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    The Computer Audiophile

    High Resolution Audio Isn't Coming Soon From Apple

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    Any day now Apple will flip the switch and offer high resolution downloads. That's what many people have said over the years since Apple first began requesting high resolution material from record labels and artists. The reasons given for this high resolution switch flipping have been countless and reported incestuously (yes, this is the correct word I want to use). Some tech sites will do anything for an attention-grabbing headline, even if it means citing another site who cited a blogger with no credibility. Pretty soon these sites may even cite themselves accidentally by using links that go through a number of URL shortening services. What follows is my opinion, not citing any other site, third party, or anonymous source close to Apple. Some of us have opinions and aren't afraid to share them without hiding behind the veil of "this just in from one of my sources." I could be absolutely wrong, absolutely right, or somewhere in the middle with my reasoning. I know for sure I'll be right or wrong with my conclusion that high resolution audio isn't coming soon from Apple. I'll even go one step further and opine that Apple won't release high resolution downloads for purchase or even a lossless CD quality streaming subscription service in the next three to five years.[PRBREAK][/PRBREAK]

     

     

     

     

    The World's Most Valuable Company Can't Do Everything

     

     

    Apple has so much cash in its reserves it could likely attempt to do what ever it wants. As everyone knows attempting to do something is far from delivering a finished product. Apple could attempt to offer high resolution downloads for purchase or subscription streaming without putting a dent in its quarterly financial results. However, here are my seven reasons why the high resolution speculation has been incorrect and why high resolution downloads won't happen in the next three to five years, if ever.

     

     

     

    One. Wireless Carriers Don't Want High Resolution Downloads (Or Lossless CD Quality Streaming)

     

    Apple has a tight relationship with US wireless carriers such as AT&T, Verizon, and T-Mobile. These wireless carriers would be irate if Apple offered a service that increased the use of bandwidth by a factor of roughly ten for high resolution music downloads or streaming. Even if consumers were willing to pay for much more total throughput per month, the carriers' networks can't handle the increased data for high resolution downloads or even lossless CD quality streaming for as many customers as Apple could enroll. As an AT&T Wireless customer with an unlimited data plan (no longer offered) I receive text messages from AT&T when I've used 5GB of throughput each month saying my download speed will be throttled because I'm in the top 5% of wireless data users. This quasi-data cap is easy to hit when downloading lossless CD quality music let alone high resolution. Other companies such as WiMP and Qobuz can offer this streaming because there is no tight tie to a wireless carrier. Online retailers such as HDtracks can easily offer high resolution downloads because 99% of its customers download music from a home computer using wired Internet access, and the volume isn't nearly as large as Netflix who has recently paid off Internet service providers to stop limiting traffic to its customers. In addition, synchronizing iPhones with computers, if Apple high resolution downloads were offered and purchased via a wired computer, is yesterday's news. The vast majority of iPhone customers never connect the device to a computer, not even for updates, backup, or any other reason. Also, Apple is all about the user experience and seamless integration. There is no way the company would only enable high resolution downloads via WiFi or a wired home computer. Plus, Apple's main customers are iPhone users, as evidenced by the fact that it has sold 500 million iPhones, 200 million iPads, and its Macintosh install base is only 80 million.

     

     

    Two. Record Labels Want Control And Revenue Again

     

    Ever since Apple persuaded the record labels to allow it to sell music for $0.99 per lossy track and roughly $10 per lossy album, the labels gave up control and revenue. Apple has essentially owned the music business. Record labels have one last shot at retaining control and increasing revenue from purchased content. This shot comes from sales of high resolution music. The record labels aren't going to let Apple flip the high resolution switch until they have wrung every penny out of high resolution sales through non-iTunes avenues. If Apple were to offer high resolution downloads it would likely price them near $10-$12 per album and $2 per track. Apple wouldn't shock its customers with majorly increased prices. This low priced and per track purchasing scenario would be déjà vu for the labels. Rather than allowing Apple to sell this content per track and at such a reduced price, the labels are going through online retailers such as HDtracks, Qobuz, and HiResAudio. Prices from these retailers are much closer to $20 or more. It's likely the customers purchasing high resolution right now would have purchased this music from iTunes had it been available for almost half price. Thus, the labels are wringing out every penny while they can. The PonoMusic Store will also be a major bonus for the record labels. I believe the labels will benefit more from high resolution sales through PonoMusic than any other outlet. There is a very harmonious and tight relationship between PonoMusic and the labels.

