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    The Computer Audiophile

    High Resolution Audio Isn't Coming Soon From Apple

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    Any day now Apple will flip the switch and offer high resolution downloads. That's what many people have said over the years since Apple first began requesting high resolution material from record labels and artists. The reasons given for this high resolution switch flipping have been countless and reported incestuously (yes, this is the correct word I want to use). Some tech sites will do anything for an attention-grabbing headline, even if it means citing another site who cited a blogger with no credibility. Pretty soon these sites may even cite themselves accidentally by using links that go through a number of URL shortening services. What follows is my opinion, not citing any other site, third party, or anonymous source close to Apple. Some of us have opinions and aren't afraid to share them without hiding behind the veil of "this just in from one of my sources." I could be absolutely wrong, absolutely right, or somewhere in the middle with my reasoning. I know for sure I'll be right or wrong with my conclusion that high resolution audio isn't coming soon from Apple. I'll even go one step further and opine that Apple won't release high resolution downloads for purchase or even a lossless CD quality streaming subscription service in the next three to five years.[PRBREAK][/PRBREAK]

     

     

     

     

    The World's Most Valuable Company Can't Do Everything

     

     

    Apple has so much cash in its reserves it could likely attempt to do what ever it wants. As everyone knows attempting to do something is far from delivering a finished product. Apple could attempt to offer high resolution downloads for purchase or subscription streaming without putting a dent in its quarterly financial results. However, here are my seven reasons why the high resolution speculation has been incorrect and why high resolution downloads won't happen in the next three to five years, if ever.

     

     

     

    One. Wireless Carriers Don't Want High Resolution Downloads (Or Lossless CD Quality Streaming)

     

    Apple has a tight relationship with US wireless carriers such as AT&T, Verizon, and T-Mobile. These wireless carriers would be irate if Apple offered a service that increased the use of bandwidth by a factor of roughly ten for high resolution music downloads or streaming. Even if consumers were willing to pay for much more total throughput per month, the carriers' networks can't handle the increased data for high resolution downloads or even lossless CD quality streaming for as many customers as Apple could enroll. As an AT&T Wireless customer with an unlimited data plan (no longer offered) I receive text messages from AT&T when I've used 5GB of throughput each month saying my download speed will be throttled because I'm in the top 5% of wireless data users. This quasi-data cap is easy to hit when downloading lossless CD quality music let alone high resolution. Other companies such as WiMP and Qobuz can offer this streaming because there is no tight tie to a wireless carrier. Online retailers such as HDtracks can easily offer high resolution downloads because 99% of its customers download music from a home computer using wired Internet access, and the volume isn't nearly as large as Netflix who has recently paid off Internet service providers to stop limiting traffic to its customers. In addition, synchronizing iPhones with computers, if Apple high resolution downloads were offered and purchased via a wired computer, is yesterday's news. The vast majority of iPhone customers never connect the device to a computer, not even for updates, backup, or any other reason. Also, Apple is all about the user experience and seamless integration. There is no way the company would only enable high resolution downloads via WiFi or a wired home computer. Plus, Apple's main customers are iPhone users, as evidenced by the fact that it has sold 500 million iPhones, 200 million iPads, and its Macintosh install base is only 80 million.

     

     

    Two. Record Labels Want Control And Revenue Again

     

    Ever since Apple persuaded the record labels to allow it to sell music for $0.99 per lossy track and roughly $10 per lossy album, the labels gave up control and revenue. Apple has essentially owned the music business. Record labels have one last shot at retaining control and increasing revenue from purchased content. This shot comes from sales of high resolution music. The record labels aren't going to let Apple flip the high resolution switch until they have wrung every penny out of high resolution sales through non-iTunes avenues. If Apple were to offer high resolution downloads it would likely price them near $10-$12 per album and $2 per track. Apple wouldn't shock its customers with majorly increased prices. This low priced and per track purchasing scenario would be déjà vu for the labels. Rather than allowing Apple to sell this content per track and at such a reduced price, the labels are going through online retailers such as HDtracks, Qobuz, and HiResAudio. Prices from these retailers are much closer to $20 or more. It's likely the customers purchasing high resolution right now would have purchased this music from iTunes had it been available for almost half price. Thus, the labels are wringing out every penny while they can. The PonoMusic Store will also be a major bonus for the record labels. I believe the labels will benefit more from high resolution sales through PonoMusic than any other outlet. There is a very harmonious and tight relationship between PonoMusic and the labels.

