to the Alpha DAC Reference Series 2 DAC. I also used the Constellation Audio Inspiration Series PreAmp 1.0 sparingly with the RS2. The sound going through the preamp had slightly less resolution, but offered a nice balance between the sound of the standard XLR and Direct inputs.

     

     

    Let's start with Tracy Chapman's self titled debut album. Released on April fool's day in 1988, the Tracy Chapman debut album has since sold around 12 million copies worldwide. Recorded on a Mitsubishi x-850 digital 32-track 16-bit digital recorder, this was one of the first all digital albums. It's surprising how good the album sounds given the less than stellar reputation of early digital recording devices. Tracy was recorded live in a vocal booth with her guitar, as this was how she had played all her life. To prevent sound leakage and to split the recorded sounds between vocal and guitar microphones, the engineers used cardboard place on top of her guitar. To capture her wonderful vocals, a Neumann TLM 49 microphone was used (TLM = transformerless microphone). One thing to note about this microphone is its K 47 capsule. According to Neumann, this capsule has a linear response up to 2 kHz. Over 2 kHz there is a 3 dB boost.

     

     

    The opening track Talkin' Bout A Revolution is enjoyable on even an AM radio, but through the Alpha DAC Reference Series 2 this track is taken to another level completely. The opening acoustic guitar has such a smooth, real, and organic sound, that I was drawn into the song immediately. As Tracy strummed up and down, I swear I could hear each individual guitar string being touched. The clarity and sense of realness to this guitar was enough cause me to start the track over a few times after just the first ten seconds. Through the Alpha RS2 in my system, this guitar has terrific air around it. This is perhaps the hallmark of the RS2 in my experience, air. When Tracy's starts singing at 0:09, her rich vocal has such a unique texture. Not texture like the breathy Leonard Cohen, rather a unique and raw texture that must be heard through a transparent system to be fully appreciated. Giving this track a great foundation was Larry Klein's bass that entered about 0:25 into the track. I enjoyed the bass so much in this track that I had a crazy dream last night. I dreamt I was the new bass player for Guns N' Roses. It didn't end well, but that's probably a story that would cost me thousands of dollars to parse through. Anyway, as the track continued, the percussion section entered in full swing and each instrument sounded so clear in its own audible space through the RS2. A gentle cymbal roll was so delicate and each tap of the drum stick so delineated, one couldn't help but notice the artistry and musicianship. By the time the 2:39 minute opening track was complete, I was sold on the entire album. I had to listen to the whole thing without breaking to read a text message or email.

     

     

    Continuing to the most well-known track on the album, Fast Car, my listening experience was almost identical to the previous track. Wonderful acoustic guitar, rich vocals, delicate percussion, all sounding incredibly airy and transparent. On the haunting a cappella track Behind The Wall, Tracy's voice is laid bare with a tiny amount of reverb. Listening to this track with the RS2 in my system, it sounds like I am in the vocal booth with Tracy. That's saying a lot for a 16 bit / 44.1 kHz pop recording. I should remind readers that Berkeley Audio Design prides itself on its custom filters and an ability to reproduce 44.1 kHz content as good or better than anyone in the industry. The RS2's ability to convey transients and a larger sound can be heard on the track She's Got Her Ticket. The track opens with a great snare and kick drum that has immediacy and terrific rise time through the RS2. Most of the track mirrors my previous statements about sound reproduction, but this one reveals the great tone of an electric guitar. This guitar sound seems to have a great color to it. The DAC isn't giving it color, it's reproducing the color and tone Jack Holder wanted from his guitar.

     

     