     

     

    Three. Beats

     

    Apple purchased Beats for its streaming service. Period. Apple is now a streaming company. Period. Apple has needed a lossy streaming service for years. As Steve Jobs said, "If you don't cannibalize yourself, someone else will." Tim Cook should have heeded this advice and started a streaming service earlier, even though it would have cannibalized the iTunes purchasing business. iTunes Radio was a terrible attempt at boosting sales of purchased music. It failed and most people should have known it would fail. The Beats purchase is all about streaming. Apple is going to let its purchase model die a slow death as it attempts to migrate users to Beats. It's a no-brainer for users. Pay $10 per month for 25 million albums or $10 for a single album or $10 for six to ten tracks. Apple will have no trouble migrating users. Apple is a streaming company now. High resolution music doesn't make sense for its business model when considering its move to streaming and its aforementioned relationships with wireless carriers. Apple didn't buy Beats for the hardware. Apple could have created its own headphones by outsourcing the audio design to a great company like Sennheiser and having Jonny Ive design the look and feel of the devices. Apple has talked to well known engineers from high-end audio companies and dangled job opportunities in front of these engineers as well. Apple could have its own headphones and components easily. Apple didn't buy Beats for Jimmy Iovine or Andre Young (Dr. Dre). Dr. Dre doesn't even have a role at Apple. He isn't a company guy who is used to working for somebody. In fact, he said he'd do "as much as it takes" for Apple. Talk about a noncommittal answer and unenforceable agreement. Apple could have hired these guys for far less than $3 Billion dollars. It would also have made more sense for Jimmy and Dre to accept a huge signing bonus and the paycheck from Apple to work for the company, and continued to shop Beats around for a different $3 Billion dollar deal if the two wanted to sell. Or, just hang on to the company and collect from Apple and Beats. Maybe nobody else would have paid $3 Billion for Beats and the other companies rumored to be in the Beats sale discussions wouldn't have been interested without Jimmy and Dre. I don't know the answer to this one. In addition to this Apple purchased Beats for streaming because Beats gives it much needed Cloud credibility. Like it or not, Apple is a failure with its Cloud services and needs credibility. Remember Mobile Me? Steve Jobs admitted this was a failure. Think iCloud is the answer? After three years iCloud Document synchronization still doesn't work. Apple history shows they don't get the Cloud. In fact its Cloud based services thus far run on Microsoft Azure? Thus, Apple purchased Beats for the streaming service and this doesn't lend itself to offering high resolution music downloads or even CD quality streams.

    Note: It's entirely possible Apple purchased Beats to use up $3 Billion dollars. The company's shareholders have been clamoring for years about Apple returning money to them and using some of its huge cash reserve. The Beats acquisition could have been one way to take $3 Billion dollars off the shareholder discussion table. I believe this is a great additional reason for the Beats purchase rather than the sole reason. Apple has to do something with Beats. Apple can't just let it linger because it wanted to spend some money.

     

     

    Four. Apple Has The High Resolution Content Only Because It Can

     

    Apple has asked labels and artists for high resolution content, for its mastered for iTunes program, for several years. The company may have had an idea for high resolution offerings when it started collecting this content. However, I believe it's more likely Apple views it as simply better to have high resolution material in case you want it some day, even if there are no plans to use it. Thus, Apple doesn't have its massive internal library of high resolution content in order to flip the high resolution switch and begin offering this music to customers. A high resolution master in the hand, is worth two still at the record label.

     

     

    Five. Apple Isn't A Specs Company

     

    HTC recently released its new HTC One (M8) mobile phone and has been touting the ability to play 24 bit / 192 kHz music on the device. Apple doesn't care. Apple isn't a specs based company like all the companies selling Android devices. Apple has too many other selling points to worry about specs. Plus, specs aren't related to emotions. Apple sells by appealing to emotions much more than other tech companies. Beautiful looking devices, a genius bar, it just works, sleek looking iOS and OS X, etc… That is what Apple is all about, not touting chip specs as a major selling point. Apple doesn't even have specific model names for its computers other than something like Mac Book Pro retina mid 2012. Even though I'm typing on a Mac Book Pro version 10,1, most consumers will never know their Macs have such a number. How does this relate to high resolution downloads not coming soon? Apple won't increase music resolution to play the specs game if most of its customers don't care. Even if the iPhone 6 supports high resolution playback, this won't be an indication of anything other than Apple did it because Apple can or the chip the iPhone 6 will use likely doesn't come in a standard resolution version.