     

     

    Three. Beats

     

    Apple purchased Beats for its streaming service. Period. Apple is now a streaming company. Period. Apple has needed a lossy streaming service for years. As Steve Jobs said, "If you don't cannibalize yourself, someone else will." Tim Cook should have heeded this advice and started a streaming service earlier, even though it would have cannibalized the iTunes purchasing business. iTunes Radio was a terrible attempt at boosting sales of purchased music. It failed and most people should have known it would fail. The Beats purchase is all about streaming. Apple is going to let its purchase model die a slow death as it attempts to migrate users to Beats. It's a no-brainer for users. Pay $10 per month for 25 million albums or $10 for a single album or $10 for six to ten tracks. Apple will have no trouble migrating users. Apple is a streaming company now. High resolution music doesn't make sense for its business model when considering its move to streaming and its aforementioned relationships with wireless carriers. Apple didn't buy Beats for the hardware. Apple could have created its own headphones by outsourcing the audio design to a great company like Sennheiser and having Jonny Ive design the look and feel of the devices. Apple has talked to well known engineers from high-end audio companies and dangled job opportunities in front of these engineers as well. Apple could have its own headphones and components easily. Apple didn't buy Beats for Jimmy Iovine or Andre Young (Dr. Dre). Dr. Dre doesn't even have a role at Apple. He isn't a company guy who is used to working for somebody. In fact, he said he'd do "as much as it takes" for Apple. Talk about a noncommittal answer and unenforceable agreement. Apple could have hired these guys for far less than $3 Billion dollars. It would also have made more sense for Jimmy and Dre to accept a huge signing bonus and the paycheck from Apple to work for the company, and continued to shop Beats around for a different $3 Billion dollar deal if the two wanted to sell. Or, just hang on to the company and collect from Apple and Beats. Maybe nobody else would have paid $3 Billion for Beats and the other companies rumored to be in the Beats sale discussions wouldn't have been interested without Jimmy and Dre. I don't know the answer to this one. In addition to this Apple purchased Beats for streaming because Beats gives it much needed Cloud credibility. Like it or not, Apple is a failure with its Cloud services and needs credibility. Remember Mobile Me? Steve Jobs admitted this was a failure. Think iCloud is the answer? After three years iCloud Document synchronization still doesn't work. Apple history shows they don't get the Cloud. In fact its Cloud based services thus far run on Microsoft Azure? Thus, Apple purchased Beats for the streaming service and this doesn't lend itself to offering high resolution music downloads or even CD quality streams.

    Note: It's entirely possible Apple purchased Beats to use up $3 Billion dollars. The company's shareholders have been clamoring for years about Apple returning money to them and using some of its huge cash reserve. The Beats acquisition could have been one way to take $3 Billion dollars off the shareholder discussion table. I believe this is a great additional reason for the Beats purchase rather than the sole reason. Apple has to do something with Beats. Apple can't just let it linger because it wanted to spend some money.

     

     

    Four. Apple Has The High Resolution Content Only Because It Can

     

    Apple has asked labels and artists for high resolution content, for its mastered for iTunes program, for several years. The company may have had an idea for high resolution offerings when it started collecting this content. However, I believe it's more likely Apple views it as simply better to have high resolution material in case you want it some day, even if there are no plans to use it. Thus, Apple doesn't have its massive internal library of high resolution content in order to flip the high resolution switch and begin offering this music to customers. A high resolution master in the hand, is worth two still at the record label.

     

     

    Five. Apple Isn't A Specs Company

     

    HTC recently released its new HTC One (M8) mobile phone and has been touting the ability to play 24 bit / 192 kHz music on the device. Apple doesn't care. Apple isn't a specs based company like all the companies selling Android devices. Apple has too many other selling points to worry about specs. Plus, specs aren't related to emotions. Apple sells by appealing to emotions much more than other tech companies. Beautiful looking devices, a genius bar, it just works, sleek looking iOS and OS X, etc… That is what Apple is all about, not touting chip specs as a major selling point. Apple doesn't even have specific model names for its computers other than something like Mac Book Pro retina mid 2012. Even though I'm typing on a Mac Book Pro version 10,1, most consumers will never know their Macs have such a number. How does this relate to high resolution downloads not coming soon? Apple won't increase music resolution to play the specs game if most of its customers don't care. Even if the iPhone 6 supports high resolution playback, this won't be an indication of anything other than Apple did it because Apple can or the chip the iPhone 6 will use likely doesn't come in a standard resolution version.