    An album I play a couple times every year is called Atlantic Records 50 Years: The Gold Anniversary. I'm usually a one artist per album, not greatest hits, type of listener, so this Atlantic album only comes off the digital shelf once in awhile. The album contains 26 remastered tracks, all done with a Pacific Microsonics Model 2 A to D converter in HDCD. Berkeley Audio Design's main guys, Michael Ritter and Michael "Pflash" Pflaumer, are alumni and founders of Pacific Microsonics and Pflash is the co-inventor of HDCD. It just makes sense that I would stumble upon this album again and play it through the HDCD decoding Alpha DAC Reference Series 2. Three tracks that I love from this album are Otis Redding's (Sittin' On) The Dock of the Bay, Led Zeppelin's Whole Lotta Love, and Tori Amos' Silent All These Years. I own several versions of each track and can say without a doubt this HDCD version is the best sounding. First up is Dock of the Bay. This track is all about Otis' voice. The backing instruments are just there because the track would sound weird a cappella. Otis' vocal sounds fabulously glossy through the Alpha DAC RS2. There is also more emotion in his voice than can be heard through other systems. I know this may sound strange, but I implore people to get a hold of this disc and listen through an RS2. It sounds as special as I've ever heard Otis Redding. As a 40 year old white guy from Minnesota, I feel like I have a connection with a black man from Dawson, Georgia who died in 1967, at the age of 26, with a set of life experiences vastly different from mine. Hearing deep into his vocal inflections and the tiny nuances between the same words sung during different parts of the song, can evoke emotions like this only when played on absolutely stellar systems. Sure an AM radio can bring out emotions, but not to the extent of an RS2. Led Zeppelin's Whole Lotta Love from this Atlantic album through an RS2 sounds like many people have never heard it sound. That's an unfortunate reality. Right from the start, no wait, exclude Robert Plant's cough / laugh / sigh at the beginning, the track's guitar and bass together sound so rich. They also sound so distinctly separate that anyone seeking to learn one of the two parts as a guitarist or bassist could just listen to the track without cranking up the EQ for one instrument. Individual strings of John Paul Jones' bass can be easily detected while Jimmy rocks the incredibly famous riff. About a minute and a half into the track when Bonzo starts rattling every percussive element of the drum kit while keeping the hi-hat going steady, there is a great amount of space that can be heard around the kit (synthetic or otherwise), and the percussive elements sound strikingly real. It sounds almost spooky even before the spookiness of the theremin enters the track and Robert starts moaning ah ah ah ooooh... Of course Jimmy's wailing on the guitar strings, as the track comes back to the verse chorus verse pattern, sounds fantastic. The screaming high pitched guitar mini-solo sounds as crystal clear as I've ever heard it, in all it's fully-depressed wah pedal distortion and magnetic tape saturation. right or wrong, Led zeppelin doesn't sound like this on other systems or through other DACs. The ninth track on the second disc of this two-cd set is Silent All These Years from Tori Amos. It's likely we've all heard this track numerous times over the years. It can sound pretty good on a good system. The HDCD version on this album is by far my favorite and it's pushed to another level through the Alpha DAC Reference Series 2. Right form the start, the overtones of Tori's piano are rich, round, and reverberating. Tori's vocal is, of course, close mic'd and in your face. Through my system her voice is so present that I swear her spit may fly out from my speakers when she pronounces the letter P in the sentences "Boy you best pray that I bleed real soon, How's that thought for you, My scream got lost in a paper cup..." With about 30 seconds left in the track the tone of the piano and the reverberation change quite a bit. It sounds as if the piano is now mic'd closer than previously heard in the track and the large rounded notes that seem to bounce off the piano cover and the walls, are suddenly sharp hammer strikes of each piano string. This change in sound of the closing "outro" is something I've never noticed in all my previous listens of this track. Maybe I'm just not a discerning listener or maybe the Berkeley Audio Design Reference Series 2 really brings out the truth in every recording. I'm voting for the latter.

     

     

    Since 2008, my enthusiasm for Berkeley Audio Design components has been well known. Sometimes I take heat for such enthusiasm, as if a person can't enjoy the sound of a manufacturer's components. This enthusiasm is not exclusive. I've written many positive comments and reviews about other components. Competitors such as EMM Labs and dCS have sent me components and I've enthusiastically written about the experiences. I even said the EMM Labs DAC2X was the most detailed and transparent DAC I've heard in my system and named it product of the year runner up back in 2012. I'm also looking forward to unboxing the EMM Labs DA2, sitting in another room at the moment, and receiving the dCS Rossini at the beginning of 2017. Each of these manufacturers designs components using its own intellectual property and each ends up with a distinctive sound and set of features. Going from memory, I have no doubt I prefer the Berkeley Audio Design Alpha DAC Reference Series 2 over the EMM Labs DAC2X I reviewed in 2012 and have heard many times between then and now. I have yet to compare the sound of the new flagship EMM DA2 to the RS2, but based on its feature set I know I'll need a preamplifier with the DA2, whereas a preamp is not needed with the RS2. Having listened to many dCS components over the years, both at home and in fine listening rooms around the world, I know there will be very evident sonic differences between the RS2 and Rossini. The RS2 leans heavily toward the 3D and airy side of the continuum, whereas the dCS components lean more in a full-bodied, punchier direction. Both dCS and Berkeley Audio Design claim to do digital the right way, yet both do digital very differently and produce very different results. If I was helping a close friend select her next DAC at this high level of quality, I would start by relaying what I just said. Followed by the fact that components are system dependent. For example, I may be able to connect the dCS Rossini into the Direct input of my Constellation amplifiers, bypassing a gain stage, and get a better sound than I heard when the RS2 was connected to that input, but it may not sound better to me than the RS2 connected to the standard XLR input of the same amplifiers. There are many variables at play, the most important being preference. What I hear as transparent, other may hear as opaque in the exact same system or one loaded with tubes and electrostatic panels.