    Note: Apple certainly offered the upgrade to iTunes content several years ago, moving music from 128 kbps to iTunes Plus 256 kbps. This step wasn't about specs. It was about sound quality audible by a large percentage of Apple users. But due to the size of high resolution music and all the aforementioned reasons, there won't be an iTunes HD upgrade path.

     

     

    Six. Not Enough Apple Customers Care

     

    High resolution music takes longer to download, that's a fact. Switching from 4 MB downloads to 100 MB downloads will impact the user experience for something about which iTunes users don't care enough. The same can be said for lossless CD quality streaming. There can be a delay compared to lossy MP3 quality streaming. High resolution and CD quality lossless streaming is coming to the US already and Apple won't join in because its customers don't care. Its customers won't wait the extra few seconds to load the content. Apple customers may like quality, but the majority doesn’t like taking a step backward in convenience and usability.

     

     

    Seven. iTunes Doesn't Support Native Automatic Sample Rate Switching

     

    The shrinking percentage of mainstream Apple customers who still use iTunes on the desktop, rather than iOS device, wouldn't be happy to learn they purchased high resolution content, but it's being resampled to a different rate because iTunes was locked in to something like 44.1 kHz. Yes, Apple could enable auto sample rate switching, but that would go against its reasons for not offering this feature. Macs need to play all kinds of audio at all times. Apple won't give iTunes exclusive access to USB DAC audio output because it causes confusion with end users when no sound comes out from a different application. Without exclusive access the sample rate could be changed by any app playing any sound at any time. It doesn't appear that Apple wants to make a change to enable auto sample rate switching. This could / would have been done long ago. Resampling everything is just a simple way to do things for Apple.

     

     

    Conclusion

     

    Apple isn't going to flip the high resolution download switch. There are too many reasons why Apple won't offer these downloads, including but not limited to, wireless carrier push back, record label desire for control and revenue once again, and my belief that the Beats acquisition is all about streaming and so is Apple. Sure, some of my seven reasons are weaker than others, but nonetheless there is some validity to each of them. There are also counterpoints to be made to each of my reasons. As a lover of music and sound quality I hope I'm incorrect. However, I stand by my conclusion that Apple won't release high resolution downloads for purchase or even a lossless CD quality streaming subscription service in the next three to five years.

     

     

     

     

     

     

     

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    The PONO is coming this fall along with an increased demand for Hi-Rez audio...

    for a completely new audience, so whether it is Apple or HDTracks or HDNapster, the content will find it's way to the public.

     

    AT&T, Apple and other content providers should learn a lesson from the early days of pirated content and make it easy and affordable to get this content.

     

    BTW, the miniSD card may turn out to be the new CD. If the big boys don't find a way they may well leave the $$ on the sidewalk while the pirates rule the HD seas.

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    As a highly subjective article, this is a fun read. However, as someone who makes records for a living, I can tell you: Apple is going to offer 96k 24bit downloads, at some point in the future, probably when they have a significant catalog . How do I know this? Because I regularly deal with many of the world's top mastering engineers, and they tell me. Also, some of the albums I have worked on in the past were decently successful, and as a result, I have been contacted by artists who are trying to track down their master tapes so that they can remaster the album at 96k, expressly for this purpose. Everyone seems to be trying to keep it kind of quiet, but they aren't really trying very hard.

     

    So, yes, it's fun to talk about the good and bad points of iTunes, or to try and read the tea leaves in your glass, or you could just ask people who are making records. It's not even much of a secret at this point, so I'm kind of surprised to see so much conjecture.

    If I received a dollar for every time I've been told this is be retired on the beach. People have been saying this for so many years.

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    The PONO is coming this fall along with an increased demand for Hi-Rez audio...

    for a completely new audience, so whether it is Apple or HDTracks or HDNapster, the content will find it's way to the public.

     

    AT&T, Apple and other content providers should learn a lesson from the early days of pirated content and make it easy and affordable to get this content.

     

    BTW, the miniSD card may turn out to be the new CD. If the big boys don't find a way they may well leave the $$ on the sidewalk while the pirates rule the HD seas.

    Is AT&T a content provider?