    Note: Apple certainly offered the upgrade to iTunes content several years ago, moving music from 128 kbps to iTunes Plus 256 kbps. This step wasn't about specs. It was about sound quality audible by a large percentage of Apple users. But due to the size of high resolution music and all the aforementioned reasons, there won't be an iTunes HD upgrade path.

     

     

    Six. Not Enough Apple Customers Care

     

    High resolution music takes longer to download, that's a fact. Switching from 4 MB downloads to 100 MB downloads will impact the user experience for something about which iTunes users don't care enough. The same can be said for lossless CD quality streaming. There can be a delay compared to lossy MP3 quality streaming. High resolution and CD quality lossless streaming is coming to the US already and Apple won't join in because its customers don't care. Its customers won't wait the extra few seconds to load the content. Apple customers may like quality, but the majority doesn’t like taking a step backward in convenience and usability.

     

     

    Seven. iTunes Doesn't Support Native Automatic Sample Rate Switching

     

    The shrinking percentage of mainstream Apple customers who still use iTunes on the desktop, rather than iOS device, wouldn't be happy to learn they purchased high resolution content, but it's being resampled to a different rate because iTunes was locked in to something like 44.1 kHz. Yes, Apple could enable auto sample rate switching, but that would go against its reasons for not offering this feature. Macs need to play all kinds of audio at all times. Apple won't give iTunes exclusive access to USB DAC audio output because it causes confusion with end users when no sound comes out from a different application. Without exclusive access the sample rate could be changed by any app playing any sound at any time. It doesn't appear that Apple wants to make a change to enable auto sample rate switching. This could / would have been done long ago. Resampling everything is just a simple way to do things for Apple.

     

     

    Conclusion

     

    Apple isn't going to flip the high resolution download switch. There are too many reasons why Apple won't offer these downloads, including but not limited to, wireless carrier push back, record label desire for control and revenue once again, and my belief that the Beats acquisition is all about streaming and so is Apple. Sure, some of my seven reasons are weaker than others, but nonetheless there is some validity to each of them. There are also counterpoints to be made to each of my reasons. As a lover of music and sound quality I hope I'm incorrect. However, I stand by my conclusion that Apple won't release high resolution downloads for purchase or even a lossless CD quality streaming subscription service in the next three to five years.

     

     

     

     

     

     

     

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    iTunes users spend an average of $12 per year on music:

     

    iTunes users spend a lot on apps and music, not so much on ebooks (chart) — Tech News and Analysis

     

    However, this is around the world, including a lot of countries with a lot of people where the cost of living is much lower than in the major western countries.

     

    But, if you can get 1/10 of those users to spend $10 a month, that's a lot of money indeed.

     

    Kirk

    The headline figure is interesting but not very useful.

     

    First off, I suspect there are lots of Apple IDs with zero purchases of music - I wonder what "average" we get if we eliminate these.

     

    Even within those IDs where some music is purchased; there will be many where there is perhaps 1 or 2 album a year sold.

     

    Eloise

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    This is the SACD story (in a different guise) all over again...

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    And it's depressing. It really is.

     

    I'm fed up trying to bash my head against a brick wall with streaming DSD and HiRez..

     

    It's actually easy to stream these files. It really is. It's just nobody in industry gives a rats to bring it all together...

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    But Apple is not the only ones to blame here.. Sonos is a huge culprit. For their blatant neglect of Hirez formats. As is Linn: For not placing enough emphasis and throwing enough capital at doing the *software* side properly.. I'm over it frankly..

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    Of course they won't be interested in selling hi-rez. If the world is happy drinking horse-piss and you can sell it to them, why try to convert them to vintage wine.

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    And it's depressing. It really is.