     

     

    When speaking to the Berkeley Audio Design team, they stress the importance of striving for neutrality with their components. They absolutely, to the best of their abilities, try to design out any sonic flavor. It's not in their ethos to color the sound or produce a sound some people may like. If you like neutrality, or no sonic signature, they build the components for you. To do this, they compare the sound reproduced through the Alpha DAC Reference Series 2, to the sound of the microphone feed at Keith Johnson's recordings for Reference Recordings and also use Keith's master recordings during the design process. These subjective comparisons serve to improve upon the objective measurements. When one reaches the limit of the best testing equipment available, one must have a sense for what neutrality "sounds" like. Given what I know and have heard, I'm willing to bet Berkeley Audio Design manufacturers some of the most neutral components ever produced.

     

     

    (Note: Keith Johnson is a friend of the company, but not involved with the products in any way).

     

     

    Conclusion

     

    The Berkeley Audio Design Alpha DAC Reference Series 2 is a true reference level component. The name is an accurate representation of what one should expect when placing the RS2 in one's audio system. The upgrade from Series 1 to Series 2 is much more than an incremental adjustment of the number at the end of the DAC's name. The RS2 is a result of 'Berkeley's' continued efforts to improve its RS platform. The RS1 was the first major step and enabled the company to achieve what it has with the RS2. In other words, the RS2 couldn't have been designed without the RS1, unless its release was delayed by years, not weeks or months. The cost to upgrade an existing RS1 to RS2 specifications is $3,500 for original retail owners. The same as the difference in retail price between the RS1 and RS2. Objectively there will be no difference between an RS1 upgraded to RS2 spec and a DAC that started its life as an RS2. Based on the many hours I've spent with both the RS1 and RS2, I highly recommend that people who passed on the RS1, give the RS2 a serious listen. It may enable listeners to hear music like never before, as it did for me in my system. The Reference Series 2 is my current reference by which all DACs that pass through my listening room door are compared. Effortless transparency, 3D imaging, and a massive amount of air around artists and their instruments are hallmarks of the Berkeley Audio Design Alpha DAC Reference Series 2. Get your ears on one if you can.

     

     

     

     

     

    Image Gallery

     

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    Product Information:

     

    • Product - Berkeley Audio Design, Alpha DAC Reference Series 2 ($19,500)
    • Product Site - Link
    • Product User Guide - PDF

     

     

     

     

     

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    Where To Buy:

     

    The Audio Salon

     

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    Ciamara

     

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    Associated Music:

     

     

     

     

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    Associated Equipment:

     

     

     

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    Thanks Chris. Can you describe how the sound profile of the RS2 differs from the DAC2x? Not asking you to pick a "winner", just to describe the sound differences to understand if one would appeal to different tastes than the other.

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    Right now I have other things on my plate, o'wise I'd upgrade from the Series One to the Series Two in a flash.

     

    But it's good to hear, as Chris wrote: "Objectively there will be no difference between an RS1 upgraded to RS2 spec and a DAC that started its life as an RS2."

     

    Dave, who is selling a pristine RS1 right here

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    No offense intended, you are an excellent writer. But you write very long paragraphs--in one case above, over 800 words. Unless your name is James Joyce that's a major no-no. Tough to read on a regular computer screen, almost impossible on a cell phone. Take a look at the NYT or WP: short, punchy paragraphs.