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    That's for sure, I bet a lot of the "DAC"/ speaker/amp manufacturers would love to have a dead business product like the iPod.

    But Apple is far from the normal DAC manufacturer. When sales continue to slip 52% year over year it's time to cut one's losses.

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    BTW, the miniSD card may turn out to be the new CD. If the big boys don't find a way they may well leave the $$ on the sidewalk while the pirates rule the HD seas.

     

    SanDisk already tried this once with "slotMusic." I haven't seen any remnants of it lately so I assume it failed miserably.

     

    us_slotmusic_front.jpg

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    I suppose. Although if it was high res capable? Which would you want if they were equal in sound quality?

     

    [ATTACH=CONFIG]13260[/ATTACH]

     

    [ATTACH=CONFIG]13261[/ATTACH]

     

    Seeing as the iPod is 160GB as opposed to 128GB for the PONO.

     

    No contest, Pono wins this one. iPod 160 is a mechanical hard drive.

    It's Apple's closed system with no memory card swaps possible.

    I wouldn't buy a camera that worked this way.

     

    Other reasons? The form. Maybe the Pono will be a bit bulky to walk around with, that's not my intended use.

    On a table in a stereo setup, it's angled screen should work better than flat.

     

    And the interface will use a touch screen versus the rotary dial of the iPod.

     

    Assuming a good outcome with the audio portion, look at what you will not need for a good sound system.

    A computer, a DAC, and the cable between them (how much discussion is there on CA about just USB cables).

    And, all the other discussions regarding power supplies may be moot as well.

     

    This from a long time and current user of iPods in all flavors....

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    But Apple is far from the normal DAC manufacturer. When sales continue to slip 52% year over year it's time to cut one's losses.

     

    I just don't see Apple cutting iTunes not yet. And sure Apple is a lot bigger than all the Dac manufactures combined but it appears their main goal is challenge Samsung . Now if Apple fails at that then we see Apple cut ones losses and iTunes won't be the only item going. I see the Mac mini as a cut not to mention employes.

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    I just don't see Apple cutting iTunes not yet. And sure Apple is a lot bigger than all the Dac manufactures combined but it appears their main goal is challenge Samsung . Now if Apple fails at that then we see Apple cut ones losses and iTunes won't be the only item going. I see the Mac mini as a cut not to mention employes.

    I hear ya Mav.

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    I think there will be a time when Hi-Res makes sense for apple, I would expect it would be a necessary part of differentiating between streaming and downloadable content. Unfortunately I think this might be a case where there just aren't enough people who are interested in Hi-Res, and to be honest I can understand why. It also takes a very good system to show any real advantage in Hi-Res, and personally I don't see the new Apple Thunderbolt earphones being at anywhere near this level of fidelity. So if Apple starts supporting Hi-Res, but doesn't sell the gear capable of taking advantage of it, then they are kind of shooting themselves in the foot .

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    iTunes isn't going away because people still sync their iPhones and iPads to them.

     

    But Apples's stand-alone music player business is dwindling. Apparently the iPod Classic is no longer available as a refurb, which is the first sign of it dropping out of the supply chain. Not to mention the fact that it's the only model not to get upgraded with a Lightning port.

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    The PONO is coming this fall along with an increased demand for Hi-Rez audio...

    for a completely new audience, so whether it is Apple or HDTracks or HDNapster, the content will find it's way to the public.

     

    AT&T, Apple and other content providers should learn a lesson from the early days of pirated content and make it easy and affordable to get this content.

     

    BTW, the miniSD card may turn out to be the new CD. If the big boys don't find a way they may well leave the $$ on the sidewalk while the pirates rule the HD seas.

     

    The Pono got less than 20,000 people to sign up in a month. Apple has over 800,000,000 iTunes account holders. Do the math. Pono is only going to take some of the Astell & Kern marketshare, which is also VERY small in comparison. The number of people downloading 24 Bit files isn't that many. It's definitely about 1% of the market. Apple is probably the most likely candidate to actually get 24 Bit actually sold to the mass market, but there are two distinct reasons why it will be slow to adopt.

     

    1. Availability of content.

    2. Price.

     

    The masses barely pay $.99 or $1.29 a song now and it's less likely they'll pay twice that amount.

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    It's definitely about 1% of the market. Apple is probably the most likely candidate to actually get 24 Bit actually sold to the mass market, but there are two distinct reasons why it will be slow to adopt.