     

    I'm fed up trying to bash my head against a brick wall with streaming DSD and HiRez..

     

    It's actually easy to stream these files. It really is. It's just nobody in industry gives a rats to bring it all together...

     

    Patience grasshopper. I am on my patio right now listening to (supposedly) crappy music streaming from Pandora and digging it. Sure it's through less than high fidelity outdoor speakers but in the moment, the sun streaming through the trees, the birds chirping, the calm of (finally!) a summers eve so sweet, listening to Pat Metheny Trio plying their magic sounds sublime.

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    Patience grasshopper. I am on my patio right now listening to (supposedly) crappy music streaming from Pandora and digging it. Sure it's through less than high fidelity outdoor speakers but in the moment, the sun streaming through the trees, the birds chirping, the calm of (finally!) a summers eve so sweet, listening to Pat Metheny Trio plying their magic sounds sublime.

     

    Well exactly. That is precisely what I do. When I want to listen to music, I listen to 16 bit (because it's easy to do). When I want to play computer geek, I switch over to 24 bit and DSD.. Sad but true. That is the reality of where we are at with all this right now :)

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    Well exactly. That is precisely what I do. When I want to listen to music, I listen to 16 bit (because it's easy to do). When I want to play computer geek, I switch over to 24 bit and DSD.. Sad but true. That is the reality of where we are at with all this right now :)

     

    It feels so easy to me.

    I've never felt like hifi was ever easier than it is right now.

    I was reminiscing as I sat listening and choosing music how difficult it used to be to pipe music in different areas and then go and flip the record when it ended! Crazy convenience at our fingertips now.

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    Macs default to 16/44.1, but you can change this in the Audio-MIDI Setup app, which most users don't even know exists.

     

    Kirk

    Hi- If you do that the music speeds up and sounds like 'The Chipmunks' AND other times it sounds better, but it is annoying. bobbmd

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    Very Nice Job Chris!

    I have been feeling your thoughts ever since BM(an apt acronym,eh?) purchased MOG and shuddered when Apple bought BM(BM(and Apple) don't care about 'US', only care about people who listen on i-devices) and you confirmed my feelings- i now only listen to HiFi Qobuz and my aiff ripped discs on stored in iTUNES(UGH)-16bits/44.1kHz LOSSLESS FLAC(Qobuz) is great sound for me. I have been 'raving' to the idiots at BM for 6 months about their web browser-its next to unusable and as great as their 'support team' is or was they were too young- some didn't know who The Dead were(or Phish for that matter) and their selection of 'Intros' to The Dead and the Stones didn't include 'Ripple' or 'Sweet Virginia'-that says a lot right there. Neither of them care about sound or us ol'farts who listen at home and just want great sound.

    Your article was very well put thankyou.bobbmd

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    Have you never heard of the argument it's better to have 25% of a £1,000,000,000 business than 100% of a £1,000,000 business?

     

    Have you never heard the record companies whine, after someone else (Apple) took their 100% of a £1,000,000 business and turned it into a £1,000,000,000 business, that the £1,000,000,000 business could and should have been theirs, all theirs? That's the point of Chris's Point Two: The record companies have convinced themselves it wasn't Apple. Someone making jillions from downloads was inevitable and it should have been them, never Apple, and if they'd just hung on to all their own music, they would've been iTunes, dammit! So it will be a cold day in hell before you see them turn over the family jewels to Apple again.

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    Have you never heard the record companies whine, after someone else (Apple) took their 100% of a £1,000,000 business and turned it into a £1,000,000,000 business, that the £1,000,000,000 business could and should have been theirs, all theirs? That's the point of Chris's Point Two: The record companies have convinced themselves it wasn't Apple. Someone making jillions from downloads was inevitable and it should have been them, never Apple, and if they'd just hung on to all their own music, they would've been iTunes, dammit! So it will be a cold day in hell before you see them turn over the family jewels to Apple again.

     

    Yeah, they'd rather go broke again. Of course the other side of the coin is that Apple also basically saved the industry when iTunes came out. They were dead in the water with no oars and sinking fast with the torrent of free music that was available.