    I won't be offended if you delete these comments. Just offering some constructive criticism. I wouldn't have said anything if I wasn't interested in what you are writing!

    PS--I'm a (successful) professional writer and I teach writing at a university.

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    No offense intended, you are an excellent writer. But you write very long paragraphs--in one case above, over 800 words. Unless your name is James Joyce that's a major no-no. Tough to read on a regular computer screen, almost impossible on a cell phone. Take a look at the NYT or WP: short, punchy paragraphs.

    I won't be offended if you delete these comments. Just offering some constructive criticism. I wouldn't have said anything if I wasn't interested in what you are writing!

    PS--I'm a (successful) professional writer and I teach writing at a university.

    Thank you very much. I appreciate the constructive criticism. I take every opportunity I can to learn about becoming a better writer.

     

    I at first thought you were talking about an HTML formatting issue.

     

    P.S. The NYT is my gold standard for writing (opinions aside).

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    Unless your name is James Joyce that's a major no-no.
    You're not James Joyce until you take 17 years to write a review and end it in mid-sentence.

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    Personally I like a bit of stream of consciousness in writing, especially reviews, and particularly those involved in a highly subjective space like home audio.

     

    As for the Berkeley decision to keep the DAC separate from the converter, I think it's great. The Alpha USB helps to separate the issues surrounding a USB stream from the core D to A conversion. And, I'm hoping, we may see other Berkeley Audio Design options in the future, for a box that could take in an Ethernet stream and output to AES/EBU or S/PDIF for the DAC. 'Course today we've got the microRendu. And maybe Sonore would do a version that similarly outputs to AES/EBU or S/PDIF.

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    I'm hoping we may see other Berkeley Audio Design options in the future, for a box that could take in an Ethernet stream and output to AES/EBU or S/PDIF for the DAC.

     

    I wouldn't be surprised to see Berkeley Audio Design do exactly that! I own the microRendu, Alpha USB, Alpha DAC RS2... and would be very interested in a product with that design.

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    Despite all the good things folks seem to report about this DAC (in REV1 Form) it intrigues me why so many owners seem to dump them like yesterdays newspaper on AGON all the time for a big loss.

     

    These things turn up for sale as often as the PS Audio PWDAC does which was supposedly another magical DAC not that long along.

     

    Who knows, maybe there are just that many people with money tree's in there backyard who can afford to buy things on the bleeding edge, listen to them for a few months, and dump them for half price. It seems I choose the wrong career..Sigh!

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    "The difference in sonic quality between Series 1 and Series 2 is substantial. This difference makes the decision to upgrade from from S1 to S2 a no brainer"

     

    An excellent review of what apparently is an awesome DAC. My one little nit with your review is the description of the purchase as a "no brainer" without considering the increase of price to $20k from the $5k price of the previous version. I'm not suggesting that it's not a screaming bargain at the current price, it may very well be. But I suspect for many followers of your site the price might give them pause if not put the purchase completely out of reach. I'm not trying to raise the "why do you cover the such stupidly expensive gear" argument, as I said, it might be worth every penny. But to me the phrase "no brainer" means, well why wouldn't you? I'm just suggesting that it's cost might be a valid response.

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    Despite all the good things folks seem to report about this DAC (in REV1 Form) it intrigues me why so many owners seem to dump them like yesterdays newspaper on AGON all the time for a big loss.

     

    These things turn up for sale as often as the PS Audio PWDAC does which was supposedly another magical DAC not that long along.

     

    Who knows, maybe there are just that many people with money tree's in there backyard who can afford to buy things on the bleeding edge, listen to them for a few months, and dump them for half price. It seems I choose the wrong career..Sigh!

     

    I think with few exceptions in the digital world that is the case. The thing about the Berkeley is that it doesn't hit all the "propeller heads" buttons as not doing DSD or having a built in USB port. I understand that people see this as an expensive DAC but those with bucks see it on the "cheaper" end of the spectrum of what they are comparing it to such as Msb, dCS, the big Lampi etc. that do push all the buttons. While I haven't heard it for myself many I trust absolutely rave the DAC but those are people who listen to music rather trading one product for another. No doubt along with a couple of others it is a DAC I would love to audition despite being sold on my MSB.

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    I wouldn't be surprised to see Berkeley Audio Design do exactly that! I own the microRendu, Alpha USB, Alpha DAC RS2... and would be very interested in a product with that design.