     

    1. Availability of content.

    2. Price.

     

    The masses barely pay $.99 or $1.29 a song now and it's less likely they'll pay twice that amount.

     

    Maybe I'm being naive, but I still think that hi-res could take off with the right marketing. The going rate for new releases on vinyl these days seems to be about $25, and people are apparently more than happy to pay that. I'd much rather pay $18 for 24/96 myself.

     

    I don't know how the vinyl industry managed to convince everyone and his mother that "analog always sounds better than digital," but the message certainly seems to have stuck. I've even seen people touting the sonic benefits of cassette tapes because they are analog.

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    No it doesn't. You're thinking of something else.

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    T-Mobile will do almost anything to get customers now. It's has been close to death and acquisition many times including right now with sprint.

     

    Doesnt sway my opinion :~)

     

    Other carriers in Europe do similar things: here in the UK, with certain contracts, I can stream free from Deezer; other countries give free Spotify streaming, and it doesn't affect your data. Don't just look at the US to see how the carriers act; often the innovations are tested in Europe first (such as a carrier here planning to offer wifi calls for areas with poor cell coverage).

     

    Kirk

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    The iPod is done. People used to use them everywhere. I haven't seen one in the wild for a couple years. It's all about iPhone and iPad now.

     

    I still see people running with them. I wouldn't know what devices people are using when I see someone walking around with headphones and a device in their pocket though.

     

    Kirk

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    But Apple is far from the normal DAC manufacturer. When sales continue to slip 52% year over year it's time to cut one's losses.

     

    It's not a fair comparison. Much of the drop in iPod sales is going to iPhones and iPads. I think we need to think of the iPhone as an iPod that makes phone calls, not a totally different device.

     

    Kirk

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    iTunes isn't going away because people still sync their iPhones and iPads to them.

     

    But Apples's stand-alone music player business is dwindling. Apparently the iPod Classic is no longer available as a refurb, which is the first sign of it dropping out of the supply chain. Not to mention the fact that it's the only model not to get upgraded with a Lightning port.

     

    A minor quibble, but the iPod shuffle doesn't have a lightning port either.

     

    Kirk

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    It's not a fair comparison. Much of the drop in iPod sales is going to iPhones and iPads. I think we need to think of the iPhone as an iPod that makes phone calls, not a totally different device.

     

    Kirk

    I disagree.

     

    The iPod is dead.

     

    The iPhone is what Apple cares about.

     

    They are two different products.

     

    The iPod is dead due to the iPhone.

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    Other carriers in Europe do similar things: here in the UK, with certain contracts, I can stream free from Deezer; other countries give free Spotify streaming, and it doesn't affect your data. Don't just look at the US to see how the carriers act; often the innovations are tested in Europe first (such as a carrier here planning to offer wifi calls for areas with poor cell coverage).

     

    Kirk

    I get my lossless streaming from Norway (WiMP). I do watch what's going on in several other countries.

     

    I get my Beats subscription through AT&T Wireless. Lossy content is fine with AT&T.

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    Maybe I'm being naive, but I still think that hi-res could take off with the right marketing. The going rate for new releases on vinyl these days seems to be about $25, and people are apparently more than happy to pay that. I'd much rather pay $18 for 24/96 myself.

     

    I don't know how the vinyl industry managed to convince everyone and his mother that "analog always sounds better than digital," but the message certainly seems to have stuck. I've even seen people touting the sonic benefits of cassette tapes because they are analog.

    The analog uptick in sales is because vinyl is in fashion right now. Very little to do with sound quality for the majority of consumers.

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    Oh, I agree that the vinyl resurgence is a fad. I even know people who collect vinyl and don't even own turntables; but I still wish I had a nickel for every person that has robotically repeated to me that vinyl always sounds best because it is analog.

     

    If only 24/96 could become the next fad...

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    If I received a dollar for every time I've been told this is be retired on the beach. People have been saying this for so many years.

     

    Really? I must be in a very different circle. I never hear this from friends or relatives. Only on blogs or maybe at a very specialized hifi show. Even the clients I work with are mostly oblivious to the rumors. Except of course the few fringe high end customers.

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    Is AT&T a content provider?

     

    At least video, with their purchase of DirecTV. Audio, not yet that I know of; for the future, anyone's guess. After all, they do sell smartphones and charge folks for the data and pipes, so it might make sense.

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