     

    Now here we are with streaming and "radio" services and on demand music exploding and the labels are caught watching and scratching their heads once again. Afraid the song's been sung already or as Jimmy Lovine says in an interview, "that joke has already been told". High resolution anything that is related to music will not save anyone in the industry. The profit ship has already sailed. See that "Mastered for iTunes" stamp on new recordings offered by Apple? Think that's just a sales gimmick? It's already a done deal. Not only that but I think Jimmy Lovine knew this when Apple came a knocking. Who will care if their music is 24/44 or 24/192 as long as it is "better" than what is offered now? Maybe 1% or less of the music listening customers?

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    Yeah, they'd rather go broke again. Of course the other side of the coin is that Apple also basically saved the industry when iTunes came out. They were dead in the water with no oars and sinking fast with the torrent of free music that was available.

     

    Now here we are with streaming and "radio" services and on demand music exploding and the labels are caught watching and scratching their heads once again. Afraid the song's been sung already or as Jimmy Lovine says in an interview, "that joke has already been told". High resolution anything that is related to music will not save anyone in the industry. The profit ship has already sailed. See that "Mastered for iTunes" stamp on new recordings offered by Apple? Think that's just a sales gimmick? It's already a done deal. Not only that but I think Jimmy Lovine knew this when Apple came a knocking. Who will care if their music is 24/44 or 24/192 as long as it is "better" than what is offered now? Maybe 1% or less of the music listening customers?

     

    It's spelled iovine :~)

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    It's spelled iovine :~)

     

    Yeah, caught that but you commented before I could edit it!

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    Apple's customers listen to music on Iphones with white earbuds. The sound quality is good enough to get the information of the music across. There is not significant demand for hi-rez; there is not even much demand for CD quality files.

     

    If there were a demand that would make money, Apple or someone would figure out a way to provide a full supply.

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    It's spelled iovine :~)

     

    I thought it was McLovin? ;)

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    Yeah, they'd rather go broke again. Of course the other side of the coin is that Apple also basically saved the industry when iTunes came out. They were dead in the water with no oars and sinking fast with the torrent of free music that was available.

     

     

    Right, which is exactly what they've conveniently edited from their collective memories now as the business begins to stagnate again. Though the basis for stagnation actually has less to do with their business decisions at this point and more to do with the lack of compelling musicians who will speak to this generation as the Beatles did to mine. Right now we seem to be in something similar to the late 50s-early 60s slough when "artists" were essentially pretty-boy and pretty-girl marketing confections. Look at the best selling songs and most of them come from movie soundtracks - marketing. Right now there are songs marketing can make people want to buy, but there's no music important enough that people *need* to hear it. Until there is, I don't think the numbers will pick up appreciably.

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    Right, which is exactly what they've conveniently edited from their collective memories now as the business begins to stagnate again. Though the basis for stagnation actually has less to do with their business decisions at this point and more to do with the lack of compelling musicians who will speak to this generation as the Beatles did to mine. Right now we seem to be in something similar to the late 50s-early 60s slough when "artists" were essentially pretty-boy and pretty-girl marketing confections. Look at the best selling songs and most of them come from movie soundtracks - marketing. Right now there are songs marketing can make people want to buy, but there's no music important enough that people *need* to hear it. Until there is, I don't think the numbers will pick up appreciably.

     

    Good call. That resonates with a comment Mr Iovine made in an interview about how much an artist has to say and that NOBODY has 16 songs worth to put on an album.

    My 15 yr old son has started collecting current Pop Punk eps (forgot how nice those were) which have 4-5 songs on them and they seem to speak to a disaffected portion of the youth of today. Either that or he just digs the cool labels and fold outs!

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    Hmmm..... I'm going to have to disagree about the overall quality of today's music being inferior to that of ths 60's and 70's. In terms of the quality of the music, I think the situation is better today than it was in the 60's and 70's.

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    Hmmm..... I'm going to have to disagree about the overall quality of today's music being inferior to that of ths 60's and 70's. In terms of the quality of the music, I think the situation is better today than it was in the 60's and 70's.

     

    I'm not qualified to speak to the "overall quality" of any era's music. My remarks were geared more to the thought that among today's best-selling musicians I don't personally see someone whose music is as meaningful to this generation as The Beatles and Dylan were to mine. But I don't say this from the standpoint of wanting to be correct, and I'd be delighted to learn from anyone about candidates (here or in other threads like Album of the Evening).