     

    Been using the Audio Alchemy DMP-1 with Roon to go from Ethernet to AES with my recently updated RS2. Very impressed with the results as this is by far the best sound I've had in my home. That said, a Berkeley Ethernet Roon endpoint with AES out would surely be quite interesting.

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    "The difference in sonic quality between Series 1 and Series 2 is substantial. This difference makes the decision to upgrade from from S1 to S2 a no brainer"

     

    An excellent review of what apparently is an awesome DAC. My one little nit with your review is the description of the purchase as a "no brainer" without considering the increase of price to $20k from the $5k price of the previous version. I'm not suggesting that it's not a screaming bargain at the current price, it may very well be. But I suspect for many followers of your site the price might give them pause if not put the purchase completely out of reach. I'm not trying to raise the "why do you cover the such stupidly expensive gear" argument, as I said, it might be worth every penny. But to me the phrase "no brainer" means, well why wouldn't you? I'm just suggesting that it's cost might be a valid response.

    I think you're confusing the S1 with the non-reference series DAC that sold for $5k. S1 was around $16k, so the upgrade is about $3.5k.

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    I think you're confusing the S1 with the non-reference series DAC that sold for $5k. S1 was around $16k, so the upgrade is about $3.5k.

    Yes, apparently I was. I suppose if you're shopping in that price range to begin it's possible the upgrade might be a "no brainer".

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    Been using the Audio Alchemy DMP-1 with Roon to go from Ethernet to AES with my recently updated RS2. Very impressed with the results as this is by far the best sound I've had in my home. That said, a Berkeley Ethernet Roon endpoint with AES out would surely be quite interesting.

     

    What is your Roon Core hardware platform? Which OS - Apple or Windows or Linux?

     

    Would be interesting to compare SQ of your setup with Berkeley Alpha USB in the mix. I've had experience with both AES/EBU direct to Berkeley Alpha DAC series 1 as well as with the Alpha USB and always found the latter to sound better. Seems the USB isolation, master clock and LPS, among other things in the Alpha USB must contribute quite a bit to making this piece of significant sonic value.

     

    I'm eagerly awaiting my Reference upgrade. Been quite happy with MacMini running Roon Server w. USB attached music drive. Ethernet connected to Cisco switch which in turn has microRendu connection that feeds the Alpha USB. Only issues are the very rare cases of bit chain from disk through Mac. Exhibits short sudden loss/distortion of music. Hoping to find an alternative "server" to fix this. In the absence of knowing just where the problem lives, I'm holding off.

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    I sold my Berkeley USB to a friend when I got the Aurender W20 since that has an AES out that's pretty good, although perhaps not as good as a Berkeley USB. So I'm not able to directly compare the DMP-1 AES to a Berkeley USB AES. Also upgraded the DAC recently when I got the DMP-1.

     

    But regardless I can say the DMP-1 AES is superb with an RS2, and I'm not missing the Berkeley USB as I did miss it when I had the W20, but any comparison would be from memory.

     

    My first attempt at Roon was with it running on a 2008 Mac Pro. The user interface sold me, but that old computer is just too slow and I got occasional drop outs. The music, 240,000 tracks, is on a QNAP NAS.

     

    I now have an HP Elitedesk 800 G2 Mini i7 with Windows 10, a 256G SSD and 8G memory that only runs Roon. This little computer is amazingly fast and the 65 watt versions are on sale at very good prices. The performance is flawless, no dropouts or noises as far as I can tell, although occasionally I have to restart Roon.

     

    Hope this helps.

     

    Paul

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    I sold my Berkeley USB to a friend when I got the Aurender W20 since that has an AES out that's pretty good, although perhaps not as good as a Berkeley USB. So I'm not able to directly compare the DMP-1 AES to a Berkeley USB AES. Also upgraded the DAC recently when I got the DMP-1.

     

    But regardless I can say the DMP-1 AES is superb with an RS2, and I'm not missing the Berkeley USB as I did miss it when I had the W20, but any comparison would be from memory.

     

    My first attempt at Roon was with it running on a 2008 Mac Pro. The user interface sold me, but that old computer is just too slow and I got occasional drop outs. The music, 240,000 tracks, is on a QNAP NAS.