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    Interesting article, I've been skeptical of the hi-res move from Apple myself. They can't even get together the iWatch or iTV that have been talked about for years in the rumor mills. I just personally don't think there is enough interest, everyone I talk to about hi-res literally knows nothing about it, only on audio circles like this or Head-Fi is it even really understood, most people could just care less unfortunately and will buy whatever is cheapest, whether it's streaming services like Spotify or cheaper lossy iTunes downloads.

     

    I think it's a matter of when they plan on releasing products with built-in 24 Bit DACs.

     

    One thing I saw months ago was that Daniel Hertz was going to start selling his M8 and M9 products through Apple Stores. This is a $7,000 system and that I heard that his system won't be shipping until Oct time frame. I don't if that's a coincidence or not, but it would make sense that it was.

     

    Now, typically Apple has refreshed the iPod lineup in Sept/Oct, but last year they didn't do this. Maybe Apple is planning on this type of refresh.

     

    I would personally think that Apple, MIGHT (I'm not saying they WILL because I don't know), but it's possible that if they are going to turn on 24 Bit files this year, it'll be done in Sept./Oct and that there should be at least one hardware announcement of a music listening device that has a 24 Bit DAC internally and that would have to be an iPod (Touch) at minimum. I just thought that expecting it at WWDC is the wrong time frame. Yeah, it would be nice, but I think when they decide to release it, it'll be more of a Sept/Oct thing just before Christmas.

     

    One thing is Apple's not reliant on 24Bit file sales rescuing Apple iTunes. It's more of a "guess what we have?" type product rather than a "The biggest revolution since the iPod type of product". For it to make sense for Apple to go 24 Bit, they would have to have hardware that plays 24 Bit files right out of the gate.

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    1. That's a valid point of high res streaming impacting the Cellular carriers. I don't know if high res will only be restricted to downloading through WiFi/traditional ISP and not be allowed through cellular data.

    2. That's got nothing to do with it. They need revenue any way they can get it and releasing 24 Bit for ITunes would help bring more revenue from the masses, but it's a little more complicated than that. It's called how fast can they pump out remastered content? They are only releasing a small handful of stuff for everyone else and that's not that much. So, from Apple's perspective, I would think that they would want a MUCH higher number of remastered content happening a LOT faster than it is.

     

    3. Beats has nothing to do with 24 Bit on their streaming service. that's just for people that want to pay for basically a radio service and that'll just be restricted to 16 Bit for a long time. It's not a big deal to change the s/w and release 24 Bit when they get to that point, but I don't think Beats is the reason why Apple hasn't released 24 Bit file downloads.

     

    4. Probably collecting it until it reaches a big enough level so when they do release it, they already have a bunch of content to actually sell. Nothing worse than announcing something and there's nothing to sell.

     

    5. Apple is a specs company when they CAN be a specs company. I think for some things they are ahead of the curve and some things not. They did release 24 Bit ARM tablets/smartphones a long time before anyone else. But I think the 24 Bit situation is much more complex. HTC has it because to them, it's just releasing h/w, HTC doesn't have a music service unless they were planning on Beats being that Music service and things just fell apart as a result. HTC is grasping for sales so they kind of have to add functionality to set them apart, so they decided to release 24 Bit h/w now instead of a 64 Bit Processor first. Apple decided to release a 64 Bit processor before a 24 Bit internal DAC. HTC doesn't have a music download site to content with. But I don't see HTC spending a lot of money promoting this fact.

     

    6. I don't think that's as big of a part of it. It's just not viewed AS important right now. When Apple does flip the switch, depending on how great their lossy version sounds compared to lossless, Apple may capture the majority of high res sales and force a lot of these others to right out of business. That's what some might view this as.

     

    7. Making iTunes automatically switch is a trivial problem, since Apple doesn't ship anything with 24 Bit internal DACs, it's not high up on the priority list to change. The 3rd party crowd like BitPerfect, Amarra, PureMusic, Audirvana, and JRiver do this and people that listen to 24 Bit will buy these s/w apps for automatically switching as one of the many reasons. I think it's not a reason why they aren't bringing out 24 Bit files. I think it's more of they aren't fixing it until they release h/w with 24 Bit internal DACs is more like it.

     

    Conclusion. I think it's safer to say they are going to flip the switch, but it may/may not be this year. If they do flip the switch, it'll probably be Sept/Oct this year at the soonest, but it may be held off until next year.

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    Hi Chris,

     

    I agree with all of your points. When it comes to lossless streaming, I think it was you who said that the founder of MOG said he would have had to charge $30 per month to satisfy the studios. This is pretty much what Qobuz and WiMP get when converted to US dollars. Apple would never do this. The market would be too small, it would have to be limited to home high-speed connections and it would cannibalize Beats. I think they will just leave it to Qobuz, WiMP and a few others until they see real money in doing it. Pono should be doing it on a limited basis to drive purchases from their store. One thing we have to remember is that to the majority of listeners out there, CD quality is hi-res. Great article

     

    When did Apple start selling Lossless downloads in the first place? AAC is lossy. I would be interested in seeing how their AAC 24 Bit files will sound in comparison to AIFF/FLAC/ALAC 24 Bit files that everyone else sells.

     

    I think it's partly amassing a large enough chest of 24 Bit files. Having a couple of thousand albums on iTunes at 24 Bit is SMALL, that won't put any major dent in iTunes, maybe they are waiting to have a couple of HUNDRED thousand albums before they flip the switch. The number of albums on HD Tracks is Boutique level, that's not going to get Apple's upper management excited. Having 1 Million 24 Bit files ready to download is a little more enticing. And how many 24 Bit files are there on HD Tracks? A thousand? Two Thousand? Ten Thousands? That's chump change. Plus, with Apple's model, they like selling individual songs whereas HDTracks, etc. sells mostly complete albums. Which makes more sense from a revenue perspective. Plus, right now, they have to constantly discount 24 Bit files to at least 10% to 15% off, so that makes me think they are charging too much.

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    I think it's a matter of when they plan on releasing products with built-in 24 Bit DACs.

     

    One thing I saw months ago was that Daniel Hertz was going to start selling his M8 and M9 products through Apple Stores. This is a $7,000 system and that I heard that his system won't be shipping until Oct time frame. I don't if that's a coincidence or not, but it would make sense that it was.

     

    Now, typically Apple has refreshed the iPod lineup in Sept/Oct, but last year they didn't do this. Maybe Apple is planning on this type of refresh.

     

    I would personally think that Apple, MIGHT (I'm not saying they WILL because I don't know), but it's possible that if they are going to turn on 24 Bit files this year, it'll be done in Sept./Oct and that there should be at least one hardware announcement of a music listening device that has a 24 Bit DAC internally and that would have to be an iPod (Touch) at minimum. I just thought that expecting it at WWDC is the wrong time frame. Yeah, it would be nice, but I think when they decide to release it, it'll be more of a Sept/Oct thing just before Christmas.

     

    One thing is Apple's not reliant on 24Bit file sales rescuing Apple iTunes. It's more of a "guess what we have?" type product rather than a "The biggest revolution since the iPod type of product". For it to make sense for Apple to go 24 Bit, they would have to have hardware that plays 24 Bit files right out of the gate.

     

    The thought of a "new" iPod is an intriguing prospect. Make it cool, able to play 24 bit music, herald it as the latest in portable music listening, pair it with Beats headphones, give it wifi so you could purchase right to it. At the same time refresh the iTunes Store with 24 bit music and make a real splash with commercials, ads, etc. aimed at a young audience. The iPod, along with iTunes, turned Apple around. Making it into a big deal with both new hardware AND better sounding music would reintroduce Apple as the coolest kids in the class again. What are the latest iPods capicity, 160GB? That is a lot of high res files. The iPod still has a page on Apple's website all by it's lonesome making me believe it's not dead yet.

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    Chris,

     

    Here's something that negates your opinion that the mobile carriers are against high-resolution streaming:

     

    T-Mobile gives Subscribers Free Music Streaming for iTunes Radio, More - The Mac Observer

     

    T-Mobile is offering to its clients to not count the data they use when streaming music. My guess is that this will become a common loss-leader for mobile phone operators. Given that only a tiny handful of people would ever want to stream high-res music, it's clear that it's not going to bother carriers.

     

    Kirk

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