     

    I now have an HP Elitedesk 800 G2 Mini i7 with Windows 10, a 256G SSD and 8G memory that only runs Roon. This little computer is amazingly fast and the 65 watt versions are on sale at very good prices. The performance is flawless, no dropouts or noises as far as I can tell, although occasionally I have to restart Roon.

     

    Hope this helps.

     

    Paul

     

    Interesting. Sounds like you've found the DMP to be a better server than the W20, which is saying a lot. I had the Aurender N10 for about a year and recently sold it. However, I did test its AES/EBU output to the Berkeley Ref and found it wanting against using the Alpha USB. 'Course now the Mac/microRendu/Alpha USB feeding the DAC tops it all.

     

    Which QNAP are you using? Is it quiet enough to keep in the same room as the audio system? Reason I ask is that my environment precludes wiring a NAS from another room.

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    The QNAP NAS is a TVS-682. It's in garage where I also have a Synology. The QNAP is the quieter of the two but not totally silent. The HP mini has a fan that is not totally silent but I barely hear it.

     

    Not sure if I mentioned it, but I do also have the upgraded Audio Alchemy power supply. The AES output of this setup on par with anything else I've heard so far. The Berkeley USB is an excellent unit but it does require extra steps and components to go from Ethernet data to USB then AES, versus a DMP-1 that's doing all this in one box.

     

    As you may know, the engineers at Audio Alchemy also are involved with Constellation Audio. The DMP-1 is a true bargain given the performance level.

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    The QNAP NAS is a TVS-682. It's in garage where I also have a Synology. The QNAP is the quieter of the two but not totally silent. The HP mini has a fan that is not totally silent but I barely hear it.

     

    Not sure if I mentioned it, but I do also have the upgraded Audio Alchemy power supply. The AES output of this setup on par with anything else I've heard so far. The Berkeley USB is an excellent unit but it does require extra steps and components to go from Ethernet data to USB then AES, versus a DMP-1 that's doing all this in one box.

     

    As you may know, the engineers at Audio Alchemy also are involved with Constellation Audio. The DMP-1 is a true bargain given the performance level.

     

    Guess I'll stick with my WD USB drive as it's dead quiet and seems to work well with the Mac Mini. I didn't mention it, but I purchased a DDP-1 and PS-5 a number of months ago. They're in my upstairs home theater setup. Got them in prep for the time I'd have to send my Berkeley Ref 1 off for upgrade. That's been far longer than I'd hoped. Meanwhile I'd also learned of the microRendu and brought that into my environment, with initial testing in the home theater, and now firmly ensconced in the downstairs audio system, along with the Sonore Signature LPS.

     

    Another bit: since my long wait is coming to an end in receiving an LH Labs Geek Source, I'll be testing that out against my current Mac Mini setup, to see if it betters or at least equals my current Mac Mini in SQ. It will have a 5TB drive for the music and, according to Larry at LHLABS, it will allow me to run Roon Server. Hopefully it will have the necessary performance and memory to do so.

     

    Given my in-house options I don't see any particular value in the DMP-1, unless it can better the Alpha USB in my setup. As I understand it, the DMP would replace both microRendu and Alpha USB and receive the Roon managed bitstream and hand it over AES/EBU to the Berkeley DAC. I'm also waiting on a second microRendu for the home theater, along with the Uptone Audio Ultracap LPS-1.

     

    Certainly would be nice to simplify the audio chain, but at this point, with all the SQ trade-offs, its hard to do so. Keeping noise out of the system and still ensuring all the bits are delivered and properly timed is hard. In many cases we're at the mercy of the software I/O drivers in the various components. In my case, the Mac Mini is the least trustworthy manager of that aspect. It does reasonably well, with only occasional hiccups.

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    Looks like I am bumping this up from the grave but in reading thru this review and the previous review of the S1 model I see that these DAC's were used primarily in a "Direct" fashion stright to the Amplifiers with no PreAmp involved. While reading thru the comments section of the previous review it was mentioned that the digital volume control on the S1 needed to be at or near "54" before it was producing full output at the Analog outs.

     

    @Chris ...Can you comment on what volume level you were using for most of your review? I'm just trying to get a sense of what "54" is in terms of SPL/DB output at the seated position. Is "54" VERY Loud (ie..100+db) or is "54" equivalent to just basic background listening?

     

    Thanks